Movie Review - The Lost World: Jurassic Park

The Lost World: Jurassic Park (1997)

Starring Jeff Goldblum, Julianne Moore, Vince Vaughn, Pete Postlethwaite, Richard Schiff, Arliss Howard, Vanessa Lee Chester, Peter Stormare, and Richard Attenborough

Directed by Steven Spielberg

How can the same director and half of the screenwriting team of one of the best "popcorn" blockbuster movies of all time fail so miserably the second go-around as we venture back to the islands off the coast of Costa Rica again in The Lost World: Jurassic Park?  Quite frankly, there's hardly anything to recommend in this second segment of the Jurassic Park Quadrilogy.  Instead we get rehashed scenes, duplicated themes, and special effects that can't hold a candle to its predecessor. I didn't remember The Lost World being as bad as this when I watched it decades ago...but this is really awful stuff.

Since I created a list in my Jurassic Park review, let's continue that trend here as we discuss the many detriments of The Lost World:

• Let's just begin with the obvious "gymnastics" foreshadowing at the beginning of the film that then wreaks havoc during a pivotal scene in the movie's climax.  Ian Malcolm (Jeff Goldblum), the only returning character to hold a pivotal role in this sequel, has a daughter Kelly (Vanessa Lee Chester) whom we discover at the beginning has been let go of her gymnastics team for not being good enough apparently.  When she stows away and arrives on the island with her father, we're well aware that her "lack" of gymnastics skills is going to come into play at some point.  For the whole film, Kelly is a character that is given next to nothing to do, hardly ever being put in peril.  However, at an integral point in the film's climax, Kelly, her father, and fellow scientist and current love interest of Ian, Sarah Harding (Julianne Moore), are trapped in some type of facility with a bunch of beams and high walkways.  Of course, Kelly's gymnastics will come into play here as she jumps around the facility like some acrobatic mini Flying Wallenda brother.  Utterly preposterous and painful to watch.
• Similar to the first film, our main characters are placed into peril while in a vehicle, but this time, it's just ludicrous.  As Ian, Sarah, and videographer Nick (Vince Vaughn) fall over the edge of a cliff in a trailer, scenes of shattering glass and falling debris aren't perilous, but rather ridiculous.  This purportedly tense moment wreaks of unbelievability and the resolution to this scene is nonsensically laughable.
• What the heck is up with the subplot of what are essentially poachers (played by Pete Postlethwaite and Arliss Howard amongst other) coming to the island?  All these characters are is quite literally dead weight as we await for a T-Rex to chomp them to bits.  They play no part other than Stereotypical "Bad Guy" which the first film didn't need at all in order to succeed.
• The special effects here look so much worse than the original.  How they downgraded to dinosaurs that look less realistic than the original is unfathomable to me.  The use of less puppetry and more computer-driven graphics doesn't do the film any favors and the overall result is a huge letdown from the original's stellar effects.

It certainly doesn't help matters that the finale with a T-Rex wreaking havoc on San Francisco is so excessively irrational that The Lost World ends on a horrible note, but that would've really made no difference anyway.  Obviously, my affinity for Jurassic Park taints my opinion of The Lost World: Jurassic Park, but it's not even that the sequel is inferior, it's just that it attempts to carbon copy the original at every turn and fails miserably.  

The RyMickey Rating:  D

Join in tomorrow as we explore more of the Jurassic Park Quadrilogy:

Tomorrow: Jurassic Park III

Saturday:  Jurassic World

Previously:  Jurassic Park

Movie Review - Decoding Annie Parker

Decoding Annie Parker (2014)

Starring Samantha Morton, Helen Hunt, Aaron Paul, Alice Eve, Marley Shelton, Rashida Jones, Corey Stoll, Bradley Whitford, and Richard Schiff

Directed by Steven Bernstein

***This film is currently streaming on Netflix***

Anyone who knows me knows my teenage infatuation with Helen Hunt.  Quite possibly the only teenager to fall for the Mad About You actress, Ms. Hunt still holds a special place in my heart.  And she's probably the only reason I even thought about watching Decoding Annie Parker.  Debut screenwriter-director Steven Bernstein's first feature film details the true story of Annie Parker (played by Samantha Morton), a Canadian wife and mother who has had her share of tragedy in life with multiple members of her family succumbing to breast cancer.  When she is told that she also has breast cancer, Annie sets off on a mission to learn all she can about the disease, trying to fight the then-popular opinion in the 1970s that there was no genetic familial connection.  In her research, Annie uncovers works by researcher Mary-Claire King (the aforementioned Hunt), one of the few scientists attempting to link breast cancer to genetics.

Bernstein's film bounces back and forth between Annie and Mary-Claire's stories and also meanders to and fro in the realms of comedy and drama.  The opening line of the film is a quote from Annie -- "My life was a comedy.  I just had to learn how to laugh." -- and despite the subject matter, Bernstein attempts to lighten things up.  Unfortunately, he doesn't quite succeed in creating an adequate balance and his script never quite elevates to anything more than a tv movie.

That being said, however, thanks to a nice performance by Hunt and an even better performance by Morton, Decoding Annie Parker manages to be a little better than the sum of its parts.  Helping as well is the true story of Dr. Mary-Claire King, an undersung hero in the field of genetic research whose contributions to the medical profession are nicely documented here.  It's still nice to know that movies have the ability to open our eyes to certain aspects of our history that we know nothing about.

The RyMickey Rating:  C