The Longest Week (2014)
Starring Jason Bateman, Olivia Wilde, Billy Crudup, Jenny Slate, and Tony Roberts
Directed by Peter Glanz
***This film is currently streaming on Netflix**
Throughout a large chunk of debut director-screenwriter Peter Glanz's comedy The Longest Week, I found myself with the embryonic beginnings of a smirky smile, but it never really came to fruition even once. The pieces were sort of there for success -- Glanz borrows heavily in stylization from 2000s era Wes Anderson and in writing from 1970s era Woody Allen -- but nothing ever quite fits into place enough to elicit laughs or other emotions.
A love triangle, The Longest Week tells the tale of ladies' man Conrad Valmont (Jason Bateman) who after years of living on his rich parents' dime is kicked out of his ritzy New York City apartment when they suddenly plan on getting divorced. Conrad heads over to the abode of his friend Dylan (Billy Crudup), but on the subway ride meets Beatrice (Olivia Wilde) and instantly falls for her. Later that evening at an art show, Conrad discovers that Beatrice is Dylan's new girlfriend which creates a conundrum for Conrad as to whether to pursue his newfound infatuation.
Despite adequate attempts to breathe life into the script by the trio of aforementioned actors, The Longest Week simply doesn't quite land in the way that the writer-director wants. While I do think there's a clever absurdity there in the eye and the pen of Peter Glanz, he doesn't achieve it in his debut. While I'd certainly take a look at his next feature, The Longest Week disappoints.
A love triangle, The Longest Week tells the tale of ladies' man Conrad Valmont (Jason Bateman) who after years of living on his rich parents' dime is kicked out of his ritzy New York City apartment when they suddenly plan on getting divorced. Conrad heads over to the abode of his friend Dylan (Billy Crudup), but on the subway ride meets Beatrice (Olivia Wilde) and instantly falls for her. Later that evening at an art show, Conrad discovers that Beatrice is Dylan's new girlfriend which creates a conundrum for Conrad as to whether to pursue his newfound infatuation.
Despite adequate attempts to breathe life into the script by the trio of aforementioned actors, The Longest Week simply doesn't quite land in the way that the writer-director wants. While I do think there's a clever absurdity there in the eye and the pen of Peter Glanz, he doesn't achieve it in his debut. While I'd certainly take a look at his next feature, The Longest Week disappoints.
The RyMickey Rating: D+
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