Lincoln (2012)
Starring Daniel Day-Lewis, Sally Field, Tommy Lee Jones, David Strathairn, Joseph Gordon-Levitt, James Spader, Gloria Rueben, Hal Holbrook, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Lee Pace, Michael Stuhlbarg, and Gulliver McGrath
Directed by Steven Spielberg
I was not expecting to like
Lincoln in the slightest. First, it's a biopic -- that alone is enough of a reason to make me run. Second, Mr. Spielberg's last three films ranged from lukewarm mediocrity (
Indiana Jones and the Kingdom of the Crystal Skull,
The Adventures of Tintin) to mushy sentimental disappointment (
War Horse) which didn't exactly inspire confidence in the director. Third, I was not looking forward to spending 155 minutes with an historical period piece. Obviously, this opening paragraph has been a set-up simply to state that
Lincoln exceeded all my expectations thanks to a fantastic performance in the title role by Daniel Day-Lewis, a script by Tony Kushner which deals with only a distinct period of time in the sixteenth president's life, and direction by Spielberg that feels like he's gotten his groove back behind the camera.
Set only within the months leading up to the ratification of the thirteenth amendment to abolish slavery,
Lincoln details the troubles that the title character faced as a president, a party leader, and a man in attempting to create such a drastic change in our country's public policies. Through the eyes of Lincoln, we see the struggle he faces -- with the Confederacy ready to surrender, does he accept their terms and undoubtedly diminish the "need" for the amendment and his Republican party's willingness to agree with ratifying it, or does he keep the Confederate's waving of a white flag a secret from everyone. The difficulties didn't just affect Lincoln either, causing societal conundrums for others as well including Senator Thaddeus Stevens (Tommy Lee Jones), a Republican proponent of full equal rights for blacks. Stevens obviously strongly supports Lincoln's amendment, but Lincoln asks that the senator soften his enthusiasm towards full equality as Lincoln fears that would be too radical a step and cause even his fellow Republicans to be turned off.
Lincoln as a film might have been a boring historical piece had we not been given an insight in the man's home life as well. The biggest struggle facing the Lincoln family is that son Robert (Joseph Gordon-Levitt) wants to join the Army and do his part to help his country and its revolution. Like many parents, I imagine, the Lincolns don't want to possibly lose their son in war, especially after having just recently lost son Willie likely to typhoid fever. Mary Lincoln (Sally Field) takes a very strong stance, angry at the notion that her husband would even consider allowing Robert to pick up a gun and head off to the battlefield. This tension amongst the family adds another layer to the portrayal of Abraham Lincoln showing him not just as a politician, but as a husband and father and the conflicts that come with those familial roles.
Much praise has been heaped upon Daniel Day-Lewis already for this role and more is certainly headed his way. It's all deserved. As much as I hate the fact that yet another historical "impersonation" is going to win an Oscar, there's something transcendent about his portrayal here. There was never a single moment in the movie where I felt like I was watching an actor. I was able to completely lose myself in his role thanks to the strongly resolute, yet quirky down-home quality he brings to the character. As Spielberg rather brilliantly has the camera stay stationary during many of Lincoln's lengthy anecdotal speeches, Day-Lewis is allowed several long takes to completely lose himself in the character. These longer takes also allow us in the audience to feel as if we are one of the cabinet members, as an example, listening in. Just like Lincoln's contemporaries onscreen, we find ourselves quieting down and honing in on his every word. Together the director and actor have created something special.
They are of course aided by a wonderful script by Tony Kushner that settles on a few short months in Lincoln's life. Kushner injects quite a bit of both humor and pathos in both the political and personal landscapes. While Day Lewis's Lincoln certainly provides a surprising amount of laughter and dramatic moments in both landscapes, Tommy Lee Jones's Senator Stevens is more than willing throw political jabs at his fellow Democratic opponents especially Senator Fernando Wood (Lee Pace) who is helping lead the charge on the Senate floor against the amendment. Jones also gets some nice moments of quiet that showcase the actor's strengths. On the familial front, Sally Field is given two absolutely fantastic scenes -- one in which she "talks smack" to her husband's political friends and another in which she beaks down at the prospect of her son Robert heading into the Army. Field is fantastic here and in just a few moments she's able to create a well-rounded character with whom we in the audience immediately connect.
The film falters a bit at the end with a rather disappointing final coda tacked on, jumping ahead a few months to the President's final moments including a "gotcha" scene that was actually probably the worst moment I've seen in a good movie this year. [Knowing what I know about Lincoln's final moments, the "gotcha" moment didn't even work for me which made things even worse.] There would have been a brilliant place to conclude the film just after Lincoln received word of the amendment's passing as he walks down a set of stairs with lovely light shining into the White House's windows. Instead, Kushner and Spielberg take it one step too far. Still,
Lincoln is a fantastic look at this important time in our country's history and kudos need to be given to the director, screenwriter, and the entire cast for creating something that even this biopic hater found fascinating.
The RyMickey Rating: A-
