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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label mark rylance. Show all posts
Showing posts with label mark rylance. Show all posts

Thursday, March 17, 2022

Don't Look Up

Don't Look Up (2021)
Starring Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Melanie Lynsky, Cate Blanchett, and Meryl Streep
Directed by Adam McKay
Written by Adam McKay


Click here for my Letterboxd rating

The RyMickey Rating:  C+

Saturday, February 23, 2019

Ready Player One

Ready Player One (2018)
Starring Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg, and Mark Rylance
Directed by Steven Spielberg
Written by Zak Penn and Ernest Cline



The RyMickey Rating: D+


Thursday, March 01, 2018

Dunkirk

Dunkirk (2017)
Starring Fionn Whitehead, Mark Rylance, Tom Hardy, Tom Glynn-Carney, Barry Keoghan, Jack Lowden, Harry Styles, Aneurin Barnard, James D'Arcy, Cillian Murphy, and Kenneth Branagh
Directed by Christopher Nolan
Written by Christopher Nolan


Summary (in 500 words or less):  A look at the land, sea, and air military actions taking place in Dunkirk, France, during an epic battle during WWII between the Allied and Nazi forces.


  • There's a visceral excitement to Dunkirk as director-writer Christopher Nolan drops the viewers right into the action from the film's outset leaving behind backstories about characters and instead focusing the flick's entire 100-minute runtime on the action taking place as Allied troops retreat to coastal Dunkirk, France, while they await to be rescued as the Germans close in on them.
  • The fact that Nolan isn't really in the running for the Best Director Oscar (despite being nominated) is shocking to me.  While it's true Nolan's film isn't so much about characters, what he's done here visually and cinematically is stunning. 
  • The men on the beaches of Dunkirk fought together and died together and Nolan's desire to treat them as a mass of men instead of singular individuals is an interesting concept.  While it's not something we're used to as a cinematic audience, the film still manages to carry emotional weight which is a triumph.
  • Nolan puzzle pieces the land, sea, and air battles together, eschewing a linear timeline which does at times prove a bit confusing, but in the end works as the pieces fit together and we see the whole picture he was trying to create.
  • Ultimately, the film doesn't quite succeed at showcasing the MASSIVE battle and rescue attempt that happened at Dunkirk -- in fact, fellow Oscar nominee Darkest Hour did a better job at that -- but Nolan's film is still a great visceral piece of cinema...and this is coming from someone who thinks Nolan has been a bit overrated prior to this.
The RyMickey Rating:  B+

Sunday, July 03, 2016

Movie Review - The Gunman

The Gunman (2015)
Starring Sean Penn, Ray Winstone, Mark Rylance, Jasmine Trinca, Idris Elba, and Javier Bardem
Directed by Pierre Morel
***This film is currently streaming on Netflix***

While not as awful as the poor reviews made it out to be, the biggest flaw of The Gunman is that it lacks originality.  After initially attempting to play out like an environmental/sociopolitical message movie (and seeing that it was co-written by Sean Penn, that's not a big surprise), the film thankfully shifts to an all-out action piece.  While that change of pace is certainly welcome (because the preachy heaviness of the film's opening minutes isn't amusing in the slightest), it's also the center of the flick's problem.  Director Pierre Morel also helmed Taken, and The Gunman feels like that film's sibling as an older man seeks revenge against people who are out to take him down.

Sean Penn is Terrier who in 2006 was a member of a assassination team who killed Congo's Minister of Mining and then is forced to go into hiding to prevent his identity from being revealed.  (The mining aspect is where the political and environmental concepts rear their heads, but that's fortunately abandoned rather quickly.)  Eight years later, Terrier is working for an African mining company when a group of vigilantes arrives at his worksite intent on killing him.  Terrier escapes, but must set out to find who wants him dead and why they've waited so long to do him in.

Surprisingly, Penn is capable of being the action star, bringing a bit of inward turmoil to Terrier that we don't often see in flicks like this.  That said, the character doesn't quite feel as developed as he should be.  Sure, he's given some odd quirks and a dire medical diagnosis that he must overcome, but I lacked a connection to his plight that could've come from a bit more deepening of the character.  The action sequences are well shot and well-paced, but I began to lose interest in the film's final act which is never a good sign for a film in this genre.  The supporting cast -- Ray Winstone, Javier Bardem, Mark Rylance -- is solid and certainly add to the quality of the film, but in the end The Gunman doesn't quite develop into the piece it could've been.

The RyMickey Rating:  C

Friday, November 27, 2015

Movie Review - Bridge of Spies

Bridge of Spies (2015)
Starring Tom Hanks, Mark Rylance, Amy Ryan, Alan Alda, Austin Stowell, Will Rogers, and Jesse Plemons 
Directed by Steven Spielberg

Bridge of Spies is two movies for the price of one -- unfortunately, only one of those movies is really compelling.  Despite decent direction from Steven Spielberg (that isn't without its faults) and a nice performance from Tom Hanks, Bridge of Spies works for its first half, but falters a bit during its second half with a story that becomes a bit repetitive and proves to be not quite as intriguing as it thinks it is.

Based on a true story, Hanks is James B. Donovan, an insurance lawyer, who is asked by the US government to defend Rudolf Abel (Mark Rylance), a man accused of being a KGB spy.  Despite the disapproval of Donovan's own firm, judges, and the public, Donovan believes that he owes Abel the best defense possible.  In the film's successful first half, we see the intricacies of law as Donovan tries to maneuver his way around all the barriers to a fair trial set up against him.  The film falters a bit as it proceeds, however, when Donovan is then chosen by the government to head to a newly formed and very volatile East Germany in order to negotiate with both the Germans and the Russians to formulate a trade to bring back both a young US Air Force pilot (Austin Stowell) being held as a spy whose plane crashed in the USSR and a young US graduate student (Will Rogers) captured by the Germans who fear the kid was attempting to harm their communist agenda.  While these aspects seem compelling in print, the film doesn't do the best job at integrating the two "Prisoner of War" stories into the overall plot and, quite frankly, the negotiations simply aren't as interesting to watch as Donovan's struggles with the US judicial system.  While I recognize the appeal of including both halves of the story -- and they do connect with one another in an absolutely logical way -- the halves just aren't equal to one another in terms of quality of plot and the fact that the better half is first ends the movie on more of a down note.

Granted, that isn't to say that the second half is unwatchable, but it does come as a disappointment because the first half is surprisingly compelling thanks in large part to Tom Hanks' performance as Donovan.  Hanks has had a bit of a career renaissance as of late and it's good to see him back in top form.  While I don't think the role of Donovan was a particularly tricky one to play, it proves that Hanks is still the go-to guy to play the "everyman" -- we're fully taken in by his struggles and are right there with him as he fights to do his job to the best of his ability and protect his family from the slings and arrows being thrown his way by the American public who aren't fans of his defending a purported spy.  Mark Rylance is also good as spy Rudolf Abel, but the Oscar buzz surrounding him is a bit confounding to me.  While he plays Abel as a completely different spy than we're used to seeing -- which was unique and admittedly refreshing -- I never felt as though his character had much of an arc to go through and because of this there wasn't a lot that he could really dig his teeth into story wise.

Bridge of Spies is certainly solid, but it's really just a mid-level Spielberg flick.  The director nicely balances a surprisingly light-hearted tone throughout the piece (likely thanks in part to a script co-written by the Coen Brothers), but he too often tosses in some obvious symbolic references that are eye-rolling as opposed to powerful -- as an example, as some Germans attempt to cross the Berlin Wall, they are shot; thirty minutes later in the film, Spielberg shows American kids freely climbing over a fence between houses in New York.  Cue the groan-inducing eye roll or the obviousness of that visual allegory.  Still, overall the film works, is worth seeing, and depicts an interesting true story from our past.

The RyMickey Rating:  B-