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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label brian geraghty. Show all posts
Showing posts with label brian geraghty. Show all posts

Sunday, March 01, 2020

Extremely Wicked, Shockingly Evil and Vile

Extremely Wicked, Shockingly Evil and Vile (2019)
Starring Zac Efron, Lily Collins, Kaya Scodelario, Jeffrey Donovan, Angela Sarafyan, Dylan Baker, Brian Geraghty, Haley Joel Osment, Jim Parsons, and John Malkovich
Directed by Joe Berlinger
Written by Michael Werewie



The RyMickey Rating: B

Saturday, December 22, 2012

Movie Review - Flight

Flight (2012)
Starring Denzel Washington, Don Cheadle, Kelly Reilly, Bruce Greenwood, John Goodman, Brian Geraghty, Tamara Tunie, James Badge Dale, and Melissa Leo
Directed by Robert Zemeckis

As of late, Robert Zemeckis has not been a director you could rely on for solid product.  Caught up in the motion capture world, the director hasn't helmed a live action film since 2000's Cast Away.  Needless to say, his recent track record is one of the reasons I waited a long time to check out Flight and it's a shame since now I can't recommend it to folks since it's already departed from most theaters.

Although the film starts with a harrowing and excitingly well shot plane crash sequence, we soon discover that while the film revolves around the aftermath of this tragic accident, its focus is really on the troubled Whip Whitaker (Denzel Washington), the pilot of that fateful flight who while being hailed a hero for saving 96 of the plane's 102 passengers is really a lost soul himself.  Whip is an alcoholic and in order to mask that from others, he snorts a nice cocaine chaser to give him the "uppers" that he needs to function.  On the day of the fateful accident, Whip had some substantial amounts of these substances in his system and, despite performing an extremely successful landing that all parties involved admit could have been much worse, this puts him on quite the hot seat.

As Whip struggles with the aftermath of the accident, he finds some solace in a recovering junkie named Nicole (Kelly Reilly) who is striving to better herself and overcome her addictions.  Unlike Whip, Nicole wants to rid herself of the toxic substances she often relied on and the two, while initially seemingly two peas in a pod, begin to drift apart as Whip continues his ongoing downward spiral into addiction.

Denzel Washington is great here in perhaps his best role in years.  "Playing drunk" always runs the risk of going over-the-top and Denzel reins things in, taking a more quiet and inward approach.  Despite the rather introspective nature of the performance, we're always well aware of the thoughts going on in Whip's frazzled mind.  There's a subtlety in certain scenes that is surprising and lovely and shows the talent that Washington brings to the screen.

Zemeckis also gets some great performances from his supporting cast as well.  Don Cheadle is strong as a lawyer assigned to Whip's case who tries to be the voice of reason for the drug-addicted Whip.  Bruce Greenwood plays Whip's loyal friend with equal parts care and concern.  John Goodman is a hoot in a small role as Whip's dealer and Tamara Tunie and Brian Geraghty prove quite successful in small roles as members of Whip's flight crew.

However, much like I was moved by Washington's performance, I was equally bowled over by Kelly Reilly -- a British actress entirely convincingly portraying an American Southerner -- as Whip's new girlfriend Nicole and James Badge Dale in a very small, one-scene role as a nameless cancer patient who tries to imbue a sense of "life's short so embrace what's best" into both Whip and Nicole.  As the three actors find their characters meeting in a stairwell to sneak a smoke while recovering in hospitals for their various ailments -- Whip after the plane crash, Nicole after an overdose, and the cancer patient facing head-on the end of his life -- they speak of life, death, faith, love, and fear.  It's a powerful and beautiful scene that I won't soon forget.

Flight falters ever so little towards the end becoming a tiny bit preachier than it should and ending on a slightly cornier and more uplifting note than the film had heretofore deemed feasible or plausible.  Still, this one was definitely a winner and certainly worth checking out when it comes out on dvd in the upcoming months.

The RyMickey Rating:  A-

Monday, October 15, 2012

Movie Review - ATM

ATM (2012)
Starring Brian Geraghty, Josh Peck, and Alice Eve
Directed by David Brooks
***This film is currently streaming on Netflix***

In the same vein as 2010's Buried, ATM conjures up a claustrophobic feel by taking three folks and trapping them in an ATM vestibule with an insane killer watching them on the outside.  The three co-workers on their way home from an office Christmas party go through the expected emotional and plot-driven rigmarole -- fear, escape attempts, blame, anger, defeat, renewed fervor to break out -- only to conclude with an ending that can only be deemed a bit of a let-down.

Surprisingly, considering the limited nature of the film, director David Brooks does a pretty solid job of keeping the florescent lighting and boxy nature of the ATM booth visually appealing and he manages to conjure up some decent performances from his trio of three young actors.  Brian Geraghty is certainly best known for his work in The Hurt Locker (he landed on my Top Five Best Supporting Actor list that year) and I'm surprised he hasn't gained a little more traction from his role in that Academy Award-winning film.  Granted, he's not reinventing the wheel with his performance here, but he's definitely able to hold your attention throughout the film.  Josh Peck (a former Nickelodeon child star) is fine as a smarmy, egotistical, yet lovable SOB who has the misfortune of getting his friends into the predicament they're in.  Alice Eve rounds out the trio, but her role is too bland and one-note to allow for anything beyond acting jittery and nervous.  Still, the trio does a decent job running the gamut of emotions needed in a scenario like this.

Looking beyond the ludicrous premise, ATM is better than it probably deserves to be.  However, the silly concept coupled with an ending that feels incomplete can't help but knock this down a couple notches.

The RyMickey Rating:  C-

Tuesday, August 04, 2009

Movie Review - The Hurt Locker (2009)

Starring Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, David Morse, and Ralph Fiennes
Written by Mark Boal

Directed by Kathryn Bigelow

Whether you support the war in Iraq or not makes no difference to the filmmakers behind The Hurt Locker. They simply want to present what really happens to our courageous soldiers who risk their lives daily. It was a rather refreshing take and it made the flick play out as an action-suspense thriller rather than a message movie. [As surprising as this may be to those who know my Republican leanings, I'm not opposed to message movies, by the way. The two-year old In the Valley of Elah was a stunningly good look at post-war depression told in a fascinating way.]

Jeremy Renner is Staff Sergeant William James who is one of the army's best bomb diffusers. James and the two other soldiers in his Explosive Ordinance Disposal unit who serve as James's help and protection -- Sergeant JT Sanborn (Mackie) and Specialist Owen Eldridge (Geraghty) -- go out on seemingly daily missions across Iraq diffusing a variety of different explosive devices. The flick is essentially a series of the various missions this EOD unit undertakes, but we also get glimpses into the different personalities of these three men.

Renner is fantastic. His James appears to be the strong one in the unit, but he's addicted to the adrenaline rush of diffusing bombs and also finds himself emotionally involved in helping the Iraqi people. There's one scene in particular where he breaks down after being so resolute that really got to me. Anthony Mackie is also great as Sanborn who doesn't take well to Sgt. James's approaches to diffusing EOD's. Similarly, Brian Geraghty's Eldridge is certainly emotionally unstable after having witnessed the death of a fellow soldier, and Sgt. James's gung-ho and reckless techniques don't sit too well with him. Geraghty was absolutely my favorite supporting character here. There wasn't a bum note in his performance which had to range from courageous to utterly frightened. I really loved it.

The star of the show, though, is Kathryn Bigelow's stellar direction. This flick is edge-of-your seat exciting and Bigelow is the one responsible for that. While she employs the shaky cam that has become so popular as of late, she doesn't overuse the method. In fact, my favorite scene of the film -- an hours-long showdown in the Iraqi desert that occurs about halfway through the flick -- is full of long pauses and absolutely has the feeling of tedium and weariness thanks in part to Bigelow's direction (and it's also helped immensely by the three actors I mentioned above).

I don't really want to ruin the movie for anyone, but I did have a problem with one particular vignette in the film. Sgt. James seeks revenge after a particular incident occurs and I honestly didn't buy it completely. It's not that I didn't understand the motivation behind it (I certainly understood it), but I just have my doubts that it would ever really happen. Without the extra ten minutes depicting this "event," the flick would've been a little more taut and would've been as close to a perfect movie as one could get.

Despite that one flaw, the film, as I said above, is nearly perfect. With spot-on performances, believable dialogue, three great performances, and some of the best direction I've seen in a long time, The Hurt Locker is an exciting piece of filmmaking that shouldn't be missed.

The RyMickey Rating: A-