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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Sunday, September 30, 2018

American Assassin

American Assassin (2017)
Starring Dylan O'Brien, Michael Keaton, Sanaa Lathan, and Taylor Kitsch
Directed by Michael Cuesta
Written by Stephen Schiff, Michael Finch, Edward Zwick, and Marshall Herskovitz

Summary (in 500 words or less):  After his girlfriend and many others are killed in a terrorist attack on a beach in Ibiza, Spain, Mitch Rapp (Dylan O'Brien) seeks revenge on the attackers, but eventually is taken in by the CIA who decide to train him to help America's intelligence agencies.


The RyMickey Rating: C-

Saturday, September 29, 2018

Peppermint

Peppermint (2018)
Starring Jennifer Garner, John Gallagher Jr., John Ortiz, Annie Ilonzeh, and Juan Pablo Raba
Directed by Pierre Morel
Written by Chad St. John

Summary (in 500 words or less):  When her husband and daughter are killed in a violent gang-related event, Riley North (Jennifer Garner) takes matters into her own hands after a corrupt justice system lets her family's murderers off the hook for their horrific crime.



The RyMickey Rating: C

Friday, September 28, 2018

1922

1922 (2017)
Starring Thomas Jane, Dylan Schmid, Molly Parker, Kaitlyn Bernard, and Neal McDonough
Directed by Zak Hilditch
Written by Zak Hilditch
***This film is currently streaming via Netflix***

Summary (in 500 words or less):  Desperate to keep the farmland of his wife Arlette (Molly Parker) which she wants to sell, husband Wilf (Thomas Jane) carries out an unthinkable act with his teenage son Henry (Dylan Schmid) -- the murder of Arlette.  However, this unthinkable act which was supposed to solve all of Wilf's troubles only exacerbates them.



The RyMickey Rating: C-

Thursday, September 27, 2018

Film Stars Don't Die in Liverpool

Film Stars Don't Die in Liverpool (2017)
Starring Annette Bening, Jamie Bell, Julie Walters, Kenneth Cranham, Stephen Graham, Frances Barber, Leanne Best, and Vanessa Redgrave
Directed by Paul McGuigan
Written by Matt Greenhalgh

Summary (in 500 words or less):  In the twilight of her career, Oscar winner Gloria Grahame (Annette Bening) begins a relationship with the young twenty something British Peter Turner (Jamie Bell).  This true story details their unlikely love for one another.



The RyMickey Rating:  B+

Wednesday, September 26, 2018

The Sense of an Ending

The Sense of an Ending (2017)
Starring Jim Broadbent, Harriet Walter, Michelle Dockery, Emily Mortimer, Billy Howle, Freya Mavor, Matthew Goode, and Charlotte Rampling
Directed by Ritesh Batra
Written by Nick Payne
Summary (in 500 words or less):  Sixty-something Tony (Jim Broadbent) receives a letter from the estate of the mother of a former college girlfriend stating that she has left him a document upon her passing.  The document is being held by Tony's former girlfriend Veronica (Charlotte Rampling) who Tony hasn't seen in decades.  Completely oblivious to what the document could be, Tony reflects upon his college career via flashbacks that showcase that memory is malleable.


The RyMickey Rating: D+


Monday, September 24, 2018

Theater Review - The Seafarer

The Seafarer
Written by Conor McPherson
Directed by Ben Barnes
Where:  Thompson Theater at the Roselle Center for the Arts
(University of Delaware, Newark, DE)
When: Sunday, September 23, 2pm

Photo by Evan Krape, courtesy of the REP

The University of Delaware's Resident Ensemble Players continue their success when it comes to portraying the Irish landscape with their production of Conor McPherson's The Seafarer which may very well be their best production since 2015-16's thriller Wait Until Dark.  Way back in 2012, the REP brought us McPherson's The Weir which I found fantastic and The Seafarer now proves that McPherson is a playwright I need to explore more.

McPherson drops us into the home of the Harkin brothers in Ireland on Christmas Eve -- "Sharky" (REP's Lee Ernst) has moved in to help care for his recently blinded brother Richard (REP's Stephen Pelinski).  Against his more subdued and sullen brother's wishes, the drunkenly boisterous Richard invites Nicky (REP's Michael Gotch) over for a Christmas Eve poker game.  Nicky is dating Sharky's ex-wife so their relationship is already a tenuous one and the tension is further increased when Nicky arrives with the mysterious Mr. Lockhart (REP's Mic Matarrese) whom Sharky seems to recognize, but can't quite place from where he knows him.  With Sharky's good friend Ivan (guest actor David Anthony Smith) onboard, the quintet sits down for a card game where the stakes prove to be much higher than expected thanks to the ominous presence of the darkly cryptic Mr. Lockhart.

Much like The Weir, The Seafarer is a bit deliberate in its pacing at its outset.  McPherson is slowly peeling back the layers of Sharky, a man whose past hasn't been perfect and has led him to develop some self-destructive tendencies which he's trying to curb with the help of his Catholic faith (this is an Irish play after all so religion plays a fairly major role) and his refusal to drink -- Sharky is the one member of the quintet who's been avoiding alcohol in an attempt to keep his mind clear.  However, the introduction of the devilish Mr. Lockhart into the mix unexpectedly rattles Sharky, sending him into chaos as he attempts to reconcile with his past misdeeds.  This is by far Lee Ernst's best performance in a REP production with his Sharky proving to be utterly captivating as the emotional center of the piece, allowing the audience to feel his grief about his past and his hope of creating a better name for himself.

The rest of the cast is spot-on, deftly handling McPherson's tricky balance of comedy and drama which director Ben Barnes is able to seamlessly blend.  Everything about this production feels as if it could've belonged on Broadway -- from the exquisitely designed Dublin apartment set by Todd Rosenthal (one of the best sets to grace the REP stage thus far) to the authentically "normal" costumes by Rachel Healey to the oftentimes creepy sound design by Rob Milburn and Michael Bodeen -- it's all high-level stuff on display and adds to notion that The Seafarer is one of the best productions the REP has brought to us in years.  Head to the box office and get your tickets today.

Friday, September 21, 2018

Theater Review - Lettice and Lovage

Lettice and Lovage
Written by Peter Shaffer
Directed by Steve Tague
Where: Studio Theater at the Roselle Center for the Arts
(University of Delaware, Newark, DE)
When: Wednesday, September 19, 2018

 Photo by E. Krape // Courtesy of the REP

The start of the University of Delaware's Resident Ensemble Players' 2018-19 season unfortunately fails to start with a bang with their production of the comedy Lettice and Lovage, a play that spouts a whole lot of words over its over two-and-a-half hour runtime, but lands very few of them with the expected laughs.  Beyond showcasing a growing, though tenuous, friendship between two women -- one who exudes eccentric theatricality and the other whose buttoned-up personality exhibits very little emotion -- Shaffer's play has very little plot and putters around for way too long without really getting anywhere.  I expected by the time the third act started to find some grand purpose for this play's existence, but that never manifested itself, nor did the third act create some theatrical set piece that at least warranted the need for this play to take itself to that third act.

REP members Kathleen Pirkl Tague as the flamboyant Lettice and Elizabeth Heflin as the stoically resolute Lotte are both fine, although the play does little for them to explore their characters to any great depths beyond caricature.  It's always a bit tough as a layman's critic unfamiliar with the source material to know whether it's an issue with the playwright or the direction of a production, but I really feel like it's the former that's the issue here.  I'm not sure there was an abundance of laughs for director Steven Tague to mine here and there certainly wasn't any thorough plot to punctuate with moments of excitement.

Taking place in the university's small Studio Theater, the audience finds itself in close proximity to the actors which is always a treat, but the black box theater with its cushioned folding-chair seats only exacerbates the play's three-act runtime with a large majority of the younger crowd in the audience getting antsy as the play progressed because of its lack of plot.  There were many comments upon exiting that I overheard from the more seasoned crowd that were saying things like "That was fun," or "That was so good," so maybe there's some age thing going on here.  I fall into the middle of these two age groups and I found myself strongly veering to the youths' indifference to this one.  I'm perhaps being overly harsh here -- this production isn't awful, it's just a bit of a nonstarter.  It's unfortunate, but Lettice and Lovage isn't one that I can say I loved in the slightest.

Tuesday, September 18, 2018

The Wife

The Wife (2018)
Starring Glenn Close, Jonathan Pryce, Christian Slater, Max Irons, Annie Starke, Harry Lloyd, and Elizabeth McGovern
Directed by Björn Runge
Written by Jane Anderson

Summary (in 500 words or less):  When her husband Joe Castleman (Jonathan Pryce) is honored with the Nobel Prize for Literature, his wife Joan (Glenn Close) is forced to look closely at her past and determine a path for her future.



The RyMickey Rating: C

Sunday, September 16, 2018

I Don't Feel at Home in This World Anymore

I Don't Feel at Home in This World Anymore (2017)
Starring Melanie Lynskey, Elijah Wood, Devon Graye, David Yow, Jane Levy, and Gary Anthony Williams
Directed by Macon Blair
Written by Macon Blair
***This film is currently streaming via Netflix***

Summary (in 500 words or less):  When the home of a woman (Melanie Lynsky) is robbed and the police won't investigate what they consider a minor crime, she hunts down the criminals with the help of her neighbor (Elijah Wood).


The RyMickey Rating:  B-

Saturday, September 15, 2018

78/52: Hitchcock's Shower Scene

78/52: Hitchcock's Shower Scene (2017)
Directed by Alexandre O. Philippe
Written by Alexandre O. Philippe
***This film is currently streaming via Hulu***

Summary (in 500 words or less):  Referencing the 78 camera angles and 52 cuts in the shower scene in the movie Psycho, this documentary examines this scene's effect on both films in the 1960s and the cinematic landscape today.


The RyMickey Rating:  B

Friday, September 14, 2018

Mission: Impossible - Fallout

Mission: Impossible - Fallout (2018)
Starring Tom Cruise, Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Angela Bassett, Michelle Monaghan, Vanessa Kirby, Wes Bentley, and Alec Baldwin
Directed by Christopher McQuarrie
Written by Christopher McQuarrie

Summary (in 500 words or less):  When his team's mission fails, Ethan Hunt (Tom Cruise) and his crew (Ving Rhames and Simon Pegg) are forced to be shadowed by CIA agent August Walker (Henry Cavill) at the behest of CIA director Erica Sloane (Angela Bassett).  At odds, Hunt and Walker attempt to track down missing plutonium before it falls into the hands of a terrorist group known as the "Apostles" who want to create several nuclear weapons and cause massive damage across the globe. 



The RyMickey Rating:  B+

Wednesday, September 12, 2018

The Lovers

The Lovers (2017)
Starring Debra Winger, Tracy Letts, Aiden Gillen, Melora Walters, Tyler Ross, and Jessica Sula 
Directed by Azazel Jacobs
Written by Azazel Jacobs
***This film is currently streaming via Amazon Prime***

Summary (in 500 words or less):  An unhappily married couple, Mary and Michael (Debra Winger and Tracy Letts), is ready to separate and go off with their respective lovers (Aiden Gillen, Melora Walters) since their badly kept secret affairs are ruining their home life.  However, as they're about to take the plunge and end their marriage, Mary and Michael begin to fall for one another again leading both of them to question what they really want in their lives.



The RyMickey Rating:  B+