Captain America: The Winter Solider

 Captain America: The Winter Soldier (2014)

Starring Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, and Toby Jones

Directed by Anthony Russo and Joe Russo

Click here for my Letterboxd review

The RyMickey Rating: B+

Click here for my prior RyMickey Rating review

A Boy Called Christmas

 A Boy Called Christmas (2021)

Starring Henry Lawfull, Michiel Huisman, Kristen Wiig, Toby Jones, Sally Hawkins, Joel Fry, Maggie Smith, and the vocal talent of Stephen Merchant

Directed by Gil Kenan

Written by Ol Parker and Gil Kenan

Click here for my Letterboxd review

The RyMickey Rating:  C

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom (2018)

Starring Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, Isabella Sermon, James Cromwell, and Toby Jones

Directed by J.A. Bayona

Written by Derek Connolly and Colin Treverrow

Click here for my Letterboxd review

The RyMickey Rating: D

Christopher Robin

Christopher Robin (2018)

Starring Ewan McGregor, Hayley Atwell, and Bronte Carmichael

Featuring the vocal talents of Jim Cummings, Brad Garrett, Nick Mohammed, Peter Capaldi, Sophie Okonedo, and Toby Jones

Directed by Marc Forster

Written by Alex Ross Perry, Tom McCarthy, and Alison Schroeder

Summary (in 500 words or less):  Having left behind his seemingly make-believe 100 Acre Woods friends decades ago, a grown-up Christopher Robin (Ewan McGregor) has an encounter with Winnie the Pooh that makes him question his workaholic ways that leave his wife (Hayley Atwell) and daughter (Bronte Carmichael) longing for his company.

Click here for my Letterboxd review

The RyMickey Rating: B

The Snowman

The Snowman (2017)

Starring Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Toby Jones, Val Kilmer, Chloë Sevigny, and J.K. Simmons

Directed by Tomas Alfredson

Written by Peter Straughn, Hossein Amini, and Søren Sveistrup

***This film is currently streaming via HBO***

Summary (in 500 words or less):  Norwegian detective Harry Hole (Michael Fassbender) and his fellow detective (Rebecca Ferguson) investigate the disappearances and subsequent murders of several women in their jurisdiction by an apparent serial killer who leaves a snowman as his calling card.

Click here for my Letterboxd review

The RyMickey Rating: C

Movie Review - Serena

Serena (2015)

Starring Jennifer Lawrence, Bradley Cooper, Rhys Ifans, David Dencik, and Toby Jones

Directed by Susanne Bier

***This film is currently streaming on Netflix***

A bit of a countrified film noir, Serena is the tale of timber empire head George Pemberton (Bradley Cooper) whose success in the 1929 Smoky Mountains has led to a rather prosperous community amongst his workers. Upon a visit to the more cultured big city, George meets Serena (Jennifer Lawrence), immediately falls for her, and marries her right away.  With her family having worked in timber, Serena steps up and begins to take charge which doesn't sit too well with some of the workers.  While George accepts and is actually quite pleased with his wife's demeanor and candor in his workplace, he also discovers that she has an awful jealous streak and that she may be a bit more conniving than he ever imagined.

Serena stars two big name celebrities, yet found itself sitting on the shelf for quite a while, finally getting a very limited release in early 2015.  That's oftentimes a death knell for films and while Serena isn't horrible, it's got a myriad of issues that is never quite succeeds in overcoming.  While Cooper and Lawrence are fine (and they actually have some nice moments individually), their chemistry is a little lacking, but there's part of me that wonders if that's the fault of the film's editing which is quite muddled.  There's a tendency for director Susanne Bier and her editor to linger on shots longer than is really necessary, creating an odd tone and timing throughout the piece.  In addition, the character of Serena herself is so quickly introduced and placed front and center that she fails to really resonate with the audience.  Lawrence attempts at giving a well-rounded performance, but the motivations of the character feel slight, forced, and disappointingly fleshed out.  By the time the film takes on the more noirish tone in its final act, Serena feels as if it hasn't earned that tone thanks to the way the editing and characters have played out prior.

There's no doubt that you could fare worse than Serena and I could understand the allure of wanting to watch it because of the film's two stars, but don't say I didn't warn you about the lackluster nature of the piece.

The RyMickey Rating:  C-

Movie Review - Captain America: The Winter Soldier

Captain America: The Winter Soldier (2014)

Starring Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, and Toby Jones

Directed by Anthony Russo and Joe Russo

I was not a fan whatsoever of the first Captain America film presented by Marvel.  There was something about the eccentric over-the-top villain, supporting actors that added nothing to the story, and a bland leading actor that had me yawning and finding the film the second worst Marvel movie to date (it's only ahead of Thor 2).  Needless to say, because of this disappointment in the first film, I was dreading the second in part because the only thing I liked about the initial installment -- the 1940s setting and aesthetic -- was now going to be completely removed from the equation seeing as at the end of the first film our title character had been frozen and woken up thawed nearly seven decades later.  Color me surprised to discover that Captain America: The Winter Soldier is Marvel's best movie to date and a massive upgrade from its predecessor.

Although he fought alongside all of the Avengers not that long ago, Steve Rogers (Chris Evans) is still getting acclimated to modern society as Captain America: The Winter Soldier opens.  Working for intelligence agency S.H.I.E.L.D., Steve goes on various missions alongside Natasha Romanov AKA The Black Widow (Scarlett Johannson) under the direction of Nick Fury (Samuel L. Jackson) who heads the agency.  Fury has doubts about a major new initiative -- Project Insight -- that will utilize three helicopter-ish devices to link to spy satellites and eliminate potential threats before they happen.  After discussing his concerns with project leader and S.H.I.E.L.D. official Alexander Pierce (Robert Redford), Fury ends up being ambushed by a large group of men headed by a masked man known as The Winter Soldier whose identity will create a bit of chaos for Steve and his fellow S.H.I.E.L.D. colleagues setting up a battle within the falls of the spy agency itself.

Although the film blows it at the end by creating a much-too-long final battle sequence, the build up to that in directors Anthony and Joe Russo's film is surprisingly tense and exciting.  Anchored by a very strong opening scene in which Captain America and Black Widow invade a spy ship, the directing brothers up their game in each subsequent action sequence culminating in an intense showdown on the streets of Washington, D.C.  Unfortunately, that showdown comes in the middle act of the film as opposed to the end, but the lack of a really taut finale actually proved to be less of a let down than I thought perhaps because everything prior to that was so darn good.

As a character, I found Steve Rogers to be bland and lifeless in the first film, but he came alive in The Avengers and continues that streak here.  His repartee with his fellow agents was dryly amusing and Chris Evans more than carries the film with the help of his humorous and captivating co-star Scarlett Johannson.  The duo work extremely well together and create an atmosphere that exudes fun and amusement in all their scenes together.  Nice work from Samuel L. Jackson, Anthony Mackie, and Robert Redford round out the very good ensemble.

Captain America: The Winter Soldier works best, however, because I think this is the Marvel film that's most based in reality.  While many of the devices that are utilized and inventions that are created are rather preposterous, the stakes feel the most real here in this film as opposed to many others.  Main characters are put into situations that are incredibly difficult from which to escape and it's entirely possible they won't.  This sense of tension adds a great deal to the impact of the film which is the best flick I've seen thus far come out of the Marvel Universe.

The RyMickey Rating:  B

Movie Review - Berberian Sound Studio

Berberian Sound Studio (2013)

Starring Toby Jones, Cosimo Fusco and Antonio Mancino 

Directed by Peter Strickland

***This film is currently streaming on Netflix***

From wikipedia:  giallo -- Giallo films are an Italian 20th century subgenre of film...characterized as gruesome murder mystery thrillers...with scenes of shocking horror featuring excessive bloodletting, stylish camerawork, and often jarring musical arrangements...typically introduce strong psychological themes of madness, alienation, and paranoia.

British sound engineer Gilderoy (Toby Jones) heads over to Italy in the early 1970s after taking a job working on director Giancarlo Santini's (Antonio Mancino) newest film.  Already shot, Gilderoy will be working on the sound effects and perfecting all the looping and voiceover necessary to make Santini's film come together.  One of Santini's producers, Francesco Coraggio (Cosimo Fusco), is Gilderoy's overbearing and slightly scary boss and tires quickly of Gilderoy's insistence on perfection.

And that's it.  That's all the plot Berberian Sound Studio has to offer.  As the film progresses, director Peter Strickland mimics some of the typical shots, sounds, and tones of 1970s Italian gialli flicks, but Gilderoy's sense of madness, alienation, and paranoia aren't enough to elevate this to anything remotely recommendable (and the reasons he feels such madness, alienation, and paranoia are vague and seemingly unfounded).  Admittedly, for the first half of the film, I bought into the premise thinking that ultimately I'd get some type of payoff in the end.  That payoff never came.  Instead, the film just flounders in its second half as it attempts to become thrilling and tense, but never succeeds.  To boot, Toby Jones' mousy performance isn't nearly captivating enough to carry the film.

The one thing this film has going for it -- and it's actually a moderately admirable trait -- is that it really does a fantastic job explaining what foley artists do for films.  The sound (and effects) in this one are really top notch and probably should have been at the very least talked about for consideration at the Oscars this past year.  However, the rest of Berberian Sound Studio was a huge snooze.

The RyMickey Rating:  D

Movie Review - Snow White and the Huntsman

Snow White and the Huntsman (2012)

Starring Kristen Stewart, Chris Hemsworth, Charlize Theron, Ian McShane, Bob Hoskins, Ray Winstone, Eddie Marsan, and Toby Jones

Directed by Rupert Sanders

The more financially successful of the two Snow White flicks released in 2012, Snow White and the Huntsman is certainly darker than the lighthearted Mirror Mirror (which is now available to stream on Netflix), but they're essentially telling the same story we're all familiar with since our childhood.  Shockingly enough, I found both oddly enjoyable to watch in their own ways with both ultimately creating interesting enough twists on the well-known tale to make them never fall into the been-there-done-that realm.

Despite being called Snow White and the Huntsman, the film certainly revolves around the evil Queen Ravenna who is played with wicked abandon by Charlize Theron.  Sexy and alluring, but frighteningly menacing, Theron sinks her teeth into the dark side and goes for broke rather successfully.  When she isn't on the screen, you want the film to shift back to her.  [It should be noted that I said the same thing about Julia Roberts in Mirror Mirror so the role is obviously ripe for scene-stealing.]

But, despite the focus on the Queen, the film's title certainly implies that we're probably going to spend a bit of time with those two title characters, played in this film by Kristen Stewart and Chris Hemsworth, both of whom are perfectly adequate, but undeniably bland.  Hemsworth fares better than Stewart, but that really shouldn't be a surprise considering that I've yet to see Stewart show any smidgen of realistic emotion onscreen in anything.  Here, I'm not sure she even utters fifty lines -- most of the film is her simply reacting vaguely and emptily to things -- but she still manages to prove irksome to this reviewer.

Still, despite the fact that the character of Snow White in a film called Snow White and the Huntsman is a bit of a dud, the film's delving into magic and eerie fantasy is a welcome addition to the tried and true story.  Sure, the Evil Queen has always dipped her hand into the dark arts, but here that's amplified by several degrees to great success and helps to add just enough variations to the tale.  Also amusing, the dwarfs here are typical "munchkin" height, but are played by some fairly famous faces -- Ian McShane, Bob Hoskins, and Toby Jones to name a few -- which allows for some more solid acting than we're likely used to seeing from these smaller statured figures.

Overall, the comparison of Snow White and the Huntsman to Mirror Mirror ends up being a bit of a wash.  I'll admit that most will like this version better, but I can at least recognize that for more light-hearted kiddie fare, Mirror Mirror is a solid picture as well.  Neither are fantastic films, but both are acceptable interpretations of the fairy tale.

The RyMickey Rating:  B-

Movie Review - Virginia

Virginia (2012)

Starring Jennifer Connelly, Ed Harris, Emma Roberts, Harrison Gilbertson, Amy Madigan, and Toby Jones

Directed by Dustin Lance Black

***This film is currently streaming on Netflix***

Everything but the kitchen sink is thrown into the little seen indie called Virginia which I'd heard about sometime earlier this year in a positive light.  It was only until I was halfway through when I ventured onto rottentomatoes.com and discovered that this had a whopping 4% Fresh rating.  Now, I don't always agree with the general consensus of freshness levels on that site, but they were right on the money here.  The flick, scripted and lensed by Dustin Lance Black, can't ever find an appropriate balance between dark comedy and emotional drama and, as such, it never once appears to be anything other than a jumbled mess.

There is the possibility of potential somewhere in there and I think most of it comes from the all-over-the-place performance of Jennifer Connelly as the title character.  I say "all-over-the-place" not as an insult to Ms. Connelly because actually think she does quite an admirable job considering what she's been given to work with, but rather because Virginia herself is such an odd duck.  She's a single mom with a teenage son named Emmett (Harrison Gilbertson) who seems to be moderately put together enough.  She's got her own home, but a menial job driving a boardwalk tram at a coastal Virginia town has her just gradually scraping by.  As if the economic woes weren't trouble enough, she's in the middle of a decades-long affair with Sheriff Richard Tipton (Ed Harris), a married and purportedly strongly religious Mormon who is currently running for governor of Virginia.  Since Dustin Lance Black is apparently a masochist, he also makes Virginia a schizophrenic who has likely just been stricken with lung cancer.  Let's be honest here -- that's simply too much for one actress to take on in a two hour film, but Connelly tries her hardest and she is the only reason I stuck with the film from beginning to end.

Because the film was just begging for more story, young Emmett finds himself falling for Sheriff Tipton's daughter Jessie (Emma Roberts), the local amusement park owner (Toby Jones) likes to dress up as a woman in his downtime, and the Sheriff has a fascination with S&M that his wife (Amy Madigan) uncovers.  If you're as confused as I am about how all this crap comes together, I'm here to tell you that watching this movie doesn't help you decipher that puzzle.

Ultimately, the fault lies with Dustin Lance Black whose script and direction can't determine what kind of film Virginia should be.  Anything that's supposed to be funny -- and I think the hugely stereotypical and overly broad characterizations of both Mormons and "southerners" condescendingly fall into that category -- fails to elicit a single laugh.  Anything that's supposed to have us feel empathy for the characters does nothing but cause us to roll our eyes.  Throughout Virginia, there fails to be a moment that rings legitimately true.

The RyMickey Rating:  D