Movie Review - Suicide Squad

Suicide Squad (2016)

Starring Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Cara Delevingne, Jai Courtney, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Ben Affleck, and Viola Davis

Directed by David Ayer

***This film is currently streaming on HBO Now/GO***

After the disaster that was Batman v Superman: Dawn of Justice, there was an inevitable sense of dread as I began to watch Suicide Squad, the next film to unfold in the DC Universe.  Yet somehow, despite the horrid reviews (or perhaps because of them lowering expectations), I found this irreverent comedy-action piece a tiny bit better than the film that preceded it.

***SPOILERS from Batman v Superman below***

Notice that I just said "a tiny bit better" because in the end Suicide Squad is pretty bad as well.  However, at least writer-director David Ayer tries to inject a little bit of fun into the proceedings as it introduces a motley crew of imprisoned criminals brought together by government intelligence officer Amanda Waller (Viola Davis) in an attempt to help America fight big-time criminals following the death of Superman.  Unfortunately, bringing this whole group together in a single film gives little time to develop backstories beyond those of ace sniper Deadshot (Will Smith) and psycho criminal Harley Quinn (Margot Robbie) who happened to be the love interest of the criminal mastermind Joker (Jared Leto) prior to her incarceration.  There are other folks that make up the squad including an alligator guy, an Australian bloke, and some Asian girl, but they are so disturbingly pushed to the sidelines that their existence in the film ends up being laughable by the time the credits roll.  And let's not even discuss the villain -- an evil spiritual entity that enters the body of archeologist June Moore (Cara Delevingne) and then proceeds to create zombie-like creatures that run rampant.

Despite the music video-esque series of introductions we get to each member of the Suicide Squad (which became immediately ridiculous by the time Ayer introduces his second or third character), I was onboard during the film's opening act.  As Amanda Waller rounds up the criminals, something was working for me and then it all devolves into the horrible dark and dreary DC Universe aesthetic with an hour-long finale that isn't the least bit compelling.  Unlike many I've spoken to about this disappointing flick, I didn't dislike Jared Leto as the Joker (although I'm obviously not attached to these characters in any shape or form) or Margot Robbie as Harley Quinn (who at least injected some light humor into the darkness that surrounds her), and I actually think Will Smith plays a nicely grounded character in Deadshot.  Still, Suicide Squad isn't good and it continues the rather abysmal track record for DC.

The RyMickey Rating:  C-

Movie Review - Child 44

Child 44 (2015)

Starring Tom Hardy, Gary Oldman, Noomi Rapace, Joel Kinnaman, Paddy Considine, Fares Fares, Jason Clarke, and Vincent Cassel

Directed by Daniel Espinosa

"In 1933, at the height of Stalin's state-imposed famine against the Ukranian people, an estimated 25,000 died each day from starvation.  The systematic extermination by hunger known as the Holodomor left millions of children orphaned."  One of those children mentioned in Child 44's opening subtitles is Leo Demidov who as an adult (played by Tom Hardy) has become a Russian Ministry of State Security agent.  When a series of child murders is uncovered including the killing of his partner's son, Leo sets off on a mission to find the murderer...however, this doesn't sit well with his commanders because Russia at the time failed to acknowledge murder as they felt that was a crime brought about by capitalism.  Soon, Leo finds his wife Raisa (Noomi Rapace) accused of being a traitor to the state and the only way Leo can save her is by moving far away and taking a job in a lowly militia.  Desperate to find the serial killer ending the lives of innocent children and also hoping to seek revenge on fellow agent Vasili Niktin (Joel Kinnaman) whom Leo believes set up his wife, the vengeful Leo finds himself battling a Russian mindset that is unwilling to face the truth.

Ultimately, the problem with Child 44 is that it tries too hard to be too many things.  In addition to the variety of story lines above -- murdered children, traitors, the Holodomor -- there are numerous other tales woven into the mix.  While the serial killer certainly takes precedence, it too often feels pushed to the side while a variety of other depressing aspects make appearances with very little emotional impact.  Tom Hardy and Noomi Rapace are fine, but there's certainly no aire of charisma between the two.  Quite frankly, I didn't even realized they were actually married until about halfway through.  Gary Oldman (as an officer who befriends Leo) has a tendency to overdo it in certain films, but here, his screen presence is a welcome breath of fresh air in the film's second act.  Granted, it's not enough to save the film from being a rather tiresome slog to sit through.  While there are aspects of the story that could very well stand on their own, the kitchen sink method of Child 44 just doesn't work in its favor.

The RyMickey Rating:  D+

Movie Review - Robocop

Robocop (2014)

Starring Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jay Baruchel, Jennifer Ehle,  Jackie Earle Haley, Michael K. Williams, and Samuel L. Jackson 

Directed by José Padilha

***This film is currently streaming on Netflix***

I've never seen the original Robocop film (my 1980s popular movie oeuvre is decidedly thin), but I knew that the story consisted of a cyborg cop who hunts down bad guys.  Not much has changed in this 2014 remake which stars Joel Kinnaman as Alex Murphy, a cop in 2028 Detroit who is near fatally injured when he begins to uncover a large crime syndicate.  Desperate to save her husband's life, Clara Murphy (Abbie Cornish) agrees to allow billionaire Raymond Sellars (Michael Keaton) to permit his technicians to place pieces of Alex's body (brain, heart, lungs) into a cyborg that will not only allow him to "stay alive," but also allow Alex to become a high tech, state-of-the-art one-man police force.  Sellars has been working on this technology for years, but after a shaky issue in the Middle East in which some of his robots went a little haywire, the entrepreneur feels that this robot Alex will help advance his cause and show the US government that they need to pay for his expertise.

I must say that I was more impressed with Robocop than I expected to be.  Now, that doesn't necessarily mean I thought it was a masterpiece, but I like the fact that it takes its time to get its story going and that it doesn't rely on huge action set pieces in order to get its point across.  Granted (and this may seem like an oxymoron considering what I just wrote), there's a part of me that missed a grand showdown at the film's conclusion, but I appreciate that director José Padilha digs a little deeper into the social, political, and business aspects of the tale rather than just focus on a robot seeking justice.

Admittedly, Joel Kinnaman isn't given much to do especially considering the fact that during the film's last ninety minutes all we see of him is his face sitting atop the body of a metal robot.  Still, in everything that I've seen from Kinnaman (including the tv show The Killing), he's not exactly an actor that emotes all that much and while I get that he's playing a bit of a robot here, I wanted a little more passion from the actor.  Gary Oldman is quite good as Dr. Dennett Norton, adding a bit more heart and substance to what could've easily been an underwritten throwaway role.  Michael Keaton also carries a bit of impact here as I appreciate that he walks the line of genuine compassion and strong-willed, shrewd businessman without ever being too over-the-top maniacal -- which is where he absolutely could've taken his role as the billionaire Sellars.  Although his motives may be solely financially based, Keaton never allows the character to stoop to a stereotype which helps Robocop immensely, in turn making it a better film.

The RyMickey Rating:  C+

Movie Review - Lola Versus

Lola Versus (2012)

Starring Greta Gerwig, Joel Kinnaman, Zoe Lister-Jones, Hamish Linklater, Bill Pullman, and Debra Winger

Directed by Daryl Wein

Greta Gerwig is a fairly new face on the movie scene, but there's been a big push lately to have her be labeled the "Indie Girl of the Moment."  Although I haven't seen that many of her films, I do think there's an ease and naturalness to her and she excels at the self-doubting, insecure "brand" of comedy that she's tackled thus far.  She's certainly the best part of Lola Versus which seems like a film tailor-made for her (and maybe it was crafted with her mind), but the movie itself feels a bit stale.

Gerwig is Lola, a 29 year-old doctoral student working on her dissertation in literature while living in New York City with her long-time boyfriend Henry (Hamish Linklater).  When Henry proposes, Lola happily accepts and begins to plan out the wedding.  However, by the time the opening credits roll around, Henry is having cold feet and leaves Lola behind.  Devastated, Lola consoles herself by binge eating rice cakes, moping around her tiny apartment, and hanging out with her best friends Luke and Alice (Joel Kinneman and Zoe Lister-Jones).  Desiring some form of male connection, Lola begins to find herself becoming involved with best bud Luke, but when Henry realizes the error of his ways and tries to woo his ex-fianceé back, Lola finds herself in quite the predicament.

If that whole summary doesn't sound too thrilling, you'd be correct in making that assumption.  Here's this seemingly smart girl who feels that she "needs a man" in order to feel empowered.  Thirty minutes in, you just want the film to fast forward to the inevitable ending where, fueled by this newfound sense of "Girl Power," Lola realizes she doesn't need a man to have a fulfilling life.  Perhaps that last line should have come with some sort of "Spoiler Alert" warning, but the fact of the matter is that this film telegraphs its ending from its very opening moments.

Greta Gerwig certainly tries to bring some life to her character and she truly is the reason the film doesn't feel like a chore to sit through.  Nothing about the way she plays Lola feels "put on" or "fake" -- there's a genuineness that's charming.  But try as she might, Lola is a character we've seen before in many different incarnations.  The same can be said for the best friends played by Joel Kinneman and Zoe Lister-Jones.  Lister-Jones in particular is the stereotypical "sassy girlfriend" and while she's given a much more brash and sarcastic attitude, it just feels like an echo of any number of films that came before it.  And that's unfortunately the way the whole film plays out as its lack of originality proves to be its downfall.

The RyMickey Rating:  C