The Ides of March (2011)
Starring Ryan Gosling, George Clooney, Evan Rachel Wood, Paul Giamatti, Philip Seymour Hoffman, Jeffrey Wright, Max Minghella, and Marisa Tomei
Directed by George Clooney
I'm not sure if The Ides of March was attempting to be something more thought-provoking than the simple melodrama I took away from it, but if George Clooney's film was trying to be meaningful and insightful, it didn't succeed at all on that level. The slowly unfolding story (and I do mean slowly...particularly in the first fifty minutes of tedium) eventually turns into something rather riveting, but it's really just a glorified soap opera -- not that there's anything wrong with that if it's as well-crafted as this is in its final moments. That said, The Ides of March tries to mask the overly dramatic moments, wanting instead to feign that it's incredibly important when, in fact, it simply reiterates what is already known -- politics is full of shady dealings and lapses in ethics by the very people who purport to be the moral pillars of society.
I knew very little going into The Ides of March and, in the end, that's probably for the best, so I'm going to reveal very little in terms of the plot except to say that the film focuses on thirty-year-old Stephen Meyers (Ryan Gosling), a young campaign advisor for Pennsylvania governor/Democratic presidential candidate Mike Morris (George Clooney). Stephen is a strong up-and-comer and is lauded for his smarts when it comes to the political spectrum. Stephen's partner/boss on Morris's campaign is Paul Zara (Philip Seymour Hoffman), a longtime advisor to Democratic candidates. Paul and Stephen seem like a solid duo, offering the opposite spectrums of weathered experience and wide-eyed optimism, respectively, to the Morris campaign. For nearly the first fifty minutes, the film simply feels like a look at these three men on the campaign trail with occasional looks at Morris's competitor's campaign headed by Tom Duffy (Paul Giamatti) who is certain his candidate will overtake Morris's apparent lead.
Finally, nearly an hour into the movie, something interesting finally happens which I won't reveal here and the movie takes the viewer on an interesting little ride which, while not full of necessarily surprising twists and turns, is at least thoroughly entertaining. As an auteur, George Clooney (like his fellow actor/director Clint Eastwood) is very old school, utilizing very little in terms of gimmickry. Usually, I'd be all for that, but in all of Clooney's films (much like Eastwood's) he can't move the movie along at a quick enough clip to keep me interested. While well shot and nicely framed, the story just lacks a powerful punch for nearly half of the running time.
Part of the problem in The Ides of March is that the film doesn't give the viewer anything new to chew on. Are we surprised that members of the same political party do anything and everything they can to defame their fellow members (shades of Herman Cain and the current Republicans perhaps)? Are we shocked by a lack of ethics from our political candidates and their campaign workers? There's just nothing surprising about the uncouth underbelly of politics. The film at least comes alive when it gravitates towards the melodrama that comes hand-in-hand with lapses in morality. The lack of vivacity and any modicum of excitement in the first half, though, doesn't push the film forward at all. [Truth be told here...I looked at my watch about twenty minutes into the movie and I seriously felt that at least fifty minutes had gone by...I almost said aloud, "You've got to be kidding me."]
"Star" George Clooney actually takes a backseat to Ryan Gosling's Stephen, but this is still Gosling's least interesting role this year (after Crazy, Stupid, Love and Drive). However, Gosling continues to prove that he is probably the best actor of my generation. He plays a smooth talker here with Stephen's up-and-coming status in politics not having sullied him yet by the cynicism that permeates his fellow older co-workers' daily lives. Clooney is fine, but is hurt by an opening hour that simply has him spouting off speeches that seemed too well-written to ring true. Hoffman and Giamatti are both quite good in their roles of the weathered campaign advisors and Evan Rachel Wood is also strong as the young intern who has a thing for Stephen.
Still, had The Ides of March simply dropped the pompous aire of self-importance in the opening acts and skipped directly to the smart soap opera-like twists and turns that made up the rather exciting climax, this would have been a flick I could have wholeheartedly recommended. As it stands, though, it's too bland to really amount to anything worth talking about.
The RyMickey Rating: C
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