Paranorman (2012)
***viewed in 3D***
Featuring the voice talent of Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Leslie Mann, Casey Affleck, Christopher Mintz-Plasse, Elaine Stritch, and John Goodman
Directed by Chris Butler and Sam Fell
Kid flicks today often seem sugar-coated or, at the very least, a bit more sanitized than the movies kids from the 80s grew up on. The weirdness of The Neverending Story or Labyrinth or even Disney's The Black Cauldron just aren't present in movies that have a goal of appealing to kids. In fact, at times, it might have often seemed that movies like those aforementioned, while made for the younger generation, almost held more interest for the adults dragged to the theaters with their young'uns. Paranorman reminded me more of the movies of my childhood generation than much of what is released today (and I don't mean that in any demeaning way to today's family films). Oddly off-the-wall, kooky, and entertaining, although I had to wonder if it would hold the interest of a kid.
Norman Babcock is a seemingly normal boy with one exception -- he can see and talk to ghosts. Naturally, this doesn't sit well with his parents who want him to stop living in a dream world and it certainly doesn't help him at school where he finds himself bullied for his "gift." With the whole New England town of Blithe Hollow thinking he's a nutjob, Norman finds himself quite the loner. One evening, however, the town's crazy hobo (who also happens to be Norman's uncle) crosses paths with the boy and tells his nephew that it is up to him to stop a rising of the dead from occurring. While he doesn't believe it, Norman eventually succumbs to his uncle's wishes, but finds trouble along the way that causes the dead to actually rise from their graves and begin invading the small town with only Norman having the ability to get the zombies back to their below ground residences.
In addition to the very nice stop-motion animation on display, Paranorman comes with a decidedly adult sensibility in tow filled with humor that will go over many a ten year-old's head. I'm not talking about raunch here, but I am impressed with screenwriter Chris Butler's sensibility to not talk down to the kids in the audience (and the parents who accompanied them). [There's a character "twist" at the end is shockingly ballsy -- even though it maybe shouldn't be in this day and age -- and further exemplifies the "mature-skewing" nature of the film.] I'm sure the homages contained in this film are plentiful, but even something as simple as a slight rehashing of the Friday the 13th synthesizer score was enough to bring a smile to this reviewer's face. Still, despite honoring some horror movies of the past, the film feels fresh and innovative, standing rightly on its own.
Somehow, though, Paranorman never quite allows us to connect to the characters in a way that Pixar movies do. Those Pixar folks have seriously cornered the market on heartfelt animation and even when something like Paranorman attempts a tugging on the heartstrings, it never quite reaches the levels the Pixar guys manage to set. That's not taking anything away from this movie, however, it does stop it from reaching the upper echelon of modern-day animated classics.
Norman Babcock is a seemingly normal boy with one exception -- he can see and talk to ghosts. Naturally, this doesn't sit well with his parents who want him to stop living in a dream world and it certainly doesn't help him at school where he finds himself bullied for his "gift." With the whole New England town of Blithe Hollow thinking he's a nutjob, Norman finds himself quite the loner. One evening, however, the town's crazy hobo (who also happens to be Norman's uncle) crosses paths with the boy and tells his nephew that it is up to him to stop a rising of the dead from occurring. While he doesn't believe it, Norman eventually succumbs to his uncle's wishes, but finds trouble along the way that causes the dead to actually rise from their graves and begin invading the small town with only Norman having the ability to get the zombies back to their below ground residences.
In addition to the very nice stop-motion animation on display, Paranorman comes with a decidedly adult sensibility in tow filled with humor that will go over many a ten year-old's head. I'm not talking about raunch here, but I am impressed with screenwriter Chris Butler's sensibility to not talk down to the kids in the audience (and the parents who accompanied them). [There's a character "twist" at the end is shockingly ballsy -- even though it maybe shouldn't be in this day and age -- and further exemplifies the "mature-skewing" nature of the film.] I'm sure the homages contained in this film are plentiful, but even something as simple as a slight rehashing of the Friday the 13th synthesizer score was enough to bring a smile to this reviewer's face. Still, despite honoring some horror movies of the past, the film feels fresh and innovative, standing rightly on its own.
Somehow, though, Paranorman never quite allows us to connect to the characters in a way that Pixar movies do. Those Pixar folks have seriously cornered the market on heartfelt animation and even when something like Paranorman attempts a tugging on the heartstrings, it never quite reaches the levels the Pixar guys manage to set. That's not taking anything away from this movie, however, it does stop it from reaching the upper echelon of modern-day animated classics.
The RyMickey Rating: B+
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