Just Mercy

Just Mercy (2019)

Starring Michael B. Jordan, Jamie Foxx, Brie Larson, Rob Morgan, Rafe Spall, O'Shea Jackson, and Tim Blake Nelson

Directed by Destin Daniel Cretton

Written by Destin Daniel Cretton and Andrew Lanham

Click here for my Letterboxd review

The RyMickey Rating: B

The Ritual

The Ritual (2018)

Starring Rafe Spall, Arsher Ali, Robert James-Collier, and Sam Troughton

Directed by David Bruckner

Written by Joe Barton

Click here for my Letterboxd review

The RyMickey Rating: B+

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom (2018)

Starring Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, Isabella Sermon, James Cromwell, and Toby Jones

Directed by J.A. Bayona

Written by Derek Connolly and Colin Treverrow

Click here for my Letterboxd review

The RyMickey Rating: D

Movie Review - A Brilliant Young Mind

A Brilliant Young Mind (2015)

Starring Asa Butterfield, Rafe Spall, Sally Hawkins, Eddie Marsan, Jo Yang, Martin McCann, and Alex Lawther

Directed by Morgan Matthews

Up front, I think I must say that the film A Brilliant Young Mind found itself at a disadvantage for this reviewer seeing as how I recently saw the Broadway production of The Curious Incident of the Dog in the Night-Time.  Both tackle an incredibly similar premise - a young boy on the autism spectrum loses a parent, fails to connect with his remaining parent, and, thanks to the help of a teacher, turns to the patterns in math to become more communicative with society - but seeing something unfold live (and unfold live in a rather ingeniously staged way) will always hold the upper hand and that's certainly the case here.  A Brilliant Young Mind is very well acted by the entire cast, but it lacks the emotional gravitas that I wanted and it obviously desired to achieve.

Asa Butterfield is Nathan Ellis, an autistic teen who had a strong connection with his father Michael (Martin McCann) only to have the relationship shattered by a horrible car accident when Nathan was younger.  With his father dead, Nathan's mom Julie (Sally Hawkins) finds her son distant and unwilling to emotionally interact with her, but she also recognizes his innate ability with mathematics.  Sensing this strength, she enrolls Nathan (played at this age by Edward Baker-Close) in a few specialized math classes under the tutelage of Martin Humphreys (Rafe Spall), a bit of a curmudgeonly teacher who is dealing with his own medical problem of an onset of multiple sclerosis.  Under Martin's teachings, Nathan blossoms intellectually (though not particularly socially) and Martin pushes Nathan to try out for a prestigious worldwide mathematics olympiad which forces Nathan to step out of his comfort zone and work with teens his own age.

As mentioned, A Brilliant Young Mind is well-acted and that's undoubtedly one of the reasons I found myself interested in the story.  Young Butterfield is compelling, Rafe Spall gives the film a nice comedic touch, and Sally Hawkins continues to be one of the more underrated actresses of this era.  However, their performances aren't enough to boost the desired emotional impact I wanted and didn't get from the film.  I wanted the chasm between mother and son to really hit home, but this key aspect of the story didn't make it there for me.  Once again, I do think the film was at a disadvantage as I simply saw a better telling of a similar story a short time ago.  That said, had the film achieved the pivotal and necessary dramatic moments, it still would've felt like a successful cinematic experience.  As it stands now, A Brilliant Young Mind is just a little better than fair.

The RyMickey Rating:  C+

Movie Review - The Big Short

The Big Short (2015)

Starring Steve Carell, Christian Bale, Ryan Gosling, John Magaro, Finn Wittrock, Hamish Linklater, Rafe Spall, Jeremy Strong, Adepero Oduye, Marisa Tomei, Melissa Leo, and Brad Pitt

Directed by Adam McKay

I know that The Big Short is a well-made, well-written, and well-acted film.  The issue is that the film which delves into 2007-08 the financial meltdown in which the housing market went belly up causing catastrophic damage to regular folks and the crooked big banks simply didn't resonate with me likely because I had no personal attachment to the crisis.  Granted, I don't need to have a personal connection to a film in order to become invested in it, but the overarching theme kept me at a bit of a distance despite being cleverly directed by Adam McKay so that the hefty and complicated subject matter seems a bit more relatable (and understandable) to the average moviegoer.

Quite frankly, there's no reason to delve into the story aspects of The Big Short in any greater detail than has already been mentioned because the film is a bit too complex to really simplistically explain.  Needless to say, the flick focuses on three groups or individuals who attempt to bring attention to the impending meltdown and are greeted with blank stares and laughs by those in charge.  Christian Bale is hedge fund manager Michael Burry who discovers the unsteady housing market and tries to use this to his advantage.  (Burry, admittedly, isn't really trying to "solve" the meltdown problem, he's just the first person who realized he may be able to use it to his advantage.) Steve Carell plays hedge fund manager Mark Baum who is approached by trader Jared Vennett (Ryan Gosling) to do the same thing Burry is doing, although Baum (whose Wall Street trader brother met an unfortunate demise) tries to uncover how the government is allowing it to happen.  Finally, up-and-coming young investors Charlie Geller and Jamie Shipley (John Magaro and Finn Wittrock) uncover paperwork by Vennett that reveals his thoughts on the crisis and enlist the help of noted financial guru Ben Rickart (Brad Pitt) to make money on the housing collapse only to have a change of heart as they realize the chaos that the collapse will cause.

All of the aforementioned actors do an admirable job of making their sometimes convoluted plots seem understandable and there's not a weak link in the cast.  That said, as I mentioned before, there's a lack of connection for me here that I wasn't quite able to overcome.  While the film doesn't necessarily play like a college finance course, it sometimes doesn't quite succeed in altogether abandoning that mindset.  McKay (who co-wrote the film with Charles Randolph) does some clever cutaways with celebrities to try and make the intricacies of the convoluted housing trade at least comprehensible, but in the end, there's somehow a lack of dramatic tension and human connection here.  The Big Short is still a surprisingly enjoyable watch, but it just never quite hit home with me despite a valiant effort.

The RyMickey Rating:  B-

Movie Review - What If

What If (2014)

Starring Daniel Radcliffe, Zoe Kazan, Megan Park, Adam Driver, Mackenzie Davis, and Rafe Spall

Directed by Michael Dowse

I've started many a review with something along the lines of "I'm a sucker for romantic comedies," and this statement continues to ring true with the absolutely charming What If, a tiny indie flick that was released in a theaters for a quick and decisively financially unsuccessful run this past summer.

Who knew Harry Potter himself Daniel Radcliffe had the wit in him to portray a dryly humorous, self-effacing, and hopeless romantic like Wallace, a med school dropout who meets Chantry (Zoe Kazan) at a party thrown by his best friend Allan (Adam Driver).  Upon walking her home, Wallace learns that Chantry has a longterm boyfriend in Ben (Rafe Spall) and wants more than anything else to simply be friends with Wallace whom she's hit it off with right away in terms of their likes, dislikes, and personalities.  The two were made for each other -- it's obvious.  Unfortunately, Chantry really loves Ben.  Also unfortunately, Wallace finds himself falling for Chantry more and more with each passing month, yet he also drifts further and further from being able to tell her his true feelings as they shift deeper and deeper into the "friend zone."

The film of course veers down an expected path which, I was surprised to discover, I found a tiny bit annoying.  I was hoping for maybe a "twist" at the film's conclusion, but writer Elan Mastai chickens out just a little bit.  Admittedly, I would've probably written the same ending as that's what's totally expected of a film like this, but as the flick came to a close I was hoping I'd be in for something a little off the beaten path.  Still, Matsai succeeds at creating two characters whose wit and dry humor are a perfect match for each other and also truly amusing to watch.  Radcliffe and Kazan are both fantastic in their roles, displaying a great amount of chemistry.  While Radcliffe was quite the surprise (I wasn't a fan of the Harry Potter series, so I was impressed here), Kazan proves once again that she's someone to watch.  I thought she was great in 2012's Ruby Sparks (a very different romantic comedy), but I was quite pleased to see her onscreen again as she hasn't done much since then.

Much like the "sucker for romantic comedies" line, I also tend to pull out the "but it doesn't reinvent the wheel" clause more often than I probably should.  That said, it's an apt phrase for What If...but that doesn't really matter.  What If will win you over with two sweet performances and a youthful cast that imbues humor into a story we've certainly seen portrayed many times before.

The RyMickey Rating:  B

Movie Review - I Give It a Year

I Give It a Year (2013)

Starring Rose Byrne, Rafe Spall, Anna Faris, Stephen Merchant, Minnie Driver, Simon Baker, and Olivia Colman

Directed by Dan Mazer

***This film is currently streaming on Netflix***

I Give It a Year started out so promisingly.  Through a quickly paced montage, we see how Nat and Josh (Rose Byrne and Rafe Spall) meet and fall in love, leading up to their wedding.  Their reception is filled with hilarity thanks to Josh's best bud Danny (Stephen Merchant), but then the film skips ahead about eight months and Nat and Josh find themselves sitting in a marriage counselor's office talking about how they jumped into things too quickly and may not have been as compatible as they thought.  Through flashbacks we see that Josh has never really gotten over his girlfriend prior to Nat, an American named Chloe (Anna Faris) and the fact that they're trying to remain friends puts a strain on his current relationship.  Nat, on the other hand, is finding herself falling for an American herself -- a businessman (Simon Baker) whose suave and debonair demeanor is a bit more of a perfect match for her than Josh's lovable carefreeness.

Unfortunately, as I look back upon the film, I realize that even the humor that I enjoyed wasn't natural to the film itself.  In those opening minutes, I laughed more times than I can count thanks to Stephen Merchant's inappropriate speeches at the wedding and the reception.  However, Merchant's character seems out of place and affected as opposed to being intrinsic to the plot.  Similarly, the aforementioned marriage counselor (played by Olivia Colman) is a caricature rather than a real person.  The same could be said for Minnie Driver's best friend character whose purpose other than to provide a snarky comment here or there is beyond me.

The film doesn't help its leading actors either.  Rose Byrne and Rafe Spall -- both of whom are perfectly pleasant to watch and are fine in the acting department -- are bland and aren't given anything to do except stand around and get pissed off or glare at their partner so that doesn't help matters either.  Simon Baker is nothing except "The Perfect Guy," so his character is a bit yawn-inducing.  And poor Anna Faris is given a purportedly hilarious scene involving her character's experimentation in a threesome that is so incredibly out of place, I found myself cringing at writer-director Dan Mazur's taste levels.

I Give It a Year wasn't offensively bad, but I can't say it's worth your time either.

The RyMickey Rating:  C-

Movie Review - Life of Pi

Life of Pi (2012)

***viewed in 3D***

Starring Suraj Sharma, Irrfan Khan, Tabu, Rafe Spall, and Gérard Depardieu

Directed by Ang Lee

I knew very little about Life of Pi prior to going in.  I was aware that it was "faith-based" in the sense that spiritual beliefs would take a large role in the film, and I also knew that most of it took place on a small boat with a tiger.  Beyond that, I went into this pretty blind.  Perhaps this was one of the few times, however, that the lack of knowledge hurt things a little bit.  It's not that I couldn't comprehend what was going on -- in fact, this is one of the most "basic" movies I've seen in a long time in terms of plot -- but not being aware of the overarching story itself had me expecting something a bit more epic as opposed to more intimate and I was caught a bit off guard.  [I don't know why I felt this way.  It's a kid on a boat with a tiger...why was I expecting epicness?]

Eleven year-old Pi Patel (Ayush Tandon) is a curious kid growing up in India next to his parents' zoo.  While his father lacks religious beliefs, Pi ponders the various tenets of religions as diverse as Catholicism, Hinduism, and Islam, recognizing the underlying similarities of them all.  As Pi grows into a teen (now played by Suraj Sharma), his father and mother announce that they must leave India for Canada for monetary reasons and they plan on taking the family and all their animals with them on a large ship.  While at sea, a terrible storm strikes and Pi finds himself seemingly the only survivor on a small lifeboat with a zebra, a hyena, an orangutan, and a tiger.  As Pi spends months stranded in the ocean, he must come to terms with humanity, faith, and fate as everything he believed in prior to the wreck comes into question.

First, I should say that Suraj Sharma who finds himself sharing the stage with digitally created animals for most of the film does a fairly remarkable job of holding his own and creating a presence onscreen that is strong enough to keep the audience's attention for nearly ninety minutes.  Considering that this is the young actor's first film role, kudos must be extended to him.

Secondly, director Ang Lee utilizes digital effects to create lifelike and, at the same time, fantastical sea settings that are quite visually appealing film despite the fact that the supposedly amazing 3D effects weren't all they were cracked up to be.  Lauded in the reviews likely due to a single scene in which Lee decides to "letterbox" his film and have fish fly outside of the letterboxing, this effect was already done in the flop G-Force to much greater effect.  Still, the 3D looks fine...it just isn't as fantastic as one was led to believe.  Beyond the 3D, though, Lee manages to keep the film moving at a decent pace lensing some lovely scenes to feast upon.

However, whenever the film is off the small boat with Pi and the tiger, Life of Pi falters pretty significantly.  There's a framing device utilized of an adult Pi (Irrfan Khan) telling his story to a man (Rafe Spall) who wants to write a book on his life.  Perhaps this is in the book as well, but jumping back to the adult Pi just stymies any dramatic flow the movie has thus far achieved.  Removing this altogether would have provided a more cohesive and magical film and ended things without a treacly sense of melodrama.

The RyMickey Rating:  C+

Movie Review - Anonymous

Anonymous (2011)

Starring Rhys Ifans, Vanessa Redgrave, Joely Richardson, Sebastian Arnesto, Rafe Spall, David Thewlis, Edward Hogg, Jamie Campbell Bower, and Derek Jacobi

Directed by Roland Emmerich

I am by no means a Shakespeare connoisseur, but I do have a certain fondness for the Bard.  My final English class in college was a seminar on Shakespeare, his history plays, and how history has regarded him the centuries have passed.  We also briefly touched upon the notion that there is an underlying movement in England (and around the world) to prove that William Shakespeare did not, in fact, pen the plays that he is so well known for writing.  This subculture is explored in Roland Emmerich's Anonymous which twists history around and attempts to show how it could very well have been possible for Shakespeare to have just been a front for another man's work.

That other man in Anonymous is Edward de Vere, the Earl of Oxford (played rather well and almost unrecognizably against type by Rhys Ifans whom I particularly know for his comedic work).  Although it seems rather laughable, de Vere is forced to write in secret, having grown up in a puritanical home and forced to marry the daughter of one of Queen Elizabeth's most trusted advisors.  Desiring to see his plays presented on the stage, de Vere first presents them anonymously, but then discovers that the public needs a face to put behind the page.  He initially attempts to woo aspiring writer Ben Johnson (Sebastian Arnesto), but through the stroke of fate, an actor named William Shakespeare (Rafe Spall) takes credit and begins to pretend to be the writer of the fantastic canon of literature.

Had the movie solely focused on this aspect, I can't help but think I would have enjoyed the proceedings much more.  However, the crux of the movie lies not in this trickery being put upon the British public by de Vere and Shakespeare, but instead fixates on the political intrigue behind the succession of Queen Elizabeth I (Vanessa Redgrave as the elder Queen and Joely Richardson in flashbacks).  Admittedly, I zoned out multiple times so I can't even give a good description of what was happening except to say that de Vere's "adopted" father is involved in much of the "intrigue"...but I couldn't have cared less.

Clocking in at 130 minutes, Anonymous overstays its welcome by a good 45 minutes and had it dropped the mind-numbingly boring succession plot, it may have been a solid picture.  Performances are okay, but everyone lacks emotion and punch making the whole affair so solemn and austere that a coldness exudes throughout.  Roland Emmerich crafted a solid-looking film (apparently much of the sets were completed utilizing CGI technology which certainly fooled me), but a movie that lacks any type of emotional connection to anything it tries to present.

The RyMickey Rating:  D