The Passion of the Christ

The Passion of the Christ (2004)

Starring Jim Caviezel, Maia Morgenstern, Christo Jivkov, Francesco De Vito, Mattia Sbragia, Luca Lionello, and Monica Bellucci

Directed by Mel Gibson

Written by Mel Gibson and Benedict Fitzgerald

Click here for my Letterboxd review

The RyMickey Rating: B

Movie Review - Spectre

Spectre (2015)

Starring Daniel Craig, Christoph Waltz, Léa Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Rory Kinnear, Andrew Scott, Monica Bellucci, and Ralph Fiennes

Directed by Sam Mendes

While Spectre never hits the exciting levels of Skyfall, nor reaches (or even really tries for) the emotional peaks that its Sam Mendes-directed predecessor achieved, Mendes' return to the James Bond series is still a solid entry into the Daniel Craig-era of the super spy pics.  Whereas Skyfall was a character-driven piece that focused not only on Bond, but also the people and fellow agents closest to him, Spectre places the emphasis squarely back on the suave, debonair, and kick-ass British agent. Here Bond receives a message from someone in his past who tells him that a large heretofore unknown organization named SPECTRE is up to some sinisterly deviant deeds.  With the '00' sub-sector of the British Intelligence Agency under attack by "C" (Andrew Scott), "M" (Ralph Fiennes) is forced to allow Bond to try and uncover SPECTRE on his own without the aid of those who've helped him in the past.

Spectre works in nearly all aspects, but its ultimate "problem" is that it's not as good as Skyfall in any facet -- action scenes, emotional scenes, villain, character interaction, title song.  That's not to say that any of those aforementioned qualities are bad in any way, but Skyfall was so good that nothing quite reaches its levels in Spectre.

Still, what Sam Mendes brings to the Bond table is something that most action franchises would kill to have in their repertoire -- a director who understands how to capably film action sequences in a way that adds excitement while also allowing the audience to completely understand the visuals of high intensity quick-motion sequences.  The opening scene of Spectre as an example showcases Mendes' talent -- we get a very long single take shot that obviously adds to the tension (impressive in and of itself), followed by an explosion, and ending with a stellar sequence shot in a helicopter that had me hankering for more when it was finished.  Throughout this entire opening scene (which must have lasted close to fifteen minutes), Mendes displays a variety of different techniques in making an action scene work -- one of which being a slow burn followed by intensity -- all the while making every single obviously implausible aspect seem totally believable and absolutely comprehensible to the viewer.  Just try watching a Transformers movie or even The Avengers (I know, sacrilege to say such a thing about the latter) and really tell me if you can comprehend every single moment of every single action sequence.  Mendes has really elevated the entire genre with his two Bond films and considering this wasn't even the type of film he was known for helming prior to this, it's even more of a coup for him.

I, for one, will miss Daniel Craig as James Bond should Spectre be his last film, but I must admit that Daniel Craig is the only James Bond I've ever known as I've yet to watch any other Bond flick.  Still, Craig brings a debonair demeanor that seemingly masks a darker side of Bond which we've come to discover over these last two films in particular.  His Bond has been given a lot of depth beyond being just another ladies' man and while credit is certainly due to the writers for exploring this aspect of the well-known character, credit must also be given to Craig himself.

Still, the film doesn't quite achieve the levels of Skyfall -- the villain Blofeld played by Christoph Waltz is one of the larger reasons for this.  Waltz is playing the exact same character we've seen him play in seemingly every other movie he's been in over the past eight years since he really popped onto the scene.  Calmly maniacal, I'm tiring of his same-old schtick and while it's not necessarily his fault that his character is so squarely in his wheelhouse, it is his fault for not expanding his own wheelhouse.  The lack of Judi Dench here also is a bit of a detriment (but one that we're going to have to get used to) and the film doesn't help this loss much having Bond be separated from the new M, Miss Moneypenny (Naomie Harris), and Q (Ben Whishaw) for long periods of time, missing the witty repartee Bond has had with these characters in the past.  (Seriously, the next film needs to expand Naomie Harris' role...please...she shows such potential and she's nearly wasted with nothing to show.)  However, Spectre is a solid action picture and one that shows that the Bond franchise is still alive and kicking.

The RyMickey Rating:  B

Movie Review - The Whistleblower

The Whistleblower (2011)

Starring Rachel Weisz, Monica Bellucci, David Strathairn, and Vanessa Redgrave

Directed by Larysa Kondracki

Based on a true story, The Whistleblower explores the United Nations cover-up of sex trafficking crimes in post-war Bosnia through the eyes of a Nebraska cop named Kathy Bolkovac (Rachel Weisz) who took a job to help police the war-ravaged area.  For a film that essentially has no more story than that, I was rather surprised that the film, despite its nearly two hour run time, didn't drag.  In fact, it's actually quite a plus that the flick moves along at such a good pace.

Unfortunately, I couldn't shake the fact that the movie which highlights the lack of women's rights in Bosnia would have found a better home on Lifetime rather than in a movie theater.  Granted, it's got a decent performance from Rachel Weisz as the headstrong Bolkovac, but Weisz can't escape the fact that her character is so typical of movies like this -- strong female in a male-dominated working environment finds herself being harshly derided by her colleagues.  It's this aspect of failing to create anything beyond a stereotype for the character of Bolkovac (and her male co-workers) that makes the movie feel less worthy to be a theatrical release.

Then again, I'm critiquing The Whistleblower, but I found myself enjoying it quite a bit.  Admittedly, I wasn't expecting much, but it certainly was an interesting watch.  I just couldn't help but think it could've been much better with a little more depth in the main characters.

The RyMickey Rating:  B-

Movie Review - The Sorcerer's Apprentice (2010)

The Sorcerer's Apprentice (2010)

Starring Nicolas Cage, Jay Baruchel, Alfred Molina, Teresa Palmer, and Monica Bellucci

Directed by Jon Turteltaub

Putting "From the director and producer of National Treasure" on your movie poster is not a selling point for me.  Yes, that movie raked in quite a bit of dough and produced a sequel, but it seemed like a low-rent Indiana Jones for this reviewer.  Add to that, "starring Nicolas Cage" often makes me run in the other direction.

Let's just say I was very pleasantly surprised with Disney's The Sorcerer's Apprentice which has much of what I want in a summer movie -- action, cool special effects, and some light humor.  Throw in a tiny bit of a romance and a shockingly amusing turn from Nic Cage himself and this is a sleeper hit for me (unfortunately, I don't see it doing boffo box office, though).

In 740 AD, sorcerer Merlin and his three assistants are desperately trying to battle Morgana Lafey as she attempts to use her powers to bring ruin to mankind.  While they were successful in trapping Morgana in what is essentially a Russian nesting doll (it's given a much niftier name in the film that has slipped my mind), it is not without casualty.  One of Merlin's assistants, the beautiful Veronica (Belucci) is trapped inside the doll with Morgana while another of his associates, Horvath (Molina), betrays and kills his mentor.  This leaves Balthazar (Cage) as the one good sorcerer left and he spends hundreds of years trapping the evil magicians in successively larger dolls surrounding Morgana.  Merlin's dying wish to Balthazar was that he find a true descendant of Merlin who can carry on the Merlinian bloodline and fight to contain the evil Morgana.

All that is told in a rather silly five minute narrative opening that had me questioning the tone of the film. It seemed to be taking itself unnecessarily seriously and it didn't bode well for things to come.  Fortunately, I was wrong.  Cut to nearly 1300 years later and a young school kid named David finds himself through a twist of fate entering a shop owned by Balthazar.  The sorcerer doesn't quite believe in coincidence and soon discovers that David could very well be Merlin's descendent and, eventually, takes him on as his apprentice.

The Sorcerer's Apprentice isn't a work of art.  There are certainly a few flaws here and there, but it was one heckuva enjoyable two hours.  Nic Cage is really great as the quirky oddball Balthazar and he and young Jay Baruchel make quite a duo.  They play off each other amazingly well and are really what make this film rise above typical summer fare.  Alfred Molina is a pretty sinister villain for a PG-rated fantasy flick.  On a completely different end of the spectrum, the gorgeous Teresa Palmer as David's love interest Becky is actually used to good effect here (there's a scene in particular where physics geek David takes her to his lab that is near perfect in terms of capturing the excitement of that "moment" of falling in love).

The film reminds me of the way I felt when I watched The Neverending Story, Jumanji, Little Monsters (oh, Fred Savage),  or even those "classic" Disney live actioners like Escape to Witch Mountain as a kid. These may not be perfect films, but they carry a sense of nostalgia.  There's nothing (except for maybe some special effects) that make it seem like The Sorcerer's Apprentice couldn't have been made in my 1980s youth.  There's no language, no sex, no overt violence...and while that may not appeal to everyone reading this, the innocence of it all conjured up the nostaligia factor and sometimes that's a fun thing to feel when watching a movie.

I, for one, am actually looking forward to seeing this one again.

The RyMickey Rating:  B