Iron Man 2

 Iron Man 2 (2010)

Starring Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johannson, Sam Rockwell, Paul Bettany (voice), and Mickey Rourke

Directed by Jon Favreau

Written by Justin Theroux

Click here for my Letterboxd review

Click here for my prior RyMickey's Ramblings review

The RyMickey Rating:  B-

Trolls World Tour

 Trolls World Tour (2020

Featuring the vocal talents of Anna Kendrick, Justin Timberlake, Rachel Bloom, James Corden, Ron Funches, Kelly Clarkson, Anderson .Paak, Sam Rockwell, George Clinton, and Mary J. Blige

Directed by Walt Dohrn

Written by Jonathan Aibel, Glenn Berger, Elizabeth Tippett, Maya Forbes, and Wallace Wolodarsky

Click here for my Letterboxd review

The RyMickey Rating: D+

The One and Only Ivan

The One and Only Ivan (2020)

Starring Bryan Cranston, Ramón Rodríguez, and Ariana Greenblatt

And the vocal talents of Sam Rockwell, Angelina Jolie, Danny DeVito, and Helen Mirren

Directed by Thea Sharrock

Written by Mike White

Click here for my Letterboxd review

The RyMickey Rating:  B

Richard Jewell

Richard Jewell (2019)

Starring Paul Walter Hauser, Sam Rockwell, Jon Hamm, Olivia Wilde, Nina Arianda, Ian Gomez, and Kathy Bates

Directed by Clint Eastwood

Written by Billy Ray

Click here for my Letterboxd review

The RyMickey Rating: B+

Jojo Rabbit

Jojo Rabbit (2019)

Starring Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Rebel Wilson, Stephen Merchant, Alfie Allen, Sam Rockwell, and Scarlett Johansson

Directed by Taika Waititi

Written by Taika Waititi

Click here for my Letterboxd review

The RyMickey Rating:  A-

Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri (2017)

Starring Frances McDormand, Sam Rockwell, Woody Harrelson, Caleb Landry Jones, Lucas Hedges, Abbie Cornish, Zeljko Ivanek, Peter Dinklage, and John Hawkes

Directed by Martin McDonagh

Written by Martin McDonagh

Summary (in 500 words or less):  Following her daughter's unsolved rape and murder, Mildred (Frances McDormand) buys advertising space on three billboards questioning the effectiveness of the local police force headed by the sure-fototed Sheriff Willoughby (Woody Harrelson) and the off-the-hinges officer Jason Dixon (Sam Rockwell). 

• Quite frankly, this is one of the worst movies I've seen in a while.  Very little of what happens in this film feels even remotely believable which, in a sci-fi film would be one thing, but in dramedy set in a realistic setting simply doesn't work.  
• I've seen a few plays and movies by Martin McDonagh and his blend of dark comedy and drama usually strikes a nice balance, but here the script's comedic moments feel ludicrous and its dramatic moments fail to resonate in the slightest.
• McDonagh throws the kitchen sink in to this one -- racist cops, foul-mouthed mothers, jokes about Catholic priests and midgets -- hoping something will stick, but nothing does.
• Frances McDormand is okay, but I feel like I've seen her do this before.  She could play this role in her sleep.  Sam Rockwell (who, like McDormand, seems poised to win an Oscar for this role) lacks nuance, with his character experiencing a change of heart that feels unwarranted.
• Characters do horrible things to others in this film with little repercussion which might've worked fine in In Bruges or Seven Psychopaths (other McDonagh films), but they weren't nearly as based in reality as this film is and when these characters fail to be punished for things, it irritated me immensely.
• In short form (as I'm writing all my "reviews" now), my reasons for my utter hatred of this movie aren't fully described, but rest assured this movie is completely undeserving of the praise bestowed upon it.

The RyMickey Rating:  D

Movie Review - Poltergeist

Poltergeist (2015)

Starring Sam Rockwell, Rosemarie Dewitt, Kyle Catlett, Kennedi Clements, Saxon Sharbino, Jared Harris, and Jane Adams

Directed by Gil Kenan

I know full well that it's not the least bit cool to say this, but I actually found this 2015 remake of Poltergeist surprisingly tense and much better than I expected it to be.  It's surely not without its share of story problems, but director Gil Kenan does his job of creating an atmosphere that keeps the audience always a bit nervous for the ominous outcome.

Much like the 1982 original (which, I must admit, I don't particularly hold any fawning affection towards), this remake focuses on a family relocating only to discover that their home was built upon an ancient Indian burial ground.  When the ghosts lure the family's young daughter Madison (Kennedi Clements) into their world, mom Amy, dad Eric, and older brother and sister Griffin and Kendra (Rosemarie Dewitt, Sam Rockwell, Kyle Catlett, and Saxon Sharbino, respectively) do all that they can to get the youngest member of their family back into the real world.

At its heart, the story of Poltergeist is successfully realized here, but attempts at adding modern updates -- cell phones, camera drones -- conjure up nothing but laughs as they are utilized to try and further the story.  Despite these moments of silliness (and a severely underwritten and overly exaggerated performance by the family's teenage daughter), the film still creates a foreboding environment thanks to the direction (which, like the original, eschews gore in favor of atmospheric creepiness) and a game cast led by Sam Rockwell and Rosemarie Dewitt who definitely elevate this horror flick.  As mentioned, tension is present here and there were multiple moments throughout the film where I found myself on the edge of my seat which is sometimes all I can ask for from a horror flick.  Yes, it's not without a couple issues (and the question of "did the original really need to be remade" still lingers), but this reboot of Poltergeist is much better than the consensus of negative reviews would have you believe.

The RyMickey Rating:  B-

Movie Review - Laggies

Laggies (2014)

Starring Keira Knightley, Chloë Grace Moretz, Sam Rockwell, Mark Webber, Jeff Garlin, Ellie Kemper, Gretchen Mol, and Kaitlin Dever

Directed by Lynn Shelton

***This film is currently streaming on Amazon Prime***

Laggies started out so promisingly with laughs coming quite rapidly in the film's first few scenes.  However, as the tale of aimless twenty-eight year-old Megan (Keira Knightley) progressed, its humor began to cease which is a real shame because I think Knightley and Chloë Grace Moretz are giving some of their best performances in this flick.

Megan is college educated and could be a therapist should she so choose, but instead she spends her days twirling a sign outside her dad's tax prep business.  She's been with boyfriend Anthony (Mark Webber) since high school, but her general malaise is a bit off-putting to even him.  While attending her best friend's wedding, Megan runs out in a bit of a panic and heads to a local liquor store where she meets Annika (Moretz) who asks Megan to buy liquor for her and her high school friends.  Megan obliges and ends up spending the night hanging out with the teenagers, having a blast in the process as she remembers the "good old days."  When Anthony pleads with her a few days later to attend a conference that will help better herself, Megan instead meets up with Annika for the week and end up spending a lot of time together with trying to better one another's ho hum lives.

Keira Knightley is really coming into her own as of late and Laggies is no exception.  Here she completely embodies the lackadaisical Megan with her acting feeling wholly natural and completely unforced.  Moretz is also quite good, although her character is admittedly a little less developed and haw much less room to grow.  Together, the two have a nice rapport and movie certainly is aided by the two actresses.

Unfortunately, the film itself isn't quite as humorous as it would like you to think it is.  It also doesn't help that the premise itself isn't quite as believable as it would like you to think it could be either.  Would the father (Sam Rockwell) of Annika really be okay with a woman more than ten years her senior hanging out with his daughter?  And while Knightley sells the prospect of a romantic relationship with Rockwell's character, when the film begins to travel down that road it just seems a bit silly.  So, despite some really solid performances, Laggies doesn't quite work.

The RyMickey Rating:  C

Movie Review - The Way Way Back

The Way Way Back (2013)

Starring Liam James, Sam Rockwell, Toni Collette, Steve Carell, AnnaSophia Robb, Allison Janney, Maya Rudolph, Rob Corddry, Amanda Peet, Nat Faxon, and Jim Rash

Directed by Nat Faxon and Jim Rash

Fourteen year-old Duncan (Liam James) isn't too happy to be spending his summer at the New York state beach house of his mom's boyfriend Trent (Steve Carell).  First off, Trent's a bit of a dick who says and does whatever he can to try and motivate the sullen and mopey Duncan to better himself.  Second, Duncan would rather just spend time with his dad than with his mom Pam (Toni Collette).  Nevertheless, his summer plans are set and he's forced to pal around with Trent's buddies Kip and Joan (Rob Corddry and Amanda Peet) and Trent's next door neighbor Betty (Allison Janney), all of whom look to alcohol and pot as a means to relive their youth on a seemingly daily basis.  Betty, however, has a daughter named Susanna (AnnaSophia Robb) who just so happens to be Duncan's age, but the shy Duncan can't seem to fathom why any girl would care to communicate with him.

So, with his summer home life a wreck, Duncan bikes around the beach town and comes across the Water Wizz water park which he sneaks into one day before being caught by the park's owner Owen (Sam Rockwell).  Owen recognizes that Duncan seems to be a bit down on his luck and offers him a job at the water park which ends up being a life-changing, personality-enhancing experience for the teen.

The Way Way Back is a movie that, in retrospect, seems a little unrealistic in terms of its characters.  Everyone's a little too quirky or a little too humorous to be rooted in reality.  However, writer-directors Nat Faxon and Jim Rash (in their directing debuts) balance the oddness of comedic characters like Owen and Betty with the genuineness of Duncan, Trent, and Pam, creating a film that had me laughing when I was supposed to be laughing and feeling sympathy when I was supposed to be feeling sympathy.  That may seem like it should be a given, but weighing both sides of that coin isn't always an  easy task for directors -- especially first-timers.

Admittedly, the directors get better performances from their actors that fall onto the comedic side of the tale, especially a scene-stealing one from Allison Janney who had me laughing at (I think) every single line she delivered as Betty, the kooky neighbor who rarely is seen without a drink in her hand.  Sam Rockwell is also slick, smooth, and sarcastically dry humored as Owen, a character who ends up bridging both the comedic and dramatic sides of the story quite well.  This isn't to say that Liam James, Steve Carell, and Toni Collette disappoint in any way, but the film's funnier moments worked a bit better than its dramatic ones.

Overall, The Way Way Back isn't revolutionary or particularly inventive, but it's a rather sweet, funny coming-of-age tale that's enjoyable for the whole family to watch together.

The RyMickey Rating:  B

Movie Review - Seven Psychopaths

Seven Psychopaths (2012)

Starring Colin Farrell, Sam Rockwell, Abbie Cornish, Woody Harrelson, and Christopher Walken

Directed by Martin McDonagh

I'm not quite sure why Seven Psyhopaths took me two sittings nearly a week apart to make it through, but something in the opening forty minutes didn't reel me in and didn't lure me back to complete it after I had to stop watching.  Oddly enough, the same thing happened with director-writer Martin McDonagh's first film In Bruges.  I started that one, stopped after about twenty minutes, and then never went back (I know, I know, people love that one).  Admittedly, maybe I do need to give In Bruges another chance because once I finished up Seven Psychopaths, I found the whole thing a bit refreshing and, while a bit derivative of other films at the beginning, surprisingly original in how its story plays out.

Having recently seen Mr. McDonagh's work onstage in The Cripple of Inishmaan, the Irish writer certainly has an ear for witty dark humor and Seven Psychopaths certainly fits into that category.  Marty (Colin Farrell) is a struggling screenwriter toiling away at his latest endeavor about a movie containing a tale of seven psychopathic murderers (scenes of which we often see in blips as the flick progresses).  Marty's good buddy Billy (Sam Rockwell) is quite the off-the-wall wackadoo who has partnered up with Hans (Christopher Walken) to establish a dog-stealing business in which they kidnap dogs only to return them for the inevitable reward money their owners put up.  However, when Billy and Hans kidnap the dog of Los Angeles gangster Charlie (Woody Harrelson), Marty soon finds himself tangled up in the criminal underworld.

Most intriguing about Seven Psychopaths is the "meta" aspect of the whole thing that kicks in during the second half and elevates the film more than I could have imagined at the outset.  As Marty's script comes alive around him, McDonagh shifts from what was simply a "been there-done that" darkly comedic modern "gangster" film into something with a bit more depth whose twists and turns become much more interesting and plausible despite their inherent implausibility.  McDonagh jokingly (and referentially) points out his script's "flaws" creating a more elevated comedy than we're used to experiencing in a nationwide Hollywood release.

Across the board, the actors are all game with Sam Rockwell standing out mainly because his character is such a live wire that the actor is given a bit more to do.  As McDonagh's self-referential script mentions, the females here are essentially tossed aside and it makes me wonder why Abbie Cornish, former Bond girl Olga Kurylenko, and Gabourey Sidibe's roles were even written into the script in the first place.  While it's true that McDonagh recognizes this fault, I can't help but think we actually would have had a slightly stronger film here without the ladies being included.

Seven Psychopaths didn't really come alive for me until the film's second half when the "meta" aspects came front and center.  Prior to that, it felt like a rehash of other dark comedies we've seen before, but by the end I realize that this was likely McDonagh's point.  By creating something so typical, his final acts the way they are writtern are able to branch away and revel in their absurdity.  I wonder if watching it again, I might appreciate things a bit more.  Maybe I need to try to watch In Bruges again...

The RyMickey Rating:  B

Movie Review - Conviction

Conviction (2010)

Starring Hilary Swank, Sam Rockwell, Minnie Driver, Melissa Leo, Peter Gallagher, and Juliette Lewis

Directed by Tony Goldwyn

There's nothing wrong necessarily with being a by-the-books drama.  Sure, it may not win you accolades, but sometimes a movie doesn't call for tricks or surprises.  Conviction, a true life drama about a man wrongly accused of murder and the sister who vowed to free him, doesn't have any tricks up its sleeve.  Unfortunately, it also doesn't have any emotional drive up its sleeve either and that ultimately knocks what is a perfectly acceptable film down a couple of notches.

In 1980 Massachusetts, a young woman is murdered and Kenny Waters (Sam Rockwell) is taken in for questioning related to the crime.  While nothing happens for two years, in 1982, Kenny is arrested and convicted of the murder.  Knowing in her heart that her brother is innocent, Betty Anne Waters (Hilary Swank) decides to head to law school to get a degree to help her brother appeal the ruling.  Things aren't easy for her and she finds herself having to jump over many legal hurdles, but, let's be honest here, there really wouldn't be a movie if things didn't turn out for the best.

And it's that inevitability that is part of the reason there isn't a huge emotional arc in play here.  To me, director Tony Goldwyn is to blame because he fails to let the strong brother-sister bond between Betty Anne and Kenny emotionally grab the viewer.  Yes, he tries, but there was nothing there to pull me in.  Instead, I was watching a perfectly adequate drama that felt a little more distant than it should.

That criticism said, all of the actors here are quite good.  Hilary Swank is perfectly suited for the working class, slightly rough-around-the-edges Betty Anne, and Sam Rockwell plays Kenny surprisingly tenderly  with enough hints of anger to make him a possible suspect.  Minnie Driver as Betty Anne's friend, Melissa Leo as the female cop attempting to make a name for herself with Waters' case, and Juliette Lewis as a witness for the prosecution all make the most of their roles as well.

Conviction is certainly a decent drama and one that was worth watching.  It's just that it could have been better had the director somehow created a more emotionally charged relationship between all parties involved.

The RyMickey Rating:  B-

Movie Review - Iron Man 2

Iron Man 2 (2010)

Starring Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johannson, Sam Rockwell, Paul Bettany (voice), and Mickey Rourke

Directed by Jon Favreau

I watched Iron Man 2 nearly two weeks ago now and never got around to writing anything about it.  One would think that I hated it.  That's certainly not the case.  In fact, for the film's first hour, I found it very engaging and actually a bit more enjoyable than the origin story that took place in the first film.  However, as hour two rolled around, the excitement level actually dwindled and the climax was quite a letdown.  

Still, the Iron Man series is one that I'll continue to watch mainly because of Robert Downey, Jr., who puts in quite a spirited cynical, semi-sardonic turn as the billionaire Tony Stark.  The problem with the film, I guess, is that when Stark is in the Iron Man get-up, I really just want him to become the enjoyable Tony Stark again.

Supporting roles in this one were decent across-the-board.  Gwyneth Paltrow has seemingly become one of the most hated celebrities on the planet according to some blogs I read, but I'm not quite sure why.  She's decent enough and does what is required of her barely fleshed-out role.  Scarlett Johannson, Sam Rockwell, and Don Cheadle (replacing the original Iron Man's wooden Terrence Howard) are all welcome additions.  Mickey Rourke is still coasting on his Wrestler mystique and his second helping of fifteen minutes of fame is about up.  He's okay here as the Russian nemesis to Stark, but he's nothing special.

I realize this isn't much of "review," but seeing as how I haven't posted anything in nearly a week, I was kinda tiring of staring at the same thing at the top of the page.

The RyMickey Rating:  C+

Movie Review - Everybody's Fine

Everybody's Fine (2009)

Starring Robert DeNiro, Drew Barrymore, Sam Rockwell, Kate Beckinsale, and Melissa Leo 

Directed by Kirk Jones

Everybody's Fine was a big failure at the box office last holiday season, but after watching I can't understand why.  Sure, it's overly dramatic, but it's a lovely little film featuring some nice performances from all of the lead actors, particularly Robert DeNiro who has certainly slummed his way through movies in the last decade or so.

It's been a few months since Frank Goode's (DeNiro) wife has passed away and he is eagerly looking forward to a get-together with all of his grown adult children.  However, when they all bail on him, Frank decides to travel around the country and visit each one, hoping to reconnect with them and become a greater part of their lives.  

That's the story in a nutshell.  It's simple and it's kind of sweet and it surprisingly works.  Director and screenwriter Kirk Jones has crafted a really lovely film in both appearance and substance.  While he admittedly gets a tad heavy-handed towards the end, it never felt too sugary or overly sentimental.

The reason for that, in part, is the pleasant and understated performance from Mr. DeNiro.  In recent years, DeNiro has veered way over-the-top whether that be in the godawful Fockers movies, Analyze That, or pretty much anything else in his recent oeuvre.  Here, DeNiro throws aside the caricature of his former actorly self that he's been playing for the last decade and instead is simply an aging, hard-working father who misses his wife and wants to form a better relationship with his kids.  It was actually a surprising departure for DeNiro and a track I'd like to see him continue on in years to come. 

DeNiro is joined by the lovely Kate Beckinsale as his eldest daughter and Sam Rockwell as his eldest son and both of them make the most of the roles.  Beckinsale, in particular, surprised me.  Not that I've even seen the Underworld series of films, but that's what I associate her most with.  I keep forgetting that she gave a bravura performance in 2008's Nothing But the Truth (rent it...trust me), and while her performance in this flick didn't blow me away, it certainly made me remember that the lady can actually act.  [And, although the less said the better, even Drew Barrymore didn't annoy me in this as much as she usually can, although she is playing the same exact character she plays in every other movie...seriously, how is she still popular?]

I honestly watched this because it was the holiday season and I remember there being a tree on the poster...don't be fooled into thinking this is a holiday movie, however.  It's not in the slightest.  Nevertheless, despite that misleading advertising, Everybody's Fine is a flick that surpassed my middling expectations and actually won me over quite a bit with its charm.

The RyMickey Rating: B

Movie Review - G-Force 3D (2009)

Starring Bill Nighy, Will Arnett, and Zach Galifianakis

Featuring the voices of Nicolas Cage, Sam Rockwell, Penélope Cruz, Jon Favreau, Tracy Morgan, and Steve Buscemi

Written by The Wibberleys

Directed by Hoyt Yeatman

What happens when your movie, which for the first 60 minutes is ridiculously dumb and can completely be summed up in a single sentence [FBI-trained guinea pigs try to stop an "evil villain" from taking over the world], throws you an ending out of left field that actually makes sense and somehow makes the movie end on a good note? How do you rate this movie which, while still insanely childish, actually created an intelligent ending?

And then, how do you rate the movie when its 3D aspects are the best 3D you've seen at your local cineplex? How much emphasis gets placed on the surprisingly good 3D effects?

That's the conundrum I'm in right now. G-Force isn't a good movie -- I think there were five "bathroom humor" jokes within the span of five minutes and nothing will turn me off of a movie quicker than ill-placed fart jokes. However, despite the fact that the ending was guessed by someone about 45 minutes in, the "twist" is actually pretty damn ingenious...especially for a kid's movie. While the nifty ending doesn't negate the rest of the awfulness, it certainly raises the bar a little bit.

Also, like I mentioned above, the 3D effects were actually quite good. Admittedly, we changed up our seating position for this 3D movie, choosing to sit in the front rather than in the back which may have made a significant impact in how the effects worked. That being said, the producers/directors decided to do something I hadn't seen in a 3D flick before...when you watch the movie, it's as if you're watching something in a widescreen format on your television. There are black bars at the top and bottom of the film. Periodically, throughout the movie, things will pop out above and below into the black bars, creating a 3D-ish effect. It actually worked really well and, in my opinion, was rather an ingenious way of creating the 3D effect. This is the first 3D movie I wouldn't have been disappointed in had I paid for it.

Still, despite the neat ending and good 3D, the flick was below average. Guinea pigs making pop culture references are not my idea of humor (Ha! That guinea pig made a Macguyver and Jamba Juice joke! Hilarity!). So, I still find myself in the conundrum of how to rate this. I'm going to go with the grade below because I truly did enjoy the ending and, like I said above, there's something to be said for this being the best 3D I've seen in a theatrical release yet.

The RyMickey Rating: C

Movie Review - Moon (2009)

Starring Sam Rockwell
Written by Nathan Parker
Directed by Duncan Jones

It's always tough to live up to expectations. When your good friend tells you that this is his favorite movie of the year (and when you and said friend have a similar taste [generally speaking] in movies), you'll go into this with high hopes. I honestly was just hoping I'd have a semblance of enjoyment...and more than a semblance was had.

Sam Bell (Rockwell) has lived on the moon for three years, working for a company that is harvesting energy from beneath the lunar surface. His only companion is the moon base's computer, Gerty (voiced by Kevin Spacey). Sam is getting close to the end of his three-year solo stint and is eagerly awaiting returning home to his wife and his young daughter. However, his three years alone on the barren moon have perhaps turned him a little crazy as he begins to see hallucinations that make him begin to question both himself and the company he works for.

This is Rockwell's film and his film alone -- he is in every single scene. I don't want to give anything away (because there are a few surprises in this sci-fi/suspense/drama), but as an actor, he needs to run the gamut of emotions in this tale, while at the same time holding the audience's attention since he is the only thing we see -- and he does both extremely well.

He is helped by some stellar direction by Duncan Jones, making his feature film directorial debut. Now, I have no idea what the budget was on this movie, but I can't imagine it was a whole lot. They (I have no idea who the "they" is -- Jones and the producers, I guess?) make this movie look expensive which certainly helps the sci-fi tone. Cheap sci-fi is just cheesy and this does not look like cheap sci-fi. Top-notch production design for sure in this one.

I'm sitting here typing this, thinking of a multitude of questions I want to ask someone which, in my mind, is a good thing, because the film has got my mind contemplating what I just saw. Movies that do that are always a plus.

The RyMickey Rating: B