Don't Look Up

Don't Look Up (2021)

Starring Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Melanie Lynsky, Cate Blanchett, and Meryl Streep

Directed by Adam McKay

Written by Adam McKay

Click here for my Letterboxd rating

The RyMickey Rating:  C+

I Don't Feel at Home in This World Anymore

I Don't Feel at Home in This World Anymore (2017)

Starring Melanie Lynskey, Elijah Wood, Devon Graye, David Yow, Jane Levy, and Gary Anthony Williams

Directed by Macon Blair

Written by Macon Blair

***This film is currently streaming via Netflix***

Summary (in 500 words or less):  When the home of a woman (Melanie Lynsky) is robbed and the police won't investigate what they consider a minor crime, she hunts down the criminals with the help of her neighbor (Elijah Wood).

Click here for my Letterboxd review

The RyMickey Rating:  B-

Movie Review - They Came Together

They Came Together (2014)

Starring Paul Rudd, Amy Poehler, Christopher Meloni, Bill Hader, Ellie Kemper, Jason Mantzoukas, Max Greenfield, Cobie Smulders, Melanie Lynskey, and Ed Helms

Directed by David Wain
***This film is currently streaming on Netflix***

Movie spoofs are always a tricky business proposition with more failures than successes it seems.  The most famous as of late has been the Scary Movie franchise which took on the slapsticky Airplane approach and subsequently withered and died from the get-go for me.  In its skewering of the romantic comedy, They Came Together eschews some of the more blatant physical humor (although it does still successfully go there at times), aiming moreso for verbal barbs (just look at that suggestive title) and observational humor.

Molly (Amy Poehler), owner of a small candy shop, finds her business threatened when the big Corporate Candy Company decides to open up a shop right across the street from her.  When she meets Joel (Paul Rudd), an executive at CCC, Molly can't help but despise him, but as their paths intertwine, love begins to blossom beneath the hatred.  Simplicity abounds in this summary, but the obvious regurgitating of You've Got Mail's story proves to be more humorous than I could've expected.

Poehler and Rudd are always charmingly funny and their performances in They Came Together are no exception.  They have to walk a tricky road in that they're playing overblown caricatures of romantic comedy stereotypes, yet they have to still carry this film as relatable people in order for us in the audience to latch onto the tale successfully.  Director and co-screenwriter David Wain manages to make Molly and Joel well-rounded enough even with their parody-laden characteristics.  Wain throws a lot at the wall and while not all the jokes land, enough of them do making the laughs come quickly enough to warrant a watch.

The RyMickey Rating:  B

Movie Review - Happy Christmas

Happy Christmas (2014)

Starring Anna Kendrick, Melanie Lynskey, Mark Webber, Joe Swanberg, and Lena Dunham

Directed by Joe Swanberg

***This film is currently streaming on Netflix***

I am not a huge fan of the mumblecore genre of film which focuses on low budgeted flicks about twenty somethings with much improvised dialog.  I'm not quite sure I've seen a film that prides itself on being a mumblecore-based flick and enjoyed it.  Unfortunately, Happy Christmas doesn't really change my mind.  Writer-director Joe Swanberg's film isn't the least bit exciting or interesting enough for us to really care about anything occurring in it.

The film's premise is pretty simple:  Jenny (Anna Kendrick) just broke up with her boyfriend and moves in with her brother Jeff (Joe Swanberg), his wife Kelly (Melanie Lynskey), and their toddler son Jude (the absolutely adorable and scene-stealing Jude Swanberg).  Although only slightly younger than Jeff, Jenny acts much younger than her twenty-nine years should show.  She immediately hits the town with her friend Carson (Lena Dunham) and after a night of drinking and pot-smoking, Jenny's lackadaisical attitude stands in stark contrast to Kelly's who has to focus on running a household and taking care of young Jude.

Happy Christmas attempts to have Jenny's carefree lifestyle invigorate Kelly to "want more" out of her life, but that storyline just meanders along without ever really making a statement.  Similarly, any sense of a character arc for Jenny is nonexistent.  I'm not quite sure she learns anything from the beginning of the film to the end of it and I'm fairly certain she was supposed to achieve some sort of enlightenment.

While the actors are all decent, Joe Swanberg's script is just too bland to resonate.  Swanberg's young son Jude is fantastic -- although considering his youthful age, there really wasn't any acting involved, just innate charm -- but the young kid can't buoy an otherwise blasé film.

The RyMickey Rating:  C-

Movie Review - The Perks of Being a Wallflower

The Perks of Being a Wallflower (2012)

Starring Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Kate Walsh, Dylan McDermott, Nina Dobrev, Johnny Simmons, Melanie Lynskey, Joan Cusack, and Paul Rudd

Directed by Stephen Chbosky

There's an aire of pretentiousness that runs throughout the novel The Perks of Being a Wallflower and I found it a book that kept me at a distance because none of the characters were embraceable, nor were they nasty enough to be characters you loved to hate.  I was hoping that the movie might change my tune, but my overall reaction stayed pretty much the same.  Overall, the book's author Stephen Chbosky does a nice job in his first directorial gig in nearly two decades and he adapts his novel quite adequately to the screen, but this is simply a tale I never quite found winning.

The problem with The Perks of Being a Wallflower never lies with the storyline of the main character Charlie (Logan Lerman) who, as the film begins, is starting ninth grade after having a difficult summer in which he lost his best friend to suicide.  For most of his life, Charlie has always been battling psychological demons, but he hopes he's pushed them to the side as he begins the angst-filled four years of high school.  Charlie ends up befriending two seniors, step-siblings Patrick and Sam (Ezra Miller and Emma Watson) and it's in these two characters and their surroundings that the film (and the book) disappoint.  It's not that Patrick and Sam prove to be unrealistic, it's just that I couldn't care less about their problems and dreams for the future.  Patrick is an incredibly quirky gay teen who is seemingly the class clown and Sam is lovable with a pixie cut that indicates a slightly rough edge.  Everything with these two just feels overly angsty with a vibe of "aren't we unique/no teenager has ever done this before" thrown in when, in fact, their shenanigans are quite commonplace.

However, the character of Charlie makes the film work better than it probably should and Logan Lerman is a standout.  Lerman's fairly new to the acting scene and while I can't say I've ever been disappointed by the kid, I don't think I ever would've said I've been impressed.  That has changed.  Here, the now twenty year-old Lerman perfectly captures the fear of the initial days of high school, the insecurity of being one's true self even if it doesn't make you popular, and the tentativeness of one's first forays into romance, alcohol, and the other difficulties that come with one's teen years.  Also nice was Paul Rudd's turn as Charlie's English teacher, a friend/mentor who helps shape Charlie into a young man who can be proud of himself.

While there's part of me that can understand the effusive praise The Perks of Being a Wallflower received upon its release -- the film looks good, the acting is decent -- I've never been a fan of Mr. Chbosky's novel so its transition to film was going to be difficult to reel me in.  Still, thanks to a great performance from Logan Lerman, this one definitely lands in the "you should see this" category.

The RyMickey Rating: B-

Movie Review - Win Win

Win Win (2011)

Starring Paul Giamatti, Amy Ryan, Bobby Cannavale, Jeffrey Tambor, Burt Young, Melanie Lynskey, and Alex Shaffer

Directed by Thomas McCarthy

I went into Win Win thinking I was in for some quirky low budget indie comedy (a genre that I find myself quite wishy-washy on), but what I got was a movie that has a surprising amount of heart and humor and one of the best ensemble casts I've seen so far this year including a very nice debut turn from young actor Alex Shaffer.

Lawyer Mike Flaherty (Paul Giamatti) is in a bit of trouble.  With clients few and far between, he ends up taking over guardianship of Leo, one of his elderly senile clients (Burt Young), in order to receive a monthly commission of $1500.  One Sunday morning while stopping by Leo's home, Mike and his wife Jackie (Amy Ryan) spot a teenager sitting on the front porch who, it turns out happens to be Leo's grandson Kyle (Alex Shaffer) who has run away from home and has a mother who is currently residing in a drug rehab facility.  Feeling a bit of guilt for collecting the monthly stipend from Leo, Mike takes the teen into his home and soon discovers that despite Kyle's typical teenage quirks, he's a good kid who Mike and his family begin to deeply care for as he slowly becomes acclimated to the community, even joining the wrestling team that Mike coaches at the local high school.

Director and screenwriter Thomas McCarthy has crafted an absolutely lovely dramedy here with moments of laugh-out-loud humor and bring-a-tear-to-your eye emotions.  That's due in huge part to the absolutely terrific cast led by Paul Giamatti in what I think may be his best role yet.  Yes, he's just playing a normal suburban dad, but there's just a genuine true quality to his performance that I latched onto right away.  He loves his wife; he loves his family; he (kinda) loves his job...he's just an all around good guy and, although he's certainly flawed, the audience understands that his slight imperfections are only there in order to do the best he can for his wife and two young daughters.  

Similarly, Amy Ryan is near perfect in a simple role, but one that is incredibly effective thanks to its strong roots in reality.  Bobby Cannavale as Mike's best friend and Jeffrey Tambor as Mike's assistant wrestling coach provide much of the humor and, although neither are essential to the plot, never feel shoehorned into any scenes simply to provide comedic elements.  Melanie Lynsky is turning out to be one of my favorite small-time character actresses and as Kyle's mom who comes onto the scene late in the film, she is the impetus behind many of the film's most dramatic moments.  Alex Shaffer plays Kyle as a moody teenager, but there's something oddly different, innocent, and somewhat sweet in his portrayal and it was a fresh take that was a welcome change from the typical "troubled" teens we so often see.  He plays Kyle as a good kid who's been in a bit of trouble, but has overcome a lot and deserves better than his lot in life.  

Despite a few F-bombs dropped here and there, Win Win is a really great "family-style" film that may not necessarily think "out of the box" when it comes to storytelling, but it tells its story so darn good that it makes it incredibly easy to overlook its sometimes melodramatic moments.  It's not the least bit flashy, but it is a pleasure to watch and it's a flick that I'll certainly revisit in years to come.

The RyMickey Rating:  A-

Movie Review - The Informant! (2009)

Starring Matt Damon and a Bunch of People Known for Comedy Playing Dramatic Characters!
Directed by Steven Soderbergh!

Let me start with something good! The score by Marvin Hamlisch is one of my favorites of the year! Clever, retro, and highly enjoyable! I purchased it soon after I watched the movie!

Now, when the score's the best part of your movie, there's a problem!

Inherently, this movie's not bad! In fact, in addition to the score, there's quite a bit that I liked here, but it just all doesn't come together and amount to anything I could care about!

Based on a true story, Matt Damon is Mark Whitacre, a biochemist working for Archer Daniels Midland, a company responsible for putting corn in stuff! He decides to blow the whistle on the company's price fixing tactics! In the end, however, his plan begins to backfire for reasons I won't reveal here!

Damon is pretty decent! He certainly kept my interest throughout the movie and provided some clever voice-over work! He's aided acting-wise by Scott "Quantum Leap" Bakula and Joel "The Soup!" McHale as his contacts in the FBI! Both of these guys were good, as was Melanie Lynskey (who was so touching in Away We Go) as Whitacre's doting wife who pushes her husband to spill the beans on his company's wrongdoings, unaware of the fact that her husband may not be the angel he portrays himself as!

I also must say that I appreciated Soderbergh's directing style here! It felt very low key, low budget, and old school! I liked the odd lighting, the set design, and the costuming! It was visually very appealing!

So why the heck was I bored out of my mind during the first ninety minutes of this movie?! Admittedly, the final thirty minutes featuring Whitacre's unraveling caught my interest, but it felt like this movie went on for an eternity prior to that! Despite really appreciating a lot about this movie, it didn't click with me in the slightest! I guess that falls onto the writers for not doing enough to hook me with the story! It's unfortunate because there's a lot to like about this movie, but having a good story is pretty damn important and the story here is weak!

Note: It would be remiss of me not to mention the exclamation point at the end of the movie title! As you see in my post above, I'm a fan of the fact that there's an exclamation point there!

The RyMickey Rating: D+ !

Movie Review - Away We Go (2009)

Starring John Krasinksi, Maya Rudolph, Allison Janney, Jim Gaffigan, Catherine O'Hara, Jeff Daniels, and Maggie Gyllenhaal
Written by Dave Eggers and Vendela Vida
Directed by Sam Mendes

I've said before that I admit that indie films have to work harder for me to like them for the simple reason that I don't like films that shout "I'm hip and edgy" which many low budget flicks scream to me. Your film can be "hip" or "edgy," but not obnoxiously so.

The weird thing about Away We Go is that despite that folk-pop soundtrack, and that thrift store-style "hip" costuming, and certain requisite indie camera shots (like following a couple down a moving airport sidewalk...saw that in Garden State and several movies after that, Mr. Mendes), the film is anything but edgy. It's not filled with Juno-esque dialogue (thank God), but it is filled with quirky characters who make the film completely lose any "realness," and who, in turn, make the film fall from good to below average.

Burt and Verona (Krasinski and Rudolph) are a loving couple, making a living (barely), who are expecting a baby in three months. Once they are given the news that Burt's parents (O'Hara and Daniels) are leaving the country, the couple decides to visit friends and relatives to try and find a place to settle down so that their newborn baby will be around a loving familial community. Through the episodic pacing of the film, we travel to Arizona and meet Verona's zany friend Lily (Janney) and her downtrodden hubby, Lowell (Gaffigan). Soon, we travel to the midwest and meet Burt's friend, LN (Gyllenhaal), a weirdo liberal professor. These three characters Burt and Verona meet up with, in particular, were the sole reasons the film fell apart. Yes, they provided laughter, but they were awful caricatures of stereotypical people. Gyllenhaal's LN, in particular, was horrendously bad. Her flowing arm movements and her flowing clothing and the flowing random verbiage ("Peace! Love! Have sex in front of your kids...It's natural!") that spewed from her mouth were all ridiculous. Yes, she was funny (as was Janney and Daniels and O'Hara), but she was completley a "character" and not a "real person." (Oddly enough, I felt that in screenwriter Dave Eggers' book -- A Heartbreaking Work of Staggering Genius -- that the problem was in his inability to get me to care for the side peripheral characters...similar problem here.)

The supporting cast issue is unfortunate because Krasinski and Rudolph both are as real as it gets. Both of these actors, neither of which are "stars" by any means, really had me glued to the screen. There wasn't a doubt in my mind when I was watching this flick that these two characters really loved each other. One scene that I loved was when Burt and Verona visited their friends, Tom and Munch (Chris Messina and Melanie Lynsky), in Montreal. Tom and Munch are the proud parents of a brood of adopted kids, but one evening, Tom emotionally reveals to Burt that Munch has had five miscarriages and doesn't understand why such a loving mother would be unable to have kids of her own. The look on Burt's face after hearing the story really got to me -- and showed me what a good actor Krasinski can be. Similarly, Rudolph (who was definitely a favorite of mine on Saturday Night Live) has a scene in bed with Krasinski where Burt tells Verona that he loves her and she starts to cry. It felt so right on and real. There were many more scenes like these that worked wonderfully.

I loved nearly every scene with Burt and Verona, so it was such a shame that nearly every side character (with the exception of the absolutely touching and beautifully portrayed aforementioned Montreal couple) seemed so fake. Overall, Sam Mendes' new effort couldn't match up to his modern-day masterpiece, Revolutionary Road, despite the fact that the two leads were great.

The RyMickey Rating: C