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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label anna paquin. Show all posts
Showing posts with label anna paquin. Show all posts

Saturday, January 18, 2020

The Irishman

The Irishman (2019)
Starring Robert DeNiro, Al Pacino, Joe Pesci, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Harvey Keitel, and Jesse Plemons
Directed by Martin Scorsese
Written by Steven Zaillian



The RyMickey Rating:  B

Sunday, July 24, 2016

Movie Review - The Good Dinosaur

The Good Dinosaur (2015)
Featuring the vocal talents of Jeffrey Wright, Frances McDormand, Raymond Ochoa, Steve Zahn, Anna Paquin, and Sam Elliott 
Directed by Peter Sohn

As much as I say Pixar is without faults, churning out one hit after another, that's perhaps being overly generous, overlooking the fact that films that some people love -- Finding Dory, Up -- just don't hit the mark with me.  Unfortunately, The Good Dinosaur joins that lukewarm bunch.  While the scenic animation is gorgeous and incredibly photo-realistic, the character design is the most basic we've seen from Pixar yet and the story feels like a retread of better animated films of the past.  All in all, The Good Dinosaur is one of Pixar's biggest disappointments.

The story has some strong similarities to The Lion King, although it obviously pales in comparison.  A young dinosaur named Arlo (voiced by Raymond Ochoa) is the runt of his family with a brother and sister bigger and more capable than he.  His father (Jeffrey Wright) decides to take Arlo on a journey to try and make him braver and more confident in himself.  However, on this journey, a horrible flood rushes down a riverbed and carries Arlo's father away.  Pushed to safety in his father's final courageous act, Arlo finds himself on a journey home where he meets several unique creatures including a dog-like four or five-year-old human he names Spot who he befriends on his trek.

Yes, humans and dinosaurs co-exist here and I just couldn't help but think that the potential for this premise could've been more fully realized.  While it's true that Spot is the most engaging character in The Good Dinosaur despite the character not speaking a word, the co-mingling of these two species is disappointingly developed.  Obviously, it doesn't help that the film's main character - Arlo - is bland, paling in comparison to the amusing Spot.  Sure, Simba in The Lion King may not have been the funniest or most unique character, but we cared about his plight.  Arlo's plight lacks a captivating thread for some reason.

Although there are certain aspects of the film that are stellar - a great score by Jeff and Mychael Danna and some beautiful environmental imagery, the story (by a slew of people) and the design of the dinosaurs feel pre-schoolish which doesn't allow for anyone older than the age of ten to really connect with the proceedings.  The Good Dinosaur is a big disappointment and quite possibly my least favorite Pixar film to date.

The RyMickey Rating:  C-

Thursday, August 30, 2012

Movie Review - Margaret

Margaret (2011)
Starring Anna Paquin, J. Smith-Cameron, Mark Ruffalo, Jeannie Berlin, Jean Reno, Allison Janney, Kieran Culkin, Matthew Broderick, and Matt Damon
Directed by Kenneth Lonergan

2006 was when Margaret was made.  2006.  That means this film was delayed five years before its release which is typically never a good sign.  However, after this film ended up being the number one movie of 2011 on an awards site I frequent and enjoy reading, I was looking forward to seeing this.  Instead of being treated to what some have called the best of last year, I slogged through 150 minutes of an odd tale with tons of loose strands filled oftentimes with bad acting, stilted dialog, and an overall stuffiness that never fades away.  I simply can't fathom that the director's original cut was over three hours.

Maybe I just don't get it, though.  There's supposed to be some deep connection to 9/11 here, but that just flew right over this reviewer's head.  Then again, lots of things in this movie just boggled my mind.  The story itself is relatively simple and the fact that it's stretched out to an epic length is, to me, simply a directorial folly.  While out on the streets of New York City looking for a cowboy hat for a trip to a ranch with her father, teenage Lisa (Anna Paquin) witnesses a tragic bus accident that kills a woman who just so happened to be crossing the street.  She can't help but feel that she is partially responsible for the event, feeling that she distracted the driver (Mark Ruffalo).  Lisa is a spoiled brat whose mom Joan (J. Smith-Cameron) is a burgeoning Off-Broadway actress and their relationship was already on shaky ground prior to the accident, but now it's falling off the deep end with both females at each others' throats.  Lisa eventually decides to try and seek some type of redemption for the woman who was killed by attempting to legally go after the bus driver, but that's the extent of the "plot" of the film.

Beyond what was laid out to you, the film meanders through a bunch of subplots that don't go anywhere and don't add anything to the story.  Joan starts dating some foreign guy (Jean Reno) who loves opera.  Lisa decides to lose her virginity not to the nice guy who genuinely cares for her, but to the druggie "cool" artist (Kieran Culkin) who deflowers her and then is completely abandoned by writer-director Kenneth Lonergan for the rest of the movie.  Lisa flirts with her math teacher (Matt Damon) which causes their relationship to slowly shift to shakier ground, leading to absolutely one of the worst scenes I've ever seen in a movie in which -- SPOILER ALERT -- in the film's final moments, Lisa rushes up to him and says that she's had an abortion which we have no clue is true (and if it is true was he responsible for it?) or simply retaliation for something.  This was so out of the blue that my eyes rolled and I let out a huge guffaw.  END SPOILER ALERT

Margaret just goes on and on, not knowing when to end.  It certainly doesn't help that it's peppered with uneven performances which are likely in part disappointing thanks to some of the most awkward dialog I've heard in recent years.  Anna Paquin -- even a "six years ago Anna Paquin" -- just plays the high school Lisa so awkwardly it's uncomfortable.  Her opening scenes lacked any modicum of believability that I was immediately disconnected from the film.  Admittedly, she does get better as the film progresses, but I still found her very off-putting.  It doesn't help that her character's motives for seeking retaliation against the bus driver are barely laid out and seem selfish rather than selfless.  Jeannie Berlin who plays the dead woman's best friend is playing things very naturalistic...almost too much so for a movie.  I realize that's an awkwardly-worded criticism, but I have no other way to describe it.  There were some emotional moments where I thought Ms. Berlin was rather brilliant and very effective, but in the simpler scenes where she's asked to recite basic dialog, I found her odd and almost too harsh to watch.  Similarly, the rest of the cast was just misguided by Lonergan.  His way of writing just didn't click for me.

And the less said about his direction and his lack of skills in the editing department the better.  Margaret was a real disappointment for me.  It's not even one of those movies that I can say was an admirable failure.  I just didn't get what I was supposed to take away from it.  It's a very basic story drawn out to a nearly epic length that simply doesn't work.

The RyMickey Rating:  D+

Saturday, March 13, 2010

Movie Review - Trick 'r Treat (2008)

Trick 'r Treat
Starring Anna Paquin, Brian Cox, and Dylan Baker
Directed by Michael Dougherty

I'm sure no one has even heard of this flick, but I watched this one simply because it was getting raves on aintitcoolnews. The crew over there was quite upset that it never got a theatrical release...there's a reason for that. The movie sucks.

A sort-of anthology of four or five tales that take place on Halloween night in a small American town, the film doesn't play the horror for laughs, but it's utterly laughable. None of the tales -- the high school principal who murders his students; the young kids who try to prank the school geek; the college gal looking for love; or the old man who refuses to give out Halloween candy -- manage any sort of tension or suspense. The "scares" (and I use that term very loosely here) are predictable and fall flat.

There's really nothing worth talking about with this one. Not even worth a streaming Netflix view.

The RyMickey Rating: D-