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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label skylark gaertner. Show all posts
Showing posts with label skylark gaertner. Show all posts

Wednesday, May 25, 2016

Movie Review - I Smile Back

I Smile Back (2015)
Starring Sarah Silverman, Josh Charles, Skylar Gaertner, Shayne Coleman, and Thomas Sadoski
Directed by Adam Salky
***This film is currently available on Amazon Prime***

Very rarely will you ever see me write that I wish a film would've been longer, but that's the case with I Smile Back, a captivating look the addictions (drug, alcohol, sexual) facing a suburban mother who desperately wants to get better, but struggles to succeed.  Comedian Sarah Silverman takes on a hefty dramatic role as Laney Brooks, a married mom of two whose typical day may include dropping her kids off at school and then driving the minivan to a hotel room for a tryst with her lover who also happens to supply with her with cocaine and prescription meds.  Sounds like a blast, huh?

In the first screenplay by writer Paige Dylan, we get a nicely rounded character in Laney as both the director Adam Salky and actress Silverman herself add depth to the well-written role.  When the film focuses on Laney, it's entirely successful.  Unfortunately, as we branch out to other characters -- particularly when Laney spends time with her children -- some of the dialog feels trite and some of the scenes seem ill-conceived and never really pay off with any dramatic emphasis.  While I understand the importance of showing Laney's downward spiral and how it affects her relationship with her kids, I never found myself latching on to this aspect of the story in a meaningful way and quite frankly, considering the subject matter of a mother going off the deep end, I should've.

However, overall, this is an indie movie that proves to be an unflinching look at addiction.  As mentioned, although I wanted the film to go on (which is certainly a credit to the screenwriter, director, and lead actress), the film ends on a note that causes the viewer to really ponder Laney's past and future journeys.  Silverman (nominated for a Screen Actor's Guild award for Best Actress) is captivating and engaging, showcasing that she definitely has the dramatic chops to tackle a role like this.  Here's hoping we see more of this in her future.  As for the film itself, it's well worth 85 minutes of your time and while it may have a few problems, its positives undoubtedly outweigh its negatives.

The RyMickey Rating:  B

Thursday, April 14, 2016

Movie Review - Alex of Venice

Alex of Venice (2015)
Mary Elizabeth Winstead, Don Johnson, Derek Luke, Katie Nehra, Chris Messina, Skylar Gaertner, Reg E. Cathey, and Timm Sharp
Directed by Chris Messina
***This film is currently streaming on Netflix***

There's a simplicity to Alex of Venice, the directing debut of actor Chris Messina, that adds charm to the titular character's (Mary Elizabeth Winstead) newfound struggles following the leaving of her husband (Messina), the possible Alzheimer's diagnosis for her father (Don Johnson), and the arrival of her sister (Katie Nehra) who comes to the titular California town to look after Alex's son Dakota (Skylar Gaertner) while Alex works on an important environmental law case.  While that charming simplicity makes Alex of Venice innately watchable, it also doesn't provide much of a backdrop for what should be a slice of life story that feels as if it's trying too hard to cram too many "big" life moments into its short running time.

Winstead is captivating as the beleaguered mother who has spent so much time dealing with work that she's abandoned her family.  Her character feels grounded in reality as do most of the inhabitants of the film including Don Johnson's understated portrayal of an actor coming to grips with the onset of memory loss.  However, the flick -- the first screenplay for two of three credited screenwriters -- feels too kitchen sink-y to really resonate.  Divorce and abandonment and environmental protests and medical issues and even playwright Anton Chekov feel as if the writers just didn't know where to draw the line when it came to editing.  The Chekov inclusion, in particular, feels much too "final college thesis" rather than theatrical film to be anything other than laughable.

Admittedly, I'm making Alex of Venice sound worse than it is.  It's a watchable indie drama with decent performances that unfortunately is hampered by a script that doesn't do its cast any favors.  While it wouldn't necessarily be a bad watch, there are better things to stream on Netflix.

The RyMickey Rating:  C