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Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label bella heathcote. Show all posts
Showing posts with label bella heathcote. Show all posts

Monday, September 25, 2017

Movie Review - The Neon Demon

The Neon Demon (2016)
Starring Elle Fanning, Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Desmond Harrington, Alessandro Nivola, Christina Hendricks, and Keanu Reeves
Directed by Nicolas Winding Refn
***This film is currently streaming via Amazon Prime***

The fashion industry is a brutal one -- but one can only hope it's not as bad as what's depicted in The Neon Demon which details a profession that eats you up and spits you out...quite literally.  Young Jesse (Elle Fanning) has just moved alone to California in the hopes of making it big as a model.  Told to lie about her age in order to get more jobs, the innocent and naive fifteen year-old girl is nearly immediately fawned upon by some big-name photographers and designers which doesn't sit well with a few struggling industry models (Bella Heathcote, Abbey Lee).  Adrift in the cutthroat world, Jesse befriends Dean (Karl Glusman) -- a nice guy who genuinely cares about her success and well-being -- and Ruby (Jena Malone) -- a make-up artist who's intentions may not be as pure as they seem.  As Jesse rises up in the ranks rather quickly, it's only natural that there will be some who want to take her down and they'll stop at nothing to succeed.

Totally original, but also completely full of WTF moments that had me questioning why I was watching, The Neon Demon is a visually stunning film with director Nicolas Winding Refn upping the stylish quotient from his previous endeavors.  That said, once you move beyond the look of things, there's not a whole lot here.  Fashion industry metaphors are obvious and they do nothing to advance the underdeveloped story which eventually devolves into a laughable horror movie of sorts.  Admittedly, the stylization of this film proves to be a near perfect match for the industry it's trying to send up, but with one-note characters and a too-basic story, The Neon Demon doesn't quite make the grade.

The RyMickey Rating:  C



Thursday, January 10, 2013

Movie Review - Not Fade Away

Not Fade Away (2012)
Starring John Magaro, Bella Heathcote, Jack Huston, Will Brill, Dominque McElligott, Molly Price, and James Gandolfini
Directed by David Chase

Not that I watched more than a season-and-a-half of The Sopranos, but David Chase should probably stick to tv rather than venture out into the cinematic landscape if Not Fade Away is any indication of his movie ambitions.  Everything about the film -- with the exception of the fantastic collection of sixties music -- feels utterly generic.  It doesn't help that Chase -- who also wrote the film -- adds in side stories that fail to go anywhere (as if he were setting up scenes for next week's episode or something).  I'm at a loss as to how this film is rated so highly on RottenTomatoes.  I'm apparently definitely going against the grain on this one.

When teenage Douglas (John Magaro) hears The Rolling Stones on the radio, he immediately knows that he wants to be in a band.  With his buddies, he achieves that dream, performing at local parties, but longs for something more.

And that's it.  There's a love interest (Bella Heathcote, a dead ringer for Sally in The Nightmare Before Christmas), a father and mother (James Gandolfini and an awful Molly Price) who don't understand his teenage angst, and bandmates who turn on each other in typical and expected fashion.

Nothing you haven't seen before here.  Go ahead and move on...

The RyMickey Rating:  D+

Friday, December 28, 2012

Movie Review - Dark Shadows

Dark Shadows (2012)
Starring Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Bella Heathcote, Jackie Earle Haley, Jonny Lee Miller, and Chloë Grace Moretz
Directed by Tim Burton

Edward Scissorhands.  Ed Wood.  Sleepy Hollow.  Charlie and the Chocolate Factory.  The Corpse Bride.  Sweeney Todd.  Alice in Wonderland.  With the exception of Sweeney Todd, the pairing of director Tim Burton with his acting stalwart Johnny Depp have almost gotten a bit worse with each progressive film.  While Dark Shadows can't quite compete with the abhorrent trip down the rabbit hole that was their last collaboration, this redo of a 1960s vampire soap opera doesn't quite gel.  I see potential around every corner with the director's latest work, but the odd mix of comedy and horror is never humorous nor scary enough to successfully satisfy the cinematic requirements of either genre.

With an appropriately creepy Gothic prologue, Burton starts things off with a perfectly morose tone.  Barnabas Collins (Johnny Depp) was the twentysomething son of a wealthy fishing family whose riches were enough to have a town named after them back in the late eighteenth century.  After seducing and then breaking up with the Collins' maid Angelique (Eva Green), it is discovered that the maid was in fact a witch who through her dark sorcery kills Barnabas' parents.  Some time passes and Barnabas falls for the lovely Josette (Bell Heathcote) much to the chagrin of the jealous Angelique who concocts another spell that both kills Josette and turns Barnabas into an immortal vampire whom she then locks in a coffin buried for eternity.

After those first ten minutes, I asked myself why this film had gotten such bad reviews upon its release earlier in the year.  This seemed like it was going to be a nice little creepy flick.  And that's when the tone shifted.  Barnabas' coffin is unearthed in the early 1970s and rather than focus on horror, the next ninety minutes are all about Barnabas being a fish out of water.  A tv?  It's a magic box that must be destroyed.  A McDonald's?  That must be the hang-out of Mephistopheles because of the big 'M' that adorns the sign.  It's not funny written down and it isn't any funnier in the film.  Ultimately, there's some plot about Barnabas needing to save his family's reputation.  Angelique has managed to live for these nearly two centuries and has pushed the Collins family out of the fishing industry in Collinswood by creating her own fishery.  Barnabas will stop at nothing to prevent the witch from casting his family name into the gutters.

The biggest problem here is simply that the film isn't funny.  I didn't laugh once despite Burton trying to balance both comedy and light horror elements.  The two pieces never fit together.  I'm not quite sure why Burton decided to go this route considering that the 60s soap opera was decidedly not comedic (at least in the dozen episodes or so I ventured to watch a few years ago) except to think that he felt it matched his quirky aesthetic a bit better.  Needless to say, he should have dropped the quirk.

Eva Green is the only actor in the cast who fully embraces the humorous aspects of the film.  While I still didn't laugh at anything her character said or did, Green at least attempts to breathe some life into the comedic moments.  Johnny Depp is sleepwalking through the whole thing -- he's not particularly bad, but he certainly brings nothing to the table.  The rest of the cast -- Michelle Pfeiffer, Helena Bonham Carter, Chloë Moretz -- aren't given any particularly memorable moments so critiquing anything involving them would prove fruitless.

There was some potential in Dark Shadows, but I think Burton's direction (and admittedly the screenwriter's lack of focus on a particular genre) is the film's downfall.

The RyMickey Rating:  C-