Featured Post

Letterboxd Reviews

So as you know, I stopped writing lengthy reviews on this site this year, keeping the blog as more of a film diary of sorts.  Lo and behold,...

Showing posts with label sam riley. Show all posts
Showing posts with label sam riley. Show all posts

Wednesday, October 21, 2020

Maleficent: Mistress of Evil

Maleficent: Mistress of Evil (2019)
Starring Angelina Jolie, Elle Fanning, Michelle Pfeiffer, Chiwetel Ejiofor, Sam Riley, Ed Skrein, Harris Dickinson, Imelda Staunton, Juno Temple, and Lesley Manville
Directed by Joachin Rønning
Written by Linda Woolverton, Noah Harpster, and Micah Fitzerman-Blue


The RyMickey Rating:  C-

Tuesday, October 20, 2020

Maleficent

Maleficent (2014)
Starring Angelina Jolie, Elle Fanning, Sharlto Copley, Imelda Staunton, Juno Temple, Leslie Manville, Sam Riley, and Brenton Thwaites
Directed by Robert Stromberg
Written by Linda Woolverton



Current RyMickey Rating:  B

Tuesday, August 26, 2014

Movie Review - Byzantium

Byzantium (2013)
Starring Saoirse Ronan, Gemma Arterton, Sam Riley, Jonny Lee Miller, Daniel Mays, and Caleb Landry Jones
Directed by Neil Jordan

As I draw to the end of my 2013 viewing (the RyMickey Awards will finally be forthcoming in September), I often wonder why I feel the need to see as much as I can movie-wise.  What's the point?  Surprises like Byzantium are why I hold off on my awards.  Now, I can't say for certain that Byzantium will land in the top of any of my categories, but I can at least say that this new take on a classic vampire story breathed new life into a genre that's been beaten down to kid-like, laughable levels as of late thanks to the popularity of the Twilight series.

The alluring Gemma Arterton is Clara and when we first encounter her she's stripping in a seedy bar in England in an attempt to bing in an income to look after her teenage sister Eleanor (Saoirse Ronan).  However, Clara and Eleanor have a secret and when one of Clara's customers reveals that he knows Clara is really a vampire, he meets an untimely end that forces the two sisters to flee their apartment for a new town.  As the two immortal women settle in, they become comfortable with their surroundings which is never a good thing considering the secrets that both Clara and Eleanor hide from everyone.

Neil Jordan's film not only tells the modern-day journey of Clara and Eleanor, but also the two hundred year-old story of how they became immortal vampires in the first place.  Both aspects of the effectively woven story written by Moira Buffini are surprisingly solid, each holding its own and deepening one another via their plots.  Jordan's film ratchets up the tension at key points, is nicely shot, and humorously gory at times -- the latter of which actually added some comedic moments to the otherwise heavy plot.

Saoirse Ronan presses on with her monopoly of mopey kid roles, but this works here because her Eleanor feels trapped not only in her sister's shadow, but also quite literally in her never-aging body that doesn't allow her to become close to anyone since her secret will be revealed should she form a long-term relationship.  Gemma Arterton continues to impress, exuding a dirty sexiness when Clara's pimping herself out to get money to pay the rent while also believably mothering the younger Eleanor in an attempt to save her from those who would do her harm.

Byzantium is much more fun than I expected it to be.  With solid craftsmanship on all levels, this one was a pleasant treat.

The RyMickey Rating:  B+

Thursday, August 07, 2014

Movie Review - Maleficent

Maleficent (2014)
Starring Angelina Jolie, Elle Fanning, Sharlto Copley, Imelda Staunton, Juno Temple, Lesley Manville, Sam Riley, and Brenton Thwaites
Directed by Robert Stromberg

Perhaps it's faint praise to tout Maleficent as being better than Disney's recent live action interpretations of Alice in Wonderland and Oz: The Great and Powerful considering that the former was horrendous and the latter was nothing to write home about.  Still, if Disney's going to insist on reinterpreting family classics, they're gradually starting to learn from their previous disappointments.

Moreso than their previous attempts, Maleficent draws greatly from Disney's animated classic Sleeping Beauty (yes, the Disney Discussion will be returning in September after a very long hiatus), twisting that story to its own whims.  In the animated film, Maleficent was pure evil, but here this formerly friendly fairy only turns fiendish when a neighboring kingdom's ruler tries to take over her home.  Years later, still hellbent on revenge thanks to an additional subplot involving stolen fairy wings (naturally), Maleficent (Angelina Jolie) hears that King Stefan and his wife are expecting a baby.  When the young Aurora is born, Maleficent appears at the festivities and curses the girl to prick her finger on a spinning wheel and fall into an unending sleep upon her sixteenth birthday only to be awakened by true love's kiss.  Sound familiar?  The remainder of the tale follows the storyline of Sleeping Beauty quite closely -- three fairies Knotgrass, Flittle, and Thistletwit (Imelda Staunton, Lesley Manville, and Juno Temple) -- raise the growing Aurora (played by Elle Fanning as a teen) in the woods away from all civilization in hopes that this will keep her safe.

However, unlike the previous Sleeping Beauty, Maleficent keeps a careful eye on Aurora and begins to feel sorry for what she's done to the girl who played no part in harming her.  This gentle, kind, magnanimous Maleficent is the change -- and it's not necessarily a change for the better.  For starters, Angelina Jolie is fantastic when she plays the title character for all her deliciously over-the-top scenery-chewing evilness.  Let's face it -- Maleficent is a quintessentially evil character and Jolie really embodies that aspect of the role.  However, when the film forces her character to downplay the nastiness and embrace niceness, things begin to falter a bit and become much less interesting.  Jolie certainly still is a presence, but it's not quite the presence we really long for her to be here.  Fortunately, as Jolie's Maleficent turns disappointingly kind, we're also able to see the innocence of Elle Fanning's Aurora which she displays perfectly to a tee.  You can almost see why Maleficent decides to befriend Aurora -- almost -- until you realize that this bastardization of a true cinematic villain is kind of boring to watch.

Still, despite my qualms which I admit are rather important in the grand scheme of the film, I liked Maleficent.  Maybe it's because I went in with such low expectations, but Jolie's performance certainly is solid.  I only wish she was able to be as gloriously evil as her title character should've been allowed to be.

The RyMickey Rating:  C+

Monday, February 20, 2012

Movie Review - Brighton Rock

Brighton Rock (2011)
Starring Sam Riley, Andrea Riseborough, Helen Mirren, John Hurt, and Andy Serkis
Directed by Rowan Joffe

Brighton Rock is one of those movies that I maybe should have read a little about prior to popping in the dvd.  Had I known it was a mobster flick I would have been a little more prepared for a genre I generally find clichéd and oftentimes boring.  Unfortunately, not being prepped, I was treated to one of the most boring movie experiences I've had this year.  While the story itself may have had some promise -- a young woman named Rose (Andrea Riseborough) witnesses the beginning of a mob hit by young up-and-coming kingpin named Pinkie (Sam Riley) whom decides to woo the girl in order to keep her from spilling the beans to the cops -- this film noir was just utterly melodramatic tedium.

The biggest problem lies in Sam Riley, a skinny pole of a timid-looking young man whom I never once bought as a guy to whom anyone in the Brighton, United Kingdom, mob would give any credence.  Ultimately, that's the biggest issue in fully investing in a story like this and the film can't overcome it.  Riley lacks any charisma or drive and I failed to understand how Rose would fall in love with him or his underlings would pay any attention to his nefarious demands.

Similarly, the character of Rose was quite the disappointment.  She's a character with zero personality and while I think we're supposed to feel for her in her plight, I couldn't muster up any semblance of care for her.  I saw Andrea Riseborough live on stage a few years ago in NYC and I liked her quite a bit -- comparing her to a young Kate Winslet, in fact -- but none of that promise was on display here.

Despite a game effort from Helen Mirren to at least up the acting quotient to a decent degree, her role is too small to register any help for this altogether disappointing flick.

The RyMickey Rating:  D-