A Bigger Splash (2016)
Starring Tilda Swinton, Matthias Schoenaerts, Ralph Fiennes, and Dakota Johnson
Directed by Luca Guadagnino
***This film is currently streaming via HBO Now/Go***
Critics fawned over A Bigger Splash upon its release last summer, but I find director Luca Guadagnino's piece beautiful to look at, but empty in content. I'm sure there's some deeper meaning than what's on the surface, but for the casual viewer, there's not a whole lot there there and it doesn't arouse enough excitement to warrant a second viewing to try and figure out if it's got more important things to say.
Tilda Swinton is Marianne Lane, an aging rock star who is taking a break in Italy along with her significant other Paul (Matthias Schoenaerts). On strict doctor's orders, she has been told to rest her voice and not speak and she obliges (throughout most of the film with the exception of flashbacks), but Marianne and Paul's quiet respite is interrupted when Marianne's former record producer and boyfriend Harry Hawkes (Ralph Fiennes) and his twenty-three year-old daughter Penelope (Dakota Johnson) show up and want to have a bit of fun.
The quartet's relationships are tested throughout the weekend...which should provide some modicum of excitement or tension, but it really doesn't. The film is well acted. Swinton is always good and she doesn't disappoint here, taking on an oddly Charlie Chaplin-esque persona seeing as how her character is unable to speak throughout the flick. Fiennes is also endearingly manic crafting an amusing persona that adds comedy to the mix. Unfortunately, these two engaging performances don't counter the boring, blasé story that envelops the characters. Sure, the lensing adds a lushness to the proceedings, but nothing plot-wise happens here until thirty minutes remain, pivoting the film in a different direction that feels natural, but not necessarily indigenous to all that came before. The out-of-left field conclusion at least adds some much needed excitement to the preceding monotony, but it's not enough to save A Bigger Splash which despite pretty visuals, is too bland to matter.
Tilda Swinton is Marianne Lane, an aging rock star who is taking a break in Italy along with her significant other Paul (Matthias Schoenaerts). On strict doctor's orders, she has been told to rest her voice and not speak and she obliges (throughout most of the film with the exception of flashbacks), but Marianne and Paul's quiet respite is interrupted when Marianne's former record producer and boyfriend Harry Hawkes (Ralph Fiennes) and his twenty-three year-old daughter Penelope (Dakota Johnson) show up and want to have a bit of fun.
The quartet's relationships are tested throughout the weekend...which should provide some modicum of excitement or tension, but it really doesn't. The film is well acted. Swinton is always good and she doesn't disappoint here, taking on an oddly Charlie Chaplin-esque persona seeing as how her character is unable to speak throughout the flick. Fiennes is also endearingly manic crafting an amusing persona that adds comedy to the mix. Unfortunately, these two engaging performances don't counter the boring, blasé story that envelops the characters. Sure, the lensing adds a lushness to the proceedings, but nothing plot-wise happens here until thirty minutes remain, pivoting the film in a different direction that feels natural, but not necessarily indigenous to all that came before. The out-of-left field conclusion at least adds some much needed excitement to the preceding monotony, but it's not enough to save A Bigger Splash which despite pretty visuals, is too bland to matter.
The RyMickey Rating: C
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