Scoob!

 Scoob! (2020)

Featuring the vocal talents of Will Forte, Zac Efron, Amanda Seyfried, Gina Rodriguez, Mark Wahlberg, Jason Isaacs, Kiersey Clemons, Ken Jeong, Tracy Morgan, and Frank Welker

Directed by Tony Cervone

Written by Adam Sztykiel, Jack C. Donaldson, Derek Elliott, and Mattt Lieberman

Click here for my Letterboxd review

The RyMickey Rating: D-

All the Money in the World

All the Money in the World (2017)

Starring Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer, and Romain Durais

Directed by Ridley Scott

Written by David Scarpa

Summary (in 500 words or less):  Sixteen year-old John Paul Getty III (Charlie Plummer) is the grandson of the richest man in the world.  When he is kidnapped by members of an Italian crime ring,  his captors demand a ransom of $17 million which his mother Gail (Michelle Williams) assumes will be paid by her former father-in-law (Christopher Plummer).  However, John Paul Getty refuses to part with any of his money, leading to a family face-off.

Undoubtedly an intriguing story anchored by a strong, emotional performance by Michelle Williams, <em>All the Money in the World</em> doesn't quite work in large part because of some pacing issues that hamper it.  

Click here for my Letterboxd review

The RyMickey Rating: C+ 

Movie Review - Deepwater Horizon

Deepwater Horizon (2016)

Starring Mark Wahlberg, Kurt Russell, John Malkovich, Gina Rodriguez, Dylan O'Brien, and Kate Hudson

Directed by Peter Berg

Forty-one miles off the Louisiana coastline in April 2010, the oil rig Deepwater Horizon is preparing to begin drilling into the ocean floor for BP.  However, BP executives wish to forego some important safety tests and, in the midst of prepping the drill, a catastrophic series of events occurs, wreaking an enormous amount of damage on the Deepwater Horizon, the Gulf of Mexico, and the workers on the rig, eleven of whom died on that fateful day.

Thus is the true story of Deepwater Horizon, director Peter Berg's depiction of the biggest oil spill in US history.  Although there are certainly some big name stars in this -- Mark Wahlberg, Kurt Russell, John Malkovich, Kate Hudson -- this isn't a movie where "characters" really matter.  Sure, we're introduced to Wahlberg's electronics technician Mike Williams and his caring and doting wife (Hudson), but his character along with Russell's rig supervisor Jimmy Harrell and Gina Rodriguez's navigation officer Andrea Fleytas are nothing more than nondescript entities who are simply a conduit for the audience to bear witness to the horrors that unfolded.

Ultimately, that's the biggest issue with Deepwater Horizon as a film -- Berg is more interested in upping the ante when it comes to the action than dealing with the human side of things.  Sure, the BP guys are the big baddies, but their manipulative business acumen is never really explored.  Similarly, for the "good guys," there's minimal backstory and what little there is you almost wish Berg had left out because of its stereotypical simplicity.  Deepwater Horizon isn't a bad film by any means, but it's very rote and by-the-book in every aspect from the initial character development in the very first minutes to the written postscript right before the credits roll telling us about the real-life people involved.  I almost feel that I'd have been more invested seeing a documentary of the events rather than a fictionalized depiction even though Berg is certainly adept at creating some exciting action sequences in this new age, true life Poseidon Adventure of sorts.

The RyMickey Rating:  C+

Movie Review - Lone Survivor

Lone Survivor (2013)

Starring Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, and Eric Bana 

Directed by Peter Berg

The problem with calling your movie Lone Survivor is that you're giving away the ending with the darn title.  Granted, if I had been "up" on my news, I would've known the true story of Marcus Lutrell (played here by Mark Wahlberg) and his Navy Seal mates who head into the mountainous terrain of Afghanistan in order  to capture or kill al Qaeda leader Ahmad Shahd (Yousuf Azami).  But, having not followed this story, I didn't know the details.  Right off the bat in the opening scene, we see that Marcus has survived this ordeal (with the rest of the movie told entirely in flashback), so not only do I know that only one person survives, but I know who the survivor is.

Perhaps I'm being a little petty, but I can't deny that this was a factor for me while watching the film, severely diminishing the tension that absolutely could've been a part of the experience.  Peter Berg does a great job with the action sequences placing the viewer squarely in the heat of the battle in the treacherous Afghan mountains, but he doesn't quite get us to connect with the quartet of American soldiers who are at the forefront of the mission.  Seeing as how there were only four soldiers -- Taylor Kitsch, Emile Hirsch, and Ben Foster join the aforementioned Wahlberg -- I expected to find myself a bit more invested in their characters, but with the exception of learning a tiny bit about their home lives, I wanted the emotional connection that I never got.  I don't think it's the fault of the actors, but moreso a fault in the script (also crafted by Berg).

Ultimately, I can't help but think I shouldn't have been "trying to guess" which soldier was going to die first, but the title and the flashback set-up inherently made me go that route.  Needless to say, what Lone Survivor excels at is taking us onto the battlefield -- a different battlefield for a different type of war.  These soldiers are heroes and even though I may not have fully connected with their characters, my admiration for them and their sacrifice cannot be denied.

The RyMickey Rating:  B-

Movie Review - Broken City

Broken City (2013)

Starring Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Barry Pepper, Jeffrey Wright, and Kyle Chandler  

Directed by Allen Hughes

Broken City is one of those films that makes you ponder how in the world the producers snagged such big names to attach themselves to it.  It's not that it's mind-numbingly bad (although it certainly isn't any good), but it's so utterly generic that it becomes painful to sit through.  There's a corrupt [Republican] New York mayor up for reelection (Russell Crowe), his possibly philandering wife (Catherine Zeta-Jones), the good cop who's forced into doing bad things (Mark Wahlberg), the police chief who may not be running things by the book (Jeffrey Wright), and the upstart [Democratic] opponent who wants nothing more than to bring down his competition (Barry Pepper).  We've seen all these characters' stories before scripted, acted, and directed better, so without Broken City doing a thing to differentiate itself from its predecessors, there's little to recommend about it.

And with that, I'm pretty much done with this one.  However, I will add that as I was watching this, I came to the realization that Catherine Zeta-Jones probably should retire from acting.  I'm not sure she was ever all that good, but her Academy Award win at least gave her some respect from the public and from this blogger.  Perhaps that respect was ill-informed, however, as with last year's Rock of Ages (which garnered her a Worst Performance of the Year award) and this year's Broken City (and even Side Effects, a film that I truly liked, but found her performance lacking), she's more than proven that it may be time to snuggle up with her Oscar, spend some time with Michael Douglas, and bid the acting world adieu.

The RyMickey Rating:  D+

Movie Review - Ted

Ted (2012)

Starring Mark Wahlberg, Mila Kunis, Joel McHale, Giovanni Ribisi, and Seth MacFarlane

Directed by Seth MacFarlane

Thanks to a convenient wish on a star that came true, Josh Bennett has grown up with a real-live teddy bear as his best friend for over twenty years.  Josh (Mark Wahlberg) certainly hasn't kept the bear a secret, seeing as how Ted (voiced by Seth MacFarlane) made appearances on Johnny Carson's late night talk show decades ago, but both Josh and Ted's celebrity has faded as all flash in the pan news stories are wont to do.  Josh now works at a rental car dealership, and Ted stays home, smokes weed, has sex (somehow) with skanky women, and is pretty much that college buddy or coworker you know who has refused to grow up.  While Ted's an all around lovable guy, his rowdy ways don't sit well with Josh's longtime girlfriend Lori (Mila Kunis) who, finally fed up with Ted's shenanigans, gives Josh the ultimatum to either have Ted move out or lose her forever.

If only Ted had stopped there.  But, no.  Much like a meandering episode of Family Guy, writer-director Seth MacFarlane's live-action film debut throws a bit more at the audience -- a snobby love interest for Lori (Joel McHale) and a kidnapping plot involving an obsessed fan (Giovanni Ribisi) of Ted's which results in one of the most ridiculous (and utterly unfunny) climaxes this year -- and the goodwill that MacFarlane gains from a rather hilarious opening hour is tossed out the window.  It's rather unfortunate because I laughed out loud multiple times during the film's opening two acts, but I'm not sure I even cracked a hint of smile during the final forty minutes -- and in a comedy, that's a problem.

Nevertheless, Ted does have a lot of positives going for it.  For one, the Ted special effects are quite impressive and worthy of some commendation.  Secondly, I give MacFarlane credit for crafting half of a good film and while that sounds like damning praise, I mean that fully as a compliment.  I wasn't expecting much from him -- I like Family Guy, but can only take it in mild doses -- and he proved me wrong.  Lastly, Mark Wahlberg actually didn't suck here.  For the 2010 RyMickey Awards, I awarded Mr. Wahlberg the dubious honor of Worst Performance of the Year for his role in The Other Guys and said, "Wahlberg and comedy do not mix."  While his role here isn't over-the-top fantastic by any stretch of the imagination, he was certainly bearable (pun slightly intended).

The RyMickey Rating:  C+

The 2010 RyMickey Awards - Worst Performance

In 2009, I saw many, many bad films.  That's what happens when you watch over 200 flicks.  In 2010, I count myself lucky as I didn't see nearly as many bottom of the barrel movies.  That said, there were still a few performances that left me astonished that they ever made their way to the big screen.

Worst Performances of 2010

#5 -- Paz de la Huerta - Enter the Void

I really liked this trippy film mainly because of directorial choices...certainly not because of the acting.  Paz de la Huerta is painful.  (It should be noted that in the little bit I've seen from her in other things, her awful performance here is not a fluke.  I think she only gets hired because she seems to love being naked.)

#4 -- Johnny Depp - Alice in Wonderland

Yes, I get that Johnny Depp was playing the Mad Hatter as super crazy and drugged-out, but the character ends up being utterly incoherent and it seems like painful overacting.

#3 - Thandie Newton - For Colored Girls

I'm beginning to think that Thandie Newton is not the actress I once thought she was.  For some reason, I always thought I liked her, but looking back on her filmography, I realize that she always plays anger and frustration with this incredible screechiness that is so overpoweringly unbelievable that it ruins any scene she's in and hampers the actors around her.  In this flick where she's surrounded by some surprisingly good actors, she is unable to step up her game.

#2 - The Cast of the Expendables -- The Expendables

Excluding Jason Statham, this cast of geriatric action stars proved there is a reason they haven't been cast in many films lately.  Of course, the group is certainly hampered by an awful script courtesy of Sly Stallone, but it's not exactly like Steve Austin, Mickey Rourke (who is proving The Wrestler to be the exception rather than the norm in his oeuvre), Dolph Lundgren, et. al are up to the task of doing anything beyond holding a firearm.

#1 - Mark Wahlberg - The Other Guys

An honor I'm sure the actor-producer of The Fighter doesn't want on his mantle, but Mark Wahlberg and comedy do not mix.  Wahlberg's attempts at humor amounted to yelling at everything and opening up his eyes really wide to emote some type of anger and frustration.  Stick with drama, Marky Mark, because comedy is not your forte.

Movie Review - The Fighter

The Fighter (2010)

Starring Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Directed by David O. Russell

I won't pull any punches here (insert rimshot sound) and I'll just say right off the bat that The Fighter is a good film.  Well acted, well directed, and well written, I was never bored during the flick's run time.  However, like most films this year, despite excellent across-the-board technical aspects on display, there wasn't a "wow" factor that made me feel like I needed to watch this movie again anytime in the near future.  I mean, don't get me wrong.  The Fighter is well worth watching and is one of the better films of last year, but 2010 was the year of the "good film" and not the "great film."

At this point, considering the fact that the movie's been out for over two months, there's no need for a synopsis except to say that the flick is based on the true story of boxing brothers Micky Ward and Dickie Eklund with Mark Walhberg taking on the role of nice, but struggling-in-the-ring boxer Micky and Christian Bale tackling the drug-addled, past-his-prime Dickie.  What surprised me the most while watching is that although boxing is the impetus for many of the goings-on in the film, the story is really about a family and the dynamic between two brothers who want the best for each other, but go about attempting to achieve that greatness in different ways.  Ultimately, it's the family struggle (rather than a strict focus on the boxing) that makes this film better than most of the other sports-related "triumph" stories that are a Hollywood staple.

Of course, with three Oscar-nominated acting roles, the talent on the screen is top notch and also helps elevate the flick to a higher level.  Christian Bale is probably one of the greatest actors working today and he doesn't disappoint here.  Getting scarily skinny again (a la The Machinist), Bale injects the drugged-up Dickie with a surprising amount of heart which only makes things even harder for us in the audience when Dickie heads down the wrong path.

Melissa Leo is the front-runner in the Best Supporting Actress race and her role as Micky and Dickie's mother, Alice, could have easily veered into caricature, but Leo somehow manages to never take it there.  To be honest, I'm surprised I liked the role, because every time I saw a clip of the overbearing, thick-accented, sassy broad prior to seeing the movie, I got a hint of the "overacting" vibe emanating from Leo's performance.  In the movie, however, Leo's take on Alice was spot-on.

That being said, I think Amy Adams may have stolen the show despite the fact that her role as Micky's girlfriend Charlene is much more subdued than Leo's.  It's a gritty part unlike any I've seen Ms. Adams tackle before.  She's no Enchanted princess here, but underneath Charlene's gruff exterior is a woman who sees potential in Micky, but is devastated that he's ruining his chances at success by catering to his coked-up brother.

With a surprising amount of humor and heart plus a very tense and exciting final boxing sequence, The Fighter is certainly a good film.  Don't let the first paragraph of this review fool you into thinking otherwise.  

The RyMickey Rating:  B+

Movie Review - The Other Guys

The Other Guys (2010)

Starring Will Ferrell, Mark Wahlberg, Eva Mendes, Michael Keaton, Steve Coogan, Dwayne Johnson, and Samuel L. Jackson

Directed by Adam McKay

I was a pretty big fan of the previous Will Ferrell-Adam McKay collaborations Step Brothers and Anchorman.  Their latest venture The Other Guys doesn't even come close to those previous flicks.  In fact, this 2010 "comedy" is one of the worst movies of last year.

It's true that comedies are perhaps best viewed with a crowd of others.  As the crowd laughs, you can either laugh with them or laugh at them for finding something humorous.  I watched The Other Guys all by my lonesome and while I chuckled once or twice, that's not nearly enough.  In this bumbling odd couple buddy picture, Will Ferrell and Mark Wahlberg never seem to mesh with one another in the slightest.  In their quest to uncover the mystery behind some Wall Street stock fraud (did that ever sound funny in the writer's room?), their two cop characters grow to realize they're not as different as they thought they once were.

Ferrell is fine here, but he does nothing special and can't garner laughs.  Wahlberg is just horrendous.  His attempts at humor involved yelling everything and opening his eyes really wide to convey frustration and anger -- it just may be one of the worst performances I've seen this year.  The rest of the supporting cast from Eva Mendes to Michael Keaton to Dwayne Johnson and Samuel L. Jackson as a pair of celebrity-level NYC officers are simply serviceable, but don't add anything to the mix.

All in all, this film wasn't the least bit funny and I contemplated stopping it several times before it was through...I kinda wish I had because I at least would've had an hour to watch something worthwhile.

The RyMickey Rating:  D-

Movie Review - Date Night

Date Night (2010)

Starring Steve Carell, Tina Fey, Mark Wahlberg, Taraji P. Henson, James Franco, Mila Kunis, Common, and Ray Liotta

Directed by Shawn Levy

Oh, Tina Fey.  I truly enjoy 30 Rock where you play the quick-witted Liz Lemon.  Your writing on that show is spot-on and makes me laugh out loud.

And Steve Carell.  While I haven't watched The Office on a regular basis, whenever I catch it in syndication, I find the whole thing incredibly amusing.  Your character Michael Scott creates a hilariously uncomfortable atmosphere that has put the series on my Netflix Instant Queue.

And yet, when the two of you comedians combine in the film Date Night, it's amazing how absolutely unfunny you both are.  When given an opportunity, you certainly can elicit laughs.  Just look at the scene where you both pretend to be strippers in a seedy club.  Who knew sexy robot dancing would make me crack up as much as I did?  But beyond the sexy robot, I hardly cracked a smile while watching this flick in which the two of you play a homely married couple from New Jersey who are mistaken for another couple on the run from some corrupt cops, local politicians, and mobsters.  While watching, I couldn't help but think of childhood film favorite with a similar plot -- Adventures in Babysitting -- and wishing I was watching that instead.

Granted, it's not really all your fault, Tina and Steve.  Director Shawn Levy (whose previous claim to fame are the godawful Night at the Museum films) doesn't exactly have a great eye for comedy.  Sometimes (as in the aforementioned strip club scene) he lets the two of you run wild to great effect.  However, at other times, he doesn't reel you in enough.  There seemed to be many moments where he let you run free which caused some scenes to go on for what felt like an eternity -- an eternity devoid of any laughter.

The plot is ridiculously convoluted, too, which I realize might have restrained you both from your full potential.  That being said, Tina and Steve, take my advice and stick to your day jobs.

The RyMickey Rating:  D

Movie Review - The Lovely Bones (2009)

The Lovely Bones
Starring Mark Wahlberg, Rachel Weisz, Susan Sarandon, Stanley Tucci, Michael Imperioli, and Saoirse Ronan
Directed by Peter Jackson

What Dreams May Come, Part II. In that movie, Robin Williams gets stuck in a purgatory-esque land between heaven and earth, and The Lovely Bones contains the same premise, more or less.

Right from the beginning we learn that young 14-year-old Susie Salmon (Ronan) has been murdered and that one of her neighbors (Tucci) is her killer. The rest of the movie swaps back and forth between Susie's dream-like visions of "the in-between" and her father's (Wahlberg) search for his daughter's killer.

Unfortunately, this movie just plain doesn't work. Granted, I've only seen the first Lord of the Rings movie, but I couldn't help but wonder why the heck this guy was so acclaimed. This movie was full of odd cuts and edits, a mishmash of nonsensical heavenly visions, and some of the oddest score and background music I've heard in a 2009 movie (I realize most don't even "hear" that, but the score is an important part to my movie-going experience).

Jackson (who also co-wrote the script) poorly directs his actors and doesn't really allow us to connect with Susie's family at all. The relationship between Susie's mother (Weisz) and father is nonexistent. Sorry, Peter, but showing them making love at the beginning isn't enough to make me believe they're actually in love...I never once felt any type of connection between Weisz and Wahlberg and their feelings for each other play a fairly important role in the film. It doesn't help that Walhberg's mopey "blahness" is utterly boring to view.

Saoirse Ronan's Susie is just too darn bright, wide-eyed, and cheery for a girl who has just been murdered. I found the character and her overbearing voiceover to simply be annoying. And speaking of annoying, the stock comedic character of Susie's grandmother (played over-the-top by Susan Sarandon) was horrendous. While she brought some much needed entertainment to this overly heavy production, she seemed like she belonged in a sitcom. For this, I don't blame Sarandon, but instead fault Mr. Jackson.

Stanley Tucci's murderous George Harvey is fine, as is Rose McIver as Susie's younger sister, Lindsey, but they're not enough to tip the scales to the positive in the acting department.

Admittedly, there are moments in this film that work. The scenes of Susie's murder and Lindsey's discovery of some pivotal evidence are racked with tension. And it was moments like those that make it a shame that Jackson and his co-writers bogged this thing down with ridiculous meta-physical mumbo jumbo.

The RyMickey Rating: D+