The Laundromat

The Laundromat (2019)

Starring Meryl Streep, Gary Oldman, Antonio Banderas, David Schwimmer, Matthias Schoenaerts, Jeffrey Wright, Nikki Amuka-Bird, Nonso Anozie, Will Forte, Chris Parnell, James Cromwell, Melissa Rauch, Larry Wilmore, Robert Patrick, Rosalind Chao, and Sharon Stone

Directed by Steven Soderbergh

Written by Scott Z. Burns

Click here for my Letterboxd review

The RyMickey Rating: C-

Movie Review - The 33

The 33 (2015)

Starring Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin, Lou Diamond Phillips, Mario Casas, Jacob Vargas, Juan Pablo Raba, Oscar Nuñez, Tenoch Huerta, Macro Treviño, Adriana Barraza, Kate del Castillo, Cote de Pablo, Elizabeth De Razzo, Naomi Scott, Gustavo Angarita, Alejandro Goic, Bob Gunton, and Gabriel Byrne

Directed by Patricia Riggen

**This film is currently available via HBO Now***

While I was mostly captivated while watching The 33 - the true story of a group of 33 Chilean miners trapped for 69 days 2300 feet underground -- I was more entranced by the story as opposed to the film itself which feels too constrained by stereotypical movie tropes to really allow an emotional connection to the characters.  Director Patricia Riggen's film is admittedly hindered by a large cast of characters, but perhaps because of the abundance of possible stories, the movie never creates a visceral impact that I expected a film of this ilk to have.

The lead of the film is certainly Antonio Banderas as Mario Sepúlveda, a husband and father whose steadfast belief that they would be saved placed him in a leadership position with his trapped group.  Banderas does fine work here, but the film doesn't allow us to really connect with him in any way.  Sure, we get the requisite opening act in which we get a cursory overview and understanding of many of the lives of the miners before the fateful day, but these moments don't create a bond between the viewer and the characters.  Perhaps there's just too many people in play to really make this film work, or perhaps it would've fared better in the hands of different writers.

In addition to the darkness and oppressive heat 200 stories underground, The 33 also allows us to glimpse the troubles facing the rescuers and family members above ground.  Once again, there are too many pieces to the puzzle here for things to really click.  Riggen does a decent job of balancing both sides, but part of me wonders if the film would've succeeded if we'd never left the constricting confines of the miners' temporary habitat.  The 33 is undoubtedly an intriguing story and one that deserved to be told...I simply wish it was in a little better film.  It's not that what's presented is particularly bad, it's just a bit too generic for its own good.

The RyMickey Rating:  C

Movie Review - Ruby Sparks

Ruby Sparks (2012)

Starring Paul Dano, Zoe Kazan, Chris Messina, Annette Bening, Steve Coogan, Elliot Gould, and Antonio Banderas

Directed by Jonathan Dayton and Valerie Faris

I wasn't the biggest fan of Little Miss Sunshine and Paul Dano isn't ever a draw for me, so a film by the directors and featuring one of the stars of that former Oscar-nominated flick wasn't ever going to jump out at me as a major draw.  However, I couldn't be more pleased that I gave Ruby Sparks a shot because I found the comedy to be more amusing than I ever could have imagined.  Maybe it was a case of lowered expectations, but that's probably selling the film short because I feel like Ruby Sparks is one of the best films to come out of 2012.

A decade ago, Calvin Weir-Fields (Paul Dano) wrote a quintessential piece of American literature -- a contemporary Catcher in the Rye if you will.  Since then, he's been able to live very well off the money brought in from his novel, but hasn't been able to follow it up with any work as he's been afraid of living up to the expectations from his modern-day masterpiece.  Much like his professional life, his love life has stalled.  After breaking up with a long-time girlfriend a few years ago, Calvin spends time at home alone with his dog much to the chagrin of his brother Harry (Chris Messina).  One evening, Calvin has a dream about a beautiful girl beckoning him to be with her and Calvin's therapist (Elliot Gould) seizes the moment and tells the author to start writing about her to try and get the creative juices flowing.

Calvin finds himself engrossed in writing for the first time in years, falling in love with his creation of the character of Ruby Sparks -- his ideal woman.  Color Calvin surprised when he wakes up one morning only to find Ruby (Zoe Kazan) actually in his apartment, complete with every mannerism and characteristic he has made up for her.  Whatever Calvin writes seemingly comes alive in Ruby right before his very eyes placing Calvin in an interesting conundrum -- does he write Ruby to be the woman he wants her to be or does he try and let her become her own woman with her own will and ambitions.

While there's certainly enchanting fantastical elements in this wonderful debut screenplay by Zoe Kazan, the film's directors don't dwell on the fact that this couldn't actually happen.  Instead, it's played rather straightforward and thanks to all players in front of and behind the scenes, we in the audience buy into the whole thing instantly.  Comedy is front and center at the initial meetings of Calvin and Ruby, but as the film progresses, we delve a bit more into what "love" should mean and that the "faults" of our partners endear them to us all the more.

Kazan has created a nice starring role for herself that allows her to play both the initial bubbly innocence of the fresh-faced Ruby and then shift into the more independent-minded woman that Ruby becomes.  While I'd apparently seen Kazan in a few films (most notably the western Meek's Cutoff), she isn't someone that had registered with me before.  However, after this, she'll definitely be on my radar and I hope that she takes another stab at writing as her screenplay proved to be quite unique.

Much to my surprise, Paul Dano didn't annoy me in the slightest.  It's not so much that Dano ever even annoys me, it's just that he always seems to fade away into the background of whatever movie he's in, never really standing out whether that be because his role is minor or because he's being overshadowed by a bigger, more imposing presence (see There Will Be Blood).  Here, however, the sheer fact that his character longs to be reclusive and away from spotlight fits Dano to a tee.  I think it may be his best work yet -- or, at the very least, his most enjoyable to watch.

With some very nice supporting turns from Chris Messina (a guy who I admire for taking even the smallest of roles and making them memorable) as Calvin's lewd, but incredibly well-meaning brother, along with Annette Bening and Antonio Banderas as Calvin's hippie mother and stepfather, Ruby Sparks proves that romantic comedies don't need to play to the lowest common denominators in terms of either raunchy behavior or bland stereotypes in order to succeed.  How this charming film didn't find more success is beyond me considering that it's the best comedy of 2012.

The RyMickey Rating:  A-

Movie Review - Haywire

Haywire (2012)

Starring Gina Carano, Michael Angarano, Ewan McGregor, Michael Fassbender, Channing Tatum, Antonio Banderas, Bill Paxton, and Michael Douglas

Directed by Steven Soderbergh

Haywire is mindless fluff.  That's not meant as a criticism, but it's the truth.  No one's going to mistake this female-led action flick as great cinema, but it's certainly an enjoyable ride.  A day after I watched it, I may not remember much in the way of plot or character development, but I will remember that I had an enjoyable 85 minutes seeing it unfold in front of me and sometimes that's all one needs when watching a movie.

MMA-star Gina Carano is Mallory Kane, a "black ops super soldier" (according to imdb's description) who is used by the government to head out on certain missions for them.  She's good at her job and can kick some serious ass, but she often finds herself a bit at odds with Kenneth (Ewan McGregor), her ex-boyfriend and also the man that sets up her jobs for the government.  When set on a job to Ireland, she quickly discovers that she has been set up by her bosses and must go rogue in order to save her life.

There's nothing special that the story brings to the table, and while director Steven Soderbergh does an admirable job of filming the action scenes and keeping the story rolling at a good pace, things are by the book for the most part.  The acting is all above par, even that of Gina Carino who was criticized in reviews that I read for her lack of acting chops.  I found her perfectly acceptable for what this role asks of her.  Do I wanna see her tackle something a bit more weighty?  I'm not sure, but as an action chick, she handles herself well.

Admittedly, there's not a ton to say about this because Haywire is just a standard action flick, but it's a good one and worth a watch.

The RyMickey Rating:  B

Movie Review - Puss in Boots

Puss in Boots (2011)

Featuring the voice talents of Antonio Banderas, Salma Hayek, and Zach Galifianakis

Directed by Chris Miller

The Shrek franchise is not one I'm fond of in the least.  While its pop culture sensibilities and cheap attempts at humor changed the animation genre, I don't think it did so for the better and, fortunately, we're seeing a shift away from that.  Quite surprisingly, Puss in Boots, a spin-off of the Shrek flicks, tells a pleasant story riffing on Mother Goose tales, but leaves the pop culture references behind.

Admittedly, I watched this while on a plane so I failed to get a good look at the animation since the screen was literally the size of a large index card, but I was impressed with the story this was trying to tell.  After learning that Jack and Jill have magic beans that will grow a magic beanstalk, Puss (Antonio Banderas) sets out on a mission to find them in order to gain access to the golden eggs laid by the golden goose at the top of stalk.  He teams up with fellow sassy cat Kitty Softpaws (Salma Hayek) and his former childhood friend Humpty Dumpty (Zack Galifianakis) and adventures inevitably ensue.

Even with the short 85 minute running time, the film felt a tad "empty" in terms of story, but I give Puss in Boots credit for taking a different tonal approach from its Shrek predecessors and doing so successfully.  Rather than mean-spirited (which Shrek sometimes feels to me), the flick contains amusing characters that are more than capable of holding their own with the fairy tale fables played for their charm rather than for a snarky joke.

The RyMickey Rating:  B

Movie Review - The Skin I Live In

The Skin I Live In [La piel que habito] (2011)

Starring Antonio Banderas, Elena Anaya, and Marisa Paredes

Directed by Pedro Almodóvar

While I've certainly heard of Spanish director-screenwriter Pedro Almodóvar, I've never seen one of his films.  From the little I know of him, I've gleaned that his films are often melodramatic and full of appealing visuals.  The Skin I Live In definitely fits that criteria...I'm just not exactly sure heavy dramatics and pretty colors make a good film.

It's not that The Skin I Live In is bad...it's simply that its story is odd (and I don't want to spoil it too greatly).  Basically, Antonio Banderas is Robert Ledgard, a world renowned surgeon who, after his wife was horrifically burned in a car crash several years prior, throws himself into the task of creating an artificial skin to help burn victims live a better life.  In and of itself, that's the basic storyline.  However, throw in a woman (Elena Anaya) secretly locked up in Ledgard's house for reasons unknown, a maid (Marisa Paredes) with a son who has a fondness for sex crimes, and a guy on a motorcycle who winds up at the wrong place at the wrong time, and the film absolutely scores high on the soap opera aspects.

Admittedly, I wasn't bored a single bit while watching this movie.  It successfully held my interest and when it ended, my thought was, "Well, that was interesting."  I still think it was "interesting" two days removed, but I also can't help but think that there just wasn't a believable story there which ultimately hurt the flick.  The over-the-top storyline perhaps makes for a fun watch, but it causes the flick to lose any resonance as the days pass.

Still, The Skin I Live In is a flick that I'm happy I watched.  There's a nice performance from Antonio Banderas and a subdued though intriguing turn from Elena Anaya as Ledgard's captive.  The direction by Almodóvar certainly intrigued me enough to check out some more of his films, but I worry a bit that his kooky screenwriting is something that I just might not be able to fully embrace.

The RyMickey Rating:  C+

Movie Review - Interview with the Vampire

Interview with the Vampire:

The Vampire Chronicles (1994)

Starring Tom Cuise, Brad Pitt, Kirsten Dunst, Stephen Rea, Antonio Banderas, and Christian Slater

Directed by Neil Jordan

***This film is currently streaming on Netflix***

There's promise in the overall premise of Interview with a Vampire, but there's a surprising lack of drive and oomph behind the story with a particularly leaden final act that ends the whole thing on a disappointing note.  With two fairly bland main characters in the vampires Lestat (Tom Cruise) and Louis (Brad Pitt), the story simply can't maintain its momentum the whole way through.  However, thanks to thanks to some beautiful looking images, lovely sets, a nice musical score, and a fantastic performance from a young Kirsten Dunst, there's enough here to recommend the macabre flick despite the fact that it had the possibility of being better.

Bookended by modern-day scenes of two-hundred-plus-year old vampire Louis telling his life saga to a young San Francisco writer (Christian Slater), the general gist of the story is how Louis copes with being compassionate to humankind considering that he needs blood in order to survive.  Turned into a vampire by the insatiable and overtly sexual (in both hetero- and homosexual manners) Lestat, the two vampires we meet could not be more different.  As Lestat tries to help Louis maneuver through the new world of being a vampire, Louis can't quite succumb to becoming a true vampire -- he finds it next to impossible and almost repulsive to take a human's life in order to quench his vampiric need for blood.

While the tension between Louis and Lestat is amusing, the film really comes alive when a young Kirsten Dunst appears as twelve-year-old Claudia turned into a vampire and stuck in her child's body forever.  Dunst manages to become the star here and whenever she is onscreen, I was riveted by her performance.  When her character appears, it's as if life was breathed into the film.  She completely one-ups the "stars" Tom Cruise and Brad Pitt, both of whom have performances who vacillate between too subtle and too over-the-top.

As said above, the film looks stunning and gives off a tone of incredible sumptuousness.  Director Neil Jordan does create a nice balance between humor, drama, and gothic horror, however, the story just doesn't quite work all the time thanks to the two somewhat disappointing main characters.  Still, I found the whole thing very intriguing and, even a day later, despite some serious problems with the story, I'm thinking of it moderately fondly.

The RyMickey Rating:  C+

Movie Review - You Will Meet a Tall Dark Stranger

You Will Meet a Tall Dark Stranger (2010)

Starring Antonio Banderas, Josh Brolin, Anthony Hopkins, Gemma Jones, Freida Pinto, Lucy Punch, and Naomi Watts

Directed by Woody Allen

Woody Allen keeps churning out the movies at a rate of about one a year.  Maybe if he took a tad more time between flicks, he'd come up with an actual plot because in You Will Meet a Tall Dark Stranger, the lack of any story and any comedy (and this certainly attempts to fall into Allen's comedy genre as opposed to his dramatic undertakings) makes this film flounder about aimlessly without ever going anywhere.

I guess I'm fibbing a bit when I say there's no story...there's just not a story here that anyone would find moderately interesting.  There's an older couple (Anthony Hopkins and Gemma Jones) who are recently divorced -- the husband finds himself a younger woman (Lucy Punch) who happens to be a prostitute, while the wife mopes around depressed.  They have a daughter (Naomi Watts) who's in a loveless marriage with her struggling writer husband (Josh Brolin) who has fallen head over heels for the exotic guitar player (Freida Pinto) who lives across the street.  There's not a doubt that these relationships were supposed to be played for a bit of laughs, but, with the exception of Lucy Punch (whose over-the-top hooker doesn't fit in at all with the rest of the character landscape of the flick but at least supplies the film's few moments of humor), there's nary a chortle to be had here.

I can take or leave Woody Allen's films (and I'd mostly leave them), but I keep watching his newer ventures (without delving into many of his earlier, more well regarded works for some reason) realizing that every now and then there's a diamond in the rough (example).  Not here.  It seems like the actors were well aware of this drab script because (with the exception of the previously mentioned Lucy Punch) none of them brought their A-game...although Allen certainly didn't bring his best to the table here either.

The RyMickey Rating:  D+

Movie Review - The Other Man (2008)

The Other Man
Starring Liam Neeson, Antonio Banderas, Laura Linney, and Romola Garai
Directed by Richard Eyre

I watched this little movie solely because of Liam Neeson and Laura Linney. Going into it, the only thing I knew about The Other Man was that Neeson and Linney played a married couple and, one night, Linney disappears. Neeson's character Peter soon discovers that his wife was having an affair with a sexy Spanish guy (Banderas, who I guess is the "go to" guy when the script calls for "sexy" and "Spanish" despite the fact that he's nearly fifty and he mumbles his English dialog in a nearly incomprehensible fashion). Much like his "kick-assery" in Taken, Neeson gets hellbent on undertaking a mission to kill his wife's lover.

Now, the plot for the first half is fairly straightforward, but it's boosted by an impressive turn from an angry and heartbroken Neeson. Unfortunately, about halfway through, there's a twist that comes out of nowhere and throws a kink into the whole shindig. Twists built on camera trickery and editing rather than story-driven surprises are always disappointing and it's no different here.

It's a shame, really, because it's nice to see a drama with adults acting as adults. This one just doesn't make the grade, however.

The RyMickey Rating: D+