Movie Review - Miss Peregrine's Home for Peculiar Children

Miss Peregrine's Home for Peculiar Children (2016)

Starring Eva Green, Asa Butterfield, Samuel L. Jackson, Rupert Everett, Allison Janney, Chris O'Dowd, Terence Stamp, Ella Purnell, and Judi Dench

Directed by Tim Burton

Things started out so positively in the titularly long-winded Miss Peregrine's Home for Peculiar Children that I thought Tim Burton may had finally found himself back on the positive side of things after giving us such directorial dreck as Alice in Wonderland, Dark Shadows, and Big Eyes over the past decade.  Unfortunately, the eerie quirkiness that is the staple of the director's work hinders things here rather than helping which causes the film to falter after an incredibly promising opening thirty minutes.  That said, perhaps my disappointment with the film isn't fully Burton's fault -- I had actually read this young adult novel upon which this was based and found it oddly un-compelling considering its unique subject matter so maybe enjoyment of this work as a cinematic experience was never in the cards for me in the first place.

Grandpa Abe (Terence Stamp) has for years regaled his grandson Jake (Asa Butterfield) with WWII stories in which he says he spent a great deal of time at Miss Peregrine's Home for Peculiar Children in Wales.  The tales of the odd kids that inhabited the house stuck with Jake and following his grandfather's unfortunate and odd death, Jake and his father (Chris O'Dowd) travel to Wales to try and give them both some closure.  The exposition-filled opening act was impressively tailored by Burton to give the film a quirky vibe which, while successful initially, begins to teeter upon Jake's arrival in Wales.  Upon arriving, Jake discovers that the home of his grandfather's stories was destroyed in an air raid during the 1940s, but when he visits the house, he is greeted by a group of children who end up taking him through a time portal and back in time to September 3, 1943, where he meets the caretaker of both the home and the children residing in it -- Miss Peregrine (Eva Green).  Jake is told that Miss Peregrine has the unique ability to manipulate time and, because of this, she has created a world in which the children under her care relive the same day -- September 3, 1943 -- over and over again.  Their peaceful existence seems quaint enough, but Jake soon discovers that not everyone is happy with Miss Peregrine's abilities and there may be some other "Peculiars" who would like to see her home cease to exist.

Ultimately, Miss Peregrine's Home for Peculiar Children becomes too bogged down in convoluted plot to really land successfully.  If that summary above proved a bit twisted, it's frankly much more complicated than that.  Sure, there are some nice performances which help the whole affair.  Eva Green in particular, who I've not like in the past, is charmingly odd and it works incredibly well. Asa Butterfield is somewhat of a blank slate, but I think that works for his character here (much like his role in Hugo) as he is faced with the absurdity of what he encounters.

And Burton himself really tries as a director to make the picture a success.  Despite not liking the movie all that much, this is Burton's best turn behind a camera in years.  He successfully created the world in which these characters exist -- unfortunately, the world is just a bit too confusing to succeed itself.  While not an out-and-out failure, Miss Peregrine's Home for Peculiar Children ultimately is a disappointment.

The RyMickey Rating:  C

Movie Review - A Brilliant Young Mind

A Brilliant Young Mind (2015)

Starring Asa Butterfield, Rafe Spall, Sally Hawkins, Eddie Marsan, Jo Yang, Martin McCann, and Alex Lawther

Directed by Morgan Matthews

Up front, I think I must say that the film A Brilliant Young Mind found itself at a disadvantage for this reviewer seeing as how I recently saw the Broadway production of The Curious Incident of the Dog in the Night-Time.  Both tackle an incredibly similar premise - a young boy on the autism spectrum loses a parent, fails to connect with his remaining parent, and, thanks to the help of a teacher, turns to the patterns in math to become more communicative with society - but seeing something unfold live (and unfold live in a rather ingeniously staged way) will always hold the upper hand and that's certainly the case here.  A Brilliant Young Mind is very well acted by the entire cast, but it lacks the emotional gravitas that I wanted and it obviously desired to achieve.

Asa Butterfield is Nathan Ellis, an autistic teen who had a strong connection with his father Michael (Martin McCann) only to have the relationship shattered by a horrible car accident when Nathan was younger.  With his father dead, Nathan's mom Julie (Sally Hawkins) finds her son distant and unwilling to emotionally interact with her, but she also recognizes his innate ability with mathematics.  Sensing this strength, she enrolls Nathan (played at this age by Edward Baker-Close) in a few specialized math classes under the tutelage of Martin Humphreys (Rafe Spall), a bit of a curmudgeonly teacher who is dealing with his own medical problem of an onset of multiple sclerosis.  Under Martin's teachings, Nathan blossoms intellectually (though not particularly socially) and Martin pushes Nathan to try out for a prestigious worldwide mathematics olympiad which forces Nathan to step out of his comfort zone and work with teens his own age.

As mentioned, A Brilliant Young Mind is well-acted and that's undoubtedly one of the reasons I found myself interested in the story.  Young Butterfield is compelling, Rafe Spall gives the film a nice comedic touch, and Sally Hawkins continues to be one of the more underrated actresses of this era.  However, their performances aren't enough to boost the desired emotional impact I wanted and didn't get from the film.  I wanted the chasm between mother and son to really hit home, but this key aspect of the story didn't make it there for me.  Once again, I do think the film was at a disadvantage as I simply saw a better telling of a similar story a short time ago.  That said, had the film achieved the pivotal and necessary dramatic moments, it still would've felt like a successful cinematic experience.  As it stands now, A Brilliant Young Mind is just a little better than fair.

The RyMickey Rating:  C+

Movie Review - Ender's Game

Ender's Game (2013)

Starring Asa Butterfield, Harrison Ford, Hailee Steinfeld, Abigail Breslin, Ben Kingsley, and Viola Davis

Directed by Gavin Hood

Fifty years prior to the events that start unfolding in Ender's Game (which, in turn, takes place many years in the future), an alien race of bug-like creatures known as the Formics attacked Earth, killing millions.  During that attack, the mysterious and elusive fighter pilot Mazer Rackham seemingly sacrificed himself by ramming into one of the alien spacecrafts which caused the attack to stop and the Formics to retreat for some unknown reason.

For the subsequent fifty years, the Formics have remained quiet on their home planet, but they appear to be building their army for another attack.  The US military has started a program recruiting intelligent young folks to become commanders of their aviation fleet.  In the program, the young recruits study the work of Mazer Rackham as well as taking part in virtual reality simulations that prepare them to work as a team as well as become cognizant of the mind of the enemy.  One of these recruits is Andrew "Ender" Wiggin (Asa Butterfield) and director/screenwriter Gavin Hood's film tells his tale.

Although Ender's Game does a decent job placing us into the mindset of a young teen being forced to deal with the heaviness of "saving his home planet," there's surprisingly very little tension created.  The biggest reason for this is because we really aren't witness to any battles between the Formics and humans.  Everything is set up as a virtual "game" of sorts and after seeing the umpteenth practice by Ender and his fellow recruits, you find yourself getting antsy from boredom.  While the special effects are okay, they aren't enough to keep your mind off the fact that we're just watching kids train and not seeing anything that really holds any significant merit.

In addition, I'm not quite sure Asa Butterfield was properly cast as the title character -- one who needs  to convey strength and hutzpah in order succeed in the way his character does.  I liked Butterfield very much in Hugo where his wide-eyed wonderment perfectly fit in that film's aesthetic.  Here, he's just a bit too timid-looking to convince me that he could rally the troops (so to speak).  Admittedly, that's kind of the point -- here's a non-muscular, kinda brainy kid who takes these more fit and stereotypically more appropriate recruits and molds them into spectacular soldiers -- but something just never quite clicked for me with Butterfield's performance and character.

Ender's Game probably has quite a bit it wants to convey in terms of promoting peace instead of war -- Ender finds himself emotionally conflicted with this notion throughout the entire film -- but it doesn't succeed all that well on that front.  Instead, any grand intentions of created something deep and meaningful fall flat.  That isn't to say that Ender's Game lands with a thud, but I can't say that I'd look forward to seeing any sequels made.

The RyMickey Rating:  C-

Movie Review - Hugo

Hugo (2011)

Starring Asa Butterfield, Chloe Grace Moretz, Ben Kingsley, Sacha Baron Cohen, Emily Mortimer, Christopher Lee, Michael Stuhlbarg, Helen McCrory, Frances de la Tour, Richard Griffiths, and Jude Law

Directed by Martin Scorsese

Perhaps Hugo means a bit more to me, a guy who studied a bit of film in college, than the average viewer, but your ever so humble reviewer found Martin Scorsese's homage to early cinema a visual treat, a fanciful adventure, and a bit of a cinematic film lesson all wrapped into one.  Admittedly, I'm not a Martin Scorsese devotee (I've maybe seen six of his movies and most of those are from the last decade), but it doesn't take a rocket scientist to know that Hugo's whimsical and gentle nature is not a style that would typically be attributed to the much-lauded director.  Still, while Hugo is certainly a film that you can take the whole family to watch, it shouldn't be mistaken for a "kiddie" picture.  Instead, its message about preserving film history for future generations hit a nerve in this filmgoer who already misses the pre-digital days pined over in Hugo in which the actual flickering of a shutter flashed light onto a silver screen in a darkened room.

When young Hugo Cabret's (Asa Butterfield) father passes away, he is sent to live with his uncle in a small "apartment" behind the gears of the giant clock in a huge Parisian train station.  Hugo spends his day fixing and setting the various clocks in the station while also snatching up a few croissants and bottles of milk for a bit of sustenance always being mindful of the Station Inspector (Sacha Baron Cohen) whose goal in life seems to be snatching up orphaned children and sending them to the dreaded orphanage.  On one afternoon, Hugo attempts to steal a toy from the toy shop in the station run by Georges (Ben Kingsley) only to find himself caught by the grumpy owner who forces Hugo to work for him rather than turn the kid over to the Inspector.  As Georges begins to discover some of Hugo's secrets, Hugo and his new friend, Georges's goddaughter Isabelle (Chloe Grace Moretz), begin to discover a few secrets about Georges as well which explain why he is the curmudgeon that he is.

While appearing to be a simple tale, there's great depth here as (SPOILER ALERT) Georges is discovered to the famous filmmaker Georges Mélies who magically created some of the earliest, yet hugely complex for their time, cinematic tales.  A true visionary, Hugo turns into a beautiful remembrance of this oft-forgotten director (and older cinema in general), with Scorsese giving time onscreen to such classics as Mélies's  Le voyage dans la lune (from 1902) and the 1923 Harold Lloyd-starring Safety Last.  By acknowledging what came before him and embracing the simplicity of those earlier tales while at the same time crafting a completely "modern" tale utilizing beautiful 3D technology and computer effects, Scorsese has made a film with a lovely blend that balances both the past and the present.

Along with some stunning visuals, Scorsese has culled some very nice performances from Chloe Moretz (of Let Me In fame) and Asa Butterfield, the latter of whom uses his wide eyes to convey moments of both heartbreaking sadness and ebullient joy.  Ben Kingsley as the famous director who had to give up his passion is at first a tiny bit off-putting in his sheer grouchiness, but as his tale is slowly unraveled, his character is given much more depth than I ever could have expected at the film's outset.  [There's an extended sequence where Georges details the reasons he was forced to give up filmmaking that is touchingly handled by both Kingsley and Scorsese.]  Sacha Baron Cohen adds an appropriate amount of humor and there are some lovely small supporting turns from Emily Mortimer, Frances de la Tour, and Richard Griffiths whose roles as Parisian train station customers and workers brought a smile to my face.

2011 (or more specifically that final two months of 2011) seems to be a year where films about moviemaking have been given a chance to shine.  From My Week with Marilyn to The Artist, it's been a treat for a film lover.  Hugo is the latest addition to that mix and it's a beautifully crafted film to watch with a charming story to admire as it unfolds.  Time to go and watch some more Mélies...those few college film class viewings weren't nearly enough.

The RyMickey Rating:  A