The Aftermath

The Aftermath (2019)

Starring Keira Knightley, Alexander Skarsgård, and Jason Clarke

Directed by James Kent

Written by Joe Shrapnel and Anna Waterhouse

Click here for my Letterboxd review

The RyMickey Rating:  C

The Nutcracker and the Four Realms

The Nutcracker and the Four Realms (2018)

Starring Mackenzie Foy, Keira Knightley, Eugenio Derbez, Matthew Macfadyen, Richard E. Grant, Misty Copeland, Helen Mirren, and Morgan Freeman

Directed by Lasse Hallström and Joe Johnston

Written by Ashleigh Powell

Click here for my Letterboxd review

The RyMickey Rating:  C-

Movie Review - Everest

Everest (2015)

***viewed in 3D***

Starring Jason Clarke, Jake Gyllenhaal, Josh Brolin, John Hawkes, Sam Worthington, Robin Wright, Michael Kelly, Elizabeth Debicki, Naoko Mori, Emily Watson, and Keira Knightley

Directed by Baltasar Kormákur

To me, there's an insanity that comes with wanting to climb a nearly unclimbable mountain like Mt. Everest.  Shelling out $64,000 to join the Adventure Consultants team headed by Rob Hall (Jason Clarke) seems like a crazy notion to me, but mailman Doug Hansen (John Hawkes), doctor and father Beck Weathers (Josh Brolin), writer Jon Krakauer (Michael Kelly), and forty-eight year-old avid climber Yasuko Namba (Naoko Mori) are just a few of the people who decided to do such a thing in March 1996.  Everest tells their tragic true story.

While there are certainly moments of sentimentality -- most stemming from the aforementioned climbers' phone calls home to their loved ones (Keira Knightley, Robin Wright) or base camp manager Helen (Emily Watson) -- Everest doesn't harp on them.  In a film that so easily could've created emotional connections between the climbers, Everest is really about Man vs. Nature.  When someone falls off a cliff edge, it's certainly a painful moment and it's greeted with sadness and grief by other climbers, but it's also the nature of the beast.  Don't mistake my writing and think that the film is callous to those who truly lost their lives -- it's not in the slightest.  It's simply that the film is like a docudrama, detailing the incidents with a bluntness we're not necessarily used to seeing in films -- and it works.

The film admittedly takes its time to get going, but director Baltasar Kormákur succeeds in making the build-up to the climb nearly as compelling as the climb itself.  Thanks to the adept screenplay, we learn little tidbits of info about each of our climbers without ever being burdened with big backstories (with the exception of perhaps Rob Hall who leads the expedition and is the main character in the ensemble).  Once we get onto the mountain itself, Kormákur creates an intense atmosphere where that aforementioned bluntness keeps us on a constant edge because we're never really given a warning or a build-up to when bad things are going to happen.

With special effects that are near flawless -- I genuinely felt like I was on Everest making the climb with the group -- Everest is certainly a success.  However, the lack of emotion -- the same thing I praised the film for earlier -- does end up being a slight downfall in the end.  It's the docudrama aspect of the whole affair that doesn't fully allow us in the audience to "feel" for the characters.  Only in the end when the requisite character codas flash up on the screen with "real life" photos of those who lost their lives on the mountain did I actually "feel" something.  The coda is there obviously to remind us that what we witnessed was true and there's no doubt in my mind that ending the film on this note is necessary to pay the proper respect to those who passed away.  However, the end also oddly makes us wish that the film itself inherently created the emotions that are aroused within us when we see the real-life photos.  It doesn't do that and because of that it's a bit too jarring of a conclusion.

The RyMickey Rating:  B

Movie Review - Laggies

Laggies (2014)

Starring Keira Knightley, Chloë Grace Moretz, Sam Rockwell, Mark Webber, Jeff Garlin, Ellie Kemper, Gretchen Mol, and Kaitlin Dever

Directed by Lynn Shelton

***This film is currently streaming on Amazon Prime***

Laggies started out so promisingly with laughs coming quite rapidly in the film's first few scenes.  However, as the tale of aimless twenty-eight year-old Megan (Keira Knightley) progressed, its humor began to cease which is a real shame because I think Knightley and Chloë Grace Moretz are giving some of their best performances in this flick.

Megan is college educated and could be a therapist should she so choose, but instead she spends her days twirling a sign outside her dad's tax prep business.  She's been with boyfriend Anthony (Mark Webber) since high school, but her general malaise is a bit off-putting to even him.  While attending her best friend's wedding, Megan runs out in a bit of a panic and heads to a local liquor store where she meets Annika (Moretz) who asks Megan to buy liquor for her and her high school friends.  Megan obliges and ends up spending the night hanging out with the teenagers, having a blast in the process as she remembers the "good old days."  When Anthony pleads with her a few days later to attend a conference that will help better herself, Megan instead meets up with Annika for the week and end up spending a lot of time together with trying to better one another's ho hum lives.

Keira Knightley is really coming into her own as of late and Laggies is no exception.  Here she completely embodies the lackadaisical Megan with her acting feeling wholly natural and completely unforced.  Moretz is also quite good, although her character is admittedly a little less developed and haw much less room to grow.  Together, the two have a nice rapport and movie certainly is aided by the two actresses.

Unfortunately, the film itself isn't quite as humorous as it would like you to think it is.  It also doesn't help that the premise itself isn't quite as believable as it would like you to think it could be either.  Would the father (Sam Rockwell) of Annika really be okay with a woman more than ten years her senior hanging out with his daughter?  And while Knightley sells the prospect of a romantic relationship with Rockwell's character, when the film begins to travel down that road it just seems a bit silly.  So, despite some really solid performances, Laggies doesn't quite work.

The RyMickey Rating:  C

Movie Review - The Imitation Game

The Imitation Game (2014)

Starring Benedict Cumberbatch, Keira Knightley, Matthew Goode, Allen Leech, Rory Kinnear, Matthew Beard, Charles Dance, Alex Lawther, and Mark Strong

Directed by Morten Tyldum

Paced extraordinarily well, fantastically acted, and cleverly written passing through three timelines which dramatically strengthen one other without feeling gimmicky, The Imitation Game is one of the surprise treats of the 2014 Oscar season.  The raves it received should seemingly negate the notion that it could ever be a "surprise," but it's the type of film -- an historical drama -- that one often finds difficult to feign excitement.  However, I found director Morten Tyldum's film to cast a light on a subject with which I was unfamiliar and do so in a manner that was engaging and extremely well executed.

Benedict Cumberbatch plays Alan Turing, an incredibly intelligent young man only recently graduated from university with a talent for solving a wide variety of puzzles.  This piques the interest of the British Intelligence Agency who hire Turing to try and decode Germany's encoded messages to one another during the height of WWII.  Germany had created a machine known as Enigma which provided millions of different codings making it near impossible for the Allies to figure out what the Nazis were relaying to one another.  Cleverly, the Germans changed the settings on Enigma on a daily basis so unlike Turing's hired colleagues who put pen to paper in order to solve the intricate Enigma messages (only to be devastated at day's end having their work prove all for naught), Turing believed that the only way the Allies could fight Enigma was to build a machine that matched Enigma's prowess.  Although most thought the quirky sensibilities of Turing pointed towards him being crazy, the genius eventually managed to convince his fellow brainiacs (and the British government) that his plan would be a success.  Needless to say, the Nazis didn't overtake Europe, so -- spoiler alert -- he succeeds.

In and of itself, the historical plot of The Imitation Game is worth the price of admission, but there's a devastating personal aspect as well with Turing discovering his homosexuality as a teenager and having to hide his sexual orientation seeing as how being gay was a criminal offense in England through the 1950s.  This adds another layer to the story and makes Turing's life all the more painful in the end.

Director Morten Tyldum keeps the film moving at a surprisingly rapid clip without any lulls.  He very deftly moves the film from WWII era to Turing's youth (when he's played by the wonderful Alex Lawther) to the 1950s when Turing is being investigated by the police for indecency.  Each of these segments builds upon one another to give us an extremely well-rounded glimpse of the complicated individual that is Alan Turing.  Much credit goes to the young Mr. Lawther who makes it entirely believable that he was playing a younger version of Benedict Cumberbatch's Turing.  Through Lawther's portrayal, we can see the obvious evolution of Turing and I found this a pleasant addition to the film.

Benedict Cumberbatch is surprisingly soulful as the adult Alan Turing.  His unique tics and idiosyncrasies coupled with the extremely intelligent manner of speaking give us a character that while awkward is also heartbreaking without ever feeling treacly or emotionally forced.  His supporting cast includes Keira Knightley, quite good as an intelligent woman with whom Turing finds himself a bit infatuated, and Matthew Goode as another smart codebreaker who finds himself often at odds with the shy, introverted Turing.  There's truly not a bad performance in the bunch.

The Imitation Game could easily have been a boring historical docudrama, but, much like The King's Speech several years ago, it rises above the stolid, heavy feeling that sometimes accompanies period pieces and becomes a movie that emotionally resonates while also teaching a little bit about an important part of our past.

The RyMickey Rating:  A- 

Movie Review - Begin Again

Begin Again (2014)

Starring Keira Knightley, Mark Ruffalo, Hailee Steinfeld, Adam Levine, James Corden, Cee-Lo Green, Mos Def, and Catherine Keener

Directed by John Carney

The shadow of John Carney's fantastic film Once hangs above his latest flick Begin Again and unfortunately, the comparisons don't work in this 2014's film's favor.  Everything from the story to the music to the emotional heart lack when Begin Again is stacked up next to Once.  There's no resonating feeling upon the conclusion of this Keira Knightley-Mark Ruffalo starrer, instead emanating a feeling of light fluff that we've seen before numerous times.

Knightley is Gretta, a songwriter, who moves to New York with her singer boyfriend Dave (Maroon 5's Adam Levine) after one of his tunes hits the charts in a big way after being featured on a movie soundtrack.  Unfortunately, as is seemingly de rigueur for that profession, Dave cheats on Gretta while on a promotional tour and Gretta walks out on him.  Saddened, she finds herself in a bar in which her friend Steve (James Corden) convinces her to sing one of her tunes to the public.

While her song doesn't go over too well, it's a hit with Dan (Mark Ruffalo), a just fired long-time music executive who was drowning his sorrows in liquor.  However, upon hearing Gretta's tune, he finds himself reinvigorated to join the workforce again.

Obviously, Gretta's and Dan's stories merge, but there ultimately isn't that much payoff.  The film goes pretty much exactly where we expect it go.  (Some who've watched the film may argue with that assessment, but I thought it was the only logical way it could go for these characters.)  Unfortunately, neither Gretta nor Dan is all that interesting and while I appreciated their desire to create music for the masses eschewing the corporate bigwigs, their tale just felt empty.

Although the cast is good -- Ruffalo and Knightley are charming and Knightley in particular is really coming into her own as of late in the acting department -- they can't liven up the story enough.  The music, although perfectly acceptable, isn't all that fantastic either.  For a movie ensconced in the music industry, I feel like I should want to download a song or two at the film's conclusion and that didn't happen -- although, admittedly, I did add one song to my iTunes wish list so it may happen eventually.

Perhaps it's unfair to compare this film to Once.  Even if it is, Begin Again is nothing better than average.  Pleasant, but trite.

The RyMickey Rating:  C

Movie Review - Jack Ryan: Shadow Recruit

Jack Ryan: Shadow Recruit (2014)

Starring Chris Pine, Keira Knightley, Kevin Costner, and Kenneth Branagh

Directed by Kenneth Branagh

I was hoping for some success for the reboot of Tom Clancy's Jack Ryan character -- previously played onscreen by Alec Baldwin, Harrison Ford, and Ben Affleck.  In Jack Ryan: Shadow Recruit, we see the title character in his infancy in the CIA.  Chris Pine, who previously successfully spearheaded the "rebirth" of the Star Trek franchise, heads the "begin again" here and while I still find him a surprisingly charismatic action star, this flick isn't quite as successful as his journeys with Captain Kirk and Spock.

The biggest issue with Jack Ryan: Shadow Recruit is that the story isn't all that interesting for a movie that attempts to market itself as an action picture.  In the film's prologue, Ryan's Army helicopter is shot down over Afghanistan and after receiving therapy (and meeting his doctor wife played by Keira Knightley in the process) goes on to work at a prestigious stock brokerage on Wall Street.  Little does anyone else know that upon returning home from the war, Ryan was recruited by the CIA to work undercover in the banking industry to uncover crooked dealings from overseas bigwigs.  Ryan uncovers a big red flag concerning Russia and his boss Thomas Harper (Kevin Costner) sends him to Moscow to investigate Viktor Cherevin (Kenneth Branagh) to figure out just what he's planning on doing with his shady financing.

And that's it.  An action movie about finances.  There are a few moments of tension and there's a long chase scene at the film's end that works but just feels out of place amidst everything else.  Kenneth Branagh proves once again (after the original Thor) that he's a solid director of action pics and I hope that the disappointing returns on this flick don't shy studios away from hiring him in the future.  Chris Pine and the rest of the cast all bring what they can to the table and they certainly keep the audience interested in the goings-on...the problem is that the goings-on just aren't that interesting in the first place.

The RyMickey Rating:  C

Movie Review - Seeking a Friend for the End of the World

Seeking a Friend for the End of the World (2012)

Starring Steve Carell, Keira Knightley, Adam Brody, Connie Britton, Rob Corddry, Derek Luke, and Martin Sheen

Directed by Lorene Scafaria

Second-time screenwriter Lorene Scafaria's debut directorial effort takes two disparate people -- the forlorn, depressed Dodge (Steve Carell) and the free-spirirted Penny (Keira Knightley) -- and forces them together as they trek from New York to Delaware (shout out to the First State!) to be with their families ahead of an impending 70-mile wide asteroid making impact with Earth bringing an end to civilization.  Although Dodge and Penny lived in the same apartment complex for years, they never knew each other at all.  When Dodge's wife leaves him and Penny's boyfriend (Adam Brody) proves to be not all she pegged him to be, the two find themselves involved in a mutually beneficial "end of the world" relationship.  Penny has a car that can take Dodge to his father's house in Delaware and Dodge says that he knows someone who can fly Penny to be with her family in England before the impending apocalypse.  Along the way, we are given what are essentially vignettes of Dodge and Penny meeting people who are preparing in different ways for the end of the world.

While none of these vignettes prove detrimental individually to the film, when put together, they don't really amount to much.  Despite the somewhat hollow feeling we have watching people act quirky despite their impending death, I still found myself completely interested in what was happening...and then the last thirty minutes of this movie come along and make everything that comes before it seem like it should have taken place in a completely different movie.  There's a tonal shift that the director/screenwriter can't ever quite effectively mesh together.  Both parts work individually, but they disappoint a bit when combined and we look at the movie as a whole.

It's a shame, really, because the final moments of Seeking a Friend for the End of the World were simply fantastic.  The last scene will likely end up very high on my 2012 RyMickey Awards Best Scene category (posting soon in June).  Admittedly, despite the distinct moods of the film, Ms. Scafaria does effectively create a relationship between Dodge and Penny.  Credit for this connection certainly must be doled out to Steve Carell and Keira Knightley who seem like such an odd coupling that I had absolutely no desire to see this film in the first place.  However, Carell in particular does some great work here.  The film overall lands squarely in the "dramedy" category and Carell is able to play both the humor and pathos of Dodge quite admirably. It was also a pleasant surprise for Knightley to tackle the more comedic character of the duo.  I look forward to seeing Carell pursue more dramatic work and Knightley taking on comedy if this film is any indication of their capabilities.

Yes, there are problems with Seeking a Friend for the End of the World, but I almost want you to ignore them because the payoff in the end feels so genuine, real, and organic that it's worth overlooking the flaws.  As long as you go into this one realizing that it isn't perfect, but is deserving of your time, you'll come away pleased and almost invigorated despite the ominous tone that stems from the possibility of the entire human race coming to an end.

The RyMickey Rating:  B-

Movie Review - Anna Karenina

Anna Karenina (2012)

Starring Keira Knightley, Jude Law, Aaron Taylor-Johnson, Alicia Vikander, Domhnall Gleeson, Matthew Macfadyen, Kelly Macdonald, Olivia Williams, and Emily Watson  

Directed by Joe Wright

Oh, what a conundrum Anna Karenina places me in.  It's not really a conundrum, I guess, so much as disappointment.  Considering all that is good about this re-telling of the classic Leo Tolstoy novel (of which I was entirely unfamiliar with), it pains me to not be able to recommend this one.  Despite some ingenious direction and a career-best performance from Keira Knightley, this flick just can't get past the fact that there's not enough story -- or at least not enough interesting story -- to cause the audience to give a damn.  I'm not quite sure there's anything director Joe Wright could have done -- and he certainly tries -- to have made this late 19th century soap opera appealing to a modern audience.

I knew absolutely nothing about Anna Karenina prior to venturing into this film.  In fact, I'm not even sure I saw a complete trailer for the movie, let alone cracked open a Cliffs Notes version of the book.  However, I knew going in (and this was probably incredibly helpful) that director Joe Wright had rather cleverly set up the film as if it was all being performed on a stage.  Sets move in and out fluidly.  Cast members are sometimes seen playing different roles in the background.  We see stage props and the unfinished backsides of backdrops.  This stylized, grandiose approach certainly kept my attention throughout and provides many glorious scenes that I truly loved.

Unfortunately, this story is just too formulaic and too banal to have any reason to be filmed.  Maybe the novel was a revelation in 1877, but now the whole thing reads as a trite soap opera elevated to importance only because people speak in British accents (despite the fact that this takes place in Russia...but that didn't bother me in the slightest).  Keira Knightley is the title character, a young mother who is seemingly stuck in a marriage with a husband, Alexei (Jude Law), who monetarily provides for her, but fails to express love for her and her son.  While on a visit to see her brother (Matthew Macfadyen), Anna meets Count Vronsky (Aaron Taylor-Johnson) and instantly becomes mesmerized with him (as he does with her).  They begin a rather torrid affair that isn't exactly kept as secretive as it should be.  With Anna already in a marriage and Vronsky set to be betrothed to the young Kitty (Alicia Vikander), this doesn't sit well with the community and Anna finds herself being ostracized and looked down upon by all.

Had the Anna-Vronsky-Alexei triangle been all that we had to worry about, I may have been okay with the premise.  However, we then get sidetracked to a forlorn Kitty, sullen and upset that Vronsky left her, falling into the arms of the less wealthy Konstantin (Domhnall Gleeson).  Frankly, despite a decent effort by the actors to convince me otherwise, I couldn't have cared less about the Kitty-Konstantin angle and found that it slowed down the movie to uncomfortable levels.  It certainly doesn't help that Anna's now-ruined life is drawn out seemingly ad infinitum as well.

And the shame of it all is that Keira Knightley is pretty fantastic.  Even in her better roles (like last year's A Dangerous Method), Ms. Knightley still relied on her ever-present crutch of jaw-clenching to express frustration, anger, or fear.  Somehow, she's grown quite a bit as an actor and her director (whom she's worked with twice before) has nixed that jutting jaw of hers.  Anna is her most mature role yet with Knightley exuding passion, sexiness, heartbreak, and maternal instincts.  It really is a well-rounded performance in a movie whose story doesn't permit her character to soar the way it deserves.

The RyMickey Rating:  C

Movie Review - A Dangerous Method

A Dangerous Method (2011)

Starring Keira Knightley, Michael Fassbender, Viggo Mortensen, and Vincent Cassel

Directed by David Cronenberg

I'm sure there's an appeal out there for the psychological gibberish that's spouted by Karl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen) in A Dangerous Method, but it's simply not my cup of tea.  I remember studying these two guys in college and writing papers about how laughable their theories were to my mind.  Still, for about half of this ninety minute flick, I was admittedly intrigued by hearing their various theories discussed and debated.  However, after a while, this very talky film just wears out its welcome and despite a good performance from Fassbender and an oftentimes riveting turn from Keira Knightley, David Cronenberg's A Dangerous Method just doesn't quite have enough of a story around which to craft a film.

A Dangerous Method revolves around Sabina Spielrein (Keira Knightley), a Russian Jew who is brought to Karl Jung's mental facility acting out with strange and violent twitches.  Jung is taken by the case and finds himself using many of his colleague Freud's sexually charged theories to diagnose Sabina.  As time passes, Jung finds himself falling for Sabina despite his best efforts to keep his focus on his marriage, and he soon finds that his growing obsession with Sabina could ultimately create a divide not only with his wife, but with his esteemed colleague Freud as well.

The film starts out simply astonishingly with Keira Knightley giving the best performance of her career in the opening scenes.  Manic, crazed, and given the perfect opportunity to jut out her jaw (which, if you've seen any of her films, she's very prone to do), I found myself unable to take my eyes off of Knightley.  She has captured what I can only assume to be an incredibly accurate depiction of a psychologically damaged young woman.  Unfortunately for Knightley, once her character begins to turn towards the sane side, she becomes a bit tedious and boring to watch.  While the progression of her character is believable, the commitment and tour de force performance of Knightley in the first half of the film becomes rather bland in the second half.

And it's in that second half that things start to unravel.  I give credit to director David Cronenberg for his use of deep focus -- allowing all things near and far to both be in focus in a particular scene -- which adds an interesting visual tableau to the mundanely verbose proceedings throughout much of the film, but the lovely sights aren't enough to save the disappointing conclusion to the flick.  As Sabina gets mentally better, the film shifts a bit more of its focus onto the relationship between Jung and Freud and, quite bluntly, it couldn't keep my interest.  Michael Fassbender and Viggo Mortensen are fine as the two doctors (with Fassbender coming off a bit better probably only because his character is given an actual arc as opposed to Mortensen who seems to simply be playing a figurehead with little else to do other than spout Freud's famous dictums), but neither of the actors (or perhaps their characters) are charismatic enough to carry the second half of the movie.

The RyMickey Rating:  C

Movie Review - Last Night

Last Night (2011)

Starring Keira Knightley, Sam Worthington, Eva Mendes, and Guillaume Canet

Directed by Massy Tadjedin

***This film is currently streaming on Netflix***

Temptation is what Last Night is all about.  Joanna and Michael (Keira Knightley and Sam Worthington) already seem to be simply going through the motions of being a married couple after only a few years of being betrothed.  After a squabble one night, each of them finds themselves in a position to stray from their spouse -- Michael with his beautiful co-worker Laura (Eva Mendes) and Joanna with her French ex-boyfriend Alex (Patrick Dempsey's Gallic doppelganger Guillaume Canet).  Will Joanna or Michael succumb to the allure of another or will they remember why they fell for each other in the first place?

Considering the fairly decent stars on display in Last Night, it's rather shocking to me that it received a wide release of only ten -- that's right, ten -- theaters back in May.  It'd be one thing if the film was a dud, but director/screenwriter Massy Tadjedin's first effort as an auteur is actually a very nice glimpse at a relationship faced with outside temptations.  While not without a few issues -- Tadjedin has an odd way of editing certain scenes with some pointlessly quick cuts, the first half hour hinges on tedium -- the film is overall quite a success in that it manages to have us root for this couple that we just met ninety minutes prior.

If anything, Last Night shows the public that Sam Worthington may actually prove to be a rather decent actor.  We certainly didn't get a great glimpse at his acting chops in Avatar, but here he proves that without hundreds of millions of dollars of special effects, he's actually a rather thoughtful, subdued, and talented actor.  Keira Knightley continues to act with her chin and lower jaw, trying to convey a tough exterior by moving her mandible around into odd positions.  Still, despite this crutch of hers, her Joanna is a complicated character and she sinks her teeth into probably her best role in a while.  

Add to that, this has got one heck of a final moment that I imagine will end up on the RyMickey Best Scenes list at the end of the year.  It ends the flick on such an interesting note that the mere thirty seconds at the end make up for a bit of a lackluster start.  (I actually rewound it to give it a second glance, I thought it was that clever.)  Last Night is definitely worth an instant watch on Netflix.

The RyMickey Rating:  B

Movie Review - Pirates of the Caribbean: At World's End

Pirates of the Caribbean: At World's End (2007)

Starring Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Bill Nighy, and Chow-Yun Fat

Directed by Gore Verbinski

And just like that, any goodwill the Pirates of the Caribbean series earned with the second film, Dead Man's Chest, is tossed aside thanks to the third film, At World's End.  All the fun and adventure that was present in the former is bogged down by darkness and dreariness in the latter.  Even if we were to put aside the storyline that is rife with innumerable and incomprehensible double crossings, At World's End doesn't even look good, awash in muted grays and blacks, monotone in its drabness -- there's nothing even visually appealing to latch onto.

At World's End picks up soon where Dead Man's Chest left off, continuing many of the same storylines revolving around pirates Jack Sparrow (Johnny Depp), Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley), and Barbossa (Geoffrey Rush) and their attempts to stave off the onslaughts of both the "evil" British Navy and man-fish hybrid Davy Jones (Bill Nighy).   Honestly, I can't even begin to detail what's actually happening in this flick.  Characters backstab others nearly every ten minutes, allegiances change at the drop of a hat, and no action occurs until the film's final forty minutes battle (after a never-ending talky two hours prior to that) during which it's near impossible to tell what's going on because every single person and every single ship looks exactly the same -- muddied and dank-looking.

Much moreso than in the past movies, mysticism and magic play a big role and it's not for the better.  By the end, the screenwriters abandoned any sense of cohesive story.  I'd even go so far as to say they threw up the middle finger to the viewers by abandoning all logic and essentially saying "screw you" to loyal fans.  In an attempt to feel very epic in scope and story, they just made a very uninteresting and unappealing conclusion to what was expected to be the final chapter of a trilogy.  Here's opening the fourth flick can revive a bit of adventure, excitement, and humor of the second flick.

The RyMickey Rating:  D

Movie Review - Pirates of the Caribbean: Dead Man's Chest

Pirates of the Caribbean: Dead Man's Chest (2006)

Starring Johnny Depp, Orlando Bloom, Keira Knightley, Bill Nighy, Stellan Skarsgård, and Jack Davenport

Directed by Gore Verbinski

I realize this isn't necessarily popular opinion, but I think the second flick of the Pirates saga -- Dead Man's Chest -- is actually a fairly solid effort and better than the first film.  While Chest lacks the absurd humor and overall charm of Black Pearl, it more than makes up for that in its solid action scenes and more cohesive story.

Rather surprisingly, I couldn't help but think Johnny Depp's kooky Jack Sparrow got pushed a bit to the wayside in this one with Orlando Bloom taking on more of a leading role with his character of Will Turner finding himself fighting to free his father (Stellan Skarsgård) from a life of indentured servitude at the hands (or, more fittingly, claws) of Davy Jones (Bill Nighy), a half-man, half-tentacled sea creature.  That said, Sparrow certainly plays a key role in a film that pits nearly all of its main characters -- Jack, Will and Elizabeth (Keira Knightley), and Davy Jones -- against one another in a quest to gain their respective freedoms (of which I'm not going to discuss seeing as how nearly everyone in the world other than me had seen this flick given that it's the fourth highest grossing film of all time).

For someone that didn't particularly like when the first film placed its focus on Will and Elizabeth, I greatly appreciated that Dead Man's Chest gave everyone a solid storyline instead of just Jack Sparrow.  If you're going to have three main characters, it's best to give all three something to do and this flick does that a lot better than Black Pearl. It also helps this film immensely that the action sequences are a bit better staged and we don't need the background set-up that is always present in the first movies of any series.  Granted, I can't help but think that director Gore Verbinski could have edited things down a bit (I didn't really need to see three Kraken attacks...two would have sufficed), but overall, this is a solid action film that fares a bit better than its predecessor.

The RyMickey Rating:  B

Movie Review - Pirates of the Caribbean: The Curse of the Black Pearl

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Starring Johnny Depp, Keira Knightley, Orlando Bloom, Geoffrey Rush, Jack Davenport, and Jonathan Pryce

Directed by Gore Verbinski

There's nothing wrong per se with Pirates of the Caribbean: The Curse of the Black Pearl, but I can't help but feel that it lacks the fun and excitement of my favorite action-adventure films (like the Indiana Jones series or Romancing the Stone).  Sure, Johnny Depp created quite an iconic character in his Oscar-nominated constantly nonsensical Jack Sparrow.  His character and performance is certainly fun to watch, but the film feels interminably long at moments.  There's no need for this affair to go on for 135 minutes (which makes me wonder how the heck I'm going to make it through installments two and three which are even longer...yes, I've never seen them).

Unfortunately, it just feels like there's not a cohesive storyline throughout.  Sure, there's the overarching tale about Sparrow attempting to seek revenge against Barbossa (Geoffrey Rush), a pirate who several years ago mutinously abandoned Sparrow on a deserted island taking Sparrow's ship and crew under his control. That alone would have been enough (and would have proven to be successful), but throwing in the wooden and dull star-crossed lovers Elizabeth Swann (Keira Knightley) and Will Turner (Orlando Bloom) just bog down the proceedings.  I just couldn't get myself to care about either of these two young lovebirds and that's what hurts the film when compared to the mystical, magical, adventurous storyline revolving around Sparrow and Barbossa.

In the end, I'm probably sounding a bit harsher than I'd like.  The film is certainly amusing and a solid summer action picture.  It's just that with a little more trimming, it could have been a real classic.

The RyMickey Rating:  B-

Movie Review - Never Let Me Go

Never Let Me Go (2010)

Starring Carey Mulligan, Andrew Garfield, Keira Knightley, Charlotte Rampling, Sally Hawkins, and Andrea Riseborough

Directed by Mark Romanek

There's a moment towards the end of Never Let Me Go where Andrew Garfield's character Tommy lets out a guttural, primal scream of anguish, pain, and bewilderment after learning some devastating news.  In that moment, I admittedly got chills.  It's a real shame that the remainder of the film couldn't elicit a single emotion from me one way or the other.  What could have been a powerful story about friendship (and in a broader sense, the implications of science and government impeding upon personal freedoms and choices) turns out to be simply a very well-acted flick that carries little emotional resonance.

In order to not spoil anything in the film, I'm simply going to copy and paste my summary from my book review with a few minor changes.

Never Let Me Go is a science fiction film in the loosest sense of the word.  There's not a hint of apocalyptic tones, nor does it take place in a future overrun by new technologies.  It actually takes place in Britain from the late 1970s-1990s and it's really a world similar to what we live in today.

The only real difference revolves around the young students at Hailsham, a private school that keeps its students far away from the outside world.  The students, including our narrator, Kathy (Carey Mulligan), and her friends Ruth (Keira Knightley) and Tommy (Andrew Garfield), are told right from the start of their schooling that they are "special" and will hold an important place in society as they grow older.  While they live a seemingly happy existence, as they head into their teen years and early twenties, they begin to realize their true purpose in life which leads to some students longing for a little something more.

In a nutshell, that's the tale.  The reason why these Hailsham children are "special" is where the emotional impact of the film should arise, but the film never really gets off the ground in that department.  I can't help but think that since nearly the entirety of the book was told in the mind of young Kathy that it was difficult to transfer to the screen all those inner emotions that were so easy to connect with while reading the novel.

The flick isn't a failure by any means and that is thanks to the great work of nearly all the actors that grace the screen.  Carey Mulligan is proving to be a force to be reckoned with.  Despite her melancholic tone throughout the whole film, she is a commanding presence.  Andrew Garfield (who I need to see in The Social Network still) was also quite good and, as I mentioned above, has the one moment in the film that actually hit me at an emotional level.  Supporting turns from Charlotte Rampling, Sally Hawkins, and Andrea Riseborough (who I saw and greatly admired in an Off-Broadway play last year) also added to the caliber of talent onscreen.

Keira Knightley, however, was a bit unimpressive.  In seemingly every single one of her movies, she does this incredibly odd thing with her chin and lower jaw when she talks. I think it's her way of trying to make her voice sound tougher and grittier, but all it does is tick me off.  [It's shades of good ole Kristen Stewart biting her lip in those damn Twilight movies.]  Admittedly, in Knightley's defense,  I think the character of Ruth in both the novel and the film is certainly the toughest for the audience to connect with, but in the film, the character's motivations are never quite clear.  [They were a little clearer in the book because we at least had an idea of Ruth's motivations thanks to Kathy's narration.]

The film was adequately shot, but director Mark Romanek doesn't really do anything special with his camera.  I think there were certain shots that were supposed to resonate with me on a visual and visceral level, but they didn't succeed.  Still, this is only his second film and I thought the direction was serviceable.

Needless to say, I was disappointed with Never Let Me Go.  It isn't a bad film, by any means, but it's a story that simply didn't translate well from the book to the screen.  The poignancy that made the book special wasn't present in the film at all.

The RyMickey Rating:  C

Movie Review - Love Actually (2003)

Christmas Movie a Day #7
Love Actually
Starring Hugh Grant, Liam Neeson, Colin Firth, Laura Linney, Emma Thompson, Alan Rickman, Kiera Knightley, and Bill Nighy
Directed by Richard Curtis

I understand that this isn't a perfect movie, but I really can't help but love it. There's just something so charming about this flick that wins me over every single time that I watch it.

Richard Curtis (writer-director of the recent Pirate Radio) crafts a movie full of interweaving tales of romance -- some of which end positively and others of which of conclude less than perfect. With the exception of the tale of the young Englishman who travels to the U.S. to work his British charms on unsuspecting American ladies and the story of the naked body double couple, there's not a bad story in the bunch. Particularly winning are Liam Neeson as a grieving widow dealing with his young stepson's first love and Emma Thompson as a wife who suspects her husband (Alan Rickman) of cheating on her with a hot office colleague. Hugh Grant as the new prime minister is also at his best here. Throw in Colin Firth, Laura Linney, and a hilarious Bill Nighy as an aging rock star and you've got one heckuva cast.

What's particularly enjoyable is that Richard Curtis is able to make many of these stories connect without ever seeming the least bit unbelievable. None of the relationships/interconnections ever seem forced even it's just as simple as a character sitting in the congregation at another character's wedding. That's a difficult task and Curtis was definitely up to it.

Once again, I realize this film isn't perfect, but it's one of my favorites, for sure. A new holiday tradition, perhaps, even if it's not the most "Christmas-y" movie around.

The RyMickey Rating: A-
The Christmas Spirit Scale: 6/10
(The Christmas Spirit Scale is a totally pointless rating that is simply my feeling about how "Christmas-y" the movie felt to me)