Movie Review - Morning Glory

Morning Glory (2010)

Starring Rachel McAdams, Harrison Ford, Diane Keaton, Patrick Wilson, and Jeff Goldblum

Directed by Roger Michell

I can't deny that the simple presence of Rachel McAdams onscreen makes me kind of giddy.  She's effervescent and completely natural...and so goshdarn cute.  Ms. McAdams alone makes the romantic comedy Morning Glory a lot better than it deserves to be.  Yes, there were some (I'd even go so far as to say several) laugh-out-loud moments, but as a whole, the story just falls into that "been there, seen that before" category which ultimately holds the film back from being an all-out success.

McAdams is Becky Fuller, an executive producer on a New Jersey local morning news show.  When she is let go because of budget cuts, she manages to land a job in New York City and the exec producer of broadcast net IBS's national morning show Daybreak.  Wallowing in last place, Becky has big plans to shake things the show up.  While she likes bubbly host Colleen Peck (Diane Keaton), Becky feels that Colleen needs a nice partner to bounce things off of.  Becky discovers that revered news anchor Mike Pomeroy (Harrison Ford) is contracted with IBS, but since he was forced out of the anchor position a few years ago, he has simply been earning a paycheck not doing a thing.  Becky manages to convince Mike to join Daybreak, but the curmudgeonly Mike doesn't quite fit the bill wanting to tell hard news stories rather than do the fluff pieces often seen in morning news shows' second hours.  As these stories often go, Becky must convince Mike to lighten up...and it's not a real surprise as to whether she succeeds or not.

What lifts this film up is the performance of the winning Rachel McAdams and the droll Diane Keaton.  Whenever either of these two ladies are onscreen, the film shines.  McAdams, in particular, is someone I want to be the Next Big Movie Star.  While it doesn't seem like it's going to happen (why aren't her flicks ever really successful?), she's a complete joy to watch (and not too bad to ogle over either).

The film falters a bit when it focuses on the men.  Harrison Ford plays the grouchy Mike adequately, but it all felt very cookie cutter, one-note, and caricaturish to me.  Along the same lines, Patrick Wilson plays Rachel McAdams' new beau with zippo charisma and energy.  Granted, his role is written so poorly that he's given nothing to do, but I didn't buy their relationship one bit and the problem lies moreso with Wilson than McAdams.

And its that underwritten boyfriend role that epitomizes what's wrong with Morning Glory.  There's just not much of anything there.  Yes, the ladies of the cast cull what they can out of the lack of story, but in the end, this film brings nothing new to the table at all, feeling like a retread of other generic romantic comedies we've seen before.  It also doesn't help that director Roger Michell (who directed the rather enjoyable Notting Hill) films everything so incredibly generically, too, peppered with moments of odd zooms that stood out to me like a sore thumb.

Despite these qualms, I laughed...quite a lot actually.  There are moments in the film that work really well and that is due to both McAdams and Keaton.  Together they elevate this movie to a bit more than the average rating it deserves.

The RyMickey Rating:  C+