Hillbilly Elegy

 Hillbilly Elegy (2021 - Oscars 2020)

Starring Amy Adams, Glenn Close, Gabriel Basso, Haley Bennett, Owen Asztalos, and Freida Pinto

Directed by Ron Howard

Written by Vanessa Taylor

Click here for my Letterboxd review

The RyMickey Rating:  C-

Love Wedding Repeat

Love Wedding Repeat (2020)

Starring Sam Claflin, Olivia Munn, Elanor Tomlinson, Aisling Bea, Joel Fry, Allan Mustafa, Jack Farthing, Tim Key, and Freida Pinto

Directed by Dean Craig

Written by Dean Craig

Click here for my Letterboxd review

The RyMickey Rating: C

Movie Review - Rise of the Planet of the Apes

Rise of the Planet of the Apes (2011)

Starring James Franco, Frieda Pinto, Brian Cox, Tom Felton, David Oyelowo, John Lithgow, and Andy Serkis

Directed by Rupert Wyatt

I mean there's no sense in keeping anyone in suspense here -- it feels great to finally see a 2011 movie that is really worth seeing.  Rise of the Planet of the Apes is a near perfect summer action flick that actually manages to transcend the genre to a degree by providing heart-tugging moments that never seem forced or fake -- which is all the more surprising when one realizes that there was not a single real monkey or ape used in the production of this movie.  Computer-generated effects have come a long way -- despite the thought in the film's initial moments that these were fake apes, I never once thought of it again as the movie progressed which is a testament to both the effects wizards and everything and everyone else that surrounded their creations.

I'm certainly familiar with the Planet of the Apes flicks, but I've only ever actually seen the 2001 Burton remake (and the less said the better about that one).  This 2011 version is apparently a prequel of sorts to the original 60s-70s series of flicks and, as the title would suggest, it showcases the rise of the apes and how they, perhaps, may take over the planet.  We're introduced to genetic engineer Will Rodman (James Franco) and his quest to create a drug to cure the effects of Alzheimer's, a disease that hits close to home as his father (John Lithgow) finds his quality of life to be seriously deteriorating thanks to the illness.  Testing his new drug on a group of chimps, Will finds the simians to grow highly intelligent.  However, when one of the chimps goes on a rampage, Steven Jacobs (David Oyelowo), the head of the company sponsoring Will's research, slashes the program and orders all the apes to be put down.

It's discovered, however, that the reason for the chimp's rage was that she had secretly given birth and was simply being protective of her offspring which also happens to have inherited his mother's human-like intelligence.  Finding himself unable to kill the newborn chimp, Will takes him home, names him Caesar, and, to a degree, raises him as his own son.  Still, chimps are wild animals and, despite all the sign language in the world that Will can teach him, Caesar really just wants to be out in the real world.  Growing pains abound and Caesar (Andy Serkis) eventually commits an act that forces him to be removed from Will's home and placed into a primate compound where he finds himself awkwardly interacting with other apes.  It shouldn't be difficult to realize that things take a turn for the worse and somehow or another, the title of the film begins to come to fruition.  

Rise of the Planet of the Apes works for two big reasons.  Reason One is that director Rupert Wyatt manages his time well.  There's never really a dull moment here.  He sticks with scenes and characters just long enough for you to get to know their motivations and then he moves onto something else.  That being said, don't infer that there is a frenetic atmosphere on display here.  Quick cuts do not abound in this movie and that's seemingly a rarity in the summer movie season.  There really is a flow to this flick that's quite impressive.  Scenes that start out rather calm can find themselves effortlessly raising to palpable tension, but they never overstay their welcome.

Reason Two for the success is the surprising amount of heart on display.  Goshdarnit, I felt kinda moved when Will had to give Caesar away.  Sure, that's in part due to a solid performance from James Franco (who manages to redeem himself from his Oscar-hosting fiasco here).  But a huge reason is because Caesar seems so freakin' real.  I don't know what exactly Andy Serkis did here and what was crafted by the motion capture special effects wizards, but however they combined their powers was rather genius.  I'll take these apes over the Na'vi of Avatar any day.

Still, it's not quite without a flaw or two.  The film drags the tiniest bit when Caesar is first introduced to his fellow apes in the compound, but it's quite minor in the grand scheme of things.  On the other hand, the film's biggest drawback is Tom Felton of Harry Potter fame who repeats his fondness for playing villains in this flick as well...and unlike the real-looking apes, Felton's character (a worker at the primate compound) is one of the most cardboard evildoers I've seen in a while.  It's no fault of his own -- the screenwriters made his character obviously one-note -- but it's a real shame because he's the only thing in this movie that me cognizant of the fact that I was watching a "story" unfold as opposed to something that could (in some weird way) actually happen.

Seeing a good movie simply makes you want to delve into another and immerse yourself in the world that's on the screen.  It's nice that 2011 has handed me the first flick that fits that description.  I've missed you, you mistress that is Film.  I've seemingly abandoned you this year, but perhaps you've drawn me back under your spell with a film that I never believed could have done that.  So, kudos to you, Rise of the Planet of the Apes.

The RyMickey Rating:  A-

Movie Review -- Slumdog Millionaire (2008)

starring Dev Patel, Anil Kapoor, Irrfan Khan, and Freida Pinto

directed by Danny Boyle and Loveleen Tandan (co-director: India)

screenplay by Simon Beaufoy

I can't deny that expectations for this one were high.  With a co-worker telling me it was the best movie he had seen in three years, I couldn't help but think that I was going to be watching something special.

Slumdog Millionaire tells the story of young Jamal Malik who, as the film opens, is being tortured in an Indian jail.  Believed to have cheated while a contestant on India's version of "Who Wants to Be A Millionaire," Jamal gradually tells his life story to a police interrogator in hopes of proving that he genuinely knew the answers to the game show.

The joy of the film, for me anyway, was in the direction.  I'm a big fan of British director Danny Boyle even though I haven't seen the film that gave him his big break -- Trainspotting.  Despite (and I'm sure because of) quick cuts and the significant use of flashbacks, Boyle creates a beautiful looking movie...stylistically anyway.  A.R. Rahman's score is superb, and I found that it was probably the biggest key in pulling me into this Indian slum world.

Unfortunately, the film just didn't click with me until the final reel, and even then, it kind of left me a little cold.  I will say that this film still has me thinking about it to this day (I saw it over a week ago), but I find myself wavering in terms of how much I liked or disliked it.  The storyline dealing with Jamal's slimier brother is what I keep coming back to...I didn't really enjoy where that story went, and I found myself not caring at all about this substantial section of the film.  Plus, during Jamal's search for his childhood sweetheart, everything seems too coincidental (and, thus, unbelievable) leading up to their initial reunion (no spoiler there, really...I promise).

All that said, the tone that Boyle set for the film was perfect and his work alone knocks the film up a notch or two.  However, I can't understand why this film is winning everything in its path this awards season.  Was there really no better film? (I know the answer to that...and these better films will be reviewed in upcoming posts.)

The RyMickey Rating:  B