Sucker Punch (2011)
Starring Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens, Jamie Chung, Oscar Isaac, Scott Glenn, and Carla Gugino
Directed by Zack Snyder
Zack Snyder is the King of Style over Substance. From 300 to Watchmen, Snyder finds a way to make stories seem pointless while transporting viewers into video game-reminiscent settings complete with a pulsing soundtrack. [Note: This is coming from someone who actually didn't mind Watchmen.] Sucker Punch is really no exception to the above characteristics and his stylized direction has worn out its welcome (if it was ever welcome to begin with).
In his latest assault on the senses, Snyder introduces us to Baby Doll (Emily Browning) who finds herself being forced into a mental institution after she accidentally kills her younger sister while trying to save her from their evil sexually abusive stepfather. Unfortunately, after the surprisingly promising and genuinely exciting opening moments, things fall apart. While in the institution, Baby Doll dreams that she, her fellow inmates, and all of the doctors work at a brothel. Mirroring her thoughts in the loony bin, Baby Doll tries to rally her fellow hookers into escaping the clutches of the evil owner Blue (Oscar Isaac). In order to do that, Baby Doll performs some sultry, sexy dance (which we the viewer never see) that puts all men into some sort of trance, thus allowing Baby Doll and her friends to steal the necessary supplies to bolt.
But wait...that's not all. Instead of seeing Baby Doll dance, we go into her mind and see what she is imagining while she shakes her moneymaker. And what she sees apparently is a war going on between her ladyfriends and Nazis, dragons, and futuristic robots. It's these moments in particular (which take up at least half the film) that grow ridiculously repetitive and ultimately wreck Sucker Punch. While I completely understand that none of these epically shot fight sequences are supposed to seem "real" since they're all occurring within Baby Doll's imagination, I couldn't help but think that the video game commercials I saw on the Blu-Ray prior to the film starting had better aesthetics and graphics. Everything in these sequences (and the whole movie for that matter) is so washed out and hued in grays and browns that nothing is pleasing to the eye. [This is a consistent problem for Snyder...for a guy that loves visuals so much, he manages to create worlds that are completely devoid of luminosity and appeal.]
While all of the ladies in the flick are certainly attractive, some -- Abbie Cornish and Jena Malone -- fare better than others -- Vanessa Hudgens and Jamie Chung -- in the acting department. Rather oddly, as the film's main character, Emily Browning is given absolutely nothing to do with her role. She barely speaks and finds herself being told to stare blankly at things more often than not. And the less said about Carla Gugino forcing out some laughable German or Austrian accent the better.
Not that I was ever on the Zack Snyder bandwagon, but Sucker Punch certainly knocked me off of it. This writer-director needs to shake things up a bit and actually create a story that's worth telling and craft visuals to go with it that don't look so cheap.
In his latest assault on the senses, Snyder introduces us to Baby Doll (Emily Browning) who finds herself being forced into a mental institution after she accidentally kills her younger sister while trying to save her from their evil sexually abusive stepfather. Unfortunately, after the surprisingly promising and genuinely exciting opening moments, things fall apart. While in the institution, Baby Doll dreams that she, her fellow inmates, and all of the doctors work at a brothel. Mirroring her thoughts in the loony bin, Baby Doll tries to rally her fellow hookers into escaping the clutches of the evil owner Blue (Oscar Isaac). In order to do that, Baby Doll performs some sultry, sexy dance (which we the viewer never see) that puts all men into some sort of trance, thus allowing Baby Doll and her friends to steal the necessary supplies to bolt.
But wait...that's not all. Instead of seeing Baby Doll dance, we go into her mind and see what she is imagining while she shakes her moneymaker. And what she sees apparently is a war going on between her ladyfriends and Nazis, dragons, and futuristic robots. It's these moments in particular (which take up at least half the film) that grow ridiculously repetitive and ultimately wreck Sucker Punch. While I completely understand that none of these epically shot fight sequences are supposed to seem "real" since they're all occurring within Baby Doll's imagination, I couldn't help but think that the video game commercials I saw on the Blu-Ray prior to the film starting had better aesthetics and graphics. Everything in these sequences (and the whole movie for that matter) is so washed out and hued in grays and browns that nothing is pleasing to the eye. [This is a consistent problem for Snyder...for a guy that loves visuals so much, he manages to create worlds that are completely devoid of luminosity and appeal.]
While all of the ladies in the flick are certainly attractive, some -- Abbie Cornish and Jena Malone -- fare better than others -- Vanessa Hudgens and Jamie Chung -- in the acting department. Rather oddly, as the film's main character, Emily Browning is given absolutely nothing to do with her role. She barely speaks and finds herself being told to stare blankly at things more often than not. And the less said about Carla Gugino forcing out some laughable German or Austrian accent the better.
Not that I was ever on the Zack Snyder bandwagon, but Sucker Punch certainly knocked me off of it. This writer-director needs to shake things up a bit and actually create a story that's worth telling and craft visuals to go with it that don't look so cheap.
The RyMickey Rating: D
I like how you leave out the amazing Dawn of the Dead Remake when talking about Zack Snyder's filmography.
ReplyDeleteBut yeah, this movie was boring as hell.
You should go to Philly and watch the Guard btw. It's amazing. And Midnight in Paris isn't too bad either. (It's half of an awful Woody Allen movie and half amazing something else)
If you haven't guessed, there's Landmark Theater about 4 train stops away from the base so I've been spending some time there :D
He just went downhill from Dawn of the Dead...the reason I didn't mention it, though, is because I've actually not seen it all the way through. I remember watching the first 40 minutes on HBO or something a few years ago and then had to leave the house and never caught the rest. I did like what I saw, though.
ReplyDeleteAnd I'm actually going to see Midnight in Paris tomorrow and I'm looking forward to it. I anticipate heading up to Philly a bit more in the upcoming months...
The Guard's the one with Cheadle, right? Wasn't on my radar at all...