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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label eva marie saint. Show all posts
Showing posts with label eva marie saint. Show all posts

Tuesday, January 27, 2015

Movie Review - Winter's Tale

Winter's Tale (2014)
Starring Colin Farrell, Russell Crowe, Jessica Brown Findlay, Jennifer Connelly, William Hurt, Eva Marie Saint, and Will Smith 
Directed by Akiva Goldsman

Savaged by critics and ending up on many "Worst of 2014" lists, Winter's Tale doesn't quite reach levels of awful offensiveness in terms of how bad it is, but it certainly misses the mark as an adult morality tale/fairy tale/fantasy/romance.  As the film opens, we see a foreign couple in the early 1900s being refused entrance into the United States because they have consumption.  Sent back to Europe on a boat, they leave their infant son behind in hopes that he'll have a better life.  The son grows up to be Peter Lake (Colin Farrell) who was raised on the rough New York City streets by Pearly Soames (Russell Crowe) and the two men couldn't be more different.  Despite rather oddly burying this lede and causing a bit of unnecessary confusion in the film's opening scenes, Pearly works for the Devil, while Peter is a bit more angelic and apparently has been granted the ability to truly help one person in his lifetime.  As Peter ages, this sets up conflict and Pearly sets out to take down the man whom he hoped at one time would be his successor.  This battle between good and evil is set against the backdrop of romance as Peter falls for Beverly Penn (Jessica Brown Findlay), a rich young woman who is dying of consumption.  And I haven't even begun to discuss the time jump that a little over halfway through the film moves the plot into modern times nor the mystical white horse that sprouts wings and saves the day multiple times.

There's simply too much going on in Winter's Tale to allow an audience to appreciate any aspect of it.   Based on a book that has had praise heaped upon it, I have to wonder if the fantastical meanderings work better on the page than played out visually on the screen.  This is Academy Award-winning screenwriter Akiva Goldsman's first feature film directorial gig and he can't formulate a singular vision here which is perhaps due to the fact that his screenplay feels haphazardly crafted.  The acting is okay, but that's admittedly faint praise.  Crowe is hamming it up at times although not necessarily in an awkward way as he is essentially playing an employee of the devil.  Farrell is fine, although he's a bit of a blank slate in some of the film's pivotal moments.  The rest of the cast makes do with what's given to them.

While Winter's Tale certainly isn't the worst film I've seen from 2014, it certainly isn't a winner by any means.

The RyMickey Rating:  D+

Monday, October 11, 2010

Hitchcock Month - North by Northwest

North by Northwest (1959)
Starring Cary Grant, Eva Marie Saint, and James Mason
Directed by Alfred Hitchcock


A case of mistaken identity causes a criminal tycoon's lackeys to abduct the wrong man sending his life into complete chaos in Hitchcock's North by Northwest, a film that garners the right and deserves to be called a "classic."

The always charming Cary Grant is Roger Thornhill, an advertising exec living in New York City.  While at a restaurant one evening, Thornhill is mistaken for a man named George Kaplan who happens to be an international spy.  Thornhill is abducted by Philip Vandamm (James Mason) who believes that Kaplan works for the CIA and is trying to undermine his criminal plans (which I'll leave vague for the purposes of this discussion).  While Thornhill escapes this initial abduction, Vandamm's men will stop at nothing to kill Thornhill whom they still believe is Kaplan.  As he travels across the United States to try and evade his abductors and clear his own name which has been sullied by being set up for a murder by Vandamm's men, Thornhill meets the alluring Eve Kendall (Eva Marie Saint) who may or may not be aiding him in his escape.

The problem with creating a summary of North by Northwest is that the film is one of the best written screenplays of all time.  A bold statement, I know, but after this viewing, I believe wholeheartedly it is true and anything I write will not give it the least bit of justice.  Not only is the dialog witty, clever,  and surprisingly sexy, but screenwriter Ernest Lehman is ingenious in revealing key plot points as well -- he is constantly giving the viewer little bits of information, keeping us guessing, but allowing us to decipher clues along the way.  Nothing is the least bit confusing either.  Yes, this flick is a spy thriller, but it never feels the least bit bogged down with unnecessary information -- everything in the movie is revealed at exactly the right time and the revelations are for the purposes of furthering the story not for shock value.  The film whizzes by in a flash and considering that it's 135 minutes long that's an admirable accomplishment.

And certainly Hitchcock himself is worthy of praise for the pacing of the flick as well.  There's a sense of playfulness on display in North by Northwest, and while its characters are dealing with some serious predicaments, the film has a tongue-in-cheek tone.  Don't get me wrong...this isn't a comedy, but  there's never a "heaviness" to the proceedings when there very well could have been.

Part of the reason for the reason for the light-hearted aire is Cary Grant.  While he's still portraying the ladies' man (as he often does), he's an aged ladies' man.  Graying around the edges with a wrinkled brow, Grant's Thornhill is more "everyman" than we usually get from a Grant performance.  Couple that with the lovely Eva Marie Saint as Thornhill's sexy love interest who may or may not be conspiring to kill him and they are quite a duo onscreen.  Grant and Saint are surprisingly smoldering in their scenes together.

While I always knew that I liked North by Northwest, I never really appreciated it the way I do now.  As always, whenever I like something, I have a tendency to never give it justice as is likely the case here.  Suffice it to say, if you've never watched this flick, you should.  You won't be disappointed and you'll be treating yourself to one of the best movies Hitch has ever made and one of the best movies Hollywood has ever cranked out.


The RyMickey Rating:  A