Miss Sloane (2016)
Starring Jessica Chastain, Mark Strong, Gugu Mbatha-Raw, Alison Pill, Michael Stuhlbarg, Jake Lacy, David Wilson Barnes, Dylan Baker, Christine Baranski, Sam Waterston, and John Lithgow
Directed by John Madden
***This film is currently streaming via Amazon Prime***
There's certainly an undeniable anti-gun tone that squirms its way through Miss Sloane, a seedy look at the art of lobbying in Washington, D.C., but even this conservative is okay with that as I tend to agree that we need some greater from of oversight when it comes to our firearms in this country. So while I was personally able to look beyond the slant, others may be less inclined. With that in mind, Miss Sloane does take us inside the cutthroat world of lobbying, but it's a tad too emotionally detaching to really succeed at sucking me in.
That lack of emotional connection comes from the sheer brittleness of its headstrong, ballsy, and determined titular character Elizabeth Sloane played by Jessica Chastain. Sloane is emotionally attached only to her job -- every relationship is sidelined, every waking minute is spent trying to advance what she's lobbying for at the moment. Chastain is an actress who has the strength to take on a role like this -- a role where emotions are waylaid for gritty steadfastness. Yet, as is the case with many of Chastain's roles, the lack of warmth in the character of Miss Sloane makes it almost difficult to really become invested. Chastain is always an admirable performer, but the brittleness she brings to Miss Sloane is a bit disarming and admittedly harmed the film a bit for me.
(Sidetrack: Would I say this about a male in this role? Is it unfair that I make this comment about a female performance? Maybe it's time to be a bit introspective, because I'm honestly not sure. Do I need a female lead to have a more emotionally resonant character because I'm used to females being a little more emotional onscreen?)
That isn't to say that Chastain isn't successful in creating an interesting character -- she, along with Jonathan Perera's screenplay do just that. The problem is that Perera's screenplay has one too many manipulations and oneupmanships by Sloane and her adversaries to really feel truly believable despite a game cast doing their best. Sure, I'm certain underhandedness runs rampant throughout our nation's capitol, but that doesn't mean it always translates into a believable cinematic experience. There's a convoluted nature to the film that director John Madden isn't able to wrangle and the flick suffers from a lack of brevity.
That lack of emotional connection comes from the sheer brittleness of its headstrong, ballsy, and determined titular character Elizabeth Sloane played by Jessica Chastain. Sloane is emotionally attached only to her job -- every relationship is sidelined, every waking minute is spent trying to advance what she's lobbying for at the moment. Chastain is an actress who has the strength to take on a role like this -- a role where emotions are waylaid for gritty steadfastness. Yet, as is the case with many of Chastain's roles, the lack of warmth in the character of Miss Sloane makes it almost difficult to really become invested. Chastain is always an admirable performer, but the brittleness she brings to Miss Sloane is a bit disarming and admittedly harmed the film a bit for me.
(Sidetrack: Would I say this about a male in this role? Is it unfair that I make this comment about a female performance? Maybe it's time to be a bit introspective, because I'm honestly not sure. Do I need a female lead to have a more emotionally resonant character because I'm used to females being a little more emotional onscreen?)
That isn't to say that Chastain isn't successful in creating an interesting character -- she, along with Jonathan Perera's screenplay do just that. The problem is that Perera's screenplay has one too many manipulations and oneupmanships by Sloane and her adversaries to really feel truly believable despite a game cast doing their best. Sure, I'm certain underhandedness runs rampant throughout our nation's capitol, but that doesn't mean it always translates into a believable cinematic experience. There's a convoluted nature to the film that director John Madden isn't able to wrangle and the flick suffers from a lack of brevity.
The RyMickey Rating: C+
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