Straw Dogs (2011)
Starring James Marsden, Kate Bosworth, Alexander Skarsgård, and James Woods
Directed by Rod Lurie
When screenwriter David Sumner (James Marsden) and his actress wife Amy (Kate Bosworth) move back to her childhood hometown in Mississippi, they're hoping for some peace and quiet away from the Hollywood spotlight so David can work on his new screenplay. The couple hire a group of hicks (and, yes, I'm using that word derogatively because like in every Hollywood movie, the Southerners here are all hicks that spit a lot and carry shotguns around with them) to fix up the roof of a rotting barn at their secluded house. The workers, headed by Amy's former boyfriend Charlie (Alexander Skarsgård), look like trouble from the get-go -- so much so that the thought that a smart guy like David would hire these guys is completely irrational and ruins the movie's plausibility right in the opening act -- and the group proves to be a handful. Needless to say, Straw Dogs (and the original 1971 movie upon which this remake is based) is touted for both its violence and its message that even a civilized man can resort to heinous acts to save the ones he loves, but that isn't nearly enough to recommend this flick.
The problem is that beyond that overly violent final act, Straw Dogs has nothing going for it. It's built upon a premise that's simply unbelievable -- David is a smart guy (he plays chess so we know that's the case) and yet he hires this grungy looking group to fix his house. The movie tries to play it up that he was just trying to be nice to some hometown guys, but as soon as he hires this construction crew, all realism went out the window for me. And, if I'm being completely honest (and this may make me sound awful), I wanted the violence to come into play a whole lot sooner than it actually did. There's a particularly heinous act that happens about halfway through the movie that should have precipitated the ending to come a lot sooner, but the film just lingers around for nearly an hour more.
James Marsden and Kate Bosworth are fine, but I found their relationship to be rather odd and off-putting and I don't think that was supposed to be the point. Alexander Skarsgård is kinda creepy, but he's certainly not bringing anything new to the table. And the less said about the overacting James Woods whose character precipitates the third act's violence the better.
But at least this flick gave me a better appreciation for using bear traps as a means of enacting revenge on your worst enemy.
The problem is that beyond that overly violent final act, Straw Dogs has nothing going for it. It's built upon a premise that's simply unbelievable -- David is a smart guy (he plays chess so we know that's the case) and yet he hires this grungy looking group to fix his house. The movie tries to play it up that he was just trying to be nice to some hometown guys, but as soon as he hires this construction crew, all realism went out the window for me. And, if I'm being completely honest (and this may make me sound awful), I wanted the violence to come into play a whole lot sooner than it actually did. There's a particularly heinous act that happens about halfway through the movie that should have precipitated the ending to come a lot sooner, but the film just lingers around for nearly an hour more.
James Marsden and Kate Bosworth are fine, but I found their relationship to be rather odd and off-putting and I don't think that was supposed to be the point. Alexander Skarsgård is kinda creepy, but he's certainly not bringing anything new to the table. And the less said about the overacting James Woods whose character precipitates the third act's violence the better.
But at least this flick gave me a better appreciation for using bear traps as a means of enacting revenge on your worst enemy.
The RyMickey Rating: D+
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