The Lobster (2016)
Starring Colin Farrell, Rachel Weisz, Léa Seydoux, Ben Whishaw, John C. Reilly, and Olivia Colman
Directed by Yorgos Lanthimos
***This film is currently streaming via Amazon Prime***
I was so on board with director/co-writer Yorgos Lanthimos' weirdly offbeat The Lobster throughout most of its first hour as its surreal tale begins to unfold. David (Colin Farrell) has just gotten divorced and in the strange land in which The Lobster is set that means that he must find someone to fall in love with him in forty-five days lest he be turned into an animal. Yep...I said it was weird. David heads to a hotel run by a manager (Olivia Colman) who sets up a variety of activities to set people up with someone they can love. As his days dwindle down and romance seems less likely, David ponders whether an escape is necessary...and that's where the story drastically changes and grows increasingly uninteresting in its second hour.
The comedic satire in the film's opening half creates a world with new rules that are fully embraced by both the film's characters -- which include John C. Reilly as a lisping loner and Ben Whishaw as a limping lover -- and the audience. I bought into the insane set-up that people would actually turn into dogs or horses or even lobsters if they failed to fall in love, and I found the set-up unique and engaging despite the bleak and sometimes melancholy sadness that permeates the inhabitants of the hotel. The second half, however, removes us from the hotel setting and things fall apart. The comedic aspect fades away and the tone of the film shifts into something that disappoints. (I'll admit to being vague here to avoid spoilers.)
Kudos to Colin Farrell for carrying the film and giving a solid performance as the depressed David who finds himself forced to find true love in a short amount of time. Creatively, Lanthimos at least envisioned a dystopia that we haven't seen before. Unfortunately, he can't sustain a two-hour film across this land set up in the way he has. There was promise here that unfortunately didn't pan out.
The comedic satire in the film's opening half creates a world with new rules that are fully embraced by both the film's characters -- which include John C. Reilly as a lisping loner and Ben Whishaw as a limping lover -- and the audience. I bought into the insane set-up that people would actually turn into dogs or horses or even lobsters if they failed to fall in love, and I found the set-up unique and engaging despite the bleak and sometimes melancholy sadness that permeates the inhabitants of the hotel. The second half, however, removes us from the hotel setting and things fall apart. The comedic aspect fades away and the tone of the film shifts into something that disappoints. (I'll admit to being vague here to avoid spoilers.)
Kudos to Colin Farrell for carrying the film and giving a solid performance as the depressed David who finds himself forced to find true love in a short amount of time. Creatively, Lanthimos at least envisioned a dystopia that we haven't seen before. Unfortunately, he can't sustain a two-hour film across this land set up in the way he has. There was promise here that unfortunately didn't pan out.
The RyMickey Rating: C-
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