Movie Review - Trolls

Trolls (2016)

Featuring the vocal talents of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Christine Baranski, Russell Brand, James Corden, Jeffrey Tambor, and John Cleese

Directed by Mike Mitchell

***This film is currently streaming on Netflix***

In all of my 2016 viewings, animated films have been decidedly lukewarm, failing to truly excite or entertain in any magnificent fashion.  Color me surprised, then, by my reaction to Trolls, a colorful, finely animated, nicely voice-acted, incredibly fun romp.  And the fact that it's brought to us by Dreamworks -- an animation studio that often leaves me disappointed -- is even more flabbergasting to me with Trolls undoubtedly being my favorite animated film the studio has released thus far.

The tiny elf-like creatures known as the Trolls are an incredibly happy group, prone to singing, dancing, and hugging every hour on the hour.  The Bergens, on the other hand, are human-sized goblin-like folks who live in a perpetual state of disappointment, unable to find happiness.  Years ago, however, the Bergens discovered that eating a Troll can provide a feeling of happiness and, because of this, the Bergens rounded up all the Trolls and caged them in a tree in a courtyard in Bergentown.  Every year on Trollstice, the Bergens allow themselves to eat one Troll and be truly happy for a few hours, and this year young Prince Gristle (Christopher Mintz-Plasse) is going taste his first Troll, feeling contentment for the first time.  The Trolls, however, have finally had enough and plan an elaborate and successful escape from Bergetown thanks to King Peppy (Jeffrey Tambor) and his daughter Princess Poppy (Anna Kendrick).  For years, the Trolls lived a blissful Bergen-free life, but following a raucous singing party, the Trolls are discovered by Chef (Christine Baranski), a Bergen banished from Bergentown following the escape of the Trolls.  Chef catches several of the Trolls and takes them back to the now King Gristle, but Princess Poppy along with the help of the only sad Troll around -- Branch (Justin Timberlake) -- set out to save their friends from digestion.

Sure, all of that sounds ridiculous and as I typed it, I couldn't actually fathom how I could've possibly enjoyed this silliness, but Trolls tells its upbeat story well and embraces the sheer frivolity.  The peppiness of the trolls is surprisingly enhanced by well-known pop songs as well as some pleasantly ear-catching original numbers sung by the likes of Anna Kendrick, Justin Timberlake, and Zooey Deschanel all of whom -- as well as the rest of the vocal cast -- create believable voices for their characters.  Animation-wise, I found the computer animation to carry a slight Claymation tone and the environments which the Trolls and Bergens inhabit feel decidedly unique -- bright, cheerful, and arts-and-crafts-like for the Trolls and pointy, dark, and gloomy for the Bergens -- lacking the somewhat generic habitats we sometimes see in the cinematic animation landscape.

Pixar often aims for the heart, but Trolls doesn't even attempt that instead aiming for a visceral euphoria via its music, color, and pleasantly engaging (though simple) story.  While Trolls doesn't attempt to be deep or emotionally-investing in a Pixar-like way, it's fun...and sometimes that's enough.

The RyMickey Rating:  B+

Movie Review - How to Train Your Dragon 2

How to Train Your Dragon 2 (2014)

Featuring the voice talents of Jay Baruchel, Cate Blanchett, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, T.J. Miller, Djimon Hounsou, and Kristen Wiig

Directed by Dean DeBlois

***This film is currently streaming on Netflix***

I have to start this review with a bit of disclosure -- I had some tasks I had to complete while watching How to Train Your Dragon 2 and as the film headed towards its conclusion, I found myself drifting off a tiny bit and not giving the film my complete focus.  I typically try and avoid this occurrence as much as possible, but kudos to the film itself for drawing me back in for its particularly heartfelt finale...which made me all the more disappointed that I didn't give the flick my undivided attention.

By far, the How to Train Your Dragon franchise is Dreamworks Animation's best series of films they've ever created.  From a studio that built itself on pop culture references and "Big Hollywood Star Voice Acting," the Dragon series eschews that to a certain degree -- or, at the very least, places a bigger emphasis on story.  Much like its predecessor, Dragon 2 keeps the focus on now twentysomething Hiccup (Jay Baruchel) who, five years after the conclusion of the last film, has managed to keep his fellow village folk of Berk recognizing dragons' abilities to assist humans.  With his partner in crime Toothless, Hiccup and his dragon friend fly around searching for other dragons in need of assistance which happens to bring Hiccup back into contact with his presumably dead mother Valka (Cate Blanchett) who was supposedly taken by dragons upon an invasion when Hiccup was merely an infant.

Dragon 2 attempts to explore the relationship between Hiccup and his long-lost mother and how this newfound connection affects those around him, particularly his father Stoick (Gerard Butler).  These moments involving the newly reunited family are the film's most effective and are rendered quite nicely from an emotional perspective.  When the film throws in a bad guy in Drago (Djimon Hounsou) who desires to utilize all dragons for their worst potentials possible in order to gain control of various Nordic lands, things falter a bit.  However, and to the film's credit, the character of Drago is responsible for several of the film's most emotional moments so while the villain seemed a little too maniacal at times, this nastiness was put to great effect to forward the story.

Animation-wise, I must admit that I wasn't as wowed as Dragon 2's predecessor, but the film still boasts quality craftsmanship.  I continue to be a little disenchanted with Jay Baruchel voicing Hiccup -- I still stand by the fact that I feel like the voice doesn't quite fit the character or the time period of the piece, but it's not detrimental to the film in any way.  Nice turns from Blanchett and Butler utilize those "star voices" to great effect without drawing attention to their "star status" in any way.

The RyMickey Rating:  B-

Movie Review - Neighbors

Neighbors (2014)

Starring Seth Rogen, Rose Byrne, Zac Efron, Dave Franco, Christopher Mintz-Plasse, and Lisa Kudrow

Directed by Nicholas Stoller

Despite proving to be funny at times, Neighbors is a one-joke movie that wears old fast.  About 25 minutes in, I found myself looking at the clock as I was having a difficult time determining how there could be any more plot to milk from this simple story of married couple Mac and Kelly (Seth Rogen and Rose Byrne) who have their world turned upside down when a fraternity headed by Teddy and Pete (Zac Efron and Dave Franco) move in next door in their quiet suburban neighborhood.

I was willing to forego the notion that not a single other neighbor is disturbed by the raucous parties that take place at the newly formed frathouse.  (Yes, the film attempts to explain this off, but it's an utterly ridiculous explanation.)  The problem is that the premise of this flick is so simplistic that even at a ninety-minue runtime, it can't flesh out the plot because there's nothing to flesh out.  Frat guys do crazy things and married couple -- who were hoping to be hip enough to be buddies with the frat -- get angry when they realize they're not as young as they used to be.  There's not much more than that.  While some of the frat's raucous pranks and the married couple's reactions are funny, they're just comedic bits that don't really add up to much of a plot.  As an ongoing skit on SNL, this may have worked, but forming an overall movie from this is a bit weak.

That isn't to say that Neighbors didn't make me laugh -- it did so multiple times thanks to the good performances from Seth Rogen (who is essentially playing Seth Rogen), Rose Byrne (who has a nice comedic deadpan style to her), and Dave Franco (proving as of late that he's less smarmy oncreen -- and that's a good thing -- than his more famous brother James).  Color me surprised, however, that the star of the show is Zac Efron whose frat president Pete is suave, debonair, yet also sneaky and underhanded.  Presumably Efron's been trying to break away from his High School Musical image over the past several years and he's surprisingly good as he makes fun of his toned body and spotless image.

Director Nicholas Stoller does have some inspired moments -- a rave party showcased some nice directorial flourishes -- but Neighbors unfortunately doesn't amount to much despite the good stuff it has going for it.

The RyMickey Rating:  C

Movie Review - This Is the End

This Is the End (2013)

Starring Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Craig Robinson, Emma Watson, and Danny McBride 

Directed by Evan Goldberg and Seth Rogen

Those who have read this blog in the past may be aware that I don't exactly hold humor derived from drug-induced stupor in the highest regard.  So, considering This Is the End begins with Seth Rogen and Jay Baruchel getting high, I wasn't quite sure I was in for something I'd find enjoyable.  Needless to say, I was pleasantly surprised by how humorous I found the flick.  With actors Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Craig Robinson, and Danny McBride essentially playing exaggerated versions of their real-life personas, the film isn't afraid to take jabs at the inanity of celebrity culture and that's the biggest reason This Is the End works.

The plot is fairly simple.  The aforementioned actors have gathered for a party at James Franco's posh abode (along with several other big-name cameos playing themselves as well) when all of the sudden, the apocalypse arrives.  The "good" people are whisked up to heaven in Star Trek-esque beams of light, whereas those less than worthy humans are left on earth desperately trying to hide from the devilish creatures that are sent to hunt them down.  Played for laughs rather than for scares or drama, the apocalyptic story gets a different spin than we've seen before.

Co-directors and co-screenwriters Evan Goldberg and Seth Rogen were aware that without their cast gamely poking fun of themselves, this film wouldn't have worked, so they definitely stack the movie with humor related to their cast's "real" lives.  It's these moments where the film certainly shines.  The flick does veer off track a little bit when it actually tries to tell its basic story -- a rather unique criticism perhaps.  I found myself not caring so much about the apocalypse itself and wanted to spend more time learning about Danny McBride's masturbation techniques -- something I never thought I'd say and perhaps will wish I never said.  (Nonetheless, it was a scene that had me cracking up hysterically.)

I've been sitting on this review for over two months now.  I'm not quite sure why, but I think it stems from the fact that while I enjoyed This Is the End, I'm well aware that as a story, it's weak.  Fortunately, the balance of the real-life humor elevates the film to something worth watching.

The RyMickey Rating: B

Movie Review - Paranorman

Paranorman (2012)

***viewed in 3D***

Featuring the voice talent of Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Leslie Mann, Casey Affleck, Christopher Mintz-Plasse, Elaine Stritch, and John Goodman 

Directed by Chris Butler and Sam Fell

Kid flicks today often seem sugar-coated or, at the very least, a bit more sanitized than the movies kids from the 80s grew up on.  The weirdness of The Neverending Story or Labyrinth or even Disney's The Black Cauldron just aren't present in movies that have a goal of appealing to kids.  In fact, at times, it might have often seemed that movies like those aforementioned, while made for the younger generation, almost held more interest for the adults dragged to the theaters with their young'uns.  Paranorman reminded me more of the movies of my childhood generation than much of what is released today (and I don't mean that in any demeaning way to today's family films).  Oddly off-the-wall, kooky, and entertaining, although I had to wonder if it would hold the interest of a kid.

Norman Babcock is a seemingly normal boy with one exception -- he can see and talk to ghosts.  Naturally, this doesn't sit well with his parents who want him to stop living in a dream world and it certainly doesn't help him at school where he finds himself bullied for his "gift."  With the whole New England town of Blithe Hollow thinking he's a nutjob, Norman finds himself quite the loner.  One evening, however, the town's crazy hobo (who also happens to be Norman's uncle) crosses paths with the boy and tells his nephew that it is up to him to stop a rising of the dead from occurring.  While he doesn't believe it, Norman eventually succumbs to his uncle's wishes, but finds trouble along the way that causes the dead to actually rise from their graves and begin invading the small town with only Norman having the ability to get the zombies back to their below ground residences.

In addition to the very nice stop-motion animation on display, Paranorman comes with a decidedly adult sensibility in tow filled with humor that will go over many a ten year-old's head.  I'm not talking about raunch here, but I am impressed with screenwriter Chris Butler's sensibility to not talk down to the kids in the audience (and the parents who accompanied them).  [There's a character "twist" at the end is shockingly ballsy -- even though it maybe shouldn't be in this day and age -- and further exemplifies the "mature-skewing" nature of the film.]  I'm sure the homages contained in this film are plentiful, but even something as simple as a slight rehashing of the Friday the 13th synthesizer score was enough to bring a smile to this reviewer's face.  Still, despite honoring some horror movies of the past, the film feels fresh and innovative, standing rightly on its own.

Somehow, though, Paranorman never quite allows us to connect to the characters in a way that Pixar movies do.  Those Pixar folks have seriously cornered the market on heartfelt animation and even when something like Paranorman attempts a tugging on the heartstrings, it never quite reaches the levels the Pixar guys manage to set.  That's not taking anything away from this movie, however, it does stop it from reaching the upper echelon of modern-day animated classics.

The RyMickey Rating:  B+

Movie Review - Fright Night

Fright Night (2011)

Starring Anton Yelchin, Colin Farrell, Toni Collette, Imogen Poots, and Christopher Mintz-Plasse

Directed by Craig Gillespie

Fright Night (a remake of a 1985 vampire film I've never seen) starts off much too self-referential and "hip" for its own good.  Eventually, the film takes a very positive turn down an exciting and genuinely tense road, but even then it has a few pacing problems here and there.  Still, in the end, it's a decent horror movie that's certainly better than a lot of stuff out there.

Perhaps the biggest problem with Fright Night is that the opening forty-five minutes feels like a rehash of a variety of other vampire flicks that have come before it.  Adding to that sense of tedium is a horrible turn from Christopher Mintz-Plasse as an obnoxious vampire-obsessed geek who makes the flick almost unbearable to watch.  Fortunately, his character falls to the wayside for a bit allowing the main story -- concerning a teen named Charley (Anton Yelchin) who believes his next door neighbor Jerry (Colin Farrell) is a vampire -- to come to the forefront.

Once the film sidelines the pop culture-y references and focuses squarely on Charley, his mom (Toni Collette), his girlfriend (Imogen Poots), and his growing obsession over Jerry's apparent vampiric tendencies, the flick kicks into high gear.  There are several pulse-pounding scenes and I found the ending to be rather clever and somewhat fresh in the overarching subgenre of vampire flicks (of course, I'm not an expert in the genre, so maybe it's just a rehashing of something else that I haven't seen yet).

With the exception of Superbad's Christopher Mintz-Plasse whom casting agents can feel free to never hire again, Fright Night contains acting that's well above what is usually expected in a genre pic such as this.  Granted, their characters aren't given a whole lot to do, but everyone gives it their all despite the limitations of such a flick.

There are certainly problems to be had with Fright Night -- it was nearly so awful in the first twenty minutes that I was going to stop watching it -- but it definitely ends up being a flick that's worth watching if it ends up popping up on Netflix Instant or one of your pay cable stations.

The RyMickey Rating:  C

Movie Review - Kick-Ass

Kick-Ass (2010)

Starring Aaron Johnson, Christopher Mintz-Plasse, Chloe Moretz, Mark Strong, and Nicolas Cage

Directed by Matthew Vaughn

I'm not really a fan of superhero comic book movies.  For the most part, I could take them or leave them...they do nothing for me, but I don't actively oppose the genre either.  Going in a slightly different direction from your typical superhero flick, Kick-Ass details the lives of four ordinary folks who desire to don corny lycra costumes and help their fellow men and women out of trouble.

We first meet Dave Lizewski (Aaron Johnson), a geeky high school kid who happens to enjoy comic books.  He wonders why there aren't real-life superheroes who, while they wouldn't hold superpowers, could assist those in need and strike fear into criminals.  He decides to test the waters and become a modern-day superhero named Kick-Ass, whose only superpower is, well, kicking ass (and he hasn't exactly become an expert at that yet).

After gaining some notoriety via a self-created website, Dave decides to assist a girl he has a crush on.  The gal is being followed by a drug addict/dealer and when Dave as Kick-Ass goes to the slums to meet him, he runs into some trouble.  Fortunately, he is assisted by two fellow "superheroes," Big Daddy (Nicolas Cage) and Hit Girl (Chloe Moretz).  The dad and daughter team manage to kill everyone in the drug dealer's den, saving Kick-Ass in the process.

Unfortunately, the drug dealer worked for the evil crime boss Frank D'Amico (Mark Strong) who decides to go after these do-gooding vigilantes.  His son Chris (a shockingly un-annoying Christopher Mintz-Plasse) takes on the personality of superhero Red Mist in order to befriend Kick-Ass in hopes of leading his father to the lair of Big Daddy and Hit Girl.

Kick-Ass is a surprisingly effective film.  Director and co-writer Michael Vaughn takes a humorous, tongue-in-cheek look at superhero flicks and does so in a violent manner.  Much talk was made of the violence (specifically the fact that young Chloe Moretz does most of the killing), but the off-the-wall tone of the film presents things in such a cartoonish way that it never feels excessive.  Vaughn (who hasn't directed a whole lot of flicks) certainly has an eye for crafting enjoyable action comedy.  He keeps comic book sensibilities ever-present, but they never felt overpowering which I enjoyed greatly.

Certainly adding to the appeal of the film is the acting of Aaron Johnson as Kick-Ass and Mark Strong as the ominous crime boss.  While Nic Cage and Chloe Moretz seemed to ham it up a little more than necessary, I still thought the characters they played were an interesting creation and the backstory that explains their birth as superheroes was particularly well-crafted.

Kick-Ass is the film that Watchmen wanted to be.  I'd watch Kick-Ass again in a heartbeat...Watchmen hasn't fared well as time as gone on.

The RyMickey Rating:  B+

Movie Review - How to Train Your Dragon (2010)

How to Train Your Dragon 3D (2010)

Featuring the voices of Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, and Kristen Wiig

Directed by Dean DeBlois and Chris Sanders

It was not my intention to see this film.  I came to theater thinking that I was going to see something else and when that fell through, this was the reluctant second option.  Perhaps the lowered expectations helped matters, but I truly enjoyed How to Train Your Dragon which I think is Dreamworks' best film to date.

It's not a surprise that the co-directors of this also directed the heartfelt Lilo and Stitch as Dragon is certainly the most emotionally impactful flick from the closest competitor of Disney/Pixar.  Teenage Viking Hicuup is ridiculed amongst his people because of his lack of dragon-fighting prowess.  One evening, when his village is being attacked by dragons, Hiccup takes his homemade weapon and manages to take down the elusive dragon, Night Fury.  No one believes young Hiccup, so the following day, he leaves the village to search for proof of his success and comes across the wounded dragon who has injured his tail, rendering him unable to fly.  Initially intent on killing the beast, Hiccup soon becomes friends with the dragon, eventually forming a friendship.

While the story may be rather simple, the animation is quite the opposite.  While the dragons themselves were fine (although nothing special), I was overly impressed that the filmmakers hired Roger Deakins, a cinematographer who has an incredible filmography (Revolutionary Road, Shawshank Redemption, Dead Man Walking, and ten Coen brothers movies), to help with lighting and framing shots.  The wide shots and landscapes here were beautiful and lush and really added to the overall animated effect.  The depth that 3D provides was certainly used to great effect.

Voice acting was very good with Craig Ferguson and Gerard Butler as, respectively, Hiccup's teacher and father faring the best.  Jonah Hill and Christopher Mintz-Plasse, usually so annoying in "real life," proved to be quite humorous in animated form as Hiccup's classmates.  Unfortunately, Hiccup himself is where my biggest fault with the film lies.  Jay Baruchel has the "geeky" voice down to a tee, but I'm not sure it fit in with the Viking atmosphere.  Yes, Hiccup is the class clown/nerd, but it didn't quite work for me.  The character was not supposed to be annoying in the slightest, but at times I felt a tinge of aural irritation when he spoke.

Still, the film is Dreamworks' most touching to date.  A solid effort that makes me cringe that their next effort is Shrek 4.

The RyMickey Rating: B+