Lamb (2016)
Starring Ross Partridge, Oona Laurence, and Jess Weixler
Directed by Ross Partridge
***This film is currently streaming on Amazon Prime***
I don't even really know what to say about this one. How do you write a review about a movie that, at its conclusion, made you feel so wildly uncomfortable, disconcerted, and unsettled? Lamb begins rather innocently with fortysomething David (Ross Partridge) dealing with the loss of his father. Following the funeral, while sitting in a parking lot, David is approached by seventh-grader Tommie (Oona Laurence) who asks him for a cigarette. Tommie looks like a burgeoning prostitute, adorned with high heels, a hot pink purse, and a short skirt and David decides to take it upon himself to help the young girl out of the inevitable hole she's going to slide down if she continues on this path. They form an odd friendship that then morphs into a kidnapping situation (albeit a voluntary one on Tommie's part) as David takes Tommie to his father's farm to show her the beauty of the world outside the slummy and slimy part of town in which she lives.
Ultimately, I have no clue what Lamb is trying to convey. David is fully aware that his actions could be construed as those of a pedophile, but he's not one...or is he? In the film's final moments, the "L" word gets thrown around and when you bring "love" into this equation it starts to make things a bit gross. I understood what Tommie was getting from the relationship -- a chance to escape her lazy parents and her untrustworthy friends with someone who seems to genuinely care about her well-being -- but what was David's reasoning to embark on this adventure? It's still unknown to me. This odd relationship never gelled and only succeeded in making this viewer highly uncomfortable. In what is essentially a two-hander, Ross Partridge and Oona Laurence are both fine, but Partridge who also directed and adapted this film from a novel is never really able to define why his character does what he does. With the protagonist's motivation for his increasingly odd actions left unexplored, the film feels unbalanced. Maybe your mileage will vary and I will admit that I wasn't ever bored watching this odd piece, but I simply can't recommend Lamb.
Ultimately, I have no clue what Lamb is trying to convey. David is fully aware that his actions could be construed as those of a pedophile, but he's not one...or is he? In the film's final moments, the "L" word gets thrown around and when you bring "love" into this equation it starts to make things a bit gross. I understood what Tommie was getting from the relationship -- a chance to escape her lazy parents and her untrustworthy friends with someone who seems to genuinely care about her well-being -- but what was David's reasoning to embark on this adventure? It's still unknown to me. This odd relationship never gelled and only succeeded in making this viewer highly uncomfortable. In what is essentially a two-hander, Ross Partridge and Oona Laurence are both fine, but Partridge who also directed and adapted this film from a novel is never really able to define why his character does what he does. With the protagonist's motivation for his increasingly odd actions left unexplored, the film feels unbalanced. Maybe your mileage will vary and I will admit that I wasn't ever bored watching this odd piece, but I simply can't recommend Lamb.
The RyMickey Rating: C-
No comments:
Post a Comment