The Social Network (2010)
Starring Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hamer, Max Minghella, Rashida Jones, Brenda Song, and Rooney Mara
Directed by David Fincher
I avoided the Facebook thing for as long as I could, but one day in an attempt to look at pictures of some girl who I thought I might want to date, I signed up and began the process of "friending" people. It's all rather foolish (though not as foolish as Twitter), but there is something to be said for Facebook being the new form of communication. The final scene of The Social Network hints at the argument that Facebook has distanced people from others rather than brought people closer together, but that's the only moment where I felt the film was trying to say anything deep and meaningful. Don't get me wrong. The Social Network is a good film -- well crafted, well acted, and very well written. But it's not groundbreaking cinema. Still, in this lukewarm year for film, it's one of the best flicks I've seen in 2010.
Jesse Eisenberg is Mark Zuckerberg, a Harvard student who is dumped by his girlfriend Erica (Rooney Mara) while at a bar one evening. The gal wasn't wrong to dump him -- he was a stuck-up bastard -- but Mark doesn't see it that way. Instead, this computer-savvy nerd takes to his blog and begins a bitter tirade against Erica. This then leads to a rather misogynistic website which he formulates and releases on the very same night he was dumped -- a "who's hotter" kind of thing where Mark pitted pictures of two college girls against each other and allowed the public to vote on who was better looking. When this website crashes the Harvard internet system, Mark gets into a bit of trouble, but that's only the start of his creative brainstorming.
Mark meets the Winklevoss twin brothers (Armie Hammer) and their buddy Divya (Max Minghella) who have an idea to create a dating site for Harvard students only. The brothers and their pal recognize Mark's computer skills (and recognize that he may need to "rehabilitate" his image) and hire him to create the code for the site. Mark agrees to help, but in the process formulates his own idea -- "the Facebook." With the help of his business-oriented friend Eduardo (Andrew Garfield), Mark launches "the Facebook." As is often the case with surprise successes, though, enemies can be made rather quickly, and Mark's life is no exception.
There's a kind of coldness on display in the flick -- director Fincher uses it to mirror the outwardly emotional coldness of Mark. And there's not a whole lot of "brightness" onscreen either. Fincher drapes the film in darkness for a fairly big chunk of the time whether it be in the scenes where Mark is creating the website or the litigation scenes where he's being sued for creating the very same website.
Speaking of those litigation scenes (which Fincher does a rather brilliant job of balancing and cutting to throughout the whole film), screenwriter Aaron Sorkin amazingly makes them interesting. It may seem like a simple task, but sometimes putting a lawyer into any scene makes the boredom factor spike greatly. Not so, here. In fact, as has been said in many reviews of the flick, Sorkin's screenplay is the true star of the picture. There's a wit and genuine intelligence on display that isn't commonplace in mainstream films. I was a big fan of Sorkin's television show Sports Night for the very same reason I'm a fan of his work in this film -- the quick patter of smart speak was welcome in that show and welcome here as well.
It certainly takes a talented actor to make Sorkin's fast-paced dialog work and Jesse Eisenberg steps up to the plate. His Mark Zuckerberg is zeroed in on one thing -- creating "the Facebook" -- and pushes away everything and everyone else. There was much talk before the film was released that Zuckerberg came off looking like a nasty guy. I didn't see it that way at all and I think that's due to Eisenberg's performance. To me, Zuckerberg was a loner who was not quite prepared for the nearly immediate success that his work would bring him.
While Justin Timberlake proves adequate (I wasn't bowled over by him, although he certainly didn't disappoint), my favorite actor was perhaps Andrew Garfield (who also starred in this year's Never Let Me Go) as Mark's friend and business partner Eduardo. Eduardo actually has a bit more of an emotional arc (or at least a more obvious one) than Mark and Garfield makes his character the person we in the audience relate to most.
There's nothing really bad to say about The Social Network. It's a well made smart film the likes of which we don't see onscreen often nowadays. Across the board, everything is top notch. That being said, it never really pulled me in emotionally and I think that's because of the "coldness" that I mentioned above. Still, it's certainly a film I'd recommend and watch again.
The RyMickey Rating: B+
I wouldn't say it made him look like a 'bad guy', just someone who can't empathize with people.
ReplyDeleteHow did you like the first 10 minutes? Seriously my favorite non-Scott Pilgrim related part of a movie this year.
He apparently was going on all these talk shows (Oprah, I think?) prior to the movie release because he was trying to better his image before the release. The empathy aspect is probably more accurate, but I didn't really think it made him look bad at all.
ReplyDeleteFirst ten minutes were fine...but didn't win me over...part of the reason, I think, is because I'm used to hearing Sorkin dialog like that. I loved Sports Night and the quick pitter-patter back and forth is a staple of his work...which I like, mind you.
I'm used to hearing Tarantino dialog and I still poop my pants during the first scene of Inglourious Basterds.
ReplyDelete