Movie Review - Burnt

Burnt (2015)

Starring Bradley Cooper, Sienna Miller, Omar Sy, Daniel Brühl, Matthew Rhys, Alicia Vikander,  Uma Thurman, and Emma Thompson

Directed by John Wells

Burnt is a well-acted film about a once great Michelin Star-earning chef named Adam Jones (Bradley Cooper) who lost it all when drugs and horrible behavior upended his career at an early age.  After taking time to reflect on his wrongs back home in the United States, Adam returns to London to start his career again, opening a new restaurant and trying to right the wrongs of his past.

Despite the aforementioned notion that Burnt is well-acted, it's a film that just kind of sits there and doesn't excite the audience in any way.  Director John Wells paces the already short film in such a way that it doesn't engage us and pull us in to Adam's life.  Sure, the glossy and well-lit scenes of kitchen work are pretty, but once we move beyond the boiling pots, buttered-up pans, and fancy sous vide machines, there's no dramatic tension in this otherwise typical film about a formerly unpleasant guy becoming pleasant.

Bradley Cooper is quite good and his character is at least a little bit captivating.  His relationships with his sous chefs (Sienna Miller, Omar Sy), his front-of-house staff (Daniel Brühl), and rival (Matthew Rhys) are all pleasant enough and all well-performed by the cast.  Unfortunately, there's very little for the actors to sink their teeth into which goes hand-in-hand with the lack of any tension and significant plot.  Burnt isn't a particularly bad movie, but by the end I just shrugged my shoulders and moved on.

The RyMickey Rating:  C

Movie Review - Nymphomaniac: Vol I and Vol 2

Nymphomaniac: Vol 1 (2014)

Starring Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBoeuf, Christian Slater, Uma Thurman, Sophie Kennedy Clark, and Connie Nielsen

Directed by Lars von Trier

***This film is currently streaming on Netflix***

Nymphomaniac: Vol 2 (2014)

Starring Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBoeuf, Jamie Bell, Mia Goth, Stacy Martin, and Willem Dafoe

Directed by Lars von Trier

***This film is currently streaming on Netflix***

Well, that was four hours of my life that I can't get back...then again, maybe it was worth my time after all.  That's the problem with Lars von Trier -- I despise and appreciate his work at the same time.

Oh, Lars von Trier.  I experienced five of your films now (six if you count Nymphomaniac as two films) and you're a weird son of a gun.  Nymphomaniac is the third and final film in von Trier's "Depression Trilogy" following Antichrist and Melancholia, and, much like those films, it's all pretension and very little substance.

Nymphomaniac follows Joe (Charlotte Gainsbourg) who is found in an alley by a man named Seligman (Stellan Skarsgård) after she is beaten up.  Seligman takes Joe to his house to recover and Joe begins to tell Seligman her life story through her sexual experiences.  Why does she do this?  I don't know.  Shock effect? Her nymphomatic tendencies?  Because screenwriter Lars von Trier is a weird guy who likes to think he's pushing the envelope whenever possible?  Probably the latter as von Trier takes the approach here of being as graphic as possible including scenes of unsimulated sex in order to be risky and adventurous (but never stimulating or titillating).

Oddly enough, however, despite the heavy-handed nature of the piece and von Trier's incessant need to be provocative, the acting of everyone elevates this to something that at least makes the four hours not a boring sexual epic.  The best of the bunch is Stacy Martin in her first role as the young teenage/twentysomething Joe.  This is an extremely tricky role -- addicted to sex, yet emotionless when undertaking these sexual activities, Martin's Joe is a girl of few words, yet I found myself riveted with her story.  Martin certainly is the focus of Volume 1 with Charlotte Gainsbourg taking more of the reins in Volume 2 and the second film suffers for it.  Gainsbourg is fine, but the film becomes a bit too depressing and melancholic to be all that riveting.  Shia LaBoeuf and Uma Thurman also put in some nice turns, but neither are in either film for an extended period of time.

I appreciate Lars von Trier artistically as a director and I like what he visually brings to the screen.  As a writer, von Trier leaves quite a bit to be desired and that's where my constant see-sawing of "Did I like this or did I hate this?" comes in whenever I watch one of his films.  His pieces never work as a whole and Nymphomaniac is no exception.

The RyMickey Rating:  C (Volume 1)

The RyMickey Rating: C- (Volume 2)

Movie Review - Bel Ami

Bel Ami (2012)

Starring Robert Pattinson, Uma Thurman, Christina Ricci, and Kristin Scott Thomas

Directed by Declan Donnellan and Nick Ormerod

***This film is currently streaming on Netflix***

The fundamental flaw of Bel Ami is simply that I cannot comprehend how women lust after the pale-faced, solemn, and emotionless Robert Pattinson.  I don't get this guy's appeal and considering that he plays a ladies' man intent on rising up the ranks of the Parisian bourgeois by seducing and sleeping with the wives of influential men, the film finds itself at a disadvantage in my eyes.  [It certainly doesn't help that when Pattinson is asked to do anything on an emotional front beyond being "vacant," he fails laughably.]

Somehow, though, the film isn't a complete failure despite a leading role that leaves much to be desired.  Plain and simple, Bel Ami is a sexually driven soap opera set in 1890's Paris with Pattinson's Georges Duroy running from lady (Christina Ricci) to lady (Uma Thurman) to lady (Kristin Scott Thomas), quenching his carnal desires.  Ultimately, though, Georges is simply using these women of high society to find out the dirt on their husbands so he can try and impress them since his lower status as a soldier recently returned home from duty carries no caché.  Set this film a century later and you'd find it on the Lifetime channel as a movie of the week because despite the attempts at throwing in some political brouhaha about a takeover of Morocco, there's nothing going on in Bel Ami except for people romping in the hay.

Now, there's certainly nothing wrong with frivolous fun and Bel Ami fits that bill at times which actually made this enjoyable to watch for the most part.  It's also adequately directed by two newcomers to the cinematic scene who don't do anything special, but certainly don't do anything wrong.  If Robert Pattinson hadn't been cast as the main character, this likely may have ranked a bit higher.  But as it stands now, the only things that make this worth watching are the over-the-top performances of Ricci, Thurman, and Scott Thomas, and despite not being the worst thing you could watch streaming on Netflix, there's certainly better things out there.

The RyMickey Rating:  C-

Movie Review - Ceremony

Ceremony (2011)

Starring Uma Thurman, Michael Angarano, Reece Thompson, and Lee Pace

Directed by Max Winkler
***This film is currently streaming on Netflix***

Ceremony is a quirky little dramedy that I'm sure 99% of people never heard of, and while admittedly it's not exactly a movie that deserves a ton of recognition, it was an interesting enough diversion for me not to be ticked off that I wasted my time watching it.  That said, it's not without some story issues that end up .

Starting off rather promisingly, Ceremony follows early twentysomething friends Sam (Michael Angarano) and Marshall (Reece Thompson) as they trek to a coastal town for a weekend getaway.  While Marshall thinks it's an opportunity to spend time with his buddy who has been preoccupied over the past year with writing his latest children's book, Sam's intent of the trip is to crash the wedding of the slightly older Zoe (Uma Thurman) with whom he had a relationship a few years ago.  While Zoe still feels something for the younger Sam, she can't help but feel that their May-December romance would be doomed to fail despite her beau's attempts to woo her away from her documentary filmmaker fiancé Whit (Lee Pace).

Yes, there are moments where the oddball characters are too bizarre to be believed, but fortunately Michael Angarano is a rather charming leading guy.  There's no doubt that his Sam is an unrealistic person, but Angarano sells the assertive romantic who's much more insecure than his hellbent attitude causes him to appear.  Certainly the nucleus of the film, had Angarano failed, the flick would've been a disaster, but he managed to win me over from the opening scene and surprisingly carried the peculiar charm throughout.

In the grand scheme of things, Uma Thurman's Zoe is almost a throwaway...and that's partly where the film falls apart.  In the end, Ceremony is a movie that's absolutely should be about the Sam-Zoe relationship, but much too much focus is placed upon Sam's failing friendship with Marshall.  While the insecure Marshall was certainly an amusing character (and the nearly polar opposite of the headstrong Sam), the film isn't really about this duo and first time director-writer Max Winkler can't find the adequate balance between these two people in Sam's life.

The RyMickey Rating:  C

Movie Review - Percy Jackson & the Olympians: The Lightning Thief

Percy Jackson & the Olympians: The Lightning Thief (2010)

Starring Logan Lerman, Brandon T. Jackson, Sean Bean, Pierce Brosnan, Rosario Dawson, Uma Thurman, and Catherine Keener

Directed by Chris Columbus

Low-rent Harry Potter is what this one is.  Director Chris Columbus (who also directed the first two Potter pics) manages to actually craft a decent looking film filled with moderately nifty special effects sequences, but the story itself here is pretty dismal.

High schooler Percy Jackson (a one-note Logan Lerman) discovers on a school field trip one day that he is the son of the Greek god Poseidon.  It turns out that Zeus believes that Percy (for some ridiculous reason or another) stole his lightning bolt and unless he returns it in two weeks, humans will have hell to pay.  Why?  I don't know.  Maybe because Percy's a half human-half god or maybe because Zeus is just one angry dude with a superiority complex.  It doesn't really matter because the story itself is ridiculous and it makes this film fail miserably.

The books that this flick is based on are apparently quite popular, but the fantasy realm presented here can't compare to the whimsy of Hogwarts, for example (and I'm not even a huge fan of the Potter films).  Like I said, Columbus actually does a fairly admirable job in the direction, but this was painful to sit through.

The RyMickey Rating:  D