Thunder Force

 Thunder Force (2021)

Starring Melissa McCarthy, Octavia Spencer, Bobby Cannavale, Pom Klementieff, Melissa Leo, and Jason Bateman

Directed by Ben Falcone

Written by Ben Falcone

Click here for my Letterboxd review

The RyMickey Rating:  C-

Movie Review - Snowden

Snowden (2016)

Starring Joseph Gordon-Levitt, Shailene Woodley, Rhys Ifans, Melissa Leo, Zachary Quinto, Tom Wilkinson, Scott Eastwood, Timothy Olyphant, Lakeith Stanfield, Joely Richardson, and Nicolas Cage

Directed by Oliver Stone

I think it's admittedly a little difficult to come to the Oliver Stone-directed Snowden without having some outside feelings towards the title character.  Was Edward Snowden an American traitor or a hero?  This film undoubtedly takes the latter stance with Snowden being treated in an almost saint-like manner at times.  The lack of a balanced look at the polarizing figure is slightly disappointing, but looking beyond that, Snowden is a surprisingly engaging and well-made film that kept my attention throughout and provides a good glimpse (albeit a surface one) at one of America's biggest political events of the new century.

Told within a framing device of his interview with documentarian Laura Poitrus (Melissa Leo) whose film Citizenfour brought his story to even more masses, the film opens in 2013 with Edward Snowden (Joseph Gordon-Levitt) taking a huge leap and deciding to release private information he possesses that states that the United States government is spying on all Americans via their cell phones and computers.  The release of this information will undoubtedly cause him to be called a traitor, but after nearly ten years working in various government agencies including the NSA and CIA, Snowden feels that his findings should be made public.  The film then flashes back to the decade-younger Snowden as he gets his first job in Washington, D.C., and he meets his significant other Lindsay (Shailene Woodley).  Praised everywhere for his expertise in computers and coding, Snowden goes from job to job within the government, learning bits and pieces about how post-9/11 it was decided that -- for the safety and well-being of the country -- certain privacy laws would be lessened at certain times.

Frankly, no one is more surprised than me that this nearly two-and-a-half hour movie based on politics kept my attention, but kudos to Oliver Stone (who also co-wrote the film) for keeping the film moving at a solid pace and to Joseph Gordon-Levitt for his solid portrayal of the title character.  While Snowden himself is treated with kid gloves and saint-like (there's a particular moment towards the film's conclusion where a resolute and determined Snowden walks out of a dark bunker with a halo of glorious light surrounding him as soaring music swells in the background), I give props to Stone for depicting both the Bush and Obama administration with equal amounts of distrust.  Somehow, though, even though I liked the film, I can't find myself overly praising a whole lot about it and that's due in large part to the depiction of Snowden as too much of a do-gooder.  It doesn't help that during the film's conclusion, Stone has the real Edward Snowden literally "take the place" of Gordon-Levitt, putting the real figure into the spotlight in a way that detracts from the film in a distracting manner.  The politically-driven Stone had every right to create the film he wanted to create, but the lack of a critical eye towards the title character hurts the film a bit in the end and makes it difficult to praise its more-than-adequate cinematic craftwork.

The RyMickey Rating:  B-

Movie Review - The Big Short

The Big Short (2015)

Starring Steve Carell, Christian Bale, Ryan Gosling, John Magaro, Finn Wittrock, Hamish Linklater, Rafe Spall, Jeremy Strong, Adepero Oduye, Marisa Tomei, Melissa Leo, and Brad Pitt

Directed by Adam McKay

I know that The Big Short is a well-made, well-written, and well-acted film.  The issue is that the film which delves into 2007-08 the financial meltdown in which the housing market went belly up causing catastrophic damage to regular folks and the crooked big banks simply didn't resonate with me likely because I had no personal attachment to the crisis.  Granted, I don't need to have a personal connection to a film in order to become invested in it, but the overarching theme kept me at a bit of a distance despite being cleverly directed by Adam McKay so that the hefty and complicated subject matter seems a bit more relatable (and understandable) to the average moviegoer.

Quite frankly, there's no reason to delve into the story aspects of The Big Short in any greater detail than has already been mentioned because the film is a bit too complex to really simplistically explain.  Needless to say, the flick focuses on three groups or individuals who attempt to bring attention to the impending meltdown and are greeted with blank stares and laughs by those in charge.  Christian Bale is hedge fund manager Michael Burry who discovers the unsteady housing market and tries to use this to his advantage.  (Burry, admittedly, isn't really trying to "solve" the meltdown problem, he's just the first person who realized he may be able to use it to his advantage.) Steve Carell plays hedge fund manager Mark Baum who is approached by trader Jared Vennett (Ryan Gosling) to do the same thing Burry is doing, although Baum (whose Wall Street trader brother met an unfortunate demise) tries to uncover how the government is allowing it to happen.  Finally, up-and-coming young investors Charlie Geller and Jamie Shipley (John Magaro and Finn Wittrock) uncover paperwork by Vennett that reveals his thoughts on the crisis and enlist the help of noted financial guru Ben Rickart (Brad Pitt) to make money on the housing collapse only to have a change of heart as they realize the chaos that the collapse will cause.

All of the aforementioned actors do an admirable job of making their sometimes convoluted plots seem understandable and there's not a weak link in the cast.  That said, as I mentioned before, there's a lack of connection for me here that I wasn't quite able to overcome.  While the film doesn't necessarily play like a college finance course, it sometimes doesn't quite succeed in altogether abandoning that mindset.  McKay (who co-wrote the film with Charles Randolph) does some clever cutaways with celebrities to try and make the intricacies of the convoluted housing trade at least comprehensible, but in the end, there's somehow a lack of dramatic tension and human connection here.  The Big Short is still a surprisingly enjoyable watch, but it just never quite hit home with me despite a valiant effort.

The RyMickey Rating:  B-

Movie Review - The Angriest Man in Brooklyn

The Angriest Man in Brooklyn (2014)

Starring Robin Williams, Mila Kunis, Peter Dinklage, Melissa Leo, and Hamish Linklater

Directed by Phil Alden Robinson

***This film is currently streaming on Netflix***

I think The Angriest Man in Brooklyn is supposed to be a comedy and despite the fact that I didn't laugh once (or really even smirk in the slightest), I found one of Robin Williams' final films to be oddly endearing.  Admittedly, however, the reason for the emotion stems from the fact that Williams finds himself playing lawyer Henry Altmann, a man who discovers that a brain aneurysm has allotted him only ninety minutes left to live and he must determine whether he wants to continue on his current path of anger and resentment or reconcile his differences with his estranged wife and son (Melissa Leo and Hamish Linklater).  Had Williams not recently passed away, I doubt very much that the film would've had much impact.  However, true life seeps into the cinematic world a bit here, creating something a little more rousing than the film itself merits.

Williams is adequate as Henry, although I feel like we've seen him play this angry, somewhat crazed role before.  Yes, he dials things back a bit here, but not quite far enough if I'm being honest.  Mila Kunis plays his temporary doctor who has troubles of her own -- it should come as no surprise that her foibles will change for the better by crossing paths with Henry.  Together, Williams and Kunis play off each other surprisingly well, however many of their scenes together are so poorly written or so abysmally staged -- this film has one of the worst uses of green screen I've seen in a while -- that they end up falling flat.

The Angriest Man in Brooklyn is not a great film, but it is unfortunately made better simply because of the passing of Mr. Robin Williams whose real life struggles somewhat mirror the difficulties his character faces in this film.

The RyMickey Rating:  C

Movie Review - Prisoners

Prisoners (2013)

Starring Hugh Jackman, Jake Gyllenhaal, Viola Davis, Maria Bello, Terrence Howard, Paul Dano, and Melissa Leo

Directed by Denis Villeneuve

I'm not sure there's something more horrific than being a parent and having something devastating happen to your children.  In Prisoners, when two young girls are kidnapped on Thanksgiving Day from their Pennsylvania neighborhood, I can only imagine the horror going through the heads of parents Keller and Grace Dover (Hugh Jackman and Maria Bello) and Franklin and Nancy Birch (Terrence Howard and Viola Davis).  The pain, anguish, and anger is all on display in Denis Villeneuve's direction of Aaron Guzikowski's script, but the emotional connection with the characters wasn't there for me and it's something that I really long for in a movie like this.

Take my favorite film of last year -- The Impossible -- or one of the best films of the past few years that you've never heard of -- Trust (seriously, check it out) -- and you'll find yourself becoming completely invested in all the characters -- the kids and the adults alike.  In Prisoners, I never felt that emotional tug I desired.  Maybe it's because the two girls go missing so early and we never get an opportunity to really get to know them.  Or maybe it's because Jackman's Keller takes a rather unique approach to enacting revenge on Alex Jones (Paul Dano), the young man initially accused and then cleared of kidnapping the girls, thus maybe subliminally making me not feel so bad for the tortured father.  Regardless, I kept waiting to have some type of guttural response to the story, but that never really happened.

Performances are good, but oftentimes in movies similar to this, they'll be a character(s) that you immediately find yourself connecting with and rallying behind.  Hugh Jackman is certainly supposed to be that guy and I'm sure I was supposed to be affected by Maria Bello's debilitating anguish, but the film never took me there.  Once again, this isn't to say that Jackman and Bello are disappointing.  In fact, this is probably Jackman's best role yet (and I quite liked his role in Les Miserables), taking a very tricky character and making his motivations understandable.

Perhaps it is, in fact, his interactions with Paul Dano that make this movie so difficult to create an emotional resonance for me.  <<MODERATE SPOILERS FOLLOW, ALTHOUGH THE TRAILER ESSENTIALLY REVEALS WHAT I'M ABOUT TO DISCUSS.>>  Dano's Alex Jones is obviously emotionally stunted and psychologically marred.  When Jackman's Keller essentially kidnaps him, we understand Keller's response, but we can't condone it.  And it's maybe this reason why we in the audience can't exactly become as invested in these parents' horror as we'd like.  <<SPOILERS DONE.>>  Dano is creepily fantastic here, though, excelling in a tricky role that somehow manages to walk the line between having the audience both despise and sympathize with him.  Nice turns from Melissa Leo, Viola Davis (who's just great in everything I've seen her in recently) and Jake Gyllenhaal (who, even in this, is a bit overrated in my opinion) round out the cast, but can't fulfill that dramatic oomph I desired.

Listen, it may seem like I'm being overly critical of Prisoners by harping on one particular issue and, quite honestly, I am.  However, Prisoners is good.  It's a smart adult drama with enough twists and turns that make its lengthy running time seem to fly by rather quickly.  Overall, it's the kind of movie that I wish Hollywood created more often.  Admittedly, I think the thing the film prides itself upon -- playing with morality and questioning who's right and who's wrong in certain situations -- hurt its overall resonance with me, yet made it intriguing at the same time.  And, it's for that reason that despite my qualms, it still gets the decidedly good rating I've given it below.

The RyMickey Rating:  B

Movie Review - Olympus Has Fallen

Olympus Has Fallen (2013)

Starring Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Rick Yune, Dylan McDermott, Finley Jacobsen, Melissa Leo, Radha Mitchell, Robert Forster, and Ashley Judd

Directed by Antoine Fuqua

There's a feeling of "blah" that permeates throughout Olympus Has Fallen.  To me, "blah" doesn't necessarily mean bad, but it certainly doesn't connote anything good either.  There's a blandness here across the whole board from the acting to the story to the direction.  The screenwriters choose a topical enemy here as North Korean terrorists come into Washington, D.C., and wreak huge amounts of havoc on the city itself before honing in on the White House and taking the President (played by Aaron Eckhart), Vice President, and a few other important uppity-ups hostage.  With the terrorists having killed every Secret Service agent in the White House, the Commander in Chief's one chance at survival is Mike Banning (Gerard Butler), the President's former head Secret Service who quit his job after a horrible car accident eighteen months prior left the President's wife (Ashley Judd) dead.  Banning went to work at a different government position to distance himself from the shame he felt after being unable to save the First Lady, but when D.C. comes under attack, he springs into action, kills a bunch of the invading North Koreans and makes his way into the White House where he does his best to get the President and his close confidantes to safety.

Olympus Has Fallen only works when it keeps its focus on Gerard Butler.  Butler isn't given a whole lot to do, but when he's kicking ass and taking names, it's fun to watch.  It's not that Butler's Banning does anything particularly fresh, but he's got a charisma that at least makes things entertaining.  The rest of the film is unfortunately, as previously mentioned, generically bland.  Famous actors -- Morgan Freeman, Angela Bassett, Robert Forster, Ashley Judd -- appear for minutes and then fade into the background making us wonder how in the heck director Antoine Fuqua and the film's producers managed to snag them to appear in the film.

After watching this one, I'm kind of dreading the notion of watching this year's similarly themed White House Down...but now I kind of feel like I have to simply for comparisons sake.

The RyMickey Rating: C-

Movie Review - Oblivion

Oblivion (2013)

Starring Tom Cruise, Andrea Riseborough, Olga Kurylenko, Morgan Freeman, and Melissa Leo

Directed by Joseph Kosinski

I saw Oblivion on a whim on its last day of release in theaters and the only thing I really knew about it was that some article I read said that most audiences would find it too complicated to comprehend -- "You really have to pay attention," it stated.  I'm all for something deep and intricate, but I found myself bracing for something rough.  All I can say is that it'd be a shame if people read the same article as me and shied away from seeing this flick like I almost did because Oblivion is one of the best science fiction films I've seen in a long time.

In 2017, aliens known as the Scavengers destroyed Earth's moon which wreaked havoc on our atmosphere, causing earthquakes, tsunamis, and other weather-related disasters.  Seeing our weakness, the "Scavs" invaded Earth, and while we managed to defeat them it was only via nuclear warfare which left most of our planet inhabitable.  Sixty years have passed and the humans that survived the ordeal now find themselves living on Titan, one of Saturn's moons.  Their new colony is powered by giant energy stations that sit atop Earth's oceans and Jack Harper (Tom Cruise) and his partner Victoria "Vic" Olsen (Andrea Riseborough) live atop and run station #49, reporting back daily to Sally (Melissa Leo), their mission commander back on Titan.  One day, while Jack is out fixing a drone that protects the power stations from the few remaining Scavs on Earth, five pods fall from the sky containing humans including a woman named Julia (Olga Kurylenko) whom Jack has been seeing in his dreams -- a woman whose past may hold secrets that could change Jack's future.

Director Joseph Kosinski helmed Tron: Legacy three years ago and while I enjoyed that film, I felt that the action sequences weren't quite up to par, making me wonder if the then-first-time director had what it took to craft a special effects-heavy film.  Oblivion erases any questions in my mind about Kosinski's capabilities as he not only gets solid performances from all his actors and corrects any pacing issues I may have had with his prior work (this film moves along exceedingly well), but also creates a fantastic world here for the characters to inhabit.  Granted, considering that the film takes place only sixty years in the future, it is a little bit difficult to fathom the seemingly amazing advancements this plot believes that we as a civilization would have made (especially considering we would have been making said advancements in the midst of an alien invasion), but once you get past the notion that incredibly complicated hovercrafts and flying metallic autonomous drones are commonplace, Kosinski's Earth is a pretty nifty one.  All of the effects here are top notch and are really seamless -- they deserve to be remembered at year's end.

Tom Cruise has his ups and downs in my opinion, but for every Rock of Ages, there's a an action film like this one and I think this is the genre where he succeeds the most for me.  For a good portion of the film, it's just Cruise onscreen alone and he completely holds our attention.  Granted, the film isn't exactly asking for a lot from the guy, but he does a nice job.  Andrea Riseborough (whom I saw live on stage in a play in New York several years ago) is a presence I'd like to see in movies a bit more often.  This was her first big budget film and despite her character's cold exterior, she lit up the screen for me.  I thought there was something special about her when I saw her onstage and I think that's certainly the case.

The film's one disappointment is Olga Kurylenko whom I didn't love in Quantum of Solace and I wasn't a huge fan of here either.  It's not that Ms. Kurylenko does anything drastically wrong, it's just that I've yet to see her bring any modicum of enthusiasm or spark to her acting.  She's a pretty face, but she might have been better off sticking to her earlier modeling career.

Nevertheless, Oblivion surprised me for sure, providing me with one of the best science fiction moviegoing experiences I've had in a long time.  When this one eventually makes its way to Blu Ray, I highly suggest giving it a go.

The RyMickey Rating:  B+

Movie Review - Flight

Flight (2012)

Starring Denzel Washington, Don Cheadle, Kelly Reilly, Bruce Greenwood, John Goodman, Brian Geraghty, Tamara Tunie, James Badge Dale, and Melissa Leo

Directed by Robert Zemeckis

As of late, Robert Zemeckis has not been a director you could rely on for solid product.  Caught up in the motion capture world, the director hasn't helmed a live action film since 2000's Cast Away.  Needless to say, his recent track record is one of the reasons I waited a long time to check out Flight and it's a shame since now I can't recommend it to folks since it's already departed from most theaters.

Although the film starts with a harrowing and excitingly well shot plane crash sequence, we soon discover that while the film revolves around the aftermath of this tragic accident, its focus is really on the troubled Whip Whitaker (Denzel Washington), the pilot of that fateful flight who while being hailed a hero for saving 96 of the plane's 102 passengers is really a lost soul himself.  Whip is an alcoholic and in order to mask that from others, he snorts a nice cocaine chaser to give him the "uppers" that he needs to function.  On the day of the fateful accident, Whip had some substantial amounts of these substances in his system and, despite performing an extremely successful landing that all parties involved admit could have been much worse, this puts him on quite the hot seat.

As Whip struggles with the aftermath of the accident, he finds some solace in a recovering junkie named Nicole (Kelly Reilly) who is striving to better herself and overcome her addictions.  Unlike Whip, Nicole wants to rid herself of the toxic substances she often relied on and the two, while initially seemingly two peas in a pod, begin to drift apart as Whip continues his ongoing downward spiral into addiction.

Denzel Washington is great here in perhaps his best role in years.  "Playing drunk" always runs the risk of going over-the-top and Denzel reins things in, taking a more quiet and inward approach.  Despite the rather introspective nature of the performance, we're always well aware of the thoughts going on in Whip's frazzled mind.  There's a subtlety in certain scenes that is surprising and lovely and shows the talent that Washington brings to the screen.

Zemeckis also gets some great performances from his supporting cast as well.  Don Cheadle is strong as a lawyer assigned to Whip's case who tries to be the voice of reason for the drug-addicted Whip.  Bruce Greenwood plays Whip's loyal friend with equal parts care and concern.  John Goodman is a hoot in a small role as Whip's dealer and Tamara Tunie and Brian Geraghty prove quite successful in small roles as members of Whip's flight crew.

However, much like I was moved by Washington's performance, I was equally bowled over by Kelly Reilly -- a British actress entirely convincingly portraying an American Southerner -- as Whip's new girlfriend Nicole and James Badge Dale in a very small, one-scene role as a nameless cancer patient who tries to imbue a sense of "life's short so embrace what's best" into both Whip and Nicole.  As the three actors find their characters meeting in a stairwell to sneak a smoke while recovering in hospitals for their various ailments -- Whip after the plane crash, Nicole after an overdose, and the cancer patient facing head-on the end of his life -- they speak of life, death, faith, love, and fear.  It's a powerful and beautiful scene that I won't soon forget.

Flight falters ever so little towards the end becoming a tiny bit preachier than it should and ending on a slightly cornier and more uplifting note than the film had heretofore deemed feasible or plausible.  Still, this one was definitely a winner and certainly worth checking out when it comes out on dvd in the upcoming months.

The RyMickey Rating:  A-

Movie Review - Red State

Red State (2011)

Starring Michael Parks, Michael Angarano, Melissa Leo, Kyle Gallner, Kelly Bishé, and John Goodman

Directed by Kevin Smith

***This film is currently streaming on Netflix***

Rather amusingly, the end credits of Red State -- Kevin Smith's horror movie that he distributed on his own after a "fake" attempt at creating a bidding war earlier this year -- separate the cast into three categories -- Sex, Religion, and Politics.  Certainly those are three subjects that are ripe for controversy and debate, and while Smith undoubtedly takes a side on those topics and does so in a not-too-subtle manner, I couldn't help but enjoy myself thoroughly while watching this.  Thanks to some great performances and a running time that moves everything along at an incredibly brisk rate coupled with solid direction and clever (but not his typical raunchy) writing from Mr. Smith, Red State is a surprising winner.

When three high school boys come across a Craig's List-style online ad for an older woman who agrees to sleep with all three of them at once, the licentious trio wants to jump on the opportunity.  Little do they know that they're walking into a trap set up by a David Koresh-like cult leader Abin Cooper (Michael Parks), a man whose group at the beginning of the film is seen picketing a gay teenager's funeral.  (While that is a reprehensible act, I was a tad worried that this "obvious" "He's EVIL" stance was going to prove to be a little too blatant throughout the movie...fortunately, Smith curbed this as the movie progressed.)  The three teens are drugged and awaken in Cooper's church where he spreads (his version of) God's word to his family members who are the only members of his congregation.  In the midst of a rousing sermon, it soon becomes obvious that Cooper has warped the Bible into something decidedly crackpot and all hell is about to break loose.

For reasons I won't divulge in order to try and stay as spoiler-free as possible, the government soon becomes involved in this whole affair and sends out agents to try and take over Cooper's compound.  Headed by Agent Keenan (John Goodman), orders are soon given by his supervisors to do whatever is necessary to bring Cooper and his terroristic organization down.

If one were to step back and look at the grand idea that Smith is trying to convey here, his attacks on religion and our society post-9/11 don't necessarily hold water.  While both are certainly topics that can be critiqued in a film landscape, he doesn't dig deep enough to incite change or cause the viewer to even think about their opinion on the subject.

But if we overlook that (and I choose to because the rest of the film is good enough to do so), Red State is a very suspenseful horror film.  No one is safe and there was many a moment when I was shocked by what was unfolding onscreen.  Yes, there are moments of Smith's trademark humor (including a clever though mildly stupid "twist" towards the end), but the film works because the director has a solid grasp on editing his flick to maximize tension.  

Helping achieve this sense of unease are some wonderful performances.  Michael Angarano and Kyle Gallner as two of the sexually charged teens provide the "Kevin Smith wit" prevalent in his other flicks.  Nice work also comes from John Goodman as the agent who takes a rather moralistic stance against his superiors.  Melissa Leo as one of Cooper's daughters is utterly creepy and Kelly Bishé (with whom I'm completely unfamiliar) is beautiful to look at and does quite a good job as a wavering, questioning member of Cooper's clan.

The star here, though, is Michael Parks as the seemingly pleasant smooth-talking Abin Cooper.  At the beginning of the film, Cooper is given a lengthy monologue that, while could have easily been removed or shortened, brilliantly reveals the true character behind this country preacher.  He's outwardly pleasant yet so incredibly evil and Mr. Parks plays him without ever stooping to cheap tricks.  Cooper is a nut and Parks' evenhanded portrayal of him makes him even more terrifying.

Red State isn't going to be for everyone.  It is quite violent and it's not exactly a pleasant watch (although it's not nearly as graphic as the torture porn horror shlock that was so pervasive in the early aughts).  But it did it's job to keep me on the edge of my seat and that's all I can ask from a movie like this. 

The RyMickey Rating:  B+

Movie Review - Conviction

Conviction (2010)

Starring Hilary Swank, Sam Rockwell, Minnie Driver, Melissa Leo, Peter Gallagher, and Juliette Lewis

Directed by Tony Goldwyn

There's nothing wrong necessarily with being a by-the-books drama.  Sure, it may not win you accolades, but sometimes a movie doesn't call for tricks or surprises.  Conviction, a true life drama about a man wrongly accused of murder and the sister who vowed to free him, doesn't have any tricks up its sleeve.  Unfortunately, it also doesn't have any emotional drive up its sleeve either and that ultimately knocks what is a perfectly acceptable film down a couple of notches.

In 1980 Massachusetts, a young woman is murdered and Kenny Waters (Sam Rockwell) is taken in for questioning related to the crime.  While nothing happens for two years, in 1982, Kenny is arrested and convicted of the murder.  Knowing in her heart that her brother is innocent, Betty Anne Waters (Hilary Swank) decides to head to law school to get a degree to help her brother appeal the ruling.  Things aren't easy for her and she finds herself having to jump over many legal hurdles, but, let's be honest here, there really wouldn't be a movie if things didn't turn out for the best.

And it's that inevitability that is part of the reason there isn't a huge emotional arc in play here.  To me, director Tony Goldwyn is to blame because he fails to let the strong brother-sister bond between Betty Anne and Kenny emotionally grab the viewer.  Yes, he tries, but there was nothing there to pull me in.  Instead, I was watching a perfectly adequate drama that felt a little more distant than it should.

That criticism said, all of the actors here are quite good.  Hilary Swank is perfectly suited for the working class, slightly rough-around-the-edges Betty Anne, and Sam Rockwell plays Kenny surprisingly tenderly  with enough hints of anger to make him a possible suspect.  Minnie Driver as Betty Anne's friend, Melissa Leo as the female cop attempting to make a name for herself with Waters' case, and Juliette Lewis as a witness for the prosecution all make the most of their roles as well.

Conviction is certainly a decent drama and one that was worth watching.  It's just that it could have been better had the director somehow created a more emotionally charged relationship between all parties involved.

The RyMickey Rating:  B-

Movie Review - The Fighter

The Fighter (2010)

Starring Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Directed by David O. Russell

I won't pull any punches here (insert rimshot sound) and I'll just say right off the bat that The Fighter is a good film.  Well acted, well directed, and well written, I was never bored during the flick's run time.  However, like most films this year, despite excellent across-the-board technical aspects on display, there wasn't a "wow" factor that made me feel like I needed to watch this movie again anytime in the near future.  I mean, don't get me wrong.  The Fighter is well worth watching and is one of the better films of last year, but 2010 was the year of the "good film" and not the "great film."

At this point, considering the fact that the movie's been out for over two months, there's no need for a synopsis except to say that the flick is based on the true story of boxing brothers Micky Ward and Dickie Eklund with Mark Walhberg taking on the role of nice, but struggling-in-the-ring boxer Micky and Christian Bale tackling the drug-addled, past-his-prime Dickie.  What surprised me the most while watching is that although boxing is the impetus for many of the goings-on in the film, the story is really about a family and the dynamic between two brothers who want the best for each other, but go about attempting to achieve that greatness in different ways.  Ultimately, it's the family struggle (rather than a strict focus on the boxing) that makes this film better than most of the other sports-related "triumph" stories that are a Hollywood staple.

Of course, with three Oscar-nominated acting roles, the talent on the screen is top notch and also helps elevate the flick to a higher level.  Christian Bale is probably one of the greatest actors working today and he doesn't disappoint here.  Getting scarily skinny again (a la The Machinist), Bale injects the drugged-up Dickie with a surprising amount of heart which only makes things even harder for us in the audience when Dickie heads down the wrong path.

Melissa Leo is the front-runner in the Best Supporting Actress race and her role as Micky and Dickie's mother, Alice, could have easily veered into caricature, but Leo somehow manages to never take it there.  To be honest, I'm surprised I liked the role, because every time I saw a clip of the overbearing, thick-accented, sassy broad prior to seeing the movie, I got a hint of the "overacting" vibe emanating from Leo's performance.  In the movie, however, Leo's take on Alice was spot-on.

That being said, I think Amy Adams may have stolen the show despite the fact that her role as Micky's girlfriend Charlene is much more subdued than Leo's.  It's a gritty part unlike any I've seen Ms. Adams tackle before.  She's no Enchanted princess here, but underneath Charlene's gruff exterior is a woman who sees potential in Micky, but is devastated that he's ruining his chances at success by catering to his coked-up brother.

With a surprising amount of humor and heart plus a very tense and exciting final boxing sequence, The Fighter is certainly a good film.  Don't let the first paragraph of this review fool you into thinking otherwise.  

The RyMickey Rating:  B+

Movie Review - Everybody's Fine

Everybody's Fine (2009)

Starring Robert DeNiro, Drew Barrymore, Sam Rockwell, Kate Beckinsale, and Melissa Leo 

Directed by Kirk Jones

Everybody's Fine was a big failure at the box office last holiday season, but after watching I can't understand why.  Sure, it's overly dramatic, but it's a lovely little film featuring some nice performances from all of the lead actors, particularly Robert DeNiro who has certainly slummed his way through movies in the last decade or so.

It's been a few months since Frank Goode's (DeNiro) wife has passed away and he is eagerly looking forward to a get-together with all of his grown adult children.  However, when they all bail on him, Frank decides to travel around the country and visit each one, hoping to reconnect with them and become a greater part of their lives.  

That's the story in a nutshell.  It's simple and it's kind of sweet and it surprisingly works.  Director and screenwriter Kirk Jones has crafted a really lovely film in both appearance and substance.  While he admittedly gets a tad heavy-handed towards the end, it never felt too sugary or overly sentimental.

The reason for that, in part, is the pleasant and understated performance from Mr. DeNiro.  In recent years, DeNiro has veered way over-the-top whether that be in the godawful Fockers movies, Analyze That, or pretty much anything else in his recent oeuvre.  Here, DeNiro throws aside the caricature of his former actorly self that he's been playing for the last decade and instead is simply an aging, hard-working father who misses his wife and wants to form a better relationship with his kids.  It was actually a surprising departure for DeNiro and a track I'd like to see him continue on in years to come. 

DeNiro is joined by the lovely Kate Beckinsale as his eldest daughter and Sam Rockwell as his eldest son and both of them make the most of the roles.  Beckinsale, in particular, surprised me.  Not that I've even seen the Underworld series of films, but that's what I associate her most with.  I keep forgetting that she gave a bravura performance in 2008's Nothing But the Truth (rent it...trust me), and while her performance in this flick didn't blow me away, it certainly made me remember that the lady can actually act.  [And, although the less said the better, even Drew Barrymore didn't annoy me in this as much as she usually can, although she is playing the same exact character she plays in every other movie...seriously, how is she still popular?]

I honestly watched this because it was the holiday season and I remember there being a tree on the poster...don't be fooled into thinking this is a holiday movie, however.  It's not in the slightest.  Nevertheless, despite that misleading advertising, Everybody's Fine is a flick that surpassed my middling expectations and actually won me over quite a bit with its charm.

The RyMickey Rating: B