Motherless Brooklyn

Motherless Brooklyn (2019)

Starring Edward Norton, Bruce Willis, Gugu Mbatha-Raw, Alec Baldwin, Willem Dafoe, Bobby Cannavale, Cherry Jones, Michael K. Williams, Ethan Suplee, Dallas Roberts, and Leslie Mann

Directed by Edward Norton

Written by Edward Norton

Click here for my Letterboxd review

The RyMickey Rating: C-

Movie Review - Dallas Buyers Club

Dallas Buyers Club (2013)

Starring Matthew McConaughey, Jared Leto, Jennifer Garner, Denis O'Hare, Dallas Roberts, and Steve Zahn

Directed by Jean-Marc Vallée

Ron Woodruff is an electrician by day and a bull-riding rodeo wrangler by night.  He's a ladies' man, a guy's guy, and is filled with stereotypical Texas bravado.  So on a fateful day in 1986 when Ron is told by a doctor that he's contracted the HIV virus, he can't even fathom how that would be possible.  To him and all his buddies, HIV and AIDS were exclusively found in the homosexual community and Ron angrily refuses to believe his doctor's diagnosis.  However, after being given a thirty day life expectancy, Ron succumbs to the diagnosis, but starts researching his options on how to survive with HIV.  While the local hospital is experimenting with the FDA-approved drug AZT, Ron travels to Mexico to get a drug cocktail of sorts and the results are fantastic.  Seeing how poorly AZT is working within the gay community of Texas, Ron sets up his own medical distribution center of sorts -- the Dallas Buyers Club -- while constantly battling the government and the medical professionals since his treatments are faring better than what the FDA is providing.

And therein is the true story behind Dallas Buyers Club.  Unfortunately, the rather straightforward manner in which I presented the summary above without a lot pep, pizzazz, or vigor, is the way Ron Woodruff's story is presented to us as well in the film.  While the movie isn't a chore to sit through or boring per se, there's no momentum driving the film along.  The arc of Woodruff -- tough guy who hates homosexuals morphing into less of a tough guy who begins to feel compassion for the gay community -- isn't surprising in the slightest and leads to a film that doesn't really go anywhere since we know where it's going right from the outset.

Fortunately, the film is buoyed by a very strong performance from Matthew McConaughey who famously lost a lot of weight for his role as Woodruff.  McConaughey couples his smooth Southern drawl with an obviously chauvinistic demeanor to give us an initial impression of Woodruff that sets him up as a staunchly homophobic guy.  (I don't mean to imply that a Southern drawl equates with a homophobic mindset -- it's just the way McConaughey carries himself that gives us that idea of the character.)  Rather nicely, the film slowly allows Woodruff to come to the realization that his predisposed ideas about the gay community in Texas were perhaps wrongly skewed and I enjoyed McConaughey's quiet transformation he has Woodruff undergo as the film progresses.

Much awards buzz for the film has been centered around the performance of Jared Leto as Rayon, a transgender woman whom Woodruff meets in the hospital.  Wryly sarcastic and unafraid to fight back against Woodruff's homophobic jabs, Leto's Rayon provides some of the humor this heavy story needs.  However, considering that Rayon herself is fighting for her life having also contracted the AIDS virus, I was expecting to be moved by her story and I never was.  It doesn't help that the character of Rayon doesn't have a "moment" to me -- something that is seemingly important if you want to make it far in the awards race.  This is why it's rather surprising to me that Leto seems to be the early frontrunner in awards prognostications.  Simply dressing up as a woman isn't enough to impress and Leto's character wasn't given enough gravitas to warrant the buzz in my opinion.

The film has a nice, though underwritten, performance from Jennifer Garner as a doctor sympathetic to Woodruff's needs but unable to assist as she's tied to the FDA's regulations.  Denis O'Hare also is quite good as the head doctor at the Texas hospital who's seemingly in the pocket of the FDA providing a nice counterpoint to Garner's character.

Still, overall, Dallas Buyers Club doesn't have the emotional arcs I wanted in a film like this.  The film doesn't drive its story forward in such a way that felt exciting or impacting.  Woodruff's story -- if this film tells the truth (and I have no reason to believe it doesn't) -- is compelling and interesting, but it may have been better served as a documentary.

The RyMickey Rating:  C+

Movie Review - Shrink (2009)

Starring Kevin Spacey, Dallas Roberts, Keke Palmer, Mark Webber, Saffron Burrows, Pell James, Jesse Plemons, Robert Loggia, and Robin Williams
Written by Thomas Moffett
Directed by Jonas Pate

Moderate spoilers ahead...although these plot points are discussed within the first 20 minutes of the film...

Right off the bat, let me say that I have a few problems with this movie, most important being that one of the most pivotal plot points felt incredibly forced. However, this little flick that I had heard next to nothing about won me over because of some winning performances and a great combination of humor and pathos.

Kevin Spacey is Henry Carter, a shrink who has written a book about how to be happy in life. Guess what? He's not really happy. His wife has recently committed suicide and he has turned to marijuana to quell his emotional pains. The flick is one of those multiple-character arc movies (like Crash but on a much lesser scale) where several patients come into Henry's office and then end up interacting with each other. In some movies, these interactions feel forced, but here, for the most part, they work. Patrick (Dallas Roberts) is a Hollywood talent agent/producer who is afraid of everything. Jemma (Keke Palmer) is a high school student obsessed with movies and unable to emotionally come to grips with her mother's suicide. Kate (Saffron Burrows) is an aging Hollywood actress (if being in your 30s is aging...I'm in trouble in a year...) who is having trouble in her marriage to a rock star. As I said above, eventually, several of these folks will find their story arcs combining by the film's end.

My biggest problem with the film is that I never felt the connection that I felt I should between Henry and Jemma, two people who lost those they loved to suicide. The movie is definitely pushing this as the emotional peak, but I never really got there with it. It doesn't help that the film gets to that high point via a weird interaction between Jemma and Henry's godson, Jeremy (Marc Webber), a struggling screenwriter who finds inspiration in the young troubled girl.

You would think that if I had issues with a major plot point, I wouldn't particularly care for the film, however, the flick still worked for me for some odd reason. In part, it's due to some winning performances. Spacey, whom I haven't seen since 2007's Fred Claus (and let's not go there...I'm not counting his pretty darn good voiceover work in Moon), is impressive as the struggling doc. His opening scene had me doubting the role, but he won me over within minutes. Jesse Plemons as Henry's pot supplier provided quite a bit of laughter, as did an extended cameo from Robin Williams (he was still kind of doing is off-the-wall schtick, but it worked for me). However, the star of the show was Dallas Roberts. His neurotic Patrick was a hoot and this (to me anyway) unknown actor stole the show from the talented Spacey.

Obviously, the film isn't perfect, but I liked it. It was a nice mix of comedy and drama, and it certainly kept my attention throughout thanks to those performances mentioned.

The RyMickey Rating: B