Starring Elle Fanning, Felicity Huffman, Patricia Clarkson, and Bill Pullman
Written and Directed by Daniel Barnz
This is another one of those indie movies with characters that are too smart for their own good. However, what saves this movie from the downfall of recent flicks I've watched like
Gigantic and
Sherman's Way is that the story is interesting and nearly every actor is strong, particularly a winning performance by Elle Fanning.
Phoebe (Elle Fanning) is a nine year-old girl who lands the lead role in the school play
Alice in Wonderland. Phoebe has some psychological issues, the biggest being obsessive-compulsive disorder (and a moderate case of Touette's, too). Phoebe loves the play and excels at it, but her imagination oftentimes gets the better of her and she envisions the play literally coming alive all around her which oftentimes causes problems with her fellow classmates. Her parents (Felicity Huffman and Bill Pullman) seem to be in denial about their daughter's issues and it certainly seems to be putting a strain on their marriage.
The film belongs to the young Elle Fanning and there is something so beautiful and simplistic about how she plays the difficult role of Phoebe. The role could easily have veered towards over-the-top and showy, but Fanning is something special. From the opening scenes, she conveys so much with a simple raise of a lip or eyebrow. There must have been something in the water that those Fanning girls drank as babies (Dakota is her sister), because they both have amazing talent. There's one scene, in particular, where Phoebe breaks down completely in her mother's arms that was amazingly powerful. Speaking of Phoebe's mother, Felicity Huffman is touching and I was quite surprised by how well-written and thought-out her role was (kudos to the screenwriter).
In addition to Fanning and Huffman, Patricia Clarkson takes the clichéd role of the over-the-top drama teacher and makes it her own. Although her role wasn't without its faults (she falls into that "too quirky" indie character category and is forced to play that inspirational teacher role), Clarkson brings something special to the table. One of the most powerful scenes in the movie belongs to Clarkson -- when the word "fagot" [spelling is correct] is found written on a young male member of the play's costume, her anger is real and visceral. After criticizing the culprit for not spelling the word correctly, she makes them read the definition of the word -- "a bundle of sticks" -- and then says one of the best lines I've heard this year -- "Does anyone want to own up to idiocy as well as cruelty?" Although I had slight problems with her eccentric character, Clarkson can deliver a well-written line with gusto and meaning.
In addition to my slight problem with Clarkson's character, the school's principal (played by Campbell Scott) was a guy that was so inadequately able to run a school that the character took me out of any type of reality that the film was trying to create. The same could also be said for Phoebe's wiser-beyond-her-years sister. Once again, it's that pet peeve of kids being too smart for their own good...why not just make the kid normal? It's disappointing that the screenwriter who created two stellar characters in Phoebe and her mother wasn't able to continue the quality with the other folks in the movie.
Despite its faults,
Phoebe in Wonderland is a perfectly "nice" movie filled with some winning performances. Fanning, Huffman, and Clarkson alone are worth the price of the rental (or the current streaming via Netflix). Sure, it's warm, sentimental, and a bit treacly, but sometimes, you're in the mood for that sort of thing and this movie's good at it.
The RyMickey Rating: B
