Dumbo

Dumbo (2019)

Starring Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Nico Parker, Finley Hobbins, and Alan Arkin

Directed by Tim Burton

Written by Ehren Kruger

Click here for my Letterboxd review

The RyMickey Rating:  C+

Movie Review - Big Eyes

Big Eyes (2014)

Starring Amy Adams, Christoph Waltz, Krysten Ritter, Danny Huston, Jason Schwartzman, and Terence Stamp

Directed by Tim Burton

The aesthetics of Big Eyes are certainly Tim Burton-esque in their 1950s/1960s stylizations although the quirky director has scaled back his trademark oddness, crafting a somewhat bland story out of the rather interesting true tale of Margaret Keane and her conniving husband Walter.  The weird lack of balance between comedy and drama causes Big Eyes to falter and an odd performance from one of the leads disappoints and further exacerbates the notion that this actor is a one-note performer.

That actor just so happens to be two-time Academy Award-winner Christoph Waltz who plays the aforementioned Walter.  When Margaret (played by Amy Adams) divorces her first husband, she runs to San Francisco with her young daughter.  Shortly after her arrival, she meets Walter who proposes to her mere weeks after meeting.  Walter purports to be an aspiring artist much like Margaret, although Walter's paintings all focus on the streets of Paris, whereas Margaret creates portraits of big eyed children who often look forlorn and saddened.  This initial artistic kinship Margaret feels is quickly diminished when Walter takes it upon himself to act as if Margaret's paintings are his own since female painters have such a tough time moving product.  Walter becomes a world-wide success, while Margaret is forced to paint images that she can't even call her own.

Unfortunately, the Walter character is oddly portrayed throughout in the kind of maniacal comedic manner by Waltz that we've seen him undertake in flicks like Inglourious Basterds and Django Unchained.  Waltz has seemingly proven himself to be as one note an actor as Melissa McCarthy as of late (although Ms. McCarthy changed her tune a tad with this year's St. Vincent).  Another Oscar nomination for his role here would prove that the Academy lacks any kind of ingenuity as this is likely the worst role I've seen from him.  His Walter starts so cloyingly sweet and turns so quickly on a dime into a conniving jerk that his transformation seems implausible.  I'm sure, in all likelihood, there's truth behind this real life man's shift into deviousness, but Waltz (likely admittedly getting "help" from Burton and screenwriters Scott Alexander and Larry Karaszewski) fails to give Walter any emotional arc from the film's onset to its conclusion.  The two distinct personalities we see that the beginning and the end feel like two different people rather than just one.

Adams fares better, although I also feel like she's simply playing a part we've seen her tackle before.  As the quiet and inwardly emotional Margaret, Adams hides her character's feelings, putting up walls to try and keep her husband from damaging her.  This doesn't allow us to fully connect with her, making the audience feel a bit distant from her desire to make herself be publicly known.  When she finally pushes herself to achieve this goal, it feels much too sudden and a bit uncharacteristic for her subtle character.

Granted, I'm making accusations about characters above who are REAL PEOPLE.  It's entirely possible that these REAL PEOPLE acted just like Adams and Waltz portray them.  However, in the grand scheme of movie, this keeps the audience at a distance because we can't latch on to their stories.  I will admit that despite my review full of qualms above, I wasn't ever bored during Big Eyes as I found its overarching story an intriguing one.  The film was actually better than my seemingly horrible review makes it out to be.  It's just unfortunate it wasn't better as I think there was potential here for something great.  Tim Burton, however, simply isn't able to determine what type of movie he wanted to tell -- light-hearted, serious, comedic, dramatic, biographical, fantastical, courtroom drama.  All of it is there -- just none of it is done up to par.

The RyMickey Rating:  C

Movie Review - Dark Shadows

Dark Shadows (2012)

Starring Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Bella Heathcote, Jackie Earle Haley, Jonny Lee Miller, and Chloë Grace Moretz

Directed by Tim Burton

Edward Scissorhands.  Ed Wood.  Sleepy Hollow.  Charlie and the Chocolate Factory.  The Corpse Bride.  Sweeney Todd.  Alice in Wonderland.  With the exception of Sweeney Todd, the pairing of director Tim Burton with his acting stalwart Johnny Depp have almost gotten a bit worse with each progressive film.  While Dark Shadows can't quite compete with the abhorrent trip down the rabbit hole that was their last collaboration, this redo of a 1960s vampire soap opera doesn't quite gel.  I see potential around every corner with the director's latest work, but the odd mix of comedy and horror is never humorous nor scary enough to successfully satisfy the cinematic requirements of either genre.

With an appropriately creepy Gothic prologue, Burton starts things off with a perfectly morose tone.  Barnabas Collins (Johnny Depp) was the twentysomething son of a wealthy fishing family whose riches were enough to have a town named after them back in the late eighteenth century.  After seducing and then breaking up with the Collins' maid Angelique (Eva Green), it is discovered that the maid was in fact a witch who through her dark sorcery kills Barnabas' parents.  Some time passes and Barnabas falls for the lovely Josette (Bell Heathcote) much to the chagrin of the jealous Angelique who concocts another spell that both kills Josette and turns Barnabas into an immortal vampire whom she then locks in a coffin buried for eternity.

After those first ten minutes, I asked myself why this film had gotten such bad reviews upon its release earlier in the year.  This seemed like it was going to be a nice little creepy flick.  And that's when the tone shifted.  Barnabas' coffin is unearthed in the early 1970s and rather than focus on horror, the next ninety minutes are all about Barnabas being a fish out of water.  A tv?  It's a magic box that must be destroyed.  A McDonald's?  That must be the hang-out of Mephistopheles because of the big 'M' that adorns the sign.  It's not funny written down and it isn't any funnier in the film.  Ultimately, there's some plot about Barnabas needing to save his family's reputation.  Angelique has managed to live for these nearly two centuries and has pushed the Collins family out of the fishing industry in Collinswood by creating her own fishery.  Barnabas will stop at nothing to prevent the witch from casting his family name into the gutters.

The biggest problem here is simply that the film isn't funny.  I didn't laugh once despite Burton trying to balance both comedy and light horror elements.  The two pieces never fit together.  I'm not quite sure why Burton decided to go this route considering that the 60s soap opera was decidedly not comedic (at least in the dozen episodes or so I ventured to watch a few years ago) except to think that he felt it matched his quirky aesthetic a bit better.  Needless to say, he should have dropped the quirk.

Eva Green is the only actor in the cast who fully embraces the humorous aspects of the film.  While I still didn't laugh at anything her character said or did, Green at least attempts to breathe some life into the comedic moments.  Johnny Depp is sleepwalking through the whole thing -- he's not particularly bad, but he certainly brings nothing to the table.  The rest of the cast -- Michelle Pfeiffer, Helena Bonham Carter, Chloë Moretz -- aren't given any particularly memorable moments so critiquing anything involving them would prove fruitless.

There was some potential in Dark Shadows, but I think Burton's direction (and admittedly the screenwriter's lack of focus on a particular genre) is the film's downfall.

The RyMickey Rating:  C-

Movie Review - Frankenweenie

Frankenweenie (2012)

Featuring the voice talents of Charlie Tahan, Catherine O'Hara, Martin Short, Martin Landau, Atticus Shaffer, and Winona Ryder 

Directed by Tim Burton

I had seen the original live action Frankenweenie short film years ago and remember thinking that it didn't have enough story to pad its thirty minute running time.  So, admittedly, I went into the new animated version a little reluctantly doubting that Tim Burton could make it work with even more time. Somehow, though, this black-and-white stop-motion animated flick fares a bit better than its predecessor likely thanks to an amusing climax full of homages to classic horror films like Godzilla, The Mummy, and The Creature from the Black Lagoon that ends the film on a positive note.

Borrowing heavily from Frankenstein for inspiration, Frankenweenie tells the tale of young Victor Frankenstein and his lovable pet dog Sparky.  Together, they're a great pair and the shy loner Victor finds great comfort in his pet.  Unfortunately, one afternoon a horrible tragedy befalls Sparky as he has an untimely meeting with the front bumper of a car.  Depressed, Victor wallows through his everyday life until one day during science class, his new teacher Mr. Rzykruski (Martin Landau) displays that despite the fact that living things die, their muscles and nerves can still react to electric stimulus.  With the school science fair on the horizon, Victor sets out to reanimate his beloved Sparky.

Unlike this year's previous stop-motion entries -- Paranorman and The Pirates! Band of Misfits -- Frankenweenie's animation is charmingly more herky-jerky in nature.  Whereas the aforementioned films had a fluidity that had me wondering if I was watching a computer-animated version of stop motion, Tim Burton's film was lovingly "old school" and it worked to great effect considering this is Burton's homage to classic horror films.  Both styles prove that stop-motion animation is still a wonderful format...it's simply unfortunate that the general public doesn't seem to feel that way as none of the three films proved to be overly successful at the box office.

With some nice vocal turns from Catherine O'Hara, Martin Short, and Martin Landau and a beautiful black-and-white landscape to feast upon, I'd love to say that Frankenweenie is completely successful.  Unfortunately, this animated film falls into the same trap as the short that preceded it -- there's just not enough story here.  Granted, the animated film does adequately fluff out the basic story and while it is more successful in that department than the short, it still doesn't quite achieve success.  For a film with a eighty-minute runtime, I shouldn't find myself staring frequently at a watch.

The RyMickey Rating:  B-

Movie Review - Alice in Wonderland

Alice in Wonderland 3D (2010)

Starring Johnny Depp, Helena Bonham Carter, Anne Hathaway, Crispin Glover, and Mia Wasikowska

Directed by Tim Burton

With a complete lack of whimsy and a rather heavy-handed joyless approach, Tim Burton's re-telling of Alice in Wonderland is just a dull bore.   Thirteen years ago, young Alice "fell down the rabbit hole" and entered the zany Wonderland.  Now, as a nineteen-year-old girl on the verge of womanhood, Alice (a bland Mia Wasikowska) happens to fall down the hole again.  While in Wonderland, she is told by all that she's the land's savior -- for, you see, the evil Queen of Hearts (played with gusto by Helena Bonham Carter) has taken over everything, forcing her sister, The White Queen (Hathaway) to be exiled, and causing some to live in a state of fear.

Yes, the whole premise of any Alice in Wonderland story hinges on "the odd," but it also always has a sense of childhood playfulness.  Everything in Burton's film feels so heavy-handed.  With the exception of the humorously nasty Bonham Carter, every other character feels like they were told to be as blasé as possible.  Mia Wasikowska didn't even seem like she wanted to be there -- not an ounce of emotion.  And the less said about Anne Hathaway the better.

That being said, on the complete opposite side of the spectrum is Johnny Depp who was given free reign to do whatever he damn well pleased and his Mad Hatter is a wreck.  Yes, I get that Depp was playing him as über-crazy and drugged-out, but when your character is so utterly incoherent, it just seems like painful overacting.  And I realize it's just a minor point, but let's not even discuss the Mad Hatter's "dance" at the end of the film (which they had been teasing throughout the movie) -- what an awful scene.

Granted, I've never been a big fan of any Alice in Wonderland tale, but everything about Burton's version seemed so utterly dark and joyless.  If you wanted to go that route, go all-out depressing (or even veer into the horror genre or something).  As it stands now, Burton's version is a dud.

The RyMickey Rating: D