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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label thomas mann. Show all posts
Showing posts with label thomas mann. Show all posts

Wednesday, June 10, 2020

The Land of Steady Habits

The Land of Steady Habits (2018)
Starring Ben Mendelsohn, Edie Falco, Thomas Mann, Bill Camp, Elizabeth Marvel, Charlie Tahan, Michael Gaston, Josh Pais, and Connie Britton
Directed by Nicole Holofcener
Written by Nicole Holofcener


The RyMickey Rating: C+

Sunday, January 26, 2020

Lady and the Tramp

Lady and the Tramp (2019)
Starring Thomas Mann, Kiersey Clemons, Yvette Nicole Brown, Adrian Martinez, and F. Murray Abraham
and Featuring the vocal talents of Tessa Thompson, Justin Theroux, Sam Elliott, Ashley Jensen, Benedict Wong, Clancy Brown, and Janelle Monáe
Directed by Charlie Bean
Written by Andrew Bujalski and Kari Granlund

Click here for my Letterboxd review

The RyMickey Rating: C+

Saturday, June 23, 2018

Kong: Skull Island

Kong: Skull Island (2017)
Starring Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, Corey Hawkins, Jing Tian,  John Ortiz, Thomas Mann, Shea Whigham, Toby Kebbell, and John Goodman
Directed by Jordan Vogt-Roberts
Written by Dan Gilroy, Max Borenstein, and Derek Connelly

Summary (in 500 words or less):  A team (both military and scientific) head to Skull Island in order to investigate some strange findings.  Upon their arrival, they soon discover the island is home to many larger-than-life creatures including the titular simian Kong.



The RyMickey Rating:  C+

Friday, July 22, 2016

Movie Review - The Stanford Prison Experiment

The Stanford Prison Experiment (2015)
Starring Billy Crudup, Michael Angarano, Moises Arias, Nicholas Braun, Gaius Charles, Nelsan Ellis Keir Gilchrist, Ki Hong Lee, Thomas Mann, Ezra Miller, Logan Miller, Chris Sheffield, Tye Sheridan, Johnny Simmons, James Wolk, and Olivia Thirlby
Directed by Kyle Patrick Alvarez

Absolutely fascinating.  That was my reaction all throughout The Stanford Prison Experiment which is one of the year's most riveting edge-of-your-seat films.  While not a horror movie, director Kyle Patrick Alvarez's film plays like one as twenty-four young college students are recruited to portray either prisoners or guards and, over the course of what was supposed to be a fourteen-day mock prison experiment, form reactions and attitudes that these men had no idea were inside them.

What exactly are the psychological effects of being a prisoner or prison guard?  That's the question that psychologist Dr. Philip Zimbardo (Billy Crudup) wanted to explore in August 1971.  After placing an ad in the local paper looking for young male college students, two dozen kids were selected and randomly chosen to be either guards or prisoners by Zimbardo and his student colleagues.  On the relatively empty Stanford campus (thanks to summer break), Zimbardo took over a whole floor of his psychology building, creating cells and a variety of areas for the prisoners and guards to inhabit.  While things start out pleasant enough between the two groups of students, the prisoners begin to insist on certain considerations to which Zimbardo tells his guards to "take control" which they vigorously embrace leading to some horrifically chilling moments of psychological torture.

The fact that this happened in real life -- oh, I hadn't mentioned that tidbit yet -- is insane and it makes what unfolds all the more intriguing.  The cast of young men (and one woman) form one of the best ensembles put onto film in 2015.  Tye Sheridan gives his best performance yet as he gradually comes undone as Prisoner 819.  Similarly, Johnny Simmons has a heartbreaking scene as his Prisoner 1037 faces the parole board (yes, this experiment went so far as to have a parole board) and Thomas Mann also captivates as a prisoner brought in towards the end of the experiment who immediately realizes that something isn't quite right.  Kudos also to heretofore unknown actor Chris Sheffield as Prisoner 2093 who has an incredibly moving moment near the film's conclusion that makes Dr. Zimbardo question the ethics of his experiment.

Speaking of Zimbardo, Billy Crudup doesn't have the flashiest role in the film, but he's certainly the glue that holds things together and does a great job of conveying his initially innocent character's insistence of the importance of the mock prison and his slide into the frightening puppeteer who controls everything.  As the lead guard, Michael Angarano gives one of the scariest performances of the year.  His character's ease into strict authoritarianism depicts a frightening side to human emotions that we all may have inside us.  With the exception of Ezra Miller who I thought was playing his character similar to every other character I've ever seen the young actor play, the entire cast of knowns and unknowns kept my eyes glued to the screen.

The Stanford Prison Experiment is a film I didn't want to end.  I'm not a psychology buff in the slightest - I tend to think it's mostly a load of hooey - so for me to be riveted by this film was a complete surprise.  The talented ensemble should take a lot of the credit, but director Kyle Patrick Alvarez deserves much praise as well.  His film doesn't play like an educational documentary.  Instead, this is a tense discomforting two hour journey into human behavior with his camera allowing us to witness both the emotional trauma of the prisoners and the sadistic glee of the guards.  My words at the beginning of this review really sum up my thoughts about the movie as a whole -- absolutely fascinating.

The RyMickey Rating:  A-

Monday, December 21, 2015

Movie Review - Me and Earl and the Dying Girl

Me and Earl and the Dying Girl (2015)
Starring Thomas Mann, RJ Cyler, Olivia Cooke, Nick Offerman, Katherine Hughes, Jon Bernthal, Molly Shannon, and Connie Britton
Directed by Alfonso Gomez-Rejon

There's no hiding the fact that Me and Earl and the Dying Girl is a movie about a disease.  In this case, it's cancer and the dying girl in the title is Rachel (Olivia Cooke), a high school senior who is diagnosed with leukemia.  The "Me" in the title is Greg (Thomas Mann), a wry, witty loner of sorts who has managed to make his way through high school by being pleasant enough to every single clique or group, but never really joining any of them.  This casual sense of invisibility has proved to be very successful for Greg, but it's also made him a bit of a loner with the exception of his friend Earl (RJ Cyler) with whom he makes hilariously ridiculous recreations of art house films.  When Greg's mom (Connie Britton) forces her son to visit Rachel after she's been diagnosed (with whom he's said very little to in the entirety of high school), Greg connects with Rachel's wry sense of humor and no-nonsense attitude and the two begin to form a friendship.

As I said, there's no hiding the fact that Me and Earl and the Dying Girl is a disease movie.  It places cancer squarely at the forefront.  However, the film doesn't create a two-hour mope-fest.  Instead, screenwriter Jesse Andrews and director Alfonso Gomez-Rejon have created one of the funniest films I've seen this year.  There's a hip, irreverence imbued in both the dialog and the way the film is shot and acted that immediately clicked with me.  I belly-laughed multiple times (mostly at Greg and Earl's homages/recreations of films), yet still think the film does a nice job at balancing the humor with the pathos.

That said, despite great turns from RJ Cyler, Olivia Cooke, and Thomas Mann (who is quite captivating and oddly charming as the lead), Me and Earl and the Dying Girl didn't quite click with me emotionally.  Considering the subject matter, I was expecting to be a little more affected.  Granted, this flick doesn't carry the maudlin overtones of something like A Fault in Our Stars (a film which I like quite a bit), but perhaps because of that lack of gravitas, I found myself oddly unmoved as the film reached its conclusion which ultimately felt like a little bit of a letdown.

In only his second film, director Gomez-Rejon shows much promise.  Sure some of the adults (particularly Molly Shannon as Rachel's mother) feel a little too one-note (which is a fault of the script in part) and he doesn't quite hit the bullseye emotionally in the end in the way the way he really needs.  However, there's a freshness to what he's brought to the screen that's refreshing and inviting.  Me and Earl and the Dying Girl doesn't hit quite all the right notes, but it comes darn close.

The RyMickey Rating: B

Saturday, October 03, 2015

Movie Review - Welcome to Me

Welcome to Me (2015)
Starring Kristen Wiig, Wes Bentley, Linda Cardellini, Joan Cusack, Loretta Devine, Jennifer Jason Leigh, Thomas Mann, James Marsden, Tim Robbins, and Alan Tudyk
Directed by Shira Piven
***This film is currently streaming on Netflix***

While I must admit that I laughed quite a bit during Welcome to Me, after nearly every chuckle I found myself cringing that I was finding what I was watching humorous.  Sometimes it's a good thing when a movie makes you question your innate emotional reaction, but by the end of Welcome to Me, I ended up just feeling unpleasantly uncomfortable because the film disappoints in creating a well-rounded lead character.

The problem lies in the fact that star Kristen Wiig is playing Alice Klieg -- a woman with Borderline Personality Disorder who wins an $86 million dollar lottery and immediately abandons her meds -- as if she were a caricature from a Saturday Night Live skit rather than a well-rounded person.  That isn't to say that Wiig isn't funny.  As Alice, who obsesses over Oprah Winfrey's feel-good talk show and decides to spend millions to create her own lifestyle low-budget cable access show, Wiig has many moments that elicit laughs.  However the script and Wiig's portrayal full of jittery physical motions and dazed eyes are one-note, attempting to define a character only by a psychiatric disorder and the idiosyncrasies that accompany the disease as opposed to other aspects of life.

Oddly enough, however, despite this obviously major problem, I actually didn't dislike Welcome to Me altogether because the premise was certainly unique enough to warrant its existence.  With a supporting cast of many well-known names -- who really aren't given much to do -- the actors countering Wiig do a nice job of trying to keep the film based in reality.  As mentioned, I laughed during this one, but by the time the film ended, I found myself thinking back on it disappointed as opposed to pleased due to the fact that there was potential there for something only to be hindered by a script that fails to help its lead character.

The RyMickey Rating:  C

Friday, October 11, 2013

Movie Review - Hansel & Gretel: Witch Hunters

Hansel & Gretel: Witch Hunters (2013)
Starring Jeremy Renner, Gemma Arterton, Famke Jannsen, Peter Stormare, and Thomas Mann
Directed by Tommy Wirkola

In a movie like Hansel & Gretel: Witch Hunters, you have to give in to the complete absurdity and ridiculousness of it all or else you're never going to be able to enjoy it.  Unfortunately, after a pre-opening credits segment in which the traditional Hansel & Gretel fairy tale is depicted and a young Gretel throws a horrid-looking witch into a burning fire followed by uttering the line "Is that hot enough for you, bitch?", I was nearly ready to check out.  While director-screenwriter Tommy Wirkola manages to craft something infinitely better than the similarly themed Abraham Lincoln: Vampire Hunter, that's not exactly a ringing endorsement and despite trying to scream "fun" all the time, Hansel & Gretel doesn't have enough substance for its unique spin on the traditional fairy tale story.

Jeremy Renner and Gemma Arterton are the title brother/sister pair and both are actually quite good playing their characters as if they were seemingly self-aware of the corniness, cheesiness, and insanity that goes on around them as Hansel and Gretel attempt to save a European village from the evil witch Muriel (Famke Jannsen) who is snatching up children in order to complete some massive supernatural spell that will give her incredible control.  Unfortunately, there are a few additional subplots thrown in the mix that bog things down, taking focus away from the main crux of the flick.

Honestly, there's part of me that wants to hate Hansel & Gretel: Witch Hunters because I'm well aware that it's utterly ridiculous.  However, it was enjoyable enough that it's worth your time should it ever start to stream on Netflix.

The RyMickey Rating:  C