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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label charlie hunnam. Show all posts
Showing posts with label charlie hunnam. Show all posts

Thursday, June 23, 2016

Movie Review - Crimson Peak

Crimson Peak (2015)
Starring Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam, and Jim Beaver
Directed by Guillermo del Toro

Gorgeous to look upon, Guillermo del Toro's gothic horror flick Crimson Peak is sumptuously designed, but considering its ominous appearance, it disappoints by neglecting to create suspense or elicit any sense of dread or fear that should accompany a film like this.  With some of the actors seemingly told to amp up the camp factor, Crimson Peak ends up being a film that had potential, but doesn't achieve what it sets out to accomplish.

Edith Cushing (Mia Wasikowska) is a young American woman with dreams of becoming a great author someday.  When British entrepreneur Thomas Sharpe (Tom Hiddleston) and his sister Lucille (Jessica Chastain) visit Edith's father Carter (Jim Beaver) in Buffalo, New York, in order to try and secure money for a clay-mining tool, Edith is drawn to Thomas's mysterious demeanor.  Carter senses something off with the Sharpes and forbids Edith to start a relationship with Thomas.  However, when tragic circumstances arise, Edith ends up marrying Thomas and travels to England to the Sharpes' huge, though run-down estate Allerdale Hall.  Unfortunately for Edith, Thomas and Lucille may be hiding some deep secrets from their new family member, the least of which being that Allerdale Hall may be haunted with ghosts of the Sharpe family's past.

From the outset, Crimson Peak excels in all areas related to design with larger than life, though realistically detailed sets by Tom Sanders and luxuriously extravagant costumes by Kate Hawley (both overlooked by the Academy last year).  However, once one moves beyond the way things look, the film feels empty and fails to deliver on its promise of suspense.  Director and co-writer del Toro can't maintain tension via his story and direction, and considering the foreboding production design it's disappointing that the gothic nature of the horror aspect of the tale falls flat.

While Tom Hiddleston plays things relatively straight, Mia Wasikowska's Edith is too much of a blank, emotionless slate to really carry the film on her shoulders.  Jessica Chastain fares worse, however, as she almost laughably chews up the scenery with her character's chilly vibe.  Some may find her role a bright spot in the film, but I found her performance misplaced amongst the rest of the cast as if she was acting in a different movie than everyone else.  Yes, her portrayal feels very old school 1940s film-esque, but it just doesn't mesh with everything else.  The lack of cohesiveness in the performances is certainly mirrored in the lack of del Toro's ability to amp of the drama and suspense in a film that so desperately requires that tension to exist.

The RyMickey Rating:  C-

Monday, August 18, 2014

Movie Review - Pacific Rim

Pacific Rim (2013)
Starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, and Clifton Collins, Jr. 
Directed by Guillermo del Toro

I'm not sure anyone is more surprised than me that Pacific Rim works.  In fact, it's the movie 2014's Godzilla wishes it could've been.  Director and co-screenwriter Guillermo del Toro injects a lot of fun into his science fiction piece that make this big action pic move at a fairly rapid clip.  With some nice visual set pieces and an unique premise, Pacific Rim is a refreshing change of pace from typical summer blockbusters.

The year is 2020.  For the past seven years, the US and the world have been battling the Kaiju -- an ever-evolving fleet of gigantic monsters who rise up occasionally from a rift in a rim under the Pacific Ocean.  In order to counter the Kaiju, the world banded together and created the Jaeger -- huge robots that are used as hunters and a defense against the havoc the Kaiju wreak on the world.  While successful initially, the Kaiju have adapted to the defense mechanisms of the Jaeger and this savior of mankind is now becoming obsolete.  The Earth's governments declare the Jaeger project to be finished and start about building giant walls around the world's countries where the land meets the sea.  When these walls fail, the Jaeger are pulled out of retirement for one last attempt at defeating the ever-changing Kaiju.

The concept above is rather unique in and of itself, but del Toro adds even more interesting aspects to the mix in the way that the Jaeger are controlled.  Because of their gigantic size, two "pilots" are needed to control a Jaeger from the inside.  These two pilots must essentially "mind meld" in order to get in sync with one another so that the Jaeger's motions are seamless.  Adding to that, the ever-evolving Kaiju allow the monsters to be presented in similar, yet very different ways each time we encounter the beasts.  These unique twists provide just enough differences that make Pacific Rim stand out from something similar like a Godzilla movie.

While not without its faults -- the second to last battle sequence is a big payoff and when you realize there's still another one to come, you wonder why del Toro set up the film like he did; Charlie Day (while funny) plays a scientist in such a wacky way that you feel like you're watching a different movie every time his character is on screen -- Pacific Rim is a winner.  Guillermo del Toro has an eye for action sequences and has moments where heart prevails.  While its overarching story doesn't reinvent the wheel, the initial premise is singular enough that it makes us feel like we're watching something fresh.

The RyMickey Rating:  B+