Beautiful Boy (2011)
Starring Maria Bello, Michael Sheen, Alan Tudyk, Moon Bloodgood, and Kyle Gallner
Directed by Shawn Ku
***This film is currently streaming on Netflix***
I was speaking just the other day with someone about the dearth of indie movies in 2011 that resonated with me. There were a few here and there, but my top list of movies features a lot more mainstream wide-release movies than in years past. Thankfully, Beautiful Boy, a little seen flick from last year, helps pick the slack in that 2011 independent movie market. With two stunning performances and a story that just emotionally hits you at the core, the debut from director and co-screenwriter Shawn Ku is a welcome surprise.
Maria Bello and Michael Sheen are Kate and Bill, a married couple who are in the process of separating. Their son, Sammy (Kyle Gallner), is off at his first semester in college, and the empty house is making their relationship even more difficult to bear. The two could never be prepared for the news they receive early one morning when police officers show up on their doorstep and tell the couple that Sammy went on a shooting spree at his college, killing over fifteen people before turning the gun on himself.
With this huge news occurring in the film's first ten minutes, the remainder of Beautiful Boy rather effortlessly focuses solely on the emotional impact of this horrific event on the parents of the murderer. We never leave the side of either Kate or Bill and their grief and sorrow is gut-wrenching. Their crumbling relationship is pushed to the limits -- for they've gone through something so devastating that few can relate to them -- and the script provides a resolution for the couple that is completely believable and wholly satisfying.
Maria Bello is simply wonderful. Harboring a tremendous amount of guilt -- Kate was the last one to speak with Sammy the night before he went on his rampage -- Bello allows Kate to run the gamut of emotions from tearful grief to harsh anger, wondering whether she or her husband are also responsible for their son's actions. Michael Sheen is also riveting, beginning the movie as the calmer of the two, but finally breaking down and unleashing his emotions as the film progresses.
Together, the two are part of one of the best scenes I've seen in a 2011 film as a rather tender, lovely moment in a hotel room gradually shifts into a raw and hate-filled screaming match showcasing both Bello and Sheen's talent and proving that the film has allowed the audience to become so incredibly invested in these characters and their emotions. As the scene unfurled, I both didn't want it to end, but couldn't wait for it to be over. It was so uncomfortable, but so revealing and truth-filled. The barriers had come down for the coupl (thanks to the introduction of alcohol) and it was positively riveting.
There were a few moments here and there that screamed "low budget indie" in terms of the camera work and editing which admittedly took a little bit away from the overall experience. And, in the end, you kind of want to know what turned young Sammy down this painful road (although, on the other hand, the ambivalence makes us fully understand the disbelief Kate and Bill are feeling post-shooting spree). Still, those are minor gripes in a film that moved me quite a bit and featured two fantastic performances.
The RyMickey Rating: A-
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