Movie Review - Psycho II

Psycho II (1983)

Starring Anthony Perkins, Meg Tilly, Vera Miles, Robert Loggia, and Dennis Franz

Directed by Richard Franklin

***This film is currently streaming on Netflix***

I don't know if it's sacrilegious to say this seeing as how Psycho is my favorite movie of all time, but I kinda liked Psycho II.  Twenty-two years after his hospitalization, Norman Bates (Anthony Perkins) is released from the mental hospital against the opposition of Lila Crane (Vera Miles), the sister of Marion, one of Bates's kills from the first film.  While Norman's psychologist (Robert Loggia) seems to think he's come to terms with the fact that his mother has died, once Norman returns home to the Bates Motel and gets himself a job at a local diner, he begins to think that his mother is speaking to him again.  Although his young co-worker Mary (Meg Tilly) tries to help him keep his sanity, Norman just may be falling back into his old homicidal tendencies.

There's no mistaking Psycho II for a masterpiece, but it's a nice follow-up to the story presented in Alfred Hitchcock's classic.  Mr. Perkins continues to play Norman rather deftly, teetering on the edge of insanity throughout much of the flick, complete with the recognizable tics that made his performance in the first film so effective.  Vera Miles is back as Lila Crane and her character, although perhaps a bit too over-the-top, seems to be on a legitimate believable trajectory from the first film.

Ultimately, what makes this sequel fare a little better with a lover of Hitchcock's original is that director Richard Franklin plays loving homage to its predecessor.  There are scenes and dialog that are replicated with just slight tweaks to make you a bit nostalgic for the original.  Admittedly, the film skews a bit campy and silly, but it's light years better than I expected it to be.

The RyMickey Rating:  B-

Hitchcock Month - The Wrong Man

The Wrong Man (1956)

Starring Henry Fonda and Vera Miles

Directed by Alfred Hitchcock

The Wrong Man is Hitchcock's only film based off of a true story (although I guess it's true that Psycho's Norman Bates is based off of a real person) and the entire film is a departure for Hitchcock.  There's a grittiness on display here that reminded me a bit of 1930s flicks like The Public Enemy or Scarface (not the Pacino version) or maybe 1950s flicks like On the Waterfront (which I've admittedly only seen in bits and pieces).  The film contains nary a comedic moment and Hitch takes the material very seriously.  What could have been standard movie-of-the-week material is elevated by Hitch's ability to pace the film very well and create some unique shots with his camera.

The plot is simple.  Henry Fonda is Christopher Emmanuel "Manny" Balestrero, a man charged with several counts of armed robbery who must do all he can to convince the court of his innocence.  Meanwhile, his wife (Vera Miles) slowly begins to lose faith that her husband will win his case and begins to go insane, wracked with guilt for a slew of reasons that I won't get into here.

This is certainly the saddest Hitchcock film I've seen thus far.  As I said, there's a realness on display here that is unlike anything I've ever seen from Hitch.  We don't get relief from comedic side characters.  Instead, side characters such as Manny's son provide us with some genuine heart-wrenching moments, rather than moments of laughter.

Henry Fonda is pretty fantastic here.  Like Jimmy Stewart, Fonda is your regular everyman.  Unlike Stewart who oftentimes seems to have a slight "winking at the audience" smirk or smile on his face, Fonda is the "serious" everyman.  Fonda's role certainly adds a bleakness to the film that we're not used to seeing from Hitch's actors.  Vera Miles is also quite good as the beleaguered wife, but unfortunately, her insanity plot, while true to life, seems almost tacked on in the film.  While there's a great deal of time spent on her problem, it seems too secondary to ever gain any traction.

I'm gonna paraphrase a quote from director Peter Bogdanovich who said that The Wrong Man shows a restraint that we're not used to seeing from Hitchcock.  That's an accurate assessment of the film -- it's what makes the film unique to the Hitchcock oeuvre and one that I recommend to see a different side of the Master of Suspense.

The RyMickey Rating:  B