Iron Man 2

 Iron Man 2 (2010)

Starring Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johannson, Sam Rockwell, Paul Bettany (voice), and Mickey Rourke

Directed by Jon Favreau

Written by Justin Theroux

Click here for my Letterboxd review

Click here for my prior RyMickey's Ramblings review

The RyMickey Rating:  B-

Movie Review - Rare Exports: A Christmas Tale

Rare Exports: A Christmas Tale (2010)

Starring Onni Tomilla and Jorma Tommila

Directed by Jalmari Helander

Rare Exports: A Christmas Tale is certainly one of the most unique Christmas movies I've ever seen and while the tale is almost too simple and is absolutely resolved too quickly, I couldn't help but be won over a little bit by its originality.  I'm not quite sure there's another Christmas movie out there where Santa's naked elves run amok trying to capture naughty children in order to have them be reprimanded by Old St. Nick.  Don't mistake this for a horror movie -- admittedly, that's what I thought it was when I first heard about this flick a year ago.  No, it's really a weird dark comedy (one where you don't exactly laugh) based upon a interesting Santa Claus myth -- one in which Santa doesn't reward good children, but instead rather brutally punishes bad kids.

On the outskirts of Finland, an archeological expedition is underway.  Soon after young Piettari (Onni Tomilla) and his friend Juuso (Ilmari Järvenpää) stumble across the site, all of the reindeer which their fathers hunt in order to make a living end up dead...slaughtered, actually.  Piettari begins to feel guilt for entering the site and after doing a bit of research starts to believe that the dig is meant to unearth Santa Claus who was buried under a huge mountain hundreds of years prior in order to prevent him from doing harm to children.  Although his father (Jorma Tommila) finds Piettari's stories hard to believe, he soon finds that his young son may not be imagining things.

Despite the flick's short 80-minute run time, Rare Exports does have a tendency to drag a bit (I think, in part, subtitled flicks have a predisposition to do that sometimes), but for the most part it's an enjoyable little diversion that I am sure will be unlike any Christmas movie you'll have ever seen.  Although it's rated R (mainly for some blurry - and sometimes not-so-blurry - male nudity), it's certainly not filled with language or massive amounts of violence.  For its sheer absurdity, I can't help but recommend a watch.

The RyMickey Rating:  B-

Movie Review - The Company Men

The Company Men (2010)

Starring Ben Affleck, Tommy Lee Jones, Chris Cooper, Maria Bello, Craig T. Nelson, Rosemarie Dewitt, and Kevin Costner

Directed by John Wells

The Company Men is certainly a movie "for our times" as it weaves the tale of three corporate employees who lose their jobs due to downsizing.  While the flick may be entirely relevant in this period of high unemployment rates, it's simply not a very good story.  Its three main characters have the exact trajectories one would expect -- I had each of their resolutions pegged right at the get-go -- and writer-director John Wells isn't able to manage to keep things the least bit interesting.

Nursing a Boston accent that (considering his roots) surprisingly wavers, Ben Affleck is Bobby, "the young one" of the bunch who loses his white collar job when his company downsizes.  Finding it difficult to give up all he's had -- the country club membership, the Porsche, the fancy house -- he begins to have trouble supporting his family.  But Bobby isn't the only one who loses his job.  Fifty-something Phil (Chris Cooper) also gets the ax and it's blatantly evident from the very beginning that Phil's a guy that's not gonna handle things like this all that well.  The road he travels down is one that has been travelled by many a movie character and while it's believable, it's too obvious to come as a surprising turn of events.  Finally, Bobby and Phil's boss, Gene (Tommy Lee Jones) gets the boot, but finds that perhaps his firing may have been a blessing in disguise.

The biggest problem with The Company Men is that despite the fact that there could have been something quite substantive based on the subject manner, the film flounders in blandness.  The flick needs more bite and oomph, but instead Bobby, Phil, and Gene feel like simply "stock character types" pulled from some "Screenwriting 101" class.  There's a story to be told in grown men losing their jobs and being forced to reexamine their lives, but it's certainly not a story that's told well here.

The RyMickey Rating:  D+

Movie Review - Daybreakers

Daybreakers (2010)

Starring Ethan Hawke, Willem Dafoe, and Sam Neill

Directed by Michael and Peter Spierig

***This film is currently streaming on Netflix***

Oh, lowered expectations, how you please me at times.  Now, it's not like Daybreakers is a masterpiece, but it's an enjoyable B-movie style vampire flick that brings an entirely new premise to the screen that proves to be moderately intriguing in its uniqueness.

It's 2019 and us humans have all but been obliterated by vampires.  While there are some rogue groups of homo sapiens out there, for the most part, the fanged monsters have taken over the earth.  They seemingly live just like humans -- drive cars, have jobs, wear normal clothing -- but they just need a blood supply to survive.  However, since they've managed to eradicate nearly the whole human race, the vampires are attempting to find a blood substitute and hematologist vampire Edward Dalton (Ethan Hawke) is leading the charge.  (Side Note:  Between this and Twilight, do all vampire protagonists need to be named Edward?)  Edward actually despises his need for human blood and hates the "farm system" his employer, the wealthy Charles Bromley (Sam Neill), has set up to both collect and sell the "product," so when he meets Elvis Cormac (Willem Defoe) who says he has a way of turning vampires human again, Edward is undeniably fascinated.

The story of Daybreakers really sold me.  I mean, maybe it's been done before, but this was fresh and extremely interesting to me.  Co-directors and co-screenwriters the Spierig Brothers definitely brought something new to the table.  Their somewhat-dystopian vampire society was brought vividly to the screen by both their visuals and their story.  Granted, the dialog is sometimes straight from B-movies of yore and the acting falls into one of two categories -- over-the-top (Sam Neill and Willem Defoe) or mind-numbingly muted (Ethan Hawke) -- but neither distract greatly from the overall tone of the film.

The RyMickey Rating:  B

Movie Review - You Again

You Again (2010)

Starring Kristen Bell, Odette Yustman, Jamie Lee Curtis, Sigourney Weaver, Victor Garber, Kristin Chenoweth, and Betty White

Directed by Andy Flickman

You Again has me in a bit of a conundrum.  I laughed much more than I thought I would watching this PG-rated comedy, but there are also uncomfortable stretches of time where the comedic pacing falls incredibly flat making this 105-minute film feel a whole lot longer than it actually is.  Parts of this movie push me to rate it higher than a 'C'; other parts are pulling me to rate it lower than a 'C.'  In this tug of war, there isn't really a winner and You Again simply falls into the middle.

In an appealing performance, Kristen Bell stars as Marni, a twenty-something gal who returns home for her brother Will's (James Wolk) wedding.  Upon arrival, Marni meets Will's fiancé Joanna (Odette Yustman) who just so happens to be the bitchy cheerleader who made Marni's life hell in high school.  While Joanna appears to be a completely different person now, she acts as if she's never met Marni which irritates the former "nerd" to no end.  Couple all that with the fact that Marni and Will's mom, Gail (Jamie Lee Curtis), and Joanna's aunt Ramona (Sigourney Weaver) were also former friends turned high school rivals and hilarity is meant to ensure.

And, like I said, humor does arise from moments, but there are times where much of the attempted laughter just doesn't work.  In particular, Betty White as Marni and Will's grandmother and Kristin Chenoweth as the wedding planner were seemingly thrown into the mix as afterthoughts to try and showcase the two actresses' talents rather than creating actual meaningful characters...and it unfortunately shows.  It's not quite a fault of White or Chenoweth, but there's just no real reason for either lady to be in the film.

Kristin Bell, Jamie Lee Curtis, and Sigourney Weaver are all game and it's actually really nice to see Curtis and Weaver on the screen again...it doesn't seem like their talents are showcased enough in this day and age.  Curtis, in particular, is a comedienne that's always rather pleasant to watch.  That said, in the end, even the talents of these lovely ladies can't quite elevate You Again to anything above average.

The RyMickey Rating:  C

Movie Review - Somewhere

Somewhere (2010)

Starring Stephen Dorff and Elle Fanning

Directed by Sofia Coppola

In the opening shot of Somewhere, director Sofia Coppola plants her camera at the edge of what seems to be an oval racetrack in a desert.  A car speeds into and out of the shot multiple times, racing around the track at great speeds, yet going nowhere at the same time.  I'm all for movies that have a slow, methodical pacing as long as it gets somewhere in the end.  [One of my top 20 films of 2010, Cairo Time, fits into that description.]  Sofia Coppola's Somewhere, however, much like that car that just continues to loop the track, doesn't go anywhere.

I fully get that the tone and pacing of the film is supposed to evoke the melancholic, depressed emptiness of Stephen Dorff's character Johnny Marco, a moderately successful actor living in L.A. who is seemingly going through a midlife crisis.  As he beds attractive woman after attractive woman, it's obvious that he's not satisfied in life, simply bored with his day-to-day routines [there's that racing around the track going nowhere metaphor for you].  When Johnny's ex-wife drops their daughter Cleo (Elle Fanning) off for an extended stay, Johnny's life begins to take on meaning...or at least I think he thinks it does.  He still finds himself sleeping with whatever hot woman knocks on his door, but I guess he realizes that there's more to life than that.  The epiphany Marco comes to at the film's end unfortunately comes off as slightly laughable as opposed to emotionally satisfying.

Oddly enough, it's not that Johnny's not a believable character.  There is more than a semblance of truth in the character of Johnny Marco.  There just isn't a good enough story surrounding the character in order to make me invested in the outcome.  Stephen Dorff and Elle Fanning certainly try to reel me in and Dorff in particular is actually quite good, but they're just not given anything to work with.

In the end, Somewhere is too minimalist (and obvious despite attempts to be deep and meaningful) for its own good.

The RyMickey Rating:  C-

Movie Review - Machete

Machete (2010)

Starring Danny Trejo, Jessica Alba, Steven Seagal, Michelle Rodriguez, Jeff Fahey, Don Johnson, Lindsay Lohan, Daryl Sabara, and Robert DeNiro

Directed by Ethan Maniquis and Robert Rodriguez

Having never seen the Quentin Tarantino-Robert Rodriguez flick Grindhouse which apparently contained a fake trailer that spawned Ethan Maniquis and Robert Rodriguez' Machete, there weren't really any expectations going into this movie.  In the end, the story probably just should have been content with the kooky fake trailer and left it at that because this homage to the B-movies of the 1970s overstays its welcome by about 45 minutes of its hour-and-forty-five-minute runtime.  

The broad story is ridiculously simple.  The titular character, an illegal Mexican immigrant (played by Danny Trejo), is hired by a shady guy (Lost's Jeff Fahey) to assassinate a Texas senator (Robert DeNiro) who happens to pride himself on his creatively unjust methods on keeping illegal immigrants out of the country.  Little does Machete know that he's simply being set up in order to make the senator (who is experiencing a sharp downtown in the polls) become more sympathetic to the voting public.  Somewhere along the line, Machete discovers this double-crossing and eventually meets up with a sexy US immigration officer (Jessica Alba) with whom he teams up with to defeat his enemies.

What works here is the violence...and there's certainly plenty of it.  Excessive to the extreme, it's in these moments of massive bloodletting where the humor and fun lie.  Taking no prisoners, Machete is a man who'll chop off peoples' heads without pausing for a second, and there's something grotesquely fun about watching ludicrous decapitations and profusely spewing blood.  It's when the film decides to bog itself down with dialog and attempts to present a "pro-illegal immigrant" stance where the film falls apart.  Yes, yes, I'm a republican, but I didn't hate this film for taking the other side of the issue.  I disliked the movie for taking that stance in a silly, unsubstantial way.  I'm certainly not turning to a film like Machete for political advice, but even the final showdown between the Mexicans and the Americans just felt disappointing and unsatisfying after such a lengthy, talky build-up.  (There was actually substantial talk about this issue when the film was released and I think most of the Republican bloggers were giving more weight to the issue than it was worth.  In the end, the movie presents the whole thing in a tongue in cheek way...although it certainly does paint a caricaturish image of Republican senators.)

The film initially starts out visually grainy, looking like a film that's been run through the projector one too many times.  It's rather unfortunate that Machete abandons that look after the first scene because it would have been a little more optically appealing.  That older look screamed "B-movie" and it would've made the horrible acting by the likes of Lindsay Lohan and Jessica Alba seem more like it was horrible for a reason as opposed to the fact that the two women just can't act.

The RyMickey Rating:  C-

Movie Review - Skyline

Skyline (2010)

Starring Eric Balfour, Donald Faison, David Zayas, and Scottie Thompson

Directed by Colin and Greg Strause

It is honestly shocking that a movie like Skyline got a theatrical release.  With the exception of some adequate action sequences and decent special effects, this alien invasion flick has nothing going for it.  Horrible acting, some of the absolute worst dialog and silly "character background" you'll ever see, and foolish gimmicky direction.

But despite all that, I can't say I was bored for the entirety of the film's ninety minutes and it's mainly because whenever the Los Angeles-invading aliens were on the screen, I was entertained by both their appearance and their attack methods.  Of course, the film mainly focuses on some of the most unappealing and one-note characters ever to populate a wide release film.  When you're hoping for the humans to lose the intergalactic battle, you know you're in trouble.

Unfortunately, Skyline doesn't fall into the "so bad, it's good" category like crappy SyFy Channel flicks mainly because there is a modicum of good in the action sequences that pepper the film.  It's unfortunate that anytime someone opens their mouth to speak, they spout idiotic blabber (and it certainly doesn't help that these actors are not exactly ready for the big screen).  And since the humans are onscreen a whole heckuva lot more than the aliens, it doesn't bode well for the overall success of the flick.

While there's certainly worse out there, I'm genuinely surprised that this made it to the big screen.

The RyMickey Rating:  D

Movie Review - Megamind

Megamind (2010)

Featuring the voice talent of Will Ferrell, Tina Fey, Jonah Hill, David Cross, and Brad Pitt

Directed by Tom McGrath

Megamind starts out so promisingly as it sets up a longstanding battle between two rivals -- the nefarious though bumbling villain Megamind (voiced by Will Ferrell) and the perfect but cocky hero Metro Man (voiced by Brad Pitt).  Since childhood, the supervillain and superhero have been trying to one up the other with Metro Man always coming out the victor.  This twenty-minute set-up showcasing this rivalry was full of humor, charm and great promise.  However, after the scene has been set, things begin to fall apart.  Megamind proves to be successful at one of his devious plans and things begin to head downhill from there.

It's not that Megamind is a bad film, it's just that it doesn't really go anywhere after its first act.  It tries to humanize its villain, but the character of Megamind is simply much more fun as an inept bad guy than as a reformed good guy.  His attempts to woo tv reporter Roxanne Ritchie (Tina Fey) take up much too much time in the already short film and unfortunately don't advance the story in a positive way.

With the exception of the plot, on all other fronts, Megamind is quite good.  The animation is crisp and appealing to the eye.  The voice talent is all quite good.  I was expecting over-(voice)acting on Will Ferrell's part, but it worked for the character.  Tina Fey was also droll and witty despite the fact that her character's storyline didn't really work for me.

Overall, Megamind is a moderate disappointment if only because the first act showed such promise and evoked laughter which the final two-thirds were sorely lacking.

The RyMickey Rating:  C+

Movie Review - The Tourist

The Tourist (2010)

Starring Johnny Depp, Angelina Jolie, and Paul Bettany

Directed by Florian Henckel von Donnersmarck

While watching The Tourist, I kept thinking that it was very reminiscent of 1950s/60s romantic thrillers like the Cary Grant/Audrey Hepburn-starrer Charade.  That flick took place overseas in Paris, whereas this flick calls Venice, Italy, its home.  That earlier flick was sumptuous and rich-looking, as is The Tourist.  Charade had two big name stars, as does this one.  Unfortunately, Johnny Depp is no Cary Grant and Angelina Jolie is no Audrey Hepburn...and together the two superstars lack any ounce of chemistry which is fundamentally vital to making this suspensor work.  It certainly doesn't help either of the two actors that the director (whose incredibly long name is listed above) never found a nice rhythm for the flick and the plodding nature bogged down the rather silly plot.

I could have lived with the silly plot, however, if there were any sparks onscreen between the two leads.  However, Jolie and Depp shockingly lack any ounce of charisma in their scenes together.  When Jolie's Elise first meets Depp's American tourist Frank on a train heading to Venice, I was expecting a moment where their eyes meet and a sparkle glimmers.  Instead, the duo is simply bland.

Elise is a woman on the run who meets Frank when her criminal boyfriend, Alexander, whom she hasn't seen in many months asks her to board the aforementioned train and find a man to "pretend" to be him.  This will create a decoy for both the British cops and the British gangster who are both following Elise to get to Alexander, allowing him time to get things settled before he sees her again.  Seeing as how Jolie's Elise is essentially seducing Depp's Frank into following her around the city of Venice, there was very little sensuality exhibited from the sex symbol.  And Depp (who I guess could be deemed a sex symbol as well) doesn't reciprocate any sensuality either.  The two simply don't work together and, to be quite honest, that is quite surprising.

While Depp and Jolie certainly shoulder a good chunk of the blame for the film not working, the director (helming his first American film) is also at fault for not getting good performances out of his two leads.  Add to that the fact that von Donnersmarck doesn't seem to have a keen sense as to how to correctly pace a film or a notion of how to create any semblance of excitement in action sequences and you've got a thriller that lacks thrills.  That this film was nominated for Best Comedy/Musical at the last Golden Globes shows how much of a sham those awards really are -- The Tourist is neither a comedy or musical nor is it any good.

The RyMickey Rating:  D

Movie Review - The Switch

The Switch (2010)

Starring Jason Bateman, Jennifer Aniston, Thomas Robinson, Patrick Wilson, Juliette Lewis, and Jeff Goldblum

Directed by Josh Gordon and Will Speck

If I were to tell you that the synopsis of a movie was that a woman decides to artificially inseminate herself only to have the sperm from the supposed dreamboat donor be replaced by her pessimistic male best friend, you'd assume that the film was a wacky comedy perhaps in the vein of a Farrelly Brothers flick.  Oddly enough, The Switch has that exact premise, and, while it has its humorous moments, it's surprisingly touching and sweet -- something I wasn't expecting in the slightest.

Worried about the aging process, Kassie (Jennifer Aniston) is determined to have a child before it's too late.  Not finding the man of her dreams on the dating circuit, Kassie eventually meets the married and handsome Roland (Patrick Wilson), a nice guy college professor who agrees to donate his sperm to Kassie since he and his wife have hit hard financial times.  This whole process greatly upsets Kassie's best friend Wally (Jason Bateman) who has always harbored a crush for Kassie.  Nevertheless, Kassie throws a party at which Roland will leave his donation, followed by Kassie hopefully impregnating herself.  A drunk Wally comes across Roland's sperm in the bathroom and accidentally drops the "deposit" down the sink.  Not wanting to ruin Kassie's night, in an intoxicated haze, Wally decides to replace Roland's sperm with his own.  Needless to say, Kassie gets pregnant (by what she believes to be Roland's sperm) and moves out of New York City to be closer to her parents in the Midwest.

Reading the above, I can absolutely understand why no one would want to watch The Switch.  It just sounds stupidly godawful.  However, about thirty minutes in, the movie jumps ahead in time by seven years and finds Kassie returning to NYC with her six year-old son Sebastian (Thomas Robinson), and it is at this point that the movie turns over a new leaf.  It becomes a rather heartfelt film about Wally trying to become a better man so that he can be a better example for his best friend's son (for, you see, at this point, even Wally can't remember what he did that fateful night).  Wally sees a lot of himself in Sebastian and despite his best efforts, Wally grows to love the kid.

I realize that now I'm just making the movie out to sound all mushy and sentimental -- and it is -- but, in the end, it's a much better film than its first act makes it out to be.  Bateman is actually quite good once he moves past his character's first act bitterness and Aniston is perfectly acceptable (although she could do this role in her sleep).  That said, part of the reason the film succeeds so well in its final hour is because of young Thomas Robinson who plays Sebastian as a perfectly believable neurotic miniature doppelganger of Bateman's Wally.  Once his character makes an appearance, the movie's tone changes into something that works really well, settling into a tale that's strong on the heart that its first act is decidedly lacking.

So when you look at the poster above, look less at the disgusted look Jason Bateman is giving at Patrick Wilson's Cup O' Sperm and instead look at the byline that tells you that this film is brought to you by the people behind Juno and Little Miss Sunshine.  In the end, it's more like those two flicks than any of the ads would have led you to believe.

The RyMickey Rating:  B-

Movie Review - Exam

Exam (2010)

Directed by Stuart Hazeldine

***This film is currently streaming on Netflix***

Set at some point in the near future in which some new disease is creating some issues amongst the general public, a group of eight candidates for a job enter a small room, sit down at desks, and are each given a piece of paper.  A man known only as the Invigilator (yes, it's a real word...those crazy British) enters the room and states that the group has eighty minutes to give one answer to one question.  If anyone in the group tries to communicate with either the Invigilator or the guard positioned in the room, that person will be disqualified.  If anyone spoils their paper either intentionally or accidentally, that person will be disqualified.  Leaving the room will also result in a disqualification.  With that, the Invigilator leaves the four men and four women in the room.  The group looks at their papers and soon realizes that there is nothing written on them.  What is the question?  And what is the answer?

Exam could have been filled with obnoxious philosophical mumbo jumbo, but it never really went down that path and because of that I quite enjoyed it.  While it goes on a tad too long and the end is a bit of a letdown, the film was much better than I ever could have expected.  Told essentially in real time and set in one room for the entirety of the film's 95-minute runtime, director and writer Stuart Hazeldine created a very interesting psychological experiment.  Each character has their own believable personality and each actor (none of whom I've ever seen before and most of whom have only acted on British television) brings an interesting take to the proceedings.

I can totally see how some would find this incredibly boring, but to me it was a smart "thriller" that was a rather unexpected surprise.  It's not a perfect film -- one of my big qualms is that I think it does slip into a bit of pretension by the film's end -- but it's a clever independent film that may be worth checking out on Netflix Instant Watch.

The RyMickey Rating:  B

Movie Review - The Next Three Days

The Next Three Days (2010)

Starring Russell Crowe, Elizabeth Banks, and Liam Neeson

Directed by Paul Haggis

A wife and mother is accused and convicted of murder.  A husband and father believes in his wife's innocence.  When judicial appeals fail, he takes matters into his own hands and plots an escape plan for his jailed wife.  

The blandness of those three sentences above sums up my feelings towards the dull The Next Three Days, a movie that has a plot that should have elicited some modicum of excitement, but instead never achieves any bit of tension.  Instead, director and co-screenwriter Paul Haggis presents a rather heavy-handed drama featuring a one-note performance from Russell Crowe as the beleaguered husband.  Crowe, however, comes off much better than Elizabeth Banks, typically known for her comedic roles, who is featured here in an unexpected dramatic turn.  Banks is never once believable as a convicted felon and she isn't very convincing as a mother either.

Considering that the film skips over the entire trial of Banks' character, one would think that the film would move rather quickly, but instead it's hampered with some silly subplots (including a silly unnecessary cameo by Liam Neeson as a convict who escaped multiple times from jail) and the story itself just fails miserably.  Unfortunately, there's really nothing to recommend here and it's certainly not worth even a rental.

The RyMickey Rating:  D

Movie Review - Rabbit Hole

Rabbit Hole (2010)

Starring Nicole Kidman, Aaron Eckhart, Dianne Weist, Miles Teller, Tammy Blanchard, and Sandra Oh

Directed by John Cameron Mitchell

On the "want to see" list for months now, I was worried that the build-up to Rabbit Hole would lead to disappointment.  Fortunately, that wasn't the case.  Although I expected the film to be a bit more emotionally draining and difficult to watch, this tale of a couple who loses their four year-old son in a tragic accident is quite powerful and bolstered by some great performances all around.

Nicole Kidman and Aaron Eckhart are Becca and Howie who, as the film opens, are still reeling from the death of their young child eight months before.  While there may have been attempts to move on, nothing has really helped their grief and their relationship is suffering at this point.  Howie finds some modicum of solace in group therapy with other parents who have lost their kids, but Becca finds the process unbearable.  Instead, she follows around the eighteen year-old teenager who accidentally hit their son with his car, but even she is unsure what relief that will provide her.  Regardless, neither of the two are emotionally healthy.

The performances of Kidman and Eckhart carry this film and without their strength, Rabbit Hole would not have been as solid as it is.  Suprisingly (to me at least), Kidman's Becca is the more subdued of the two characters.  Not without her emotional moments, Becca is a character who has internalized her pain and grief, only releasing it when pushed to the limit by others.  Instead, it's Aaron Eckhart's Howie who is the more vocal of the couple.  Played rather perfectly, Eckhart's Howie is the character that really hit me.  I don't know if it's just because we're not used to males wearing their emotions on their sleeves, but Eckhart's performance is still marinating in my mind several hours after I watched the film.  I'm quite surprised Mr. Eckhart didn't gain any awards traction this past year with this role.

Admittedly, probably because I was so looking forward to this one, I felt a tiny bit let down.  I was expecting the film, based on the Pulitzer Prize-winning play of the same name (and adapted for the screen by its playwright David Lindsay-Abaire), to be a bit more "loud," but instead was treated to a much more subdued emotional display.  It's a case of wrongly placed expectations.  That being said, I really want to see this story played out on a stage.  Credit goes to screenwriter/playwright Lindsay-Abaire who expanded his five-person stage play into a well-rounded film that never once felt boxed in (of course, credit must also go to director John Cameron Mitchell for making this feel like a movie rather than a filmed play).

Overall, this is a solid film with some great performances (that you'll very likely see pop up in my 2010 RyMickey Awards...whenever I get around to finishing them).

The RyMickey Rating:  B

Movie Review - Love and Other Drugs

Love and Other Drugs (2010)

Starring Jake Gyllenhaal, Anne Hathaway, Oliver Platt, Hank Azaria, and Josh Gad

Directed by Edward Zwick

When womanizing drug rep Jamie Randall (Jake Gyllenhaal) travels to Ohio for his new job with Pfizer, he meets Maggie (Anne Hathaway), a no-nonsense gal whose dry humor and unabashed affinity for sex seem to be a perfect fit for him.  Things aren't ideal, though, as Maggie has been diagnosed with early onset Parkinson's Disease which any movie-watcher will know will turn this rather nice adult romantic comedy into quite a downer by the film's end.  And that's the problem with Love and Other Drugs, a film that works surprisingly well for its first hour and then never quite finds its footing during its final half when it unsuccessfully attempts to pull at my emotional heartstrings.

I'm not afraid to admit that Jake Gyllenhaal's Jamie is charming here.  It's not surprising to see why Anne Hathaway's Maggie who was adamant about not being in a "relationship" quickly falls for him.  Hathaway also exudes a wry sense of humor and isn't the least bit hesitant to show off her body (which certainly won't garner complaints from me).  The two of them have a good chemistry here during the film's first more humorous half.  Their two light-hearted personalities mesh quite well together.  However, neither Gyllenhaal nor Hathaway pulled me in enough to really give a damn when the film veered towards the dramatic during the final 45 minutes. 

It certainly doesn't help that the two actors are forced to change seemingly with the snap of the director and screenwriter's fingers from lighthearted romance to melodramatic disease-of-the-week Lifetime movie.  What should have ultimately been touching and moving doesn't work because it feels like we're watching two separate movies (and that's more the fault of director Ed Zwick and the trio of screenwriters including Zwick himself).  It also doesn't help that the latter half is peppered with unnecessary and poorly written jabs at the state of the American health care system.  These asides just come off as silly and desperate.

Still, I genuinely liked Love and Other Drugs for about an hour.  I found myself laughing at Gyllenhaal, Hathaway, and side players like Oliver Platt as Jamie's co-worker and Josh Gad as Jamie's brother (a character plopped into the film only to provide laughs...something I usually hate, but really kind of liked here).  I just wish the second half could have resonated with me instead of falling flat.

The RyMickey Rating:  C

Movie Review - Hereafter

Hereafter (2010)

Starring Matt Damon, Cécile De France, Frankie and George McLaren, Jay Mohr, and Bryce Dallas Howard
Directed by Clint Eastwood

At this point in time, I've seen about seven or eight Clint Eastwood-directed films.  And with the exception of maybe one, every single one of them is a complete bore.  Sure, Eastwood may be competent at composing a scene or evoking a mood, but I rarely am excited by his project choices and I'm certainly not impressed with his ability to keep a film moving at a steady clip.  Hereafter is no exception, unfortunately.  

Part of me wanted to see this movie because it's rare nowadays to get a mainstream Hollywood film that even touches upon issues of spirituality.  This flick is unabashedly about that -- this sense of "where do we go after we die."  That, in and of itself, is "ballsy" nowadays.  The script by Peter Morgan and the rather plodding direction by Eastwood just don't do the film any favors.  Broken up into three distinct segments that eventually come together rather anticlimactically in the film's final ten minutes, the film doesn't allow for any real sense of emotional connection with the characters, all of whom have gone through something traumatic which begs for us to really want to give a damn about these people.  Eastwood and Morgan, however, never allow the audience to really relate to the people onscreen.

Matt Damon is perfectly fine as a psychic who speaks to the dead.  Having given up on his craft, he finds himself being pulled back into that world by his caring, but overbearing and slightly money-hungry brother (a decent Jay Mohr).  Another storyline deals with Marie (Cécile De France), a French journalist vacationing in Thailand who gets swept away in a tsunami and has a near-death experience that connects her with the hereafter.  She becomes fascinated by the notion of afterlife and begins to investigate the concept.  Story #3 focuses on twin brothers Marcus and Jason (Frankie and George McLaren) who are living with their drug-abusing, alcoholic mother.  When Jason runs to a drug store to get medicine for his junkie mother, he gets hit by a truck and dies.  Marcus is rather devastated and tries to do all that he can to reconnect with his brother in a spiritual way.

Unfortunately, two of the three storylines just don't carry the emotional weight that they should and that's in part due to some lukewarm acting and just plain silly dialog (which, admittedly, could be because of some stupid subtitled translations from French to English).  Cécile De France seemed very distant to me and I never once felt bad for her character; I have to think that is in part due to her lack of connection with the character and storyline itself.  Also unfortunate is the fact that young Frankie and George McLaren, while adequate, just didn't deliver as well as they could have in what should have been the huge emotional arc of the movie -- I mean, a kid dies...that should've been freakin' tremendously sad and it wasn't.  Matt Damon's arc was probably the best and had a nice turn from Bryce Dallas Howard as a potential girlfriend.  However, considering his story only takes up a third of the movie, it simply isn't enough to carry the flick.

The RyMickey Rating:  D+

Movie Review - Conviction

Conviction (2010)

Starring Hilary Swank, Sam Rockwell, Minnie Driver, Melissa Leo, Peter Gallagher, and Juliette Lewis

Directed by Tony Goldwyn

There's nothing wrong necessarily with being a by-the-books drama.  Sure, it may not win you accolades, but sometimes a movie doesn't call for tricks or surprises.  Conviction, a true life drama about a man wrongly accused of murder and the sister who vowed to free him, doesn't have any tricks up its sleeve.  Unfortunately, it also doesn't have any emotional drive up its sleeve either and that ultimately knocks what is a perfectly acceptable film down a couple of notches.

In 1980 Massachusetts, a young woman is murdered and Kenny Waters (Sam Rockwell) is taken in for questioning related to the crime.  While nothing happens for two years, in 1982, Kenny is arrested and convicted of the murder.  Knowing in her heart that her brother is innocent, Betty Anne Waters (Hilary Swank) decides to head to law school to get a degree to help her brother appeal the ruling.  Things aren't easy for her and she finds herself having to jump over many legal hurdles, but, let's be honest here, there really wouldn't be a movie if things didn't turn out for the best.

And it's that inevitability that is part of the reason there isn't a huge emotional arc in play here.  To me, director Tony Goldwyn is to blame because he fails to let the strong brother-sister bond between Betty Anne and Kenny emotionally grab the viewer.  Yes, he tries, but there was nothing there to pull me in.  Instead, I was watching a perfectly adequate drama that felt a little more distant than it should.

That criticism said, all of the actors here are quite good.  Hilary Swank is perfectly suited for the working class, slightly rough-around-the-edges Betty Anne, and Sam Rockwell plays Kenny surprisingly tenderly  with enough hints of anger to make him a possible suspect.  Minnie Driver as Betty Anne's friend, Melissa Leo as the female cop attempting to make a name for herself with Waters' case, and Juliette Lewis as a witness for the prosecution all make the most of their roles as well.

Conviction is certainly a decent drama and one that was worth watching.  It's just that it could have been better had the director somehow created a more emotionally charged relationship between all parties involved.

The RyMickey Rating:  B-

Movie Review - Hot Tub Time Machine

Hot Tub Time Machine (2010)

Starring John Cusack, Clark Duke, Craig Robinson, Rob Corddry, Crispin Glover, and Chevy Chase

Directed by Steve Pink

Not once did I laugh while watching Hot Tub Time Machine.  Not once did I even let out a mild smirk.  Raunchy comedies that derive their humor from drugs and alcohol are always a tough sell for me and this one is no exception.  The only thing saving this from dipping as low as the awful The Other Guys is that all the actors here at least attempt to go for the comedy.  John Cusack, Clark Duke, Craig Robinson, and Rob Corddry as the quartet of guys who travel back to the eighties thanks to some crazy time warping hot tub tried their hardest to get me to laugh.  Unfortunately, I didn't.

And that's all I've got to say about this one.

The RyMickey Rating:  D

Movie Review - Nowhere Boy

Nowhere Boy (2010)

Starring Aaron Johnson, Kristin Scott Thomas, and Anne-Marie Duff

Directed by Sam Taylor-Wood

There's a reason I've held off on announcing the 2010 RyMickey Awards and it's because I want to give myself time to see these little movies like Nowhere Boy that I might not have had an opportunity to see last year.  [This film, for example, played for one week at the local cineplex and then vanished.]  What a nice pleasant surprise this biographical take of Beatles star John Lennon's late teen years is.

Aaron Johnson, perhaps best known up until this point as starring in the title role in 2010's Kick Ass, takes on the iconic John Lennon in this flick.  Of course, he's playing John Lennon as a seventeen year-old which was quite a ways before he and his mates made it big as perhaps the most popular music group of all time.  Here we find John living with his rather stern aunt Mimi (Kristin Scott Thomas) who, while only wanting what's best for her nephew, ends up stifling him creating a rather rambunctious youth.  John always wondered what happened to his mother and one day he discovers that she lives within walking distance from his house.  Finding the courage to face the mother who abandoned him as a youngster, John meets the rather free-spirited Julia (Anne-Marie Duff) for the first time in over a decade and soon begins to form a bond with her, much to the chagrin of her sister Mimi.

Anyone who has read this blog knows that the "biopic" is one of my least favorite genres, but Nowhere Boy succeeds where others have failed in that it focuses solely on five years of John Lennon's life.  We never even hear a Beatles song here.  Instead, this is a look at part of what shaped Lennon into the man he would become.  This brief glimpse into a short portion of his life is intriguing and shows fans something they may not have known about the singing superstar.

It also helps immensely that the film is carried by three really stellar performances.  Aaron Johnson is pretty great as Lennon, showcasing both emotional vulnerability and the necessary rock star swagger needed to be an aspiring teen idol.  Kristin Scott Thomas takes what could have been a stereotypical curmudgeonly role and turns it into something rather endearing.  Despite her icy demeanor, it's obvious that she cares for young John and wants to nurture him the best she can.

But perhaps the best role belongs to Anne-Marie Duff, an actress who is new to me, but delivers one heckuva performance as John's long lost mom, Julia.  She knows that John is in good hands with Mimi and she knows she herself wasn't quite fit to raise John a decade ago.  Having two daughters now and seemingly having settled down, John's re-emergence in her life seems to cause her to revert back to the crazier days of her youth which is obviously a detriment to her current family situation.  There's a twinkle in Julia's eyes whenever she's around John, but behind the happiness that Duff presents is a sorrow for having to be the "adult" that she is forced to be today.  This struggle is pivotal to the flick and Duff excels in every scene.

The RyMickey Rating:  A-

Movie Review - Animal Kingdom

Animal Kingdom (2010)

Starring James Frecheville, Guy Pearce, Joel Edgerton, Luke Ford, Sullivan Stapleton, Ben Mendelsohn, and Jacki Weaver

Directed by David Michôd

While Animal Kingdom certainly wasn't off my radar (what with Jacki Weaver's Supporting Actress nod at this year's Oscars), I wasn't expecting to be completely riveted while watching it...but riveted I was.  This Australian modern-day crime drama slowly reveals its diabolical and surprising cards at just the right moments, creating an ominous tone throughout and proving that, along with 2010's release of the superb The Square, Australia is the new breeding ground for excellent thrillers.

Ultimately, I don't want to give much away here.  It's great to see this film unfold without knowing a whole lot, so I'll simply say what I knew going into it.  Seventeen year-old Josh Cody (James Frecheville) is left orphaned when his mother overdoses on heroin.  Not knowing where to turn, he calls his grandmother Janine (Jacki Weaver) whom he hasn't seen in years.  The outwardly pleasant Janine takes the teen into her home which she shares with her sons who all happen to be mixed up in various crimes, from robbing banks to selling drugs.  That's it.  That's all I knew...that's all you should know...now move this thing up towards the top of your Netflix queue.

First-time director David Michôd does a great job here.  Lensing his own screenplay, I was honestly amazed at how many times I was genuinely surprised by the direction the film veered.  And to keep things nervously tense for two hours is not an easy feat, but Michôd makes it seem like a piece of cake.

Of course, helping keep things interesting is Michôd's cadre of talented actors, including newcomer James Frecheville as Josh, who, much like the lead in the aforementioned The Square, plays things extremely solemn and gloomy, but manages to hold our attention nonetheless.  Couple his glumness with Jacki Weaver's exuberance (and the underlying sheer nastiness underneath the pleasant façade) and you've got a pretty nifty duo to watch.  But it would be a disservice not to direct your attention to the actors I list above underneath the title at the top of this post because everyone in this Australian crew is darn good.  Particular kudos to Ben Mendelsohn who managed to truly skeeve me out every time he came onscreen.

Despite a slight bit of a lag in the film's first act, Animal Kingdom is absolutely a must-see and one of the best films of 2010.  I doubt you'll be disappointed if you check it out.

The RyMickey Rating:  A-