Arthur (2011)
Starring Russell Brand, Helen Mirren, Greta Gerwig, Geraldine James, and Jennifer Garner
Directed by Jason Winer
Having never seen the original somewhat beloved and Oscar-winning 1981 Arthur with Dudley Moore and Liza Minnelli, I came into this with no preconceived notions. To be honest, the only thing I really associated with the film was the cheesefest of a song by one of my father's favorites shlockmeister songwriters Christopher Cross. I did know (as the previews for this 2011 re-telling made clear) that the film focuses on the titular character, Arthur, a booze-swilling rich guy who, as the aforementioned song says, "does as he pleases...but deep in his heart he's just a boy...showing himself a really good time laughing about the way they want him to be."
And, sure enough, that premise is pretty much spot on in the remake. Arthur (Russell Brand) is a rich man-child who proves to be quite a handful for his mother Vivienne (Geraldine James) who, while running the billion dollar Bach Corporation, finds her son's crazy antics across New York City to be quite detrimental to her company and its investors. In order to curb his shenanigans, she presents her son with an ultimatum -- either marry the up-and-coming businesswoman Susan (Jennifer Garner) who can then be next in line to run the company or be completely cut off from mommy's pocketbook. Afraid to give up his lavish and outrageous lifestyle, Arthur agrees to the plan, but soon finds himself falling in love with Naomi (Greta Gerwig), a "normal girl" whom he meets on the streets while gallivanting one day. The quasi-love triangle puts Arthur in quite a predicament.
All of the above is a perfectly acceptable storyline. As a matter of fact, I thought the first hour of Arthur flew by, provided me with enough guffaws, and proved to be pleasant enough thanks to a surprisingly charming performance from Russell Brand. However, the second hour delves into trying to get Arthur to "change" from a drunken oaf to a regular Joe Schmo. And the problem is I didn't give a damn about Arthur's reform. This guy's much more fun as a lewd drunk than he is as a serious guy. Apparently the original recognized this to a certain degree as they left the awkward Alcoholics Anonymous bit, but this remake just falters when it forces Brand to try and act sane.
It's a shame, really, because I did find myself somewhat admiring Brand's performance here. He manages to be both debonair and repulsive at the same time and that's not exactly an easy task. Similarly, although Jennifer Garner and Greta Gerwig don't have much to work with as stereotypical opposite ends of the dating spectrum, they do well with what they're given. And Helen Mirren as Arthur's nanny, even with her hair up in bun and clad in muted grays, is still a pretty darn attractive 66-year old lady. And all of those performances make it rather disappointing that the film is fundamentally flawed in its attempt to change the attitude and mindset of the title character.
The RyMickey Rating: C
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