Featured Post

Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label connie britton. Show all posts
Showing posts with label connie britton. Show all posts

Thursday, December 22, 2022

The Fitzgerald Family Christmas

 The Fitzgerald Family Christmas (2012)
Starring Edward Burns, Kerry Bishé, Heather Burns, Marsha Dietlein, Caitlin FitzGerald, Anita Gillette, Tom Guiry, Ed Lauter, Michael McGlone, Noah Emmerich, and Connie Britton
Directed by Edward Burns


The RyMickey Rating:  B+

Wednesday, June 10, 2020

The Land of Steady Habits

The Land of Steady Habits (2018)
Starring Ben Mendelsohn, Edie Falco, Thomas Mann, Bill Camp, Elizabeth Marvel, Charlie Tahan, Michael Gaston, Josh Pais, and Connie Britton
Directed by Nicole Holofcener
Written by Nicole Holofcener


The RyMickey Rating: C+

Thursday, May 28, 2020

Bombshell

Bombshell (2019)
Starring Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow, Malcolm McDowell, Allison Janney, Kate McKinnon, Connie Britton, Liv Hewsen, Brigette Lundy-Paine, Mark Duplass, Rob Delaney, Stephen Root, and Robin Weigart
Directed by Jay Roach
Written by Charles Randolph


The RyMickey Rating: C

Wednesday, June 20, 2018

Beatriz at Dinner

Beatriz at Dinner (2017)
Starring Salma Hayek, John Lithgow, Connie Britton, Jay Duplass, Amy Landecker, Chloë Sevigny, and David Warshofsky
Directed by Miguel Arteta
Written by Mike White
***This film is currently streaming via Amazon Prime***

Summary (in 500 words or less):  Masseuse Beatriz is invited to spend the evening at a dinner party given by her client's husband.  However, when the liberal Beatriz discovers the party's guests are all conservatives, she stands up to them and their beliefs (in a way only Hollywood movies could depict).



The RyMickey Rating: C

Monday, May 23, 2016

Movie Review - American Ultra

American Ultra (2015)
Starring Jesse Eisenberg, Kristen Stewart, Topher Grace, Connie Britton, Walton Goggins, John Leguizamo, Tony Hale, and Bill Pullman
Directed by Nima Nourizadeh

I recorded American Ultra on the DVR during a free preview weekend of some pay cable network and before watching it, I deleted it.  Did I really wanna watch a movie whose main character is a stoner pot smoker?  In the opening minutes, Jesse Eisenberg's Mike Howell and Kristen Stewart's Phoebe Larson must've lit up at least five times.  Longtime blog readers know that I'm not a huge fan of drugs mixing with comedy -- I just feel it's an easy, cheap way to elicit laughs -- so I actually deleted the film.  For some reason, though, I decided to restore it to my DVR and give it a go -- and I'm glad I did.  American Ultra isn't going to set the world on fire, but its ultra-violent premise yielded enough laughs (in a non-drug-centric manner) and a clever, well-acted story that I found myself pleasantly surprised.

Mike is a convenience store clerk who, when not smoking pot, spends his free time hanging out with his girlfriend Phoebe and writing a comic book about a heroic ape.  One evening, Mike is approached at the store by a strange although very put-together and sophisticated woman (Connie Britton) who begins babbling some nonsensical words to him.  Mike shrugs off the exchange, but minutes later when he's jumped by two guys, Mike goes into violent beast mode, attacking and killing the duo with ease.  Mike slowly begins to realize that he may have been programmed by the government to commit such crimes and now that he's been "activated," some government officials may want him dead.

Moving along at a rather rapid clip, American Ultra smartly doesn't overstay its welcome because its entire story is essentially summed up in that aforementioned paragraph.  Without a huge amount of plot, we're instead treated to incredibly violent set pieces that are played for laughs -- a tricky balance to achieve, but executed successfully for the most part by relative newcomer director Nima Nourizadeh.  Tarantino-level in their graphicness, the violence is undoubtedly over-the-top and at times unbelievable, but the film is able to cleverly get the audience to embrace the insanity because the flick's main character can't believe what he's seeing either.  Stoner Mike's expert combat techniques are just as incomprehensible to him as they are to us in the audience so that surprisingly immediately connects us to the character and allows us to "accept" the elevated violence because we're on the same page as Mike.

Eisenberg and Stewart are a nice match for one another, although neither lights the world on fire here.  They're both a bit too monotone throughout for my liking, but that's really their acting style most of the time, I've always felt.  The supporting cast of Connie Britton and Topher Grace as CIA agents respectively for and against Mike are enjoyable, bringing some additional laughs to the flick.  My review may be slightly overpraising American Ultra which is by no means exceptional, but it was a bit of a surprise for me.  Certainly not for everyone, the flick is much better than I ever expected.

The RyMickey Rating:  B-

Monday, December 21, 2015

Movie Review - Me and Earl and the Dying Girl

Me and Earl and the Dying Girl (2015)
Starring Thomas Mann, RJ Cyler, Olivia Cooke, Nick Offerman, Katherine Hughes, Jon Bernthal, Molly Shannon, and Connie Britton
Directed by Alfonso Gomez-Rejon

There's no hiding the fact that Me and Earl and the Dying Girl is a movie about a disease.  In this case, it's cancer and the dying girl in the title is Rachel (Olivia Cooke), a high school senior who is diagnosed with leukemia.  The "Me" in the title is Greg (Thomas Mann), a wry, witty loner of sorts who has managed to make his way through high school by being pleasant enough to every single clique or group, but never really joining any of them.  This casual sense of invisibility has proved to be very successful for Greg, but it's also made him a bit of a loner with the exception of his friend Earl (RJ Cyler) with whom he makes hilariously ridiculous recreations of art house films.  When Greg's mom (Connie Britton) forces her son to visit Rachel after she's been diagnosed (with whom he's said very little to in the entirety of high school), Greg connects with Rachel's wry sense of humor and no-nonsense attitude and the two begin to form a friendship.

As I said, there's no hiding the fact that Me and Earl and the Dying Girl is a disease movie.  It places cancer squarely at the forefront.  However, the film doesn't create a two-hour mope-fest.  Instead, screenwriter Jesse Andrews and director Alfonso Gomez-Rejon have created one of the funniest films I've seen this year.  There's a hip, irreverence imbued in both the dialog and the way the film is shot and acted that immediately clicked with me.  I belly-laughed multiple times (mostly at Greg and Earl's homages/recreations of films), yet still think the film does a nice job at balancing the humor with the pathos.

That said, despite great turns from RJ Cyler, Olivia Cooke, and Thomas Mann (who is quite captivating and oddly charming as the lead), Me and Earl and the Dying Girl didn't quite click with me emotionally.  Considering the subject matter, I was expecting to be a little more affected.  Granted, this flick doesn't carry the maudlin overtones of something like A Fault in Our Stars (a film which I like quite a bit), but perhaps because of that lack of gravitas, I found myself oddly unmoved as the film reached its conclusion which ultimately felt like a little bit of a letdown.

In only his second film, director Gomez-Rejon shows much promise.  Sure some of the adults (particularly Molly Shannon as Rachel's mother) feel a little too one-note (which is a fault of the script in part) and he doesn't quite hit the bullseye emotionally in the end in the way the way he really needs.  However, there's a freshness to what he's brought to the screen that's refreshing and inviting.  Me and Earl and the Dying Girl doesn't hit quite all the right notes, but it comes darn close.

The RyMickey Rating: B

Monday, June 22, 2015

Movie Review - This Is Where I Leave You

This Is Where I Leave You (2014)
Starring Jason Bateman, Tina Fey, Adam Driver, Rose Byrne, Corey Stall, Kathryn Hahn, Connie Britton, Timothy Olyphant, Dax Shepard, Debra Monk, Abigail Spencer, and Jane Fonda
Directed by Shawn Levy


When their father dies, the Altman family -- siblings Judd, Wendy, Paul, and Philip and their mother Hillary (Jason Bateman, Tina Fey, Corey Stall, Adam Driver, and Jane Fonda -- gather together at their childhood home to sit shiva (a seven day Jewish period of mourning) in honor of their dad.  Old sibling rivalries and current spousal struggles rear their ugly heads as the Altmans learn to cope with their patriarch's death.

A completely believable familial banter isn't as easy to come by in films as one would think and the repartee that Bateman, Fey, Stall, and Driver have with one another in This Is Where I Leave You feels genuine.  While Fonda's role is a little over the top, I appreciated that her eccentricities appeared to have at least influenced her grown children's emotional states, helping to further craft authentic characters.  Solid performances by Rose Byrne, Kathryn Hahn, Connie Britton, and Abigail Spencer add to the great cast.

While I would've liked to have had a bit more heart imbued into the flick, I still found myself engaged and interested in each sibling's highs and lows.  This Is Where I Leave You admittedly treads similar paths of typical familial dramedies, but with a stellar cast, director Shawn Levy's flick proves to be a nicely paced, pleasant sleeper that surprisingly balances its myriad of story lines with ease -- some prove a little more successful than others (and a particularly out-of-left-field "surprise" at the film's conclusion seems simply added for shock effect), but the overall result is quite successful.  

The RyMickey Rating:  B