Nowhere Boy (2010)
Starring Aaron Johnson, Kristin Scott Thomas, and Anne-Marie Duff
Directed by Sam Taylor-Wood
There's a reason I've held off on announcing the 2010 RyMickey Awards and it's because I want to give myself time to see these little movies like Nowhere Boy that I might not have had an opportunity to see last year. [This film, for example, played for one week at the local cineplex and then vanished.] What a nice pleasant surprise this biographical take of Beatles star John Lennon's late teen years is.
Aaron Johnson, perhaps best known up until this point as starring in the title role in 2010's Kick Ass, takes on the iconic John Lennon in this flick. Of course, he's playing John Lennon as a seventeen year-old which was quite a ways before he and his mates made it big as perhaps the most popular music group of all time. Here we find John living with his rather stern aunt Mimi (Kristin Scott Thomas) who, while only wanting what's best for her nephew, ends up stifling him creating a rather rambunctious youth. John always wondered what happened to his mother and one day he discovers that she lives within walking distance from his house. Finding the courage to face the mother who abandoned him as a youngster, John meets the rather free-spirited Julia (Anne-Marie Duff) for the first time in over a decade and soon begins to form a bond with her, much to the chagrin of her sister Mimi.
Anyone who has read this blog knows that the "biopic" is one of my least favorite genres, but Nowhere Boy succeeds where others have failed in that it focuses solely on five years of John Lennon's life. We never even hear a Beatles song here. Instead, this is a look at part of what shaped Lennon into the man he would become. This brief glimpse into a short portion of his life is intriguing and shows fans something they may not have known about the singing superstar.
It also helps immensely that the film is carried by three really stellar performances. Aaron Johnson is pretty great as Lennon, showcasing both emotional vulnerability and the necessary rock star swagger needed to be an aspiring teen idol. Kristin Scott Thomas takes what could have been a stereotypical curmudgeonly role and turns it into something rather endearing. Despite her icy demeanor, it's obvious that she cares for young John and wants to nurture him the best she can.
But perhaps the best role belongs to Anne-Marie Duff, an actress who is new to me, but delivers one heckuva performance as John's long lost mom, Julia. She knows that John is in good hands with Mimi and she knows she herself wasn't quite fit to raise John a decade ago. Having two daughters now and seemingly having settled down, John's re-emergence in her life seems to cause her to revert back to the crazier days of her youth which is obviously a detriment to her current family situation. There's a twinkle in Julia's eyes whenever she's around John, but behind the happiness that Duff presents is a sorrow for having to be the "adult" that she is forced to be today. This struggle is pivotal to the flick and Duff excels in every scene.
The RyMickey Rating: A-
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