The Undoing

 The Undoing (2021)

Starring Nicole Kidman, Hugh Grant, Donald Sutherland, Lily Rabe, Noma Dumezweni, Édgar Ramirez, Matilda De Angelis, Noah Jupe and Edan Alexander

Directed by Susanne Bier

Written by David E. Kelley

Click here for my Letterboxd review

The RyMickey Rating: B

Movie Review - Florence Foster Jenkins

Florence Foster Jenkins (2016)

Starring Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson, and Nina Arianda

Directed by Stephen Frears

Based on a true story from the 1940s, Florence Foster Jenkins tells the tale of its titular New York socialite (played by Meryl Streep) who has a great appreciation and fondness for classical music and opera.  On a whim and with the support of her husband and manager St. Clair Bayfield (Hugh Grant) Florence decides that she is going to showcase her operatic singing at a small recital for friends and other New York elite.  St. Clair hires an up-and-coming pianist Cosmé McMoon (Simon Helberg) to be Florence's accompanist and they begin preparing for the recital.  The problem, however, is that Florence can't sing...at all.  Her riches have allowed her to be trained by conductors of the Metropolitan Opera, but even these great musical minds can't mold Florence into a good singer.

The relationship between Florence and St. Clair is an unusual one.  Florence had been previously married and through that marriage contracted syphilis, so the couple have never consummated their marriage.  Because of this, despite being married, Florence and St. Clair don't live together with the two having an unspoken rule that St. Clair can see others.  Psychologically, this seemingly has an effect on St. Clair to be incredibly kind and generous to his wife, allowing her to act out her whims regardless of whether she really should, hence St. Clair's insistence that Florence be allowed to sing despite the fact that she simply is atrocious.

It's the admittedly odd connection between Meryl Streep's Florence and Hugh Grant's St. Clair that powers the film along.  There is obvious love conveyed for one another, but their unique living arrangements lead both parties to acquiesce to each other's whims.  This blind acceptance leads to quite a few humorous moments, particularly involving Simon Helberg as Florence's accompanist.  Helberg's Cosmé is seemingly only in the film to give reaction shots to Florence's truly horrible voice, but he does so with such aplomb that it's easy to overlook his underwritten character.  Hugh Grant is also charming -- as he is wont to be in films -- but this is really Meryl Streep's film.  Florence is certainly not as complicated a character as Streep as played in the past, but the actress imbues the character with heart, compassion, and a survivor-esque quality.  She's certainly captivating as always.

The film itself isn't quite as successful.  It's by no means bad, but in the end it's very much a throwaway.  There simply isn't a lot here.  Once we hear how awful Florence is, the comedic schtick runs a bit cold.  You can only hear a woman sing off-key so many times before you find yourself looking at your watch secretly urging the film to come to its conclusion.  Florence Foster Jenkins is amusing and lighthearted, but in the end, it's a bit empty.

The RyMickey Rating:  C+

Movie Review - The Man from U.N.C.L.E.

The Man from U.N.C.L.E. (2015)

Starring Henry Cavill, Armie Hamer, Alicia Vikander, Elizabeth Debicki, Sylvester Groth, Luca Calvani, and Hugh Grant 

Directed by Guy Ritchie

More style over substance, The Man from U.N.C.L.E. unfortunately doesn't come together as a full motion picture despite rather charming and winning performances from its key quartet.  When your film's climax feels unimportant, you know you've got a bit of a problem and that's the case here.  By the time the last twenty minutes rolls around, you may be in danger of having checked out even though you were somewhat intrigued by everything that came before.

Based on the tv show of the same name, The Man from Uncle is a spy flick that's firmly planted in the 1960s.  With WWII over, tensions are still high thanks to nuclear fears and the US, led by thief turned CIA agent Napoleon Solo (Henry Cavill), finds itself teaming up with Russia in the form of KGB operative Illya Kuryakin (Armie Hammer) to track down the villainous Alexander and Victoria Vinciguerra (Luca Calvani and Elizabeth Debicki).  The wealthy couple may have kidnapped the physicist father of auto mechanic Gaby Teller (Alicia Vikander) in order to help formulate a nuke that they can sell to the highest bidder and the US and Russia see Gaby as the way to get into the Vinciguerra compounds.

Director and co-screenwriter Guy Ritchie certainly creates a stylish, classy, and mod-looking film.  Visually, there are absolutely appealing aspects to The Man from Uncle.  Ritchie also does a really nice job of bringing elements of comedy to the mix, cleverly mixing witty wordplay with some rather ingenious visual set-ups.  Unfortunately, there's something about the espionage aspect of the script that never quite lands.  After a rather fun opening chase sequence, Ritchie can't quite craft his action sequences in ways that feel as if they're enhancing the plot and they bog things down rather than rile things up.

The cast is all around charming (albeit a little wooden in that James Bond "suave" sense -- not a bad thing) and fits perfectly in the 1960s era the film depicts with particular kudos to Elizabeth Debicki who snidely plays the dastardly villainess.  Ritchie just can't bring the varying genres of his film together to create a fully realized flick.

The RyMickey Rating:  C

Movie Review - Cloud Atlas

Cloud Atlas (2012)

Starring Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Susan Sarandon, Hugh Grant, Doona Bae, and Keith David

Directed by Tom Tykwer, Andy Wachowski, and Lana Wachowski

"Our lives are not our own.  From womb to tomb we are bound to others past and present.  And by each crime and every kindness, we birth our future."

The epic, nearly three hour Cloud Atlas can be summed up in the quote above that comes at the film's end.  As actress Doona Bae said the words, it was immediately obvious that she was spouting the film's thesis as set forth by its trio of writer-directors Tom Tykwer, Andy Wachowski, and Lana Wachowski.  And after that line is said, I found myself asking this question: Is it possible to really like a movie even if you feel like its deep underlying meaning isn't fully realized despite the fact that its screenplay tries to hammer it home over and over again?  The answer I've realized is yes because Cloud Atlas is a film that may not be perfect, but is wholly original, visually appealing, and surprisingly compelling throughout its lengthy run time.

Essentially six separate stories, the overarching point of Cloud Atlas is to tell us that all of our current actions affect those that come after us which is why the stories here -- spanning the centuries from 1849 to 2321 -- are somewhat connected to one another, some by tenuous strands and some by significant plot points.  With each story undertaking a different genre -- there's comedy, suspense, romance, sci fi, historical drama -- it's as if we're watching a bunch of separate movies that are held together by both the film's theme and the interesting, entirely successful gimmick of having the members of the cast play different roles in all of the storylines.  So, as an example, while Halle Berry is the lead in the suspense segment, her role as a different character in the romance tale is a minimal one.  The same goes for Tom Hanks, Ben Whishaw, Jim Broadbent, Jim Sturgess, Hugo Weaving, Susan Sarandon, and Hugh Grant, all of whom make up a very nice ensemble and get the chance to play a variety of roles.

The film looks expensive and for a movie spanning so many genres and centuries, it's good that things don't look as if they were done on the cheap.  From the special effects to the scenic design to the nice score, all of the technical aspects of Cloud Atlas deserve praise.  Directors Tom Tykwer and the Wachowski siblings have really crafted something that I found rather intriguing on the visual side of things.

Overall, what prevents the film from thoroughly reaching its ambitious intentions is the fact that some of the stories just don't carry the gravitas of, as one character put it, showing "the consequences of one's life rippling through eternity."  As an example, I loved the comedy segment of the film featuring Jim Broadbent as a book editor who, after running afoul with one of his clients, is forced to go on the run and finds himself locked up in an old person's home.  I thought the story was well thought out, humorous, and completely entertaining.  However, I don't quite understand how it fit in with the six other stories.  Yes, there is a brief mention of Broadbent's character in the sci fi segment, but for the heftiness of the overarching theme, it doesn't quite work.  Granted, I understand that many people on this planet will only affect others in small ways, but I'm not quite sure for the scope and grandeur of Cloud Atlas that we should've been focusing on these people in this movie.

Still, while that may seem like a somewhat large "problem," it really isn't.  While it knocks the film down from a perfect level, Cloud Atlas is still a fascinating film that I'm still thinking about days after watching it.  Moreso than many of 2012's films, this is one that I look forward to watching again a few years in the future.

The RyMickey Rating:  B+

Movie Review - The Pirates! Band of Misfits

The Pirates! Band of Misfits (2012)

Featuring the voice talents of Hugh Grant, Martin Freeman, Imelda Staunton, David Tennant, Jeremy Piven, Anton Yelchin, Brendon Gleeson, and Salma Hayek

Directed by Peter Lord and Jeff Newitt

The Pirates! Band of Misfits feels distinctly Aardman, the same animation studio that brought us Flushed Away, Chicken Run, and the Wallace and Gromit shorts and film.  There's no mistaking the company's wry British sense of humo(u)r and the Claymation-style stop motion animation.  However, while the animation proves to be fantastic (I honestly thought it was computer-animated until I did a bit of research), the story about a band of misfit pirates (hence the title) doesn't quite have enough oomph to satisfy.

All Pirate Captain (Hugh Grant) wants is to be named Pirate of the Year.  For years, he's never been able to get the coveted award and he's clamored to be anything other than a laughing stock amongst his fellow pirates (some voiced by Jeremy Piven and Salma Hayek).  However, Pirate Captain's biggest problem is that he's simply not very good at his chosen profession.  He always seem to fail when it comes to one of the key factors in gauging a pirate's success -- stealing booty.  Determined to find his place at the top of the Pirate of the Year ballot, Pirate Captain sets off on a mission to steal as much booty as he can find and ends up raiding the ship of Charles Darwin (David Tennant).  Darwin has nothing worth stealing, but discovers that Pirate Captain's parrot is actually the last remaining dodo on the planet.  Seeing dollar signs before his eyes and with the prospect of earning much admiration from Queen Victoria (Imelda Staunton), Darwin convinces the Pirate Captain to travel to London with him to present the dodo at a huge science convention.  The Pirate Captain, lured by the prospect of a "giant prize" at the affair, obliges despite the fact that the Queen absolutely despises pirates and does all that she can to see they are executed.

All of that plot is certainly amusing and it had me convinced that I was in for a nice and unexpected treat.  However, that all takes place in the film's first thirty minutes and the remaining fifty minutes simply wanders about rather aimlessly, losing the momentum of the strong first act.  As I mentioned above, the animation is rather stunning.  I've always been a fan of Aardman's unique stop-motion style and it doesn't disappoint here.  In fact, the fluidity of movement in Pirates is the best I've seen from them, but it still maintains the uniqueness that is stop-motion animation.  Couple the beautiful animation with some nice voice acting particularly from an unrecognizable Hugh Grant as Pirate Captain and Martin Freeman as his trusty partner Pirate with a Scarf and you have all the makings of a nice film.

Which is why it's all the more unfortunate that the story didn't have a little more to offer.  The Pirates! Band of Misfits isn't a bad film and it's not even something I'd consider a disappointment.  It's disheartening, however, that there appeared to be so much potential here that wasn't quite fully realized.

The RyMickey Rating:  C+

Movie Review - Love Actually (2003)

Christmas Movie a Day #7
Love Actually
Starring Hugh Grant, Liam Neeson, Colin Firth, Laura Linney, Emma Thompson, Alan Rickman, Kiera Knightley, and Bill Nighy
Directed by Richard Curtis

I understand that this isn't a perfect movie, but I really can't help but love it. There's just something so charming about this flick that wins me over every single time that I watch it.

Richard Curtis (writer-director of the recent Pirate Radio) crafts a movie full of interweaving tales of romance -- some of which end positively and others of which of conclude less than perfect. With the exception of the tale of the young Englishman who travels to the U.S. to work his British charms on unsuspecting American ladies and the story of the naked body double couple, there's not a bad story in the bunch. Particularly winning are Liam Neeson as a grieving widow dealing with his young stepson's first love and Emma Thompson as a wife who suspects her husband (Alan Rickman) of cheating on her with a hot office colleague. Hugh Grant as the new prime minister is also at his best here. Throw in Colin Firth, Laura Linney, and a hilarious Bill Nighy as an aging rock star and you've got one heckuva cast.

What's particularly enjoyable is that Richard Curtis is able to make many of these stories connect without ever seeming the least bit unbelievable. None of the relationships/interconnections ever seem forced even it's just as simple as a character sitting in the congregation at another character's wedding. That's a difficult task and Curtis was definitely up to it.

Once again, I realize this film isn't perfect, but it's one of my favorites, for sure. A new holiday tradition, perhaps, even if it's not the most "Christmas-y" movie around.

The RyMickey Rating: A-
The Christmas Spirit Scale: 6/10
(The Christmas Spirit Scale is a totally pointless rating that is simply my feeling about how "Christmas-y" the movie felt to me)