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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label katie holmes. Show all posts
Showing posts with label katie holmes. Show all posts

Thursday, October 08, 2015

Movie Review - Woman in Gold

Woman in Gold (2015)
Starring Helen Mirren, Ryan Reynolds, Daniel Brühl, Katie Holmes, and Tatiana Maslany
Directed by Simon Curtis

While Woman in Gold doesn't reinvent any cinematic wheel of any kind, I came away from the film surprised by how much the true story of Maria Altmann kept my interest.  During the 1930s, Altmann  (played during this time period by Tatiana Maslany) and her wealthy Austrian Jewish family lived in Vienna.  However, when the Nazis invaded, the Altmann family's vast collection of art including five pieces by the revered artist Gustav Klimt was seized.  Maria and her sister escaped Austria and several decades later following her sister's death, Maria (now played by Helen Mirren) uncovers several of her sister's letters detailing attempts to get back these Klimt paintings which now reside in an Austrian museum with one piece in particular -- "Woman in Gold" -- being revered much in the same way as Paris's "Mona Lisa."  Maria hires Randy Schoenberg (Ryan Reynolds), a young lawyer and family friend, to aid her in determining whether she has any pull in getting the paintings back to her -- the rightful owner.  Needless to say, the Austrian government is staunchly against this and the struggle to make this happen is a difficult one.

While the film follows typical "biopic" tropes, thanks to a nice performance from Helen Mirren, Women in Gold is oddly compelling.  Granted, the film has a lightness to it -- thanks to witty repartee between the older Maria and the younger Randy -- but that nicely counters the more serious aspects of the plot which admittedly seem a little bit glossed over at times with that Hollywood Magic sheen. Still, despite the lack of some emotional heft (especially considering the Holocaust storyline), there's still heart which some could possibly view as corny, but I found charming.

Helen Mirren helps to elevate the material as is typical of the great actress and, honestly, she probably makes the film more enjoyable than it really should be.  However, there's nothing particularly wrong with that.  The film itself at least tells a new story from a much-filmed cinematic time period and it does so with solid technique, making Woman in Gold worth a watch.

The RyMickey Rating:  B-

Wednesday, February 18, 2015

Movie Review - The Giver

The Giver (2014)
Starring Brenton Thwaites, Jeff Bridges, Meryl Streep, Alexander Skarsgård, Katie Holmes, Odeya Rush, Cameron Monaghan, and Taylor Swift
Directed by Philip Noyce

I never read The Giver growing up so despite the Lois Lowry book being a staple of many folks' youth, it held no revered place in my mind.  I thought that may help things given how the general public opinion of director Philip Noyce's adaptation was that of disappointment upon the film's release this summer.  Unfortunately, it didn't.  While visually appealing, The Giver fails to deliver anything new on a science fiction premise we've seen before.  (Granted, perhaps the novel The Giver gave us this premise first...but in the cinematic world, this movie feels like old news.)

The year is 2048 and following some horrific events, a community has decided to erase all memory of its inhabitants in an attempt to create a "perfect" city in which everyone lives peacefully together.  The experiment is seemingly working as sixteen year old Jonas (Brenton Thwaites) is assigned his career at the annual graduation ceremony.  Jonas is deemed "special" and is granted the right to visit The Giver (Jeff Bridges), the only member of the community who retains the memories of the past.  These memories are utilized by the Giver to advise the Chief Elder (Meryl Streep) to shape the community's actions.  Aging, however, the Giver begins to pass on his memories to Jonas who finds his community's robotic and sterile atmosphere disturbing and decides to do something to shake things up a bit.

Unfortunately, this "utopian" society thing feels so played out nowadays and The Giver comes at (one can only hope) the tail end of this sci-fi subgenre.  While visually appealing (director Philip Noyce begins the film is stark blacks, whites, and grays and only introduces colors as Jonas begins to receive memories), the film feels simplistic and childish at times.  It lacks the metaphorical messages that I assume it wished to espouse.  The young Thwaites is fine, but he's really quite emotionless and his character's romantic subplot with a young gal just weighs the film down with unneeded teenage angst.  Meryl Streep is okay, but certainly nothing special, and Jeff Bridges mumbles so incoherently at times that I felt like I wanted to put on the subtitles.

The RyMickey Rating:  C-

Saturday, December 29, 2012

Movie Review - Batman Begins

Batman Begins (2005)
Starring Christian Bale, Michael Caine, Katie Holmes, Gary Oldman, Cillian Murphy, Liam Neeson, Morgan Freeman, Ken Watanabe, Rutger Hauer, and Tom Wilkinson
Directed by Christopher Nolan

I must admit that I watched this back in mid-August.  I had planned on a one-two-three punch of Christopher Nolan's Batman trilogy, but that never came to fruition.  That said, with The Dark Knight Rises just arriving in the mail today, I figured I might as well briefly discuss my thoughts on this first flick in the series.

I didn't remember being a huge fan of this when it first came out in 2005 and this subsequent viewing in 2012 didn't really change my mind.  Origin tales always border on tedious for me and this proves no exception.  While I didn't mind learning the story of Bruce Wayne as a kid, once he gets older (and turns into Christian Bale) and travels to Asia to strengthen both his body and his mind, I lost interest.  As Bruce returns to Gotham, the film picks up a bit, but by the end, I found the climax to be much too lengthy.

It certainly doesn't help that Liam Neeson's Henri Ducard/Ra's al Ghul isn't a great villain, and while Cillian Murphy's Scarecrow is more menacing, I felt he wasn't exactly placed into the spotlight his character probably should have been.  Michael Caine, Morgan Freeman, and Gary Oldman are all quite strong in their roles providing nice characters for Bale's Bruce Wayne to play off of in their respective scenes together.  Katie Holmes is fine as well (although Maggie Gyllenhaal breathes a little more life into the same romantic love interest character in the second film).

As for Christian Bale, I'm not quite sure where I stand on him.  While I respect the choices of the deep voice and stoic emotionless demeanor while in the persona of Batman, it does make the character a bit one-note.  He certainly plays Wayne as a smart (though smarmy at times) playboy which allows for a bit more fun to be injected into things, but when behind the mask, he's almost bland.

While I'm mainly listing qualms with the film, I do think Batman Begins is a pretty solid comic book adaptation and certainly one of the better flicks of the genre over the past twenty years.

The RyMickey Rating:  B-

Thursday, January 26, 2012

Movie Review - Don't Be Afraid of the Dark

Don't Be Afraid of the Dark (2011)
Starring Katie Holmes, Guy Pearce, and Bailee Madison
Directed by Troy Nixey

Don't Be Afraid of the Dark is an okay horror flick that felt like a slightly more adult version of Nickelodeon's 90s series Are You Afraid of the Dark.  Although tense, the film had a rather childlike innocence to it -- no cursing, no blood (for the most part), relying on tense build-ups and taut direction (although only in certain scenes).

That being said, despite a decent lead performance from the young Bailee Madison (whose character Sally started out a bit too one-note bratty to work completely for me) and fine turns from Katie Holmes and Guy Pearce (whose characters aren't given a whole lot to do other than doubt Sally when she says little gnome-like creatures are wreaking havoc on their newly bought hundred-year-old mansion), the film even at 99 minutes goes on too long.  It felt like the story could have (and should have) been told in the 30 minutes that those Are You Afraid of the Dark episodes were given.  The story was just dragged out too long to be effective.  Rather than excite, I found myself bored too many times.

It doesn't help that the aforementioned gnome-like creatures prove to be a little laughable rather than scary (which, once again, makes me feel like it would've been more at home on that 90s Nick show).  I just wanted to tell these folks to stomp on these little devils and run out of the house (because, just like every other horror movie, no one leaves the house until it's much too late to do so).

The RyMickey Rating:  C