Spider-Man: Into the Spiderverse

Spider-Man: Into the Spiderverse (2018)

Featuring the vocal talents of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Zoë Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, and Liev Schreiber

Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman

Written by Phil Lord and Rodney Rothman

***This film is currently streaming via Netflix***

Click here for my Letterboxd review

The RyMickey Rating:  B+

Movie Review - Captain Fantastic

Captain Fantastic (2016)

Starring Viggo Mortenson, George MacKay, Samantha Isler, Annalise Basso, Nicholas Hamilton, Shree Crooks, Charlie Shotwell, Kathryn Hahn, Steve Zahn, Ann Dowd, and Frank Langella

Directed by Matt Ross

***This film is currently streaming via Amazon Prime***

The inhabitants of Captain Fantastic are people with whom I would never ever want to spend any time in real life.  Self-professed hippie Ben Cash (Viggo Mortensen) has taken his six kids out of the "normalcy" of society to live on their own private family commune in the middle of the Washington wilderness where they kill their own food, learn survival skills, live out of an old school bus, and learn about left-wing philosophies.  Leslie, the matriarch of the Cash family, was recently hospitalized for bipolar disorder and at the end of the film's first act, Ben learns that his wife has committed suicide.  With the kids devastated, Ben decides to put his children on the bus and travel to his wife's parents' home where he will try and convince them to acquiesce to his wife's wishes and cremate her rather than having a church ceremony and subsequent burial.

The bus journey makes up the bulk of Captain Fantastic and while it certainly showcases the bond Ben has with his six children, it does little to make me feel that what Ben is doing is good parenting.  While I recognize that my personal opinion is neither here nor there (Lord knows as a conservative-leaning movie-lover, I'd have to hate half of what Hollywood dishes out), the film wants the audience to believe that what Ben is doing with his wilderness living is the best thing for his kids despite the fact that the film shows us several times that it's not.  The film is inherently set up for us to root for the life of Ben and the kids to remain their current status quo, but we in the audience know that's not what's best for them and by Ben being so stubborn in his ways, I found myself losing interest about halfway through.  Granted, by the conclusion of writer-director Matt Ross's film, Ben eventually realizes that he needs to adjust his kids to some semblance of normalcy in order for them to survive in the real world, but it's a bit too little too late.

Still, despite this, Captain Fantastic is moderately engaging thanks to Viggo Mortensen at its core as the genuinely caring father whose disdain for modern life has transferred fully onto his children.  As for those kids, most of them do nice work helping Mortensen to carry the piece especially young Shree Crooks as the headstrong and inquisitive youngest daughter Zaja.  Obviously your mileage may vary, but something about the motivations of the characters made it difficult for me to buy into this film despite the good performances.

The RyMickey Rating:  C

Movie Review - The Family Fang

The Family Fang (2016)

Starring Nicole Kidman, Jason Bateman, Christopher Walken, Maryann Plunkett, Jason Butler Harner, and Kathryn Hahn

Directed by Jason Bateman

Surprisingly more serious than I expected, The Family Fang is a drama with hints of dark comedy at the edges as we're introduced to the Fang family headed by patriarch Caleb (Christopher Walken in the present, Jason Butler Harner in the past) and matriarch Camille (Maryann Plunkett in the present, Kathryn Hahn in the past) who create performance art by placing the unsuspecting public in difficult situations presented by their family.  As adults, Caleb and Camille's children Baxter and Annie (Jason Bateman, Nicole Kidman) look back on their youth with disdain, feeling that their crazy parents harmed them in their adult careers as a writer and actress, respectively.  When the family is reunited after Baxter has an accident, Caleb and Camille try to unsuccessfully convince their children to help them with another piece of performance art, after which the parents decide to head off to a vacation in the Northeast...only to seemingly be involved in a horrible abduction that leaves them presumed dead.  Despite the police insistence, Baxter and Annie aren't convinced that their parents are actually dead, but rather creating an incredibly elaborate piece of performance art.

The Family Fang has a lot more depth than I expected.  Amidst the odd quirkiness which creates some truly comedic moments is a surprisingly heartfelt family drama.  The dysfunction displayed doesn't seem contrived, but instead feels natural and believable.  Sure, some of the performance art routines perpetrated by the youthful Caleb and Camille are a bit over-the-top and far-fetched, but they do a nice job in helping to build the resentment of Baxter and Annie which is wonderfully captured by the downtrodden, moderately depressed portrayals by Jason Bateman and Nicole Kidman.  The duo of Bateman and Kidman play off each other quite well and nicely balance the darkly comic and darkly dramatic sides present in director Bateman's film.  This is a big step up from Bateman's last directorial venture Bad Words and shows that the actor has definite promise behind the lens particularly in the "dramedy" genre where it's often difficult to create a well-balanced feature.  In addition to the nice performances by Kidman and Bateman, all of the actors portraying the parents are successful as well with particular kudos to Maryann Plunkett as the elder Camille who finds herself questioning in her adult life whether she's done more harm to her children than good.

The RyMickey Rating:  B

Movie Review - Bad Moms

Bad Moms (2016)

Starring Mila Kunis, Kristen Bell, Kathryn Hahn, Oona Laurence, Emjay Anthony, Annie Mumolo, Jay Hernandez, David Walton, Jada Pinkett Smith, and Christina Applegate

Directed by Jon Lucas and Scott Moore

I'm not a fan of Hangover-styled comedies where adults act raucous just because they usually can't in their normal lives so admittedly Bad Moms had an uphill battle to work for me, but with its essentially non-existent story, directors and co-writers Jon Lucas and Scott Moore have crafted one of the worst films of 2016.  Color me unsurprised upon looking at imdb.com that Lucas and Moore were the genius writers behind The Hangover and its sequels -- certainly shows that their quality of penmanship hasn't improved all that much in the past decade as they still mine for comedy in alcohol, drugs, and raunch but in the basest way possible.

The failure of Bad Moms has absolutely nothing to do with the women at its center -- a trio of moms who find their homelives in various states of disarray as their status as "Mom" has taken over all other aspects of their identity.  Mila Kunis, Kristen Bell, and Kathyrn Hahn are the reasons I stuck with this one for its entirety -- well, that and the fact that I watched it on a long car ride home from vacation and had nothing better to do.  Together, the trio are engaging and really do attempt to make the most out of a bad situation.

That bad situation, however, is simply unsaveable.  Sure, there are moments of levity -- many of them coming from Hahn's carefree, sex-crazed character -- but this film has almost no story to latch onto and its characters are so underdeveloped that it makes its 100-minute runtime feel interminable.  Were it not for the aforementioned cast -- which also includes Christina Applegate in a thankless and underdeveloped villainess role and Oona Laurence and Emjay Anthony as Kunis' kids -- there would've been no way I could've made it until the end.  Acting crazy doesn't always equal laughs as writers Lucas and Moore have more than proven looking at their resumés.  The public has spoken for some reason, though, and their style of pedestrian screenplay seemingly does the trick -- not for this reviewer, however.

The RyMickey Rating:  D-

Movie Review - The Visit

The Visit (2015)

Starring Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, and Kathryn Hahn

Directed by M. Night Shyamalan

With their father having left their mother (Kathryn Hahn) a few years ago, Becca and her younger brother Tyler (Olivia DeJonge and Ed Oxenbould) push their mom into going on a cruise with her new boyfriend.  Their mother obliges and sends Becca and Tyler to see their grandparents (Deanna Dunagan and Peter McRobbie) whom their mom hasn't spoken to in nearly twenty years following a fight after which she ran away.  Recognizing the need for possible reconciliation and at the wishes of their grandparents who recently attempted to communicate with their daughter again, Becca and Tyler  head off only to discover that Nana and Pop Pop exhibit some disturbing behavior that may be hiding some dark secrets.

Told in a documentary style of filmmaking -- Becca is a budding filmmaker who wants a recording of her familial history -- M. Night Shyamalan's The Visit builds its tension at a gradual level, but is a bit too full of holes and contrivances (to suit the first-person style of direction) to fully succeed.  That doesn't mean The Visit isn't moderately successful...because it is.  A huge part of the success is the solid acting of Olivia DeJonge and Ed Oxenbould who admittedly aren't given much depth with which to act, but at least carry the film with aplomb.

While it's true Shyamalan fell off the wagon, I never was willing to give up on the director because I always felt -- even in his truly worst films -- there were slight glimmers of promise.  I'm hoping The Visit is a step back in the right direction for him (even if it isn't perfect) and we can see more from this suspense-driven auteur in the near future.

The RyMickey Rating:  C+

Movie Review - Tomorrowland

Tomorrowland (2015)

Starring George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key, Thomas Robinson, Pierce Gagnon, and Judy Greer

Directed by Brad Bird

As a devoted Disney fan, it pains me to say that Tomorrowland is a big piece of trash.  As the first hour of the Brad Bird directed and co-written film came and went, I found myself asking the question out loud, "What is the story here?"  Seriously, an hour in, I felt like I was still sitting through an incredibly repetitive expositional phase with the film aimlessly meandering, completely failing to progress its story in any way.  Not a good start to an ambitious film that I wanted to like (in part because it's an original cinematic idea in a sea of big budget sequels), but found truly disappointing.

The film begins with a young boy named Frank (Thomas Robinson) showcasing his jetpack invention to an unimpressed judge (Hugh Laurie) at the 1964 World's Fair.  However, a young girl named Athena (Raffey Cassidy) sees potential in Frank, gives him a special orange and blue pin, and tells him to follow her onto the It's a Small World ride at the fair.  Frank obliges and, thanks to the pin that is scanned while on the ride, the young boy is transported to a futuristic city called Tomorrowland.

Cut to present day and teenage activist and optimist Casey (Britt Robertson) is arrested for attempting to stop the dismantling of NASA's Cape Canaveral space shuttle launching bay.  When she picks up her belongings from her short hours-long stint in jail, she sees the same pin orange and blue pin that transported young Frank to Tomorrowland.  When she grabs the pin, Casey is instantly taken to the futuristic land, but when she tries to show her father (Tim McGraw) the pin's magic, she realizes that no one but she can travel to Tomorrowland.  Completely confused by the pin which has now lost its battery life and refuses to work, Casey goes on a journey to try and find out about the pin which causes her to meet up with Athena and curmudgeonly Frank (now played as an adult by George Clooney) who wants nothing to do with Tomorrowland after he was banished decades ago for challenging the authorities there.

As I type this summary out, I actually find myself intrigued by the premise...unfortunately, that aforementioned story stretches itself out over nearly seventy minutes, repeating itself over and over again with extended sequences that showcase some decent special effects, but do nothing to progress the story.  It also doesn't help that in the final act, the denouement feels silly and too "up with people" to really have any impact.  As Casey and Frank try and figure out how to use Tomorrowland to their advantage, I found their ramblings incomprehensible -- although, admittedly, I had checked out at that point and my lack of interest most likely led to the unintelligible aspects of the plot.  Brad Bird and his co-writers Damon Lindelof and Jeff Jensen really dropped the ball with this one.  There was maybe potential for a franchise here (and Clooney and Robertson are both game and by far the best parts of the movie), but Tomorrowland is really a painfully awful big budget flick.

The RyMickey Rating:  D-

Movie Review - This Is Where I Leave You

This Is Where I Leave You (2014)

Starring Jason Bateman, Tina Fey, Adam Driver, Rose Byrne, Corey Stall, Kathryn Hahn, Connie Britton, Timothy Olyphant, Dax Shepard, Debra Monk, Abigail Spencer, and Jane Fonda

Directed by Shawn Levy

When their father dies, the Altman family -- siblings Judd, Wendy, Paul, and Philip and their mother Hillary (Jason Bateman, Tina Fey, Corey Stall, Adam Driver, and Jane Fonda -- gather together at their childhood home to sit shiva (a seven day Jewish period of mourning) in honor of their dad.  Old sibling rivalries and current spousal struggles rear their ugly heads as the Altmans learn to cope with their patriarch's death.

A completely believable familial banter isn't as easy to come by in films as one would think and the repartee that Bateman, Fey, Stall, and Driver have with one another in This Is Where I Leave You feels genuine.  While Fonda's role is a little over the top, I appreciated that her eccentricities appeared to have at least influenced her grown children's emotional states, helping to further craft authentic characters.  Solid performances by Rose Byrne, Kathryn Hahn, Connie Britton, and Abigail Spencer add to the great cast.

While I would've liked to have had a bit more heart imbued into the flick, I still found myself engaged and interested in each sibling's highs and lows.  This Is Where I Leave You admittedly treads similar paths of typical familial dramedies, but with a stellar cast, director Shawn Levy's flick proves to be a nicely paced, pleasant sleeper that surprisingly balances its myriad of story lines with ease -- some prove a little more successful than others (and a particularly out-of-left-field "surprise" at the film's conclusion seems simply added for shock effect), but the overall result is quite successful.  

The RyMickey Rating:  B

Movie Review - Bad Words

Bad Words (2014)

Starring Jason Bateman, Kathryn Hahn, Rohan Chand, Ben Falcone, Philip Baker Hall, and Allison Janney

Directed by Jason Bateman

When fortysomething Guy Trilby (Jason Bateman) walks into a local school spelling bee, enters the contest through a loophole in the organization's rules, and wins thereby sending him to the finals in Washington, D.C., his actions cause a little bit of an uproar and don't sit well with the chairwoman of the competition Dr. Bernice Deagan (Allison Janney).  While in the nation's capital, Guy takes the young Chaitanya Chopra (Rohan Chand) under his wing, showing the young aspiring spelling bee champion the seedy underbelly of some people's adulthood -- think alcohol, prostitutes, and fast cars. While Guy thinks that his corruption of Chaitanya will help him succeed in the competition, young Chaitanya ends up finding Guy's friendship endearing.

Jason Bateman's directorial debut Bad Words is an amusing flick, though its characters are certainly less than likable.  In and of itself, that's not a bad thing, but the film chickens out a bit at the end by attempting to give Guy a bit of a heart which unfortunately stands in stark contrast to his demeanor in the film's first two acts.

Bateman (as a director and as an actor) is at his best in his scenes with the young Rohan Chand (who certainly brings the necessary amount of charm to counter Bateman's character's snark) and these moments definitely elevate the film beyond the average.  Unfortunately, this sense of comedic timing and witty repartee doesn't manifest itself in scenes with any other characters.  Therefore, the film falls a bit flat when focusing on Guy's backstory (why he took on and spited the national spelling bee) and his relationship with a roving reporter (played by Kathryn Hahn whom I usually like, but found her character here to bring the film to a halt through no fault of her own).  Bad Words works at times, but isn't as fully realized as it could be.

The RyMickey Rating:  C+

Movie Review - We're the Millers

We're the Millers (2013)

Starring Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter, Ed Helms, Nick Offerman, and Kathryn Hahn 

Directed by Rawson Marshall Thurber

Jennifer.  Aniston.  Striptease.

I could simply leave this review at that, but I guess I'll continue by saying in addition to that sultry dance performed by one of my celebrity crushes, We're the Millers provides enough laughs that even if a nearly naked, seductively gyrating Jennifer Aniston doesn't float your boat, you'll still probably have a good time.  Thanks to a game cast who milk the comedy bits for all they're worth, We're the Millers successfully brings the raunch while also giving us characters and a story that hold our attention.

Jason Sudeikis is David Clark, a pot dealer who ends up losing his stash of weed and a significant amount of dough when an attempt to save a homeless girl being attacked by a bunch of street thugs goes awry.  This doesn't sit well with David's boss (Ed Helms) who forces David to head to Mexico and smuggle into the states a significant amount of marijuana without getting caught at the border.  With seemingly no feasible way to smuggle in the pot on his own, David concocts a plan to rent an RV and make up a fake family, acting as if they're taking a trip to Mexico for recreational purposes hoping that the border agents won't possibly think anything is out of the ordinary when they try and get back into the States.  To achieve this task, he enlists his down-on-her-luck stripper neighbor Rose (Jennifer Aniston) to play his wife, the aforementioned homeless girl Casey (Emma Roberts) to play his daughter, and his virginal downstairs neighbor Kenny (Will Poulter) to be his son.  Along the way, this fake family (known as the Millers) runs into drug kingpins and crazy RV enthusiasts (the latter played by Nick Offerman and Kathryn Hahn) in their attempt to bring an humongous stash of pot over the US border.

While certainly raunchy, We're the Millers does have a bit of heart although it never goes too far over that sentimental edge which works in its favor.  As mentioned above, the entire cast works quite well together with nary a bad apple in the bunch which was a welcome surprise.  Watching a film like this in the comfort of your own home alone can oftentimes ruin its ability to succeed because you don't have the rapturous laughter of an audience around you, but We're the Millers made me laugh out loud enough to deem it a success.

The RyMickey Rating:  B

Movie Review - The Secret Life of Walter Mitty

The Secret Life of Walter Mitty (2013)

Starring Ben Stiller, Kristen Wiig, Adam Scott, Kathryn Hahn, Shirley MacLaine, and Sean Penn

Directed by Ben Stiller

There's a lot to admire about Ben Stiller's directorial effort The Secret Life of Walter Mitty in which the daydreaming title character -- a photography manager at Life magazine -- ponders all kinds of fantastical adventures that showcase his imaginative romantic and heroic sides.  However, once the unique direction and pleasant acting are pushed aside, you're left with a film that admittedly has a lot of heart, but very little story and substance.  While the technical achievements and unique execution of the film are stellar, I found myself wishing that the film was about twenty minutes shorter which would've certainly condensed the simplistic story down to a length that would've been more successful.

At the film's outset, Walter Mitty (Ben Stiller) has just discovered that Life magazine is shutting down its print edition and many of its employees will be given the pink slip by incoming transitional manager Ted Hendricks (Adam Scott).  When Life's premiere photographer Sean O'Connell (Sean Penn) sends Walter a new set of photos, he also includes a letter (which he also forwards to Life's bosses) stating that Picture #25 exemplifies the "Quintessence of Life" (or perhaps the "Quintessence of Life") and should be given prominent placement on the cover of the magazine's final print issue.  The problem -- Walter never actually received Picture #25 or, if he did, he seems to have misplaced it.  Obviously, with his job on the line, he can't reveal this to Ted who wants to see the picture ASAP.  So, with the help of his crush Cheryl (Kristen Wiig), Walter sets out to find where exactly the elusive Sean O'Connell is located in order to try and track down Picture #25.

As previously mentioned, Walter is a huge daydreamer and prior to heading out on his mission to find Sean, his simplistic and lackadaisical life is only ever brightened by the vivid imaginative creations in his mind.  These fantasies are cleverly realized by director Stiller although they begin to wear thin prior to Walter setting out on his trek.  Once on his journey, Walter's daydreams nearly become realities as he's forced to find bravery in himself that he never knew he possessed.  While that message came through loud and clear -- and I found it refreshingly simplistic yet surprisingly grown-up for a PG-rated film -- the outrageousness of certain aspects of the plot dragged down Walter's tale.  His journey to become more courageous, outspoken, and self-assured didn't resonate as much as I would have liked.

As an actor, Stiller is fine (although I think part of the aforementioned lack of resonance does stem a little bit from the fact that he makes his character's emotional journey seem a little too obvious), but the real star is Kristen Wiig who is utterly charming as Walter's crush Cheryl.  Anytime she was on the screen, I found myself smiling and truly rooting for Walter to succeed.

The RyMickey Rating:  B-

Movie Review - Our Idiot Brother

Our Idiot Brother (2011)

Starring Paul Rudd, Elizabeth Banks, Emily Mortimer, Zooey Deschanel, Rashida Jones, Kathryn Hahn, and Steve Coogan

Directed by Jesse Peretz

I'm fairly certain that Our Idiot Brother was supposed to be a comedy.  I mean, there were moments where I probably should have laughed at the sweet, yet entirely too innocent and trusting Ned (Paul Rudd) whose hippie vibe was lovable and charming, but the flick simply didn't elicit chuckles (with the exception of one very odd threesome scene and a game of charades that admittedly cracked me up).  Instead, Our Idiot Brother places a huge focus on Ned's three sisters -- workaholic Miranda (Elizabeth Banks), quirky lesbian Natalie (Zooey Deschanel), and stay-at-home mom Liz (Emily Mortimer) -- none of whom are ladies I'd like to spend any bit of time with.  

The whole affair just plays like some sitcom, jumping back and forth amongst Ned and his trio of sisters whose troubles reach soap opera levels of absurdity at times.  Unfortunately, these problems should have made me give a damn about these characters, but instead they just made me upset that these ladies were such idiots -- for, you see, the absurdity of the flick is that the supposedly sane sisters are perhaps the ones who are more foolish than Ned the Kooky Simpleton.

Despite a game Paul Rudd whose kind Jesus-y hipster Ned is amusing (and is the only thing that saves the flick from being a complete and utter failure), Our Idiot Brother just doesn't ever feel rooted in reality at any point.  Characters are too one-dimensional, predicaments are resolved way too quickly and cleanly, and the final scene was nearly disgustingly treacly.

The RyMickey Rating:  D+

Movie Review - The Goods: Live Hard, Sell Hard (2009)

Starring Jeremy Piven, Ving Rhames, Kathryn Hahn, James Brolin, Ed Helms, David Koechner, Jordana Spiro, Ken Jeong, and Alan Thicke(!)

Directed by Neil Brennen

I laughed surprisingly more than I thought I was going to during The Goods. Sure, Jeremy Piven is a prick (I don't think he was playing a character other than himself), but he was pretty damn funny as was his team of car salesmen (and woman -- the humorous Kathryn Hahn, who was so good in the serious Revolutionary Road) who travel to a small town in order to help James Brolin save his faltering car dealership.

There's really not much else here to discuss as there's no story other than what I wrote above. Similarly to this summer's The Hangover (which I didn't really care for either), this movie had me laughing for the first forty minutes or so, and then it kind of fell flat. That being said, I do think that I laughed more in this than during The Hangover and I liked the actors in this quite a bit more. I know everyone loved that raunchy Vegas movie back in June, but I'm gonna give this one a rating that's a half point higher.

The RyMickey Rating: C-